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Concerto. (For Alto Saxophone). By Ida Gotkovsky. For Concert Band. Saxophone Solo and Wind Band / Solo Concerts. Masterpieces. Grade 6. Score and Parts. Published by Molenaar Edition (ML.011695120).
$428.95

Instruments: Alto Saxophone, Saxophone, Woodwinds
Genres: Classical, 20th Century
Concerto Grosso. (Saxophone Quartet). By Jurriaan Andriessen (1925-1996). For Concert Band. Solo Concerts / Saxophone Solo and Wind Band. Solo and Band Series. Grade 6. Score and Parts. Published by Molenaar Edition (ML.012263120).
$428.95

Instruments: Saxophone, Woodwinds
Genres: Classical, 20th Century
Pictures at an Exhibition - complete by Modest Petrovich Mussorgsky (1839-1881). For Wind Symphony or Band (44 players): 2+1, 2+1, 3+1+Eb+alto+contrabassoon, 2+1 - SATBt saxophone - 4, 3, 3+euphonium, 2, timpani, percussion(4), double bass. Suites; Transcriptions. Masters Symphonic Band Concert Band. Romantic; Russian. Grade 5. Score and set of parts. Composed 1874/2004. Duration 37 minutes. Published by Masters Music Publications Inc. (MT.M9101-SET).
$414.00

Instruments: Saxophone, Bassoon, Double Bass, Euphonium, Percussion, Timpani, Woodwinds, Strings, Brass
Genres: Romantic Period, Russian, Classical, World
Concertino by Ante Grgin. For Soprano Saxophone & Orchestra. Solo with orchestral accompaniment. Swiss import. Grade 4.5. Score and parts. Published by Editions Marc Reift (MA.EMR-4788).
$373.26

Instruments: Soprano Saxophone, Saxophone, Woodwinds
Genres: Classical
A Passion for Our Times by Wilby, Philip (B. 1949). For Narrator, SATB Chorus, Children's Chorus / Wind Symphony or Band (40 players): 4d2+1(d alto), 2, 6+1, 2+1 - AATTBt saxophone - 4, 3, 3+euphonium, 1 - timpani, organ, percussion(3), double bass. Liturgical; Mass; Original Works; Choral. Maecenas International. English. Grade 5. Score and set of parts. Composed 1997. Duration 60 minutes. Published by Maecenas (MT.C0043-SET).
$368.00

Instruments: Choir, Organ, Saxophone, Double Bass, Euphonium, Percussion, Timpani, Vocal, Piano and Keyboard, Woodwinds, Strings, Brass
Genres: Classical
Les Biches (Three Movements from "Les Biches"). By Francis Poulenc (1899-1963). Arranged by Lucien Cailliet. Concert Band. For C Piccolo, Flute I, Flute II, Oboe I, Oboe II, English Horn, Eb Clarinet, Bb Clarinet I, Bb Clarinet II, Bb Clarinet III, Eb Alto Clarinet, Bb Bass Clarinet I, Bbb Contrabass Clarinet, Bassoon I, Bassoon II, Eb Alto Saxophone I, Eb Alto Saxophone II, Bb T. Contemporary. Score and Set of Parts. Standard notation. 64 + pages. Duration 10 minutes, 30 seconds. Published by Theodore Presser Company (PR.115400670). With Standard notation. contemporary.
$355.07

Instruments: Piccolo, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Bassoon, English Horn, Double Bass, Flute, Woodwinds, Clarinet, Saxophone, Strings
Genres: 20th Century, Classical
Concerto. (for Alto Saxophone and Band). By Ronald Binge (1910-1979). For Concert Band. Solo Concerts. Solo and Band Series. Grade 5. Score and Parts. Published by Molenaar Edition (ML.011444100).
$324.95

Instruments: Alto Saxophone, Saxophone, Woodwinds
Genres: Classical
Dedicace. (Alto Saxophone and Harmonie). By Serge Lancen. For Concert Band. Solo Concerts / Saxophone Solo and Wind Band. Solo and Band Series. Grade 5. Score and Parts. Published by Molenaar Edition (ML.011682100). The composition Dedicace for alto saxophone was composed in 1981 to honor Adolphe Sax. The first version, written in 1974, was created during the 4th World Saxophone Congress at Bordeaux by Jacques Desloges and the 'Musique de la Police Nationale', conducted by Michel Meriot. The new version was created by the same musicians in Paris in october 1981. This work was composed for a small wind ensemble.
$324.95

