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Maestro! by Roger Cichy. Arranged by Geoffrey Brand. For Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1, Oboe 2/English Horn, Bassoon 1, Bassoon 2, Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3, Bass Clarinet, Contrabass Clarinet, Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone, Baritone Saxophone, Horn in F 1, H). Band Music. Grade 4. Score and parts. Duration 11:30. Published by C. Alan Publications (CN.14060). Commissioned by the Indiana University Department of Bands and dedicated to Ray Cramer.
$138.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, English Horn, Double Bass, Woodwinds, Clarinet, Saxophone, Strings
Divertimento for Band. (Full Score and Parts). By Vincent Persichetti (1915-1987). Concert Band. For Piccolo, Flute I, Flute II, Oboe I, Oboe II, English Horn, Clarinet I, Clarinet II, Clarinet III, Alto Clarinet, Bass Clarinet, Bassoon I, Bassoon II, Alto Saxophone I, Alto Saxophone II, Tenor Saxophone, Baritone Saxophone, Cornet I, Cornet II, Cornet II. Classical. Score and Set of Parts. Standard notation. Opus 42. 47 pages. Duration 11 minutes. Published by Theodore Presser Company (PR.135410140). With Standard notation. classical.
$138.00

Pages: 47
Instruments: Piccolo, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, English Horn, Cornet, Flute, Woodwinds, Clarinet, Saxophone, Trumpet, Brass
Genres: Classical, 20th Century
Cuico. (Percussion Trio Feature). By Gregory Danner. For Soloist(s) with Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet, Bassoon, Eb Alto Saxophone 1, Eb Alto Saxophone 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, F Horn 1/2, F Horn 3/). Band Music. Grade 4. Score and parts. Duration 14:50. Published by C. Alan Publications (CN.15790). Cuico - Concerto for Three Percussion & Wind Ensemble was written for the Caixa Trio (Julie Davila, Julie Hill, and Amy Smith) and the Tullahoma (TN) High School band, Stephen and Marion Coleman, directors. The composition dramatically portrays an Aztec creation myth on the origin of music. As a practical concern, it should be noted that the standard concert band percussion instruments have been divided between the percussion soloists and ensemble, so no additional equipment will normally be required. In the Aztec Nahuatl language the word "Cuico" means "to sing." A 16th century Nahua poem describes the myth in great detail. Below is a summary of that poem, taken from Irene Nicholson's book "Mexican and Central American Mythology."Tezcatlipoca--god of heaven and of the four quarters of the heavens came to earth and was sad. He cried from the uttermost depths of the four quarters: "Come, O wind!"The wind rose higher than all things made, whipping the waters of the oceans and the manes of the trees, and arrived at the feet of the god of heaven. Then spoke Tezcatlipoca:"Wind, the earth is sick from silence. Though we possess light and color and fruit, yet we have no music. We must bestow music on all creation. Go then through the boundless sadness to the high House of the Sun. There the father Sun is surrounded by makers of music. Go, bring back to earth a cluster--the most flowering--of those musicians."Wind traveled the silent earth until he reached the sun, where all melodies lived in a nest of light. When the Sun saw the wind approaching he told his musicians: "Here comes that bothersome wind of earth: Stay your music! Cease your singing! Answer him not!" Wind with his dark voice shouted: "Come, O musicians!"None replied.The clawing wind raised his voice and cried:"Musicians, singers! The supreme Lord of the World is calling you!"Now the musicians were silent colors; they were a circling dance held fast in the blinding flame of the Sun. Then the wind waxed his wrath. Flocks of cloud, stabbed and torn by lightning assembled to besiege the House of the Sun. His bottomless throat let loose the thunder's roar. A great battle ensued. Spurred on by fear, the musicians ran for shelter to the wind's lap. Bearing them gently, the wind set out on his downward journey. Below, Earth raised its wide dark eyes to heaven and its great face shone, and it smiled. When all that flutter of happiness landed on earth, the Suns musicians spread to the four quarters. Thus did all things learn to sing: the awakening dawn, the dreaming man, the waiting mother, the passing water and the flying bird. Life was all music from that time on.The music interprets this story in five sections:Part 1. . . . and Tezcatlipoca saw the earth was void of song. The music for this section is fairly abstract and fragmented, with a mixture of tonal and atonal ideas exchanged between soloists and ensemble. Part 2. Wind traveled the silent earth in search of music until he reached the Sun.Here the solo percussion (marimbas and vibraphone) present a layered ostinato, increasing in complexity in counterpoint to a simple melodic theme developing in the ensemble.Part 3. The Suns' musicians were a circling dance, held fast in his blinding flame. This section is a furious dance, featuring each individual percussionist (timpani, congas, toms) in an extended solo.Part 4. The Sun refuses the Wind--a great battle ensues.Here the solo percussion and the ensemble percussion join in a hard-driving rhythmic ostinato, while the winds present two powerful themes in counterpoint.Part 5. Wind prevails and music spreads to the four quarters of the earth. Thus did all things learn to sing: the awakening dawn, the dreaming man, the waiting mother, the passing water and the flying bird.This final section is a joyous conclusion, beginning with a simple melody in the solo xylophone and developing throughout with solo percussion and full ensemble statements to an exciting and jubilant ending.
