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Wiener Melodienstrauss. ((including Saxophone part)). By Hans Kliment. Occasion Music. For wind orchestra. Saxophone part. Published by Doblinger Music Publishers (DB.BL-00224-SX).
$13.95

Instruments: Saxophone, Woodwinds
Genres: Classical
Wiener Melodienstrauss. ((including Saxophone part)). By Hans Kliment. Occasion Music. For wind orchestra. Extra percussion part. Published by Doblinger Music Publishers (DB.BL-00224-SCH).
$12.95

Instruments: Saxophone, Woodwinds
Genres: Classical
Wiener Melodienstrauss. ((including Saxophone part)). By Hans Kliment. Occasion Music. For wind orchestra. Published by Doblinger Music Publishers (DB.BL-00224).
$74.95

Instruments: Saxophone, Woodwinds
Genres: Classical
Air by Johann Sebastian Bach (1685-1750). Arranged by Mark Knuts. For Baritone Saxophone. Grade 5-6. Playing score. Published by Kameleon Editions (BT.KME0508-019-KAM-19).
$18.95

Instruments: Baritone Saxophone, Saxophone, Woodwinds
Genres: Baroque Period, Classical
Air by Johann Sebastian Bach (1685-1750). Arranged by Mark Knuts. For Alto Saxophone. Grade 5-6. Playing score. Published by Kameleon Editions (BT.KME0508-019-KAM-17).
$18.95

Instruments: Alto Saxophone, Saxophone, Woodwinds
Genres: Baroque Period, Classical
Haendeliana by Albert Guinovart. For clarinet, soprano saxophone or oboe and piano. 21st century. Chamber music. Full Score. 11 pages. Duration 6 minutes. Published by Trito Ediciones (TI.TR-00209). ISBN M-69204-383-6. Chamber music.
$27.95

Pages: 11
Instruments: Piano Accompaniment, Clarinet, Oboe, Soprano Saxophone, Piano, Piano and Keyboard, Woodwinds, Saxophone
Genres: 21st Century, Classical
Hacia el aire sin nombre by Cesar Camarero. For For soloist (Mezzo-soprano, Alto, Flute, Clarinet) and orchestra (2.2.2.2[+alto saxophone]-4.2.2.0, 3 percussion, harp, piano, strings). 20th century. Symphonic music. Full Score. 38 pages. Duration 20 minutes. Published by Trito Ediciones (TI.TR-00161). ISBN 9790692043096. Symphonic music.
$109.95

Pages: 38
Instruments: Piano, Flute, Clarinet, Alto Saxophone, Harp, Percussion, Piano and Keyboard, Woodwinds, Saxophone, Strings
Genres: 20th Century, Classical
Concerto for Bass Saxophone and Strings by Carson P. Cooman. For Bass Saxophone and Strings. Study Score and Solo Part. Published by Musik Fabrik (FA.MFCC125).
$49.95

Instruments: Saxophone, Woodwinds
Genres: Classical
The Sounds of the Season by Various. Arranged by David Marlatt. For 2 Alto Saxophones and Keyboard. Renaissance, Christmas. Medium. Published by Eighth Note Publications (EP.SS2616). Take advantage of this over-stock pricing while supplies last. ISBN 9781554729593. Renaissance, Christmas. This is a collection of fresh, new arrangements of well-loved Christmas music set for 2 like-instruments and piano. A number of styles and moods are represented in these eight pieces. They are suitable for a variety of performance situations such as school concerts, at church or on Christmas gigs in a community. Pieces included are Joy to the World, I Saw Three Ships, Silent Night, We Three Kings, Pat-a-Pan, Gesu Bambino, O Come, O Come Emanuel and Ye Merry Gents.
$12.00

Instruments: Piano, Organ, Alto Saxophone, Piano and Keyboard, Saxophone, Woodwinds
Genres: Christmas, Renaissance, Miscellaneous, Classical
Hunter's Chorus by Carl Maria von Weber (1786-1826). Arranged by B. Ward. For Concert Band (flute (oboe) clarinet in Bb (bass clarinet) alto saxophone, tenor saxophone (baritone saxophone) trumpet in Bb, horn in F, trombone (euphonium) (baritone Tc) tuba, timpani, mallets, snare drum, tenor drum, bass drum, crash cymbals, triangle). Band Music. Grade 2. Score only. Duration 1:35. Published by C. Alan Publications (CN.12271). Barry Ward has done a superb job of capturing the jolly spirit of the ever-popular "Hunter's Chorus" from Weber's opera 'Der Freischutz" in his arrangement for young bands.
$10.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Horn, B-Flat Trumpet, Trombone, Euphonium, Percussion, Timpani, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: Romantic Period, Classical
Hunter's Chorus by Carl Maria von Weber (1786-1826). Arranged by B. Ward. For Concert Band (flute (oboe) clarinet in Bb (bass clarinet) alto saxophone, tenor saxophone (baritone saxophone) trumpet in Bb, horn in F, trombone (euphonium) (baritone Tc) tuba, timpani, mallets, snare drum, tenor drum, bass drum, crash cymbals, triangle). Band Music. Grade 2. Score and parts. Duration 1:35. Published by C. Alan Publications (CN.12270). Barry Ward has done a superb job of capturing the jolly spirit of the ever-popular "Hunter's Chorus" from Weber's opera 'Der Freischutz" in his arrangement for young bands.
$55.20