Instruments: Alto Saxophone, Saxophone, Woodwinds
Genres: 20th Century, Classical
Concerto for Percussion & Wind Ensemble. (Solo Percussion Feature). By Stephen Anderson. For Soloist(s) with Concert Band (Flute 1 (piccolo), Flute 2, Flute 3, Oboe 1-2, Eb Clarinet, Bb Clarinet 1-9, Bass Clarinet, Bassoon 1-2, Soprano Saxophone, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1-5, Horn 1-4, Trombone 1-2, Bass Trombone, Euphonium 1-2, Tuba 1-3). Band Music. Grade 5. Score and parts. Duration 26:00:00. Published by C. Alan Publications (CN.15720). Commissioned byThe Barlow Foundation for The United States Military Academy Band, West Point, New York Colonel Thomas Rotondi Jr., Commander/Conductor Staff Sergeant Rone Sparrow, PercussionI. StatesII. Gray in CIII. In Retrospect.
$322.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Soprano Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Bass Trombone, Euphonium, Percussion, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Trumpet, Trombone
Genres: Classical
Antalya by Serge Folie. Symphonic orchestra. For Violin 1 (x 8), Violin 2 (x 8, )Viola (x 6), Cello (x 4), Double bass (x 2), Flutes 1 and 2 - Piccolo, Clarinet in Bb (x 2), Oboe, English horn in F, Bassoon, Soprano saxophone in Bb - Alto saxophone in Eb, Trumpet in Bb (x 3), Trombones 1 and 2 (x 3), Tu. This edition: Instrumental. Orchestra music. Instrumental parts. Duration 25 minutes. Published by Anne Fuzeau Productions - France (FZ.2257). ISBN M230622578. 21 x 29.7 cm inches. This editorial collection depends to a great extent on the creativity of young composers. This music score was composed by Serge Folie for symphony orchestra. Violin 1 (x 8)Violin 2 (x 8)Viola (x 6)Cello (x 4)Double bass (x 2)Flutes 1 and 2 - PiccoloClarinet in Bb (x 2)OboeCor anglais transposed to FBassoonSoprano saxophone in Bb - Alto saxophone in EbTrumpet in Bb (x 3)Trombones 1 and 2 (x 3)Tuba in Bb Horns in F 1 and 2 (x 2)HarpPianoPercussions 1 : timpanis, light percussion (quarquab, egg, chimes) - 2 percussionistsPercussions 2 : congas - 1 percussionistPercussions 3 : bass drum, gong, cymbals, basque drum, crown of small cymbals - 3 percussionists.
$319.95

Instruments: Piccolo, B-Flat Clarinet, Oboe, Alto Saxophone, Soprano Saxophone, Bassoon, English Horn, Violin, Cello, Viola, Double Bass, B-Flat Trumpet, Trombone, Flute, Woodwinds, Clarinet, Saxophone, Strings, Trumpet, Brass
Genres: Classical
Passacaglia by Ronald Caltabiano (1959-). Concert Band. For 2 1 4 (Bassclarinet) 1; 4 3 3 0; 3 Saxophone (Alto, Tenor, Baritone), Baritone, Contrabass. Score and Set of Parts. Standard notation. Duration 8 minutes. Published by Theodore Presser Company (PR.145400310). With Standard notation.
$286.99

Instruments: Clarinet, Saxophone, Double Bass, Woodwinds, Strings
Genres: 20th Century, Classical
Diversions pour quatuor de saxophone by Alain Crepin. Orchestre d'harmonie avec Solistes. For Wind Band. Orchestral Music. Medium-advanced (grade 5). Duration 14'20. Published by Editions Robert Martin (RM.3807).
$267.95

Instruments: Saxophone, Woodwinds
Genres: Classical
Masquerade for Band. (Full Score). By Vincent Persichetti (1915-1987). Concert Band. For Piccolo I, Piccolo II, Flute I, Flute II, Oboe I, Oboe II, Clarinet I, Clarinet II, Clarinet III, Alto Clarinet (in Eb), Bass Clarinet, Contrabass Clarinet, Bassoon I, Bassoon II, Eb Alto Saxophone I, Eb Alto Saxophone II, Bb Tenor Saxophone, Eb Baritone . Contemporary. Score and Set of Parts. Standard notation. Opus 102. 78 + pages. Duration 12 minutes. Published by Theodore Presser Company (PR.165000400). With Standard notation. contemporary.
$267.67