$138.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Westward Sentinal. (Euphonium Feature). By Kimberly Archer. For Soloist(s) with Concert Band (Solo Euphonium, Piccolo, Flute 1, Flute 2, Oboe 1, Oboe 2, Bassoon 1, Bassoon 2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet, Eb Alto Saxophone 1, Eb Alto Saxophone 2, Bb Tenor Saxophone, Eb Baritone Saxophone, C Trumpet 1, C Trumpet 2, ). Band Music. Grade 5. Score and parts. Duration 14:45. Published by C. Alan Publications (CN.15750). From the very first time I saw it with my own eyes, driving through St. Louis in 2000, I have been enthralled by the Gateway Arch: its almost incomprehensible size, its timeless simplicity. When asked to write a piece of music celebrating the Arch and its 40th anniversary, I was overwhelmed. There's simply too much to express, from its connections to Thomas Jefferson and the Lewis and Clark expedition through the amazing architectural, engineering, and construction work that brought it to life. How is it possible, in only one musical work, to capture all of that, much less the majesty of the Arch on a perfect fall day, or backlit by July fireworks, or gently illuminated, silent in the snow?Finally, I realized that rather than try to merely describe the Arch or comment on its history, I would need to explore my personal relationship with it, as a resident of the St. Louis metro area. Therefore, although Westward Sentinel is not exactly programmatic, there are a few images that stayed in my mind as I composed:The first section of the piece speaks to my relationship with the Midwest. I am a native of northern Illinois, where I grew up surrounded by cornfields. This is a significant personal image, of which I have only recently become aware: to stand alone and at peace in the center of a July cornfield under an endless blue sky, breathing the warm summer air, where the only sounds are the subtle hum of insects and the wind rustling the leaves. Now, in my southern Illinois home, there is still corn, but I can also actually see the Arch on the western horizon. Obviously, that changes the feel of my home: with the presence of the Arch, however distant, comes the promise of bustling, urban St. Louis. It is a stark contrast to what I feel as my roots and my place in the world, and yet the Arch definitely calls to me.I love to drive into St. Louis on I-64. The second section of the piece speaks to this journey. Along that stretch of highway between Edwardsville and downtown St. Louis, the Arch teasingly ducks behind hills and buildings, only to burst back into sight, sparkling in the sun. Then, where I-64 crosses the Mississippi River, the first sight of the Arch in its entirety - steadfast at its post on the western bank, looming over the highway - is nothing short of glorious!Finally, there is the first breathless moment of standing at the base of the Arch, trying to take in its enormity. That's impossible - it's so big! I will always remember the first time I did this, though; all I could think was, "Wow . . .."And then the trip home, with the Arch at my back: a reassuring guardian, a westward sentinel.
$138.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Euphonium, C Trumpet, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Zarabanda. (Xylophone/Marimba Feature). By Joseph Turrin (1947-). For Soloist(s) with Concert Band (Solo Percussion, Piccolo, Flute 1-2, Oboe 1-2, Bassoon 1-2, Clarinet in Eb, Clarinet in Bb 1-3, Bass Clarinet, Alto Saxophone 1-2, Tenor Saxophone, Baritone Saxophone, Horn in F 1-4, Trumpet in Bb 1-5, Trombone 1-3, Euphonium, Tuba, Contrabass, Percussion). Grade 4. Score and parts. Duration 5:00. Published by C. Alan Publications (CN.16430). I composed Zarabanda for a Latin American recording project with RCA Records and percussionist Evelyn Glennie. Although the recording project was never realized by RCA, I decided that the work would make a wonderful vehicle for Ms. Glennie along with wind ensemble accompaniment.The piece is in several sections with a Latin style rhythm that occasionally gets interrupted by accented outbursts from the ensemble. The soloist alternates between the xylophone, for the more accented staccato passages and scales, and the marimba, for the more melodic material. As the piece develops and moves from section to section, new rhythmic and melodic ideas are introduced. The piece culminates with a bravura cadenza - the soloist performing rapid-fire staccatos and scales on the xylophone. There is also an optional cadenza, which calls for the additional skills of playing the timbales, bongos, tom-toms, and conga drum. The piece concludes with a quick coda as the solo xylophone and ensemble build a fiery rhythmic syncopation. There are more rapidly accented staccatos, a quick scale, and the final bar.The zarabanda is a late 16th and 17th century Spanish dance in a lively alternating 6/8 and 3/4 time. Some evidence suggests that the zarabanda originated in the Spanish colonies in America, making it the first popular Latin American dance. Other evidence seems to suggest an African origin. A possible scenario might be that the zarabanda was brought to Spain by the Moors during the 12th Century, but was heavily modified by American influences during the early 16th Century.The zarabanda and its French descendant, the sarabande, were very different dances. While the French dance was a slow dance in 3/4 time, the Spanish original was very lively, alternating between 6/8 and 3/4 time. In the beginning, the zarabanda was considered very indecent. Cervantes writes about the "diabolic zarabanda" in one of his short stories, and in 1583, a law was passed against singing the zarabanda. The penalties for breaking it were banishment for women and 200 whiplashes and 6 years of galley service for men.