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Horn, B-Flat Trumpet, Trombone, Euphonium, Percussion, Timpani, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: Romantic Period, Classical
A Little Tango Music by Adam Gorb (1958-). For Concert Band (1st Flute, 2nd Flute, Oboe, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Bb Bass Clarinet, Bassoon, 1st/2nd Eb Alto Saxophone, Tenor Saxophone, Baritone Saxophone, 1st/2nd Bb Trumpet, 1st/2nd F Horn, 1st/2nd Trombone, Euphonium, TC Baritone, Tuba, P). Band Music. Grade 3. Score only. Duration 4:30. Published by C. Alan Publications (CN.S11282). This is a short sequence of melodies inspired by the curvaceous, melancholic and dangerous dance from Argentina that is the tango. The three brief movements can be played in any order, continuously, or separately.
$20.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Euphonium, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: 20th Century, Tango, Classical, Latin
Chanson de Matin (Flute Feature). By Edward Elgar (1857-1934). Arranged by Michael Brand. For Soloist(s) with Concert Band (Flute 1, Flute 2, Oboe, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet, Bassoon, Eb Alto Saxophone 1, Eb Alto Saxophone 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, F Horn 1, F Horn 2, Trombone 1, Trombone 2, Eu). Band Music. Grade 2.5. Score only. Duration 3:00. Published by C. Alan Publications (CN.S11283).
$12.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: 20th Century, Classical
Chanson de Matin (Flute Feature). By Edward Elgar (1857-1934). Arranged by Michael Brand. For Soloist(s) with Concert Band (Flute 1, Flute 2, Oboe, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet, Bassoon, Eb Alto Saxophone 1, Eb Alto Saxophone 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, F Horn 1, F Horn 2, Trombone 1, Trombone 2, Eu). Band Music. Grade 2.5. Score and parts. Duration 3:00. Published by C. Alan Publications (CN.R10283).
$50.60

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: 20th Century, Classical
Fantasy Triptych by Derek Bourgeois (1941-). For Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1/2, Eb Clarinet, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Eb Alto Clarinet, Bb Bass Clarinet, Bassoon 1/2, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Cornet 1, Bb Cornet 2/3, Bb Trumpet 1/2, Horn in F ). Band Music. Grade 5.5. Score only. Duration 17:40. Published by C. Alan Publications (CN.S11193). In 1972, I wrote a Sonata for Two Pianos for two friends who were piano teachers at Wellington College. When in 1995 I was asked to write a work for wind band, I returned to this Sonata and have re-arranged and in the new version renamed it "Fantasy Triptych."There are three movements:1. Le Tombeau d'Arthur BenjaminRavel wrote 'Le Tombeau de Couperin,' Arthur Benjamin wrote 'Le Tombeau de Ravel' and so the temptation to write 'Le Tombeau d'Arthur Benjamin' was overwhelming. At the end of the movement there is an oblique reference to Benjamin's own 'Jamaican Rumba' which accompanies a quote from an old Spanish folk song 'Loro, enciende el hervidor de agua.'2. Mr. Bolt goes for a ride in his motor car, and Monsieur Ravel turns in his grave.The movement is dedicated to an old friend, Geoffrey Bolt, who adores the music of Ravel. but at the time of writing was learning to drive. He always described his vehicle as a motor car. To describe him as an impatient motorist would be a gross understatement. The refined suavity of Ravel's music was in complete contrast to these early manifestations of road rage, hence the central angry outburst.3. The War March of the OstrichesThe music of Charles Ives was fascinating me at the time of writing this movement and some of the influence has rubbed off in this rondo-like march. At the end there is a quote from the very beginning of the first movement. The title was inspired by the amusing antics of a group of ostriches during a visit to Bristol Zoo.
$60.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Cornet, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: 20th Century, Classical
Fantasy Triptych by Derek Bourgeois (1941-). For Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1/2, Eb Clarinet, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Eb Alto Clarinet, Bb Bass Clarinet, Bassoon 1/2, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Cornet 1, Bb Cornet 2/3, Bb Trumpet 1/2, Horn in F ). Band Music. Grade 5.5. Score and parts. Duration 17:40. Published by C. Alan Publications (CN.R10193). In 1972, I wrote a Sonata for Two Pianos for two friends who were piano teachers at Wellington College. When in 1995 I was asked to write a work for wind band, I returned to this Sonata and have re-arranged and in the new version renamed it "Fantasy Triptych."There are three movements:1. Le Tombeau d'Arthur BenjaminRavel wrote 'Le Tombeau de Couperin,' Arthur Benjamin wrote 'Le Tombeau de Ravel' and so the temptation to write 'Le Tombeau d'Arthur Benjamin' was overwhelming. At the end of the movement there is an oblique reference to Benjamin's own 'Jamaican Rumba' which accompanies a quote from an old Spanish folk song 'Loro, enciende el hervidor de agua.'2. Mr. Bolt goes for a ride in his motor car, and Monsieur Ravel turns in his grave.The movement is dedicated to an old friend, Geoffrey Bolt, who adores the music of Ravel. but at the time of writing was learning to drive. He always described his vehicle as a motor car. To describe him as an impatient motorist would be a gross understatement. The refined suavity of Ravel's music was in complete contrast to these early manifestations of road rage, hence the central angry outburst.3. The War March of the OstrichesThe music of Charles Ives was fascinating me at the time of writing this movement and some of the influence has rubbed off in this rondo-like march. At the end there is a quote from the very beginning of the first movement. The title was inspired by the amusing antics of a group of ostriches during a visit to Bristol Zoo.
$165.60