Instruments: Piccolo, Bass Clarinet, Oboe, Alto Saxophone, Tenor Saxophone, Bassoon, Double Bass, Flute, Woodwinds, Clarinet, Saxophone, Strings
Genres: 20th Century, Classical
Elements (Percussion Concerto) by Adam Gorb (1958-). For percussion / Wind Symphony or Band (34 players): 2+1, 3, 2+1+Eb, 2+1 - 2 saxophone - 4, 4, 3, 2 - percussion, piano, double bass - solo part in set. Concerto/Instrumental Solo; Original Works. Maecenas Millenium Wind Ensemble. Score and set of parts. Duration 30 minutes. Published by Maecenas (MT.C0050-SET).
$262.20

Instruments: Piano, Saxophone, Double Bass, Percussion, Piano and Keyboard, Woodwinds, Strings
Genres: Classical, 20th Century
Aqua by Alain Huteau. Harmony. For 7 percussion (1 piano solo, 1 drum, timpani and 4 percussion) and wind orchestra (flutes, oboe, 2 clarinets (Bb), sax alto Eb, sax tenor (Bb), baritone sax, 2 trumpets (Bb), 1 trombone (C), euphonium (Bb), tuba in C). Level 3. Published by Alfonce Production (AF.A73-001-P).
$257.95

Instruments: Flute, Clarinet, Oboe, Baritone Saxophone, B-Flat Trumpet, Trombone, Euphonium, Percussion, Timpani, Tuba, Woodwinds, Saxophone, Trumpet, Brass
Genres: Classical
Sinfonia No. 3 (La Salsa) by Roberto Sierra. For Concert Band (2,1 2,1 4,bass clarinet 2,1; soprano sax, alto sax, tenor sax, baritone sax; 4331 euphonium; timpani, percussion, harp, piano). Score & Part(s). Composed 2005/2009. Duration 23'. Published by Subito Music Corporation (SU.92070296). Score: available for sale (#92070295).
$250.00

Instruments: Piano, Bass Clarinet, Alto Saxophone, Baritone Saxophone, Soprano Saxophone, Tenor Saxophone, Harp, Euphonium, Percussion, Timpani, Piano and Keyboard, Clarinet, Woodwinds, Saxophone, Strings, Brass
Genres: Classical, Salsa, Latin
(For Symphonic Band - Full Score and Parts). By David Maslanka. Concert Band. For Piccolo, Flute I, Flute II, Oboe I, Oboe II, Clarinet (in Eb), Clarinet I, Clarinet II, Clarinet III, Bass Clarinet, Contrabass Clarinet, Bassoon I, Bassoon II, Alto Saxophone I, Alto Saxophone II, Tenor Saxophone, Baritone Saxophone, Horn I, Horn II, Hor. Carl Fischer Classic Band Editions. Score and Set of Parts. Standard notation. 78 pages. Duration 8 minutes, 30 seconds. Published by Carl Fischer
$250.00

Pages: 78
Instruments: Piccolo, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, Double Bass, Flute, Woodwinds, Clarinet, Saxophone, Brass, Strings
Genres: 20th Century, Classical
Wind Symphony No. 1 by Nancy Galbraith (1951-). For Concert Band (2 flutes, 2 oboes, Eb clarinet, 3 clarinets*, bass clarinet, 2 bassoons; 2 alto saxophones, tenor saxophone, baritone saxophone; 4 horns, 4 trumpets, 3 trombones, euphonium, 2 tubas; timpani, 4 percussion, piano/synthesizer, string-bass (*at least 2 per p). Set of Parts. Composed 1996. Duration 17'. Published by Subito Music Corporation (SU.90810051). 1. Allegro; 2. Andante; 3. Vivace Former title: If Rachael in a Yellow Rose "fantastic landscapes... -Records International "Galbraith's music for wind ensemble gives her a chance to show off her considerable skills as an orchestrator of winds and percussion. Her Wind Symphony I is a gaudy creation, imposing in its martial and celebratory granduer. It mixes lush harmonies and minimalist pulsings with gamelan-style superimpositions of long, slow lines over faster ostinatos..." -American Record Guide.
$250.00

Instruments: Piano, Flute, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Euphonium, Percussion, Timpani, Tuba, Piano and Keyboard, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: Classical
Concert Pour Hautbois (Ou Clarinet) by Vincenzo Bellini (1801-1835). Arranged by O. Zurmuhle. For Concert Band. Arrangements of Classical Pieces / Oboe/Bassoon Solo and Wind band / Clarinet Solo and Wind Band / Saxophone Solo and Wind Band. Solo and Band Series. Grade 4. Score and Parts. Published by Molenaar Edition (ML.011103080). This splendid Oboe Concerto in this fine arrangement by Otto Zurmuhle has been in our catalogue for many years. The release of the Twente Conservatory Band compact disc allows us to spotlight this beautiful oboe piece once more.
$245.95

