All By Myself by E. Carmen & Rachmaninoff / Celine Dion. Arranged by Alain Crepin. For Saxophone Ensemble. Pop music. Medium. Score and set of parts. Duration 4:09. Published by Bernaerts Music (B1.020001-SAX).

Greased Lightnin' (from Grease) (Saxophone Quartet or Ensemble). By Jim Jacobs and Warren Casey. Arranged by Roger Holmes. Score & Parts. Pops For Ensembles Level 2.5. Grade 2-3. Published by Hal Leonard (HL.4157688).

Radetzky March (Full Score and Parts). By Johann Strauss, Jr. (1825-1899). Arranged by Andrew Balent. Concert Band. For Flute, Oboe, Flute II, Clarinet I, Clarinet II, Bass Clarinet, Bassoon, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Trumpet I, Trumpet II, Horn, Tenor, Euphonium, Tuba, Bells, Timpani, Snare Drum, Bass Drum, Triangle. Carl Fischer Young Performance Series. Grade 2-2.5. Score and Set of Parts. Standard notation. 16 pages. Duration 2 minutes, 50 seconds. Published by Carl Fischer (CF.YPS40). ISBN 0825855551. With Standard notation. A true classic for orchestra is now available in an easy-to-play version by this first-class arranger. Andrew Balent is noted for capturing the essence of original works within the technical limitations of younger students. This arrangement is a superb alternative to play as a contest/festival warm-up march.

Happy Birthday by John G. Mortimer. For alto saxophone and piano (with optional guitar, bass and drums). Swiss import. Grade 2+. Score and parts. Published by Editions Marc Reift (MA.EMR-2151E).

2 Celebres Ave Marias/Famous Ave Marias by Bach-Gounod / Schubert. For saxophone quartet (SATB). Published by Musik Fabrik (FA.MFCAM001SQ).

Catch Me If You Can ((Feature for Alto Sax and Concert Band)). By John Williams. Arranged by Jay Bocook. Score and full set of parts.. Hal Leonard Concert Band Series. Grade 4.. Grade 4. Published by Cherry Lane Music (HL.4002131). Haunting and captivating describe John Williams' score to this hit movie featuring Leonardo DiCaprio and Tom Hanks. The music features an alto sax soloist and a wide variety of unique percussion and scoring devices. This superb arrangement includes the most striking musical themes from the soundtrack in a marvelous concert setting. 6 songs from Amelia include: Comptine D'Ete, No 2, La Dispute, Sua Le Fil, La Valse D'Amelie, Comptine D'un Autre Ete: L'Apres-Midi, Le Moulin.

Blues by Dennis Armitage. For 2 tenor saxophones and CD accompaniment. Swiss import. Play Along. Grade 3-3+. Sheet music and accompaniment CD. Published by Editions Marc Reift (MA.EMR-8090).

Apocalyptica. (Full Score and Parts). By George Rochberg. Concert Band. For Piccolo, Flute I, Flute II, Oboe, Clarinet (in Eb), Clarinet I, Clarinet II, Clarinet III, Eb Alto Clarinet, Bb Bass Clarinet, Bbb Contrabass Clarinet, Bassoon, Alto Saxophone I, Alto Saxophone II, Tenor Saxophone, Baritone Saxophone, Cornet I, Cornet II,. Contemporary. Score and Set of Parts. Standard notation. 56 + pages. Duration 20 minutes. Published by Theodore Presser Company (PR.115400750). With Standard notation. contemporary.

I Got Plenty O' Nuttin' by George Gershwin (1898-1937). For Saxophone Quartet (SATB). Swiss import. Grade 2.5. Published by Editions Marc Reift (MA.EMR-13706).

Romance by Carl Maria von Weber (1786-1826) and Carl Maria von Weber (1786-1826). For alto saxophone and piano. Swiss import. Grade 4. Score and parts. Published by Editions Marc Reift (MA.EMR-2296E).

Happy Birthday by John G. Mortimer. For tenor saxophone and piano (guitar, bass, drums optional). Swiss import. Grade 2+. Score and parts. Published by Editions Marc Reift (MA.EMR-2151F).

