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Lead Me Back to Bethlehem - Instrumental Score and Parts (Rediscovering the Joy, Peace, and Love of Christmas). By Pepper Choplin. Arranged by Michael Lawrence. Cantatas. Christmas, Sacred. Instrumental score and parts. Published by Lorenz Publishing Company (LO.30-2697L). The instrumental score and parts for "Lead Me Back to Bethlehem" include a Conductor's Score and parts for Flute, Oboe (sub Clarinet), Clarinet, optional Bassoon (sub Bass Clarinet), Horn (sub Alto Saxophone), Percussion, Timpani, Piano, 2 Violins, Viola, Cello, Bass (String Reduction included).

Instruments: Choir, Piano, Flute, Bass Clarinet, Oboe, Alto Saxophone, Bassoon, Horn, Violin, Cello, Viola, Percussion, Timpani, Vocal, Piano and Keyboard, Woodwinds, Clarinet, Saxophone, Brass, Strings
Genres: Christian, Christmas, Religious, Miscellaneous
Concert Pour Hautbois (Ou Clarinet) by Vincenzo Bellini (1801-1835). Arranged by O. Zurmuhle. For Concert Band. Arrangements of Classical Pieces / Oboe/Bassoon Solo and Wind band / Clarinet Solo and Wind Band / Saxophone Solo and Wind Band. Solo and Band Series. Grade 4. Score and Parts. Published by Molenaar Edition (ML.011103080). This splendid Oboe Concerto in this fine arrangement by Otto Zurmuhle has been in our catalogue for many years. The release of the Twente Conservatory Band compact disc allows us to spotlight this beautiful oboe piece once more.

Instruments: Oboe, Saxophone, Woodwinds
Genres: Classical, Classical Period, Opera, Miscellaneous
Symphonies de Noel by Clark Mcalister (1946-). For Wind Symphony or Band (36 players): 3d1, 2d1, 3+1+Eb, 2 - A(dS)ATBt saxophone - 4, 3+2 flugelhorns, 3+euphonium, 1 - timpani, percussion(4), double bass. Symphony; Original Works; Carols; Suites. Maecenas Millenium. Grade 5. Score and set of parts. Composed 1997. Duration 11.5 minutes. Published by Maecenas (MT.C0042-SET).

Instruments: Saxophone, Double Bass, Flugelhorn, Euphonium, Percussion, Timpani, Woodwinds, Strings, Trumpet, Brass
Genres: Classical, Christmas, Miscellaneous
Against All Odds (Solo for Alto Saxophone and band). By Phil Collins. Arranged by Bert van Cruchten. For Concert Band / Fanfare Band. Pop and Swing. Grade 4. Score and set of parts. Duration 8:00. Published by Molenaar Edition (ML.0102308505). "In the late nineties Phil Collins led his own 'Phil Collins Big Band' for which he arranged his own compositions and this resulted in the famous compact disc 'A Hot Night in Paris'. 'Against all odds' is one of those splendid songs, originally composed as".

Instruments: Alto Saxophone, Saxophone, Woodwinds
Genres: Adult Contemporary, Pop, Miscellaneous
Variete - Concert Spectacle for acrobats and musicians by Mauricio Kagel (1931-). For Characters: minimum 6 Variety Performers Instruments: Clarinet (Bass clarinet, Alto saxophone), Trumpet, Percussion, Piano/Electric Organ, Accordion, Cello. Modern, Opera. Score. Composed Composed: 1976-77. Duration circa. 65 minutes. Published by Edition Peters (PE.P08407).

Instruments: Piano, Organ, Bass Clarinet, Alto Saxophone, Cello, B-Flat Trumpet, Percussion, Accordion, Piano and Keyboard, Clarinet, Woodwinds, Saxophone, Strings, Trumpet, Brass, Folk
Genres: 20th Century, Argentinian, Opera, Classical, Latin, Miscellaneous
Comedy Overture by John Ireland (1879-1962). For Concert Band (Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet*, Bb Bass Clarinet, 1st Bassoon, 2nd Bassoon*, 1st Eb Alto Saxophone, 2nd Eb Alto Saxophone, Bb Tenor Saxophone, Eb Baritone Saxophone*). Band Music. Grade 5. Score and parts. Duration 10:30. Published by C. Alan Publications (CN.R10004). Originally composed for Brass Band in 1934 "Comedy Overture" is, despite its name, a serious piece of writing. The term Overture does not imply that there is anything else to follow; it is used in the 19th century sense of Concert Overture (like Mendelssohn's "Fingal's Cave" - in other words, a miniature Tone Poem).The 1930's was a period of Ireland's mature writing - yielding the Piano Concerto (1930), the Legend for piano and orchestra (1933), and the choral work "These Things Shall Be" (1936-1937). We are fortunate therefore to have both "Comedy Overture" and "A Downland Suite" (1932) written for band medium at this time.As with "Maritime Overture" (written in 1944 for military band) Ireland approaches his material symphonically. The opening three notes state immediately the two seminal intervals of a semitone and a third. These are brooding and dark in Bb minor. It is these intervals which make up much of the thematic content of "Comedy," sometimes appearing in inverted form, and sometimes in major forms as well.The concept that some musical intervals are consonant , some dissonant, and some perfect is perhaps useful in understanding the nature of the tension and resolution of this work. The third is inherently unstable, and by bar 4, the interval is expanded to a fourth - with an ascending sem-quaver triplet - and then expanded to a fifth. The instability of the third pushes it towards a "perfect" resolution in the fourth or the fifth.The slow introduction is built entirely around these intervals in Bb minor and leads through an oboe cadenza, to an Allegro moderato brillante in Bb major.Once again, the semi-tone (inverted) and a third (major) comprise the main, chirpy, theme-inspired by a London bus-conductor's cry of "Piccadilly." (Much of the material in "Comedy" was re-conceived by Ireland for orchestra and published two years later under the title "A London Overture.")The expansion of the interval of a third through a fourth, fifth, sixth, and seventh now takes place quickly before our very ears at the outset of this quicker section.Immediately the theme is developed, inverted, and accents displaced across the bar line to give a 3/2 feel against the written meter. But this restlessness leads to a tranquillo built around an arpeggio figure and presented by flute and clarinet. Ireland weaves his flowing counterpoint around this melody until the original slow introduction returns leading to a stretto effect as the rising bass motifs become more urgent, requesting a resolution of the tension of that original semitone and minor third.Yet resolution is withheld at this point as the music becomes almost becalmed in a further, unrelated tranquillo section marked pianissimo. It is almost as if another side of Ireland's nature is briefly allowed to shine through the stern counterpoint and disciplined structure.This leads to virtually a full recapitulation of the chirpy "brilliante," with small additional touches of counterpoint, followed by the first tranquillo section-this time in the tonic of Bb major. But the instability of the third re-asserts itself, this time demanding a resolution. And a triumphant resolution it receives, for it finally becomes fully fledged and reiterates the octave in a closing vivace. The opening tension has at last resolved itself into the most perfect interval of all.