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Cornet, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: 20th Century, Classical
Concerto for Saxophone & Wind Symphony. (Saxophone Feature). By Jere Hutcheson. For Soloist(s) with Concert Band (Piccolo, Flute 1/2/3, Oboe 1/2, English Horn, Soprano Clarinet in Eb, Clarinet in Bb 1/2/3, Bass Clarinet in Bb, Bassoon 1/2, SOLO ALTO SAXOPHONE (doubling Soprano Saxophone in 2nd mvt), Trumpet in Bb, Horn in F 1/2, Trombone 1, Bass Trombone, Euphonium, ). Band Music. Grade 5. Score only. Duration 18:00. Published by C. Alan Publications (CN.14141). Concerto for Saxophone is dedicated to Joseph Lulloff, saxophonnist, and The Michigan State University Wind Symphony, John Whitwell, conductor.
$50.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Soprano Saxophone, Bassoon, English Horn, B-Flat Trumpet, Bass Trombone, Euphonium, Woodwinds, Clarinet, Saxophone, Trumpet, Brass, Trombone
Genres: Classical
Concerto for Saxophone & Wind Symphony. (Saxophone Feature). By Jere Hutcheson. For Soloist(s) with Concert Band (Piccolo, Flute 1/2/3, Oboe 1/2, English Horn, Soprano Clarinet in Eb, Clarinet in Bb 1/2/3, Bass Clarinet in Bb, Bassoon 1/2, SOLO ALTO SAXOPHONE (doubling Soprano Saxophone in 2nd mvt), Trumpet in Bb, Horn in F 1/2, Trombone 1, Bass Trombone, Euphonium, ). Band Music. Grade 5. Score and parts. Duration 18:00. Published by C. Alan Publications (CN.14140). Concerto for Saxophone is dedicated to Joseph Lulloff, saxophonnist, and The Michigan State University Wind Symphony, John Whitwell, conductor.
$207.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Soprano Saxophone, Bassoon, English Horn, B-Flat Trumpet, Bass Trombone, Euphonium, Woodwinds, Clarinet, Saxophone, Trumpet, Brass, Trombone
Genres: Classical
Sinfonia Caroliniana by Walter Hartley (1927-). For Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1/2, Bassoon 1/2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, Horn 1/2, Horn 3/4, Trombone 1/2, Trombone 3, ). Band Music. Grade 5. Score only. Duration 8:00. Published by C. Alan Publications (CN.14101). Sinfonia Caroliniana is the sixteenth of Hartley's works to use "sinfonia" in its title and the sixth of these for symphonic wind ensemble (including Sinfonia I, IV, IX, and XIV). The second word refers to the excellent musicians of the University of North Carolina at Charlotte Symphonic Wind Ensemble, and their director, Dr. Laurence L. Marks, for whom the work was written, to whom it is dedicated, and who premiered it on February 25, 2006 at the Southern Division Conference of the College Band Directors National Association. The title also reflects the composer's delight "in the welcoming spirit my wife and I have encountered since moving to North Carolina in 2004." Some of the melodic material in the piece is based on the pentatonic scale typically found in Southern hymnody, which has inspired some of his other recent compositions. "As with most of my other Sinfonias, this one is a short and compact symphony structured in three movements, fast-slow-fast, as were the early 18th-century Italian opera overtures called "sinfonias." Like them, this piece is tonally centered (E-flat - C - E-flat) but uses current harmonic spectrums.
$30.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: Classical, Christmas, Miscellaneous
Sinfonia Caroliniana by Walter Hartley (1927-). For Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1/2, Bassoon 1/2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, Horn 1/2, Horn 3/4, Trombone 1/2, Trombone 3, ). Band Music. Grade 5. Score and parts. Duration 8:00. Published by C. Alan Publications (CN.14100). Sinfonia Caroliniana is the sixteenth of Hartley's works to use "sinfonia" in its title and the sixth of these for symphonic wind ensemble (including Sinfonia I, IV, IX, and XIV). The second word refers to the excellent musicians of the University of North Carolina at Charlotte Symphonic Wind Ensemble, and their director, Dr. Laurence L. Marks, for whom the work was written, to whom it is dedicated, and who premiered it on February 25, 2006 at the Southern Division Conference of the College Band Directors National Association. The title also reflects the composer's delight "in the welcoming spirit my wife and I have encountered since moving to North Carolina in 2004." Some of the melodic material in the piece is based on the pentatonic scale typically found in Southern hymnody, which has inspired some of his other recent compositions. "As with most of my other Sinfonias, this one is a short and compact symphony structured in three movements, fast-slow-fast, as were the early 18th-century Italian opera overtures called "sinfonias." Like them, this piece is tonally centered (E-flat - C - E-flat) but uses current harmonic spectrums.