Instruments: Oboe, Saxophone, Woodwinds
Genres: Classical, Classical Period, Opera, Miscellaneous
Contraste. (Alto Saxophone and Concert Band). By Serge Lancen. For Concert Band. Solo Concerts / Saxophone Solo and Wind Band. Solo and Band Series. Grade 4. Score and Parts. Published by Molenaar Edition (ML.012212080). Contraste for alto saxophone (1992) is a second composition written as a tribute to Adolphe Sax. It was commissioned by and is also dedicated to the excellent Swiss amateur saxophonist Dante-Charles Luini. The contrasting themes are at the origin of the title. Tenor and baritone saxophones of the band accompany the soloist. The work was brilliantly premiered for this CD recording session by Jean Pennings.
$245.95

Instruments: Alto Saxophone, Saxophone, Woodwinds
Genres: 20th Century, Classical
Concerto for Piano, Winds & Percussion. (Piano Feature). By David Gillingham. For Soloist(s) with Concert Band (Solo Piano, Piccolo, Flute 1/2, Oboe 1/2, Bassoon 1/2, Clarinet in A 1, Clarinet in A 2/3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Trumpet in C 1, Trumpet in C 2/3, Horn in F 1/2, Horn in F 3/4, Trombone 1/2, Bass Trombone,). Grade 5. Score and parts. Duration 17:00. Published by C. Alan Publications (CN.09970). Also available for Solo Piano and Percussion Orchestra (Item #06530).
$230.00

Instruments: Flute, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, Bass Trombone, Percussion, A Clarinet, C Trumpet, Woodwinds, Clarinet, Saxophone, Brass, Trombone, Trumpet
Genres: Classical
Tails aus dem Vood Viennoise by Connor, Bill (B. 1949). For Wind Symphony or Band (49 players): 6+2, 2+1, 6+2+Eb, 2 - AATTBt saxophone - 2, 7, 3+euphonium, 4 - timpani, percussion(4). Tone Poems; Original Works. Maecenas Millenium. Grade 5. Score and set of parts. Composed 1992. Duration 23 minutes. Published by Maecenas (MT.C0016-SET).
$230.00

Instruments: Saxophone, Euphonium, Percussion, Timpani, Woodwinds, Brass
Genres: Classical
Sinfonietta by Gerard Gastinel. Woodwind orchestra. For 4 Flutes, 12 Clarinets in Bb (1-4, 5-8, 9-12), 1 oboe (or soprano saxophone), 2 alto saxophones, 1 baritone saxophone, Trumpets 1 and 2, Trumpets 3 and 4, 2 Trombones and/or 2 tenor saxophones, 1 Tuba, 2 double basses, Percussion : 2 suspended cymbals, 1 . This edition: Instrumental. Orchestra music. Instrumental parts. 12 pages. Published by Anne Fuzeau Productions - France (FZ.3063). ISBN M230630634. 21 x 29.7 cm inches. This editorial collection depends to a great extent on the creativity of young composers. This music score was composed by Gerard Gastinel for wind orchestra. 4 Flutes12 Clarinets in Bb (1-4, 5-8, 9-12)1 oboe (or soprano saxophone)2 alto saxophones1 baritone saxophoneTrumpets 1 and 2Trumpets 3 and 42 Trombones and/or 2 tenor saxophones1 Tuba 2 double bassesPercussion : 2 suspended cymbals, 1 hit-hat, 2 bongos, 3 toms, 1 snare-drum, 1 bass drum.
$229.95