$138.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, Double Bass, B-Flat Trumpet, Trombone, Euphonium, Percussion, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Strings, Trumpet
Illuminations. (Trombone Feature). By Joseph Turrin (1947-). For Soloist(s) with Concert Band (Solo Trombone, Piccolo, Flute 1-2, Oboe 1-2, English Horn, Eb Clarinet, Bb Clarinet 1-3, Bass Clarinet, Contrabass Clarinet, Bassoon 1-2, Alto Saxophone 1-2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1-5, F Horn 1-4, Trombone 1-2, Euphonium, Tuba, D). Grade 5. Score and parts. Duration 17:00. Published by C. Alan Publications (CN.17010). Illuminations was written for trombonist Joseph Alessi and commissioned by the following consortium:University of New Mexico Wind Symphony: Eric Rombach-Kendall, ConductorArizona State University Bands: Gary W. Hill, ConductorHope College Wind Symphony: Steven Ward, ConductorMichigan State University: John Whitwell, Director of BandsUniversity of Missouri-Kansas City: Dr. Sarah McKoin, ConductorUniversity of Oregon Wind Ensemble & the Robert Vagner Memorial Fund: Robert Ponto, Director of BandsUniversity of Toledo Wind Ensemble: Brant Karrick, ConductorYale Concert Band: Thomas C. Duffy, Music Director.
$138.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, English Horn, Double Bass, B-Flat Trumpet, Trombone, Euphonium, Tuba, Woodwinds, Clarinet, Saxophone, Strings, Trumpet, Brass
Bolero by Maurice Ravel (1875-1937). Arranged by Geoffrey Brand. For Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1, Oboe 2/English Horn, Eb Clarinet, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Eb Alto Clarinet, Bb Bass Clarinet, Bassoon 1/2, Alto Saxophone 1/Bb Soprano Saxophone, Alto Saxophone 2, Tenor Saxophone, Baritone Saxophone). Grade 5. Score and parts. Duration 16:00. Published by C. Alan Publications (CN.R10294). During the time I was working on this arrangement of 'Bolero' for wind orchestra I was given a copy of the book 'Musicophilia - Tales of Music and the Brain' by Oliver Sacks. Within its pages I was confronted with the information the "Maurice Ravel, the composer, suffered in the last years of his life from a condition...which would probably now be diagnosed as a form of frontotemporal dementia." Later, Professor Sacks "wonders, indeed, whether Ravel was on the cusp of dementia when he wrote his 'Bolero,' a work characterized by the relentless repetition of a single musical phrase dozens of times, waxing in loudness and orchestration but with no development."My curiosity was roused, and remains so, as to how different 'Bolero' might have been had it been written earlier in Ravel's life?
$138.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Soprano Saxophone, Tenor Saxophone, Bassoon, English Horn, Woodwinds, Clarinet, Saxophone
Genres: Impressionism, 20th Century, Classical
Sea Dreams by Derek Bourgeois (1941-). Arranged by Mikkelson. For Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1, Oboe 2, English Horn, Eb Clarinet, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 1, Bb Bass Clarinet, Bassoon 1, Bassoon 2, Contra Bassoon, Eb Alto Saxophone 1, Eb Alto Saxophone 2, Bb Tenor Saxophone, Eb Baritone Saxophone,). Grade 5.5. Score and parts. Duration 15:00. Published by C. Alan Publications (CN.R10307). Sea Dreams was originally a commission, in 2007, from an American University who wanted me to write a piece in memory of my first wife, Jean, who died in 2006. I set about writing the music and quickly completed the score early in 2008, but, unfortunately, because of the sudden collapse in the worldwide financial markets the commission itself fell through.The music draws on three of the pieces that I had written for Jean in the early days before we were married, namely two violin sonatas (she was a violinist) and the 'Serenade' Opus 22 one of my most popular pieces. However the bulk of the music is new, and the quotes from these early pieces are subtle and merely passing references, not at all like the originals.After an introduction, which is not heard again until the end of the piece, the music becomes a rondo allegro, and gradually builds to a big climax. At the very end there is an oblique reference to the Liebestod of Wagner's Tristan and Isolde.Sea Dreams was premiered by Birmingham Symphonic Winds, conducted by Keith Allen, on Saturday March 20th 2010 at the CBSO Centre, Birmingham, England.
$138.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, English Horn, Woodwinds, Clarinet, Saxophone
Genres: 20th Century, Classical
Concerto by Roland Szentpali. For tuba and wind band (piccolo, 2 flutes, 2 oboes, Eb clarinet, 3 Bb clarinets, bass clarinet, 2 bassoons, soprano saxophone, alto saxophone, tenor saxophone, baritone saxophone, 3 trumpets, 4 horns, 2 trombones, bass trombone, euphonium, tuba, contrabass, timpani, percussion). Contemporary. 5-6. Parts. Composed 2002/2006. Duration 17'. Published by Editions BIM (ET.TU96F).
$137.50