(Concert March). By Edwin Franko Goldman (1878-1956). Edited by Edward S. Lisk. Concert Band. For Flute I, Flute II, Flute III, Oboe I, Oboe II, Clarinet (in Eb), Clarinet I, Clarinet II, Clarinet III, Alto Clarinet, Bass Clarinet, Bassoon I, Bassoon II, Alto Saxophone I, Alto Saxophone II, Tenor Saxophone, Baritone Saxophone, Cornet I, Cornet III, Co. Carl Fischer Classic Band Editions. Classical. Full Score. Standard notation. 24 pages. Published by Carl Fischer

A complete instrumental version of the brilliant number by Henry Mancini and recently recorded by Michael Buble. Instead of the vocal we have provided a Tenor Sax solo line, giving your lead tenor the chance to shine. Cy Payne has done a great job in transcribing this bright Latin number from the original album. Separate synth. strings part included.

Gabriel's Oboe (soundtrack from the movie The Mission). By Ennio Morricone (1928-). Arranged by Lorenzo Pusceddu. Concert band. For solo Oboe, Bb Clarinet, Bb Soprano Sax, Eb Alto Sax, Bb Trumpet. Film Music, Solo piece. Grade 2.5. Score and set of parts. Duration 2 minutes, 45 seconds. Published by Scomegna Edizioni Musical srl (S4.ESB1107). 'Gabriel's Oboe'' is an Academy Award-nominated piece composed by Ennio Morricone in 1986 for The Mission. The main character of the movie, Father Gabriel, performs the extremely lyrical and moving melody on his oboe while in the forest. This arrangement is available in three different keys -- Bb, C, and D -- all included in the same set of parts to allow performance by other soloists besides just the oboe.

Haunting and captivating describe John Williams' score to this hit movie featuring Leonardo DiCaprio and Tom Hanks. The music features an alto sax soloist and a wide variety of unique percussion and scoring devices. This superb arrangement includes the most striking musical themes from the soundtrack in a marvelous concert setting. 6 songs from Amelia include: Comptine D'Ete, No 2, La Dispute, Sua Le Fil, La Valse D'Amelie, Comptine D'un Autre Ete: L'Apres-Midi, Le Moulin

Romance by Carl Maria von Weber (1786-1826) and Carl Maria von Weber (1786-1826). For tenor saxophone and piano. Swiss import. Grade 4. Score and parts. Published by Editions Marc Reift (MA.EMR-2305F).