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Woodwinds, Clarinet, Saxophone
Genres: 20th Century, Comedy, Classical, Miscellaneous
Sinfonia Caroliniana by Walter Hartley (1927-). For Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1/2, Bassoon 1/2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, Horn 1/2, Horn 3/4, Trombone 1/2, Trombone 3, ). Band Music. Grade 5. Score and parts. Duration 8:00. Published by C. Alan Publications (CN.14100). Sinfonia Caroliniana is the sixteenth of Hartley's works to use "sinfonia" in its title and the sixth of these for symphonic wind ensemble (including Sinfonia I, IV, IX, and XIV). The second word refers to the excellent musicians of the University of North Carolina at Charlotte Symphonic Wind Ensemble, and their director, Dr. Laurence L. Marks, for whom the work was written, to whom it is dedicated, and who premiered it on February 25, 2006 at the Southern Division Conference of the College Band Directors National Association. The title also reflects the composer's delight "in the welcoming spirit my wife and I have encountered since moving to North Carolina in 2004." Some of the melodic material in the piece is based on the pentatonic scale typically found in Southern hymnody, which has inspired some of his other recent compositions. "As with most of my other Sinfonias, this one is a short and compact symphony structured in three movements, fast-slow-fast, as were the early 18th-century Italian opera overtures called "sinfonias." Like them, this piece is tonally centered (E-flat - C - E-flat) but uses current harmonic spectrums.

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: Classical, Christmas, Miscellaneous
Konig Keks. (Eine Musicaloper in zwei Akten). By Peter Schindler. For Arrangement 1: Choir 1-2-part, actors/Soloists, wind quartet (Flute, Trumpet, Alto sax, Trombone), string orchestra (2 Violin, Viola, Cello), rhythm section (Pianoforte, Bass, Percussion); Arrangement 2: Choir 1-2-part, actors/soloists, Pianoforte, [Bass,. Children's music and musicals. Musicals, Children's music and musicals. Full score. Language: German. 204 pages. Duration 90 min. Published by Carus Verlag (CA.1282000). With Language: German. Musicals, Children's music and musicals. Courage, tolerance and conciliation - this is the message of a sweet and sharp, thrilling love story. Based loosely on Shakespeare and his famous tragedy "Romeo and Juliet," a prince, smitten with love, and a courageous baroness bring foreign cultures and two hostile families together in a dramatic happy end. Musically, Konig Keks thrives on contrasts: Whereas the music of Krokantia borrows from the world of operetta, the music of the Chili islands is fiery and rhythmic. On the one hand, a small salon orchestra, and on the other a band produce a diversified sound. An experienced pianst can accompany a performance of the piece alone. Konig Keks offers ample musical as well as scenic performance possibilities for people of all ages.

Pages: 204
Instruments: Piano Accompaniment, Flute, Alto Saxophone, Violin, Cello, Viola, B-Flat Trumpet, Trombone, Percussion, Piano, Piano and Keyboard, Woodwinds, Saxophone, Strings, Trumpet, Brass
Genres: Classical, Children, Opera, Miscellaneous
Zwei Akte (Two Nudes) by Mauricio Kagel (1931-). For 2 Actors (1 male, 1 female), Sopranino Saxophone (doubling Alto saxophone, Baritone saxophone), Harp. Modern, Ballet, Opera. Sheet Music. Composed Composed: 1988-89. Duration circa 29 minutes. Published by Edition Peters (PE.P08717). The music can be live or prerecorded. The players remain invisible. 1 stage set.

Instruments: Alto Saxophone, Baritone Saxophone, Harp, Saxophone, Woodwinds, Strings
Genres: 20th Century, Argentinian, Opera, Classical, Latin, Miscellaneous
Tyrolienne. (Clarinet/Sax Solo). By H. de Groot. For Fanfare Band. Selections of Opera/Musical/Movies/TV / Saxophone Solo and Wind Band / Little Solo concerts / Clarinet Solo and Wind Band. Movie and Musical. Grade 4. Score and Parts. Published by Molenaar Edition (ML.020359040).

Instruments: Saxophone, Woodwinds
Genres: Opera, Film & TV, Miscellaneous