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Soprano Saxophone, Tenor Saxophone, Bassoon, Horn, Double Bass, B-Flat Trumpet, Bass Trombone, Euphonium, Percussion, Timpani, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Strings, Trumpet, Trombone
Genres: Classical
$137.19

Instruments: Saxophone, Woodwinds
L'Arlesienne Suite 1. Set of parts (includes strings 4/4/3/2/2) by Georges Bizet (1838-1875). Arranged by F. Hoffmann. For 22 (English Horn) 22, alto sax; 4430; Timpani, Percussion, Harp/Piano; strings. Set of parts (includes strings 4.4.3.2.2). Duration 15:00. Published by Broude Brothers (BB.BI698P).
$135.00

Instruments: Piano, Alto Saxophone, English Horn, Harp, Percussion, Timpani, Piano and Keyboard, Saxophone, Woodwinds, Strings
L'Arlesienne Suite 2. Set of parts (includes strings 4/4/3/2/2) by Georges Bizet (1838-1875). Arranged by F. Hoffmann. For 2 (Piccolo) 2 (English Horn) 22, alto sax; 4430; Timpani, Percussion, Harp/Piano; strings. Set of parts (includes strings 4.4.3.2.2). Duration 15:00. Published by Broude Brothers (BB.BI699P).
$135.00

Instruments: Piano, Piccolo, Alto Saxophone, English Horn, Harp, Percussion, Timpani, Piano and Keyboard, Flute, Woodwinds, Saxophone, Strings
Louise Di Montfoort (Scene et Air). By M. Bergson. Arranged by K. Veenendaal. For Fanfare Band. Little Solo concerts / Clarinet Solo and Wind Band / Saxophone Solo and Wind Band. Solo and Band Series. Grade 4. Score and Parts. Published by Molenaar Edition (ML.020279050).
$134.95