Pages: 12
Instruments: Flute, Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Soprano Saxophone, Tenor Saxophone, Double Bass, B-Flat Trumpet, Trombone, Percussion, Tuba, Woodwinds, Saxophone, Strings, Trumpet, Brass
Genres: Classical
A Symphony for Salem by D. Mark McCoy. For Concert Band (Piccolo/Alto Flute, Flute, Oboe, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet, Bassoon, Eb Alto Saxophone, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, F Horn 1-2, F Horn 3-4, Trombone 1, Trombone 2). Grade 5. Score and parts. Duration 19:50. Published by C. Alan Publications (CN.08880). "Thou shalt not suffer a witch to live..." Exodus 22:18Movement I: THE DANCEAccording to Arthur Miller's play, "THE CRUCIBLE", the entire episode began when several young girls (one the daughter of the minister) were caught dancing nude in the fields. To escape the harsh puritan punishments administered for their sins, the girls claimed Tituba, a slave woman from Barbados, had "conjured" spirits. This movement evokes the mood of that first night as each of four instruments (flute, oboe, clarinet and bassoon), portrays one of the antagonists on their journey into the forest on that dark night. The "devil's voice" is heard in euphonium as he changes the mode of the girls dance theme. As the dance builds to a feverish climax, the strains of music from the church are heard echoing in the distance. The dissonance of these themes is indicative of the inherent conflict in the young girl's actions. "The Devil's Waltz" is heard as the girls join in the seductive, ritualistic dance. The initial dance theme is heard again (with its modal alterations) as the girls return to the village and the church. The last strain of the movement corresponds to the line from the hymn "for still our ancient foe doth seek to work us woe..."Movement II: SCENES FROM THE VILLAGE (THE ACCUSED)Salem village was a contentious place full of hard-working, deeply religious people. The town had been suffering land battles for years. The New England winters were dull and hard and there was little to do as celebratory events such as Christmas or Mardi Gras were forbidden. The Village had been caught up in serious disputes with three previous ministers before it finally settled on its fourth, the Reverend Samuel Parris. The power of God and Satan was unquestioned. In this environment, hysteria could run rampant on this sleepy village. Between June and September of 1692, scores of men and women were accused of and tried for witchcraft. Themes in this movement represent two married couples and an old matron accused and executed as witches. Rebecca Nurse was a pious, nearly deaf, seventy-one year old woman. She replied to her accusers "OF this thing I am innocent as a child unborn, but surely, what sin hath God found in me unrepented of that He could lay such an affliction on me in my old age?" Martha Cory denied ever having been a witch and her husband Giles, in his humility had actually testified against her. John Procter was one of the first to speak out against the girls. "If they are let alone we should all be devils and witches." When first his wife and then he himself were accused, witnesses said that it met with much skepticism. The movement begins with Rebecca's theme, it's spinning continuo emblematic of her rocking chair. She had seen difficult times before; just when it seems her theme will stop, it finds the strength to continue. Next the "Cory theme" is heard representing the old couple trying to survive the harsh winter. As the village comes to life, their themes are turned into fugue and double fugue. As the movement nears its end, a love theme is heard representing the strong bond between the Proctors. Their theme is honest, strong and consonant, until the added Eb gives the theme an uneasy feeling of some discord lurking below the surface of this serene melody.Movement III: THE TRIALIn all, fourteen women and six men were put to death as witches. Nineteen of them were hanged. In an attempt to coerce a confession, Giles Cory was "pressed" to death by adding rocks to his chest until he was crushed. Reportedly his last words were "More Weight". Despite their high place of esteem in the community. the Proctors were given to the gallows to appease the screaming children. Even pious, God-fearing Rebecca Nurse was sent to Gallows Hill.The trials were a mockery of judicial restraint. When the accused were lead in, the girls would fall writhing on the floor, accusing the defendants of attacking, pinching, or biting them. If the judges remained unimpressed, the girls would claim the "witches" were sitting on the beams over their heads. The courtroom was a cacophonous, wicked circus with no chance of defense or search for the truth. This movement recreates the air of frustration and confusion as each of the accused are lead in, questioned and interrupted as they attempt to defend themselves. An eight-note theme is truncated again and again as if it were sand passing through an hourglass, for once in the courtroom, it was simply a matter of time until the guilty verdict was issued. The "Cory theme" is heard First and, as they state their case, the people of the village join in to claim their innocence. Their defense goes unheard. Martha is sent to the gallows and Giles is "pressed" to death. The love theme of the Proctors is heard again but it too is interrupted and ignored. They are sent to their deaths. Rebecca's theme is uttered softly to no avail; unlike before, it hasn't the power to continue. She is condemned to death as well.Movement IV: THE QUESTIONFinally, the Governor of Massachusetts forbad the use use of "spectral evidence" in the proceedings. The girls were silenced. Several months after the fury had dissipated, the "afflicted" girls were walking in a nearby town. As they passed a woman that they did not know, they fell writhing on the ground, accusing the woman of witchcraft. However, the people of this town paid the girls no attention. They had no desire to repeat the sins of Salem. The surprised girls rose and went on their way. No words were spoken, no names and deeds given, no apparitions imagined or explained.Narcissism would have us believe that that incident closed the book on witch trials in America. But history proves otherwise. The innocent people whose lives were wrecked by the McCarthy Hearings as recently as the 1950's relived the sins of Salem in a very real sense. The perrenial election-year arguments are at times eerily reminiscent of the witch hunts. "Those who do not study history are doomed to repeat it..." it would seem as true for most who do. Despite the fact that we condemn the people of Salem, we are all too capable of repeating their mistakes. The question is unfortunately not "will it happen again?" but "when......?".
$216.20

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: Classical