Comedy Overture by John Ireland (1879-1962). For Concert Band (Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet*, Bb Bass Clarinet, 1st Bassoon, 2nd Bassoon*, 1st Eb Alto Saxophone, 2nd Eb Alto Saxophone, Bb Tenor Saxophone, Eb Baritone Saxophone*). Band Music. Grade 5. Score and parts. Duration 10:30. Published by C. Alan Publications (CN.R10004). Originally composed for Brass Band in 1934 "Comedy Overture" is, despite its name, a serious piece of writing. The term Overture does not imply that there is anything else to follow; it is used in the 19th century sense of Concert Overture (like Mendelssohn's "Fingal's Cave" - in other words, a miniature Tone Poem).The 1930's was a period of Ireland's mature writing - yielding the Piano Concerto (1930), the Legend for piano and orchestra (1933), and the choral work "These Things Shall Be" (1936-1937). We are fortunate therefore to have both "Comedy Overture" and "A Downland Suite" (1932) written for band medium at this time.As with "Maritime Overture" (written in 1944 for military band) Ireland approaches his material symphonically. The opening three notes state immediately the two seminal intervals of a semitone and a third. These are brooding and dark in Bb minor. It is these intervals which make up much of the thematic content of "Comedy," sometimes appearing in inverted form, and sometimes in major forms as well.The concept that some musical intervals are consonant , some dissonant, and some perfect is perhaps useful in understanding the nature of the tension and resolution of this work. The third is inherently unstable, and by bar 4, the interval is expanded to a fourth - with an ascending sem-quaver triplet - and then expanded to a fifth. The instability of the third pushes it towards a "perfect" resolution in the fourth or the fifth.The slow introduction is built entirely around these intervals in Bb minor and leads through an oboe cadenza, to an Allegro moderato brillante in Bb major.Once again, the semi-tone (inverted) and a third (major) comprise the main, chirpy, theme-inspired by a London bus-conductor's cry of "Piccadilly." (Much of the material in "Comedy" was re-conceived by Ireland for orchestra and published two years later under the title "A London Overture.")The expansion of the interval of a third through a fourth, fifth, sixth, and seventh now takes place quickly before our very ears at the outset of this quicker section.Immediately the theme is developed, inverted, and accents displaced across the bar line to give a 3/2 feel against the written meter. But this restlessness leads to a tranquillo built around an arpeggio figure and presented by flute and clarinet. Ireland weaves his flowing counterpoint around this melody until the original slow introduction returns leading to a stretto effect as the rising bass motifs become more urgent, requesting a resolution of the tension of that original semitone and minor third.Yet resolution is withheld at this point as the music becomes almost becalmed in a further, unrelated tranquillo section marked pianissimo. It is almost as if another side of Ireland's nature is briefly allowed to shine through the stern counterpoint and disciplined structure.This leads to virtually a full recapitulation of the chirpy "brilliante," with small additional touches of counterpoint, followed by the first tranquillo section-this time in the tonic of Bb major. But the instability of the third re-asserts itself, this time demanding a resolution. And a triumphant resolution it receives, for it finally becomes fully fledged and reiterates the octave in a closing vivace. The opening tension has at last resolved itself into the most perfect interval of all.

An American in Paris by George Gershwin (1898-1937). For tenor saxophone and piano. Swiss import. Grade 3. Score and parts. Published by Editions Marc Reift (MA.EMR-2155F).

Bohemian Rhapsody (Sax Quartet or Ensemble (w/opt. rhythm section)). By Queen. Arranged by Paul Murtha. For Saxophone Quartet, Saxophone Ensemble. Pops For Ensembles Level 2.5. Grade 2.5. Published by Hal Leonard (HL.4157710).

Pequena Czarda (for Alto Saxophone). By Pedro Iturralde (1929-). Arranged by Roger Niese. For Alto Saxophone and Concert Band. Grade 4. Score. Duration 7:00. Published by Baton Music (BF.BM199-SCORE). The Spanish composer Pedro Iturralde (*1929) has to be considered both as pioneer and nestor of Spanish jazz music. Pequena Czarda (little dance) is a virtuoso little solo piece for saxophone and piano in classic style. Roger Niese did make a transcription for alto saxophone and symphonic band.

Romantic Blue by Dennis Armitage. For solo instrument (flute, clarinet, oboe, bassoon, tenor saxophone, horn in Eb, horn in F, trumpet, trombone, bass trombone, tuba, euphonium, Eb bass, violin, or violoncello) and concert band. Swiss import. Jazz / Ragtime / Dixieland. Grade 3+. Score and parts. Published by Editions Marc Reift (MA.EMR-1901).

Blow Your Horn 2. (With The Beatles/Bb). By The Beatles. For Flexible Instrument (Saxophone / Trumpet/Cornet/Flugelhorn/Baritone / Clarinet). Educational. Published by Molenaar Edition (ML.090078670).

Adios Nonino (Saxohone Quartet). By Astor Piazzolla (1921-1992). Arranged by Johan van der Linden. For Saxophone Quartet. Arrangements of Modern Light Music. Solo Pieces. Grade 4. Published by Molenaar Edition (ML.060851720).

New Fresh Waltz by Harold Sherman. For Saxophone Quintet (AATTB Saxophones, Piano, Bass, & Drums). Full Score. Published by Walrus Music Publishing (WA.65025). With a 16-bar form, this light and bouncy jazz waltz is the perfect opener, closer and solo vehicle. The tempo can vary according to the level of musicianship, so this is the ideal addition to the libraries of both professional and student ensembles. Charts have a full score and are AATTB plus piano, bass and drums.