Instruments: Saxophone, Woodwinds
Blues For Bessie. (Trumpet, Alto Saxophone and Band). By Kees Vlak. For Fanfare Band. Slow Fox / Real Big Band Sound / Little Solo concerts / Various Solo / Saxophone Solo and Wind Band / Trumpet/ Cornet/ Flugel horn/Baritone Solo and Wind Band. Solo and Band Series. Grade 2. Score and Parts. Published by Molenaar Edition (ML.021751050).
$134.95

Instruments: Alto Saxophone, B-Flat Trumpet, Cornet, Flugelhorn, Saxophone, Woodwinds, Trumpet, Brass
Genres: Blues, Jazz & Blues
Chanson Pour Milan. (Solo For Alto Sax). By Tonny Eyk. For Fanfare Band. Original Pieces / Original Works Light Music Repertoire / Little Solo concerts / Saxophone Solo and Wind Band. Solo and Band Series. Grade 3. Score and Parts. Published by Molenaar Edition (ML.022111050).
$134.95

Instruments: Alto Saxophone, Saxophone, Woodwinds
Dreams. (Alto Saxophone and Band). By Rodney Parker. For Fanfare Band. Little Solo concerts / Saxophone Solo and Wind Band / Original Pieces. Solo and Band Series. Grade 3. Score and Parts. Published by Molenaar Edition (ML.022113050).
$134.95

Instruments: Alto Saxophone, Saxophone, Woodwinds
Parallel Planes. (for Alto/Soprano Saxophone Soloist and Chamber Orchestra). By David N. Baker. For Soprano Saxophone, Chamber Orchestra, Alto Saxophone (Score). LKM Music. Hal Leonard #X071016. Published by Hal Leonard (HL.40642).
$134.95

Instruments: Soprano Saxophone, Saxophone, Woodwinds
New in 2010--premiered at the '09 World Saxophone Congress in Bangkok by Thomas Liley and members of the Thailand Philharmonic Orchestra.
$134.95

Instruments: Saxophone, Woodwinds
Rituals by Robert Baksa. For Saxophone Quartet. Score and parts. Published by Composers Library Editions (PR.494028520).
$134.75

Instruments: Saxophone, Woodwinds
This concerto for soprano saxophone and wind ensemble is based on the tragedy of the Apollo 1 mission, in which a fire swept through the command module during a preflight test on January 27, 1967. All three astronauts onboard were killed, including Gus Gr
$134.49

Instruments: Saxophone, Woodwinds
Two Lyric Pieces by Edvard Hagerup Grieg. Arranged by John Constantine. Concert Band. For Piccolo, Flute I, Flute II, Oboe I, Oboe II, Eb Clarinet, Bb Clarinet I, Bb Clarinet II, Bb Clarinet III, Eb Alto Clarinet, Bb Bass Clarinet, Eb Contrabass Clarinet, Bassoons, Eb Alto Saxophone I, Eb Alto Saxophone II, Bb Tenor Saxophone, Eb Baritone Saxo. Contemporary. Score and Set of Parts. Standard notation. Opus 12, Number 6,8. 16 + pages. Duration 2 minutes, 30 seconds. Published by Theodore Presser Company (PR.115401010). With Standard notation. contemporary.
$134.27

Instruments: Piccolo, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Double Bass, Flute, Woodwinds, Clarinet, Saxophone, Strings
Vendre le Vent by Vinko Globokar. Mixed Ensemble, Contemporary Large Ensemble/Orchestra. For [1(Piccolo & Alto flute).1(English Horn).1(Clarinet in Eb & Bass claromet).Alto saxophone (Baritone saxophone).1(Contrabassoon)-1.1.1.1], Percussion, Piano. Modern. Score. Duration 35 minutes. Published by Edition Peters (PE.P08347).
$134.00

Instruments: Piano, Piccolo, E-Flat Clarinet, Alto Saxophone, Baritone Saxophone, Bassoon, English Horn, Percussion, Piano and Keyboard, Flute, Woodwinds, Clarinet, Saxophone
Louise Di Montfoort (Scene et Air). By M. Bergson. Arranged by K. Veenendaal. For Concert Band. Little Solo concerts / Clarinet Solo and Wind Band / Saxophone Solo and Wind Band. Solo and Band Series. Grade 4. Score and Parts. Published by Molenaar Edition (ML.010279050).
$133.95

Instruments: Saxophone, Woodwinds