$115.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: Classical, Christmas, Miscellaneous
Concerto No. 1 in D Minor for Marimba. (Marimba Feature). By Noah D. Taylor. For Soloist(s) with Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1, Oboe 2, Eb Clarinet, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet, Bassoon 1, Bassoon 2, Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3,). Percussion Music. Grade 5. Score only. Duration 30:00:00. Published by C. Alan Publications (CN.10924). The Marimba Concerto No. 1 in D Minor was completed in August 2003. This concerto was composed for marimbist Brenton Dunnington and was Taylor's first work for a solo mallet-percussion instrument. Taylor's Concerto displays confident youth as the composer ambitiously recalls the Romanticism of the past. The work is a large-scale undertaking for the soloist and the orchestra. Taylor has truly constructed a solo part of transcendental technique and virtuosity. The Concerto is tangible and tuneful, visually captivating and memorable from the first encounter.The first movement employs late 19th century harmony blended with Taylor's personal aesthetics. The full and rich orchestration is most evident here. The movement also displays the endurance and facility of the soloist. The opening fanfare and romantic theme form the basis for shaping the movement. Taylor thoroughly develops the theme in a romantically expanded sonata form. The solo cadenza (with improvisational intent) emerges from the end of the development and drives on to explore the theme. It demands intricate, complete command of the marimba and fearless composure from the soloist to accomplish the aggressively fluctuating tempi, the broad dynamic spectrum, and perilous octave descents. After a brief adagio, the first movement reaches an exhilarating orchestral conclusion.The slow second movement, still rooted in romanticism, slips in and out of 20th century harmonies. The movement is a tale of love and passion. Titled Adagio, the movement, opening in C major, is monothematic, but for a brief recapitulation of the first movement's main theme. The movement's poignant melody is carried by each of the oboe, clarinet, and flute solos with marimba. There is a tender, recurring duo between solo marimba and harp followed by a dramatic, climactic chorale where the soloist employs six-mallet technique. The movement culminates in a vivid new statement of the movement's main melody and fades off into the distance.A thematic transformation develops several stages further in the third movement. The Finale is a hero's tale of battle, danger, love, and triumph. Each section evokes a different account on the journey. Taylor reemphasizes the D minor tonality of the opening movement. The third movement bursts into the exhilarating and vigorous first subject, which features a thrilling rhythmic motif and interchange between the soloist and orchestra. The tale moves through a central, lyrical episode in place of a development section. Again, earlier material is recalled. As the final Vivace builds to a climax, the soloist unleashes fiery virtuosity with the orchestra. The majestic recapitulation, now in D major, surveys all of the Finale's opening material concluded by the coda in a brilliant presto and fortissimo.
$60.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, B-Flat Trumpet, Percussion, Marimba, Woodwinds, Clarinet, Saxophone, Trumpet, Brass
Genres: Classical
Concerto No. 2 for Marimba & Wind Ensemble. (Marimba Feature). By David Gillingham. For Soloist(s) with Concert Band (Piccolo, Flute 1/2, Oboe 1/2 , Bassoon 1/2, Clarinet in Bb 1/2, Clarinet in Bb 3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2/3, Horn in F 1/3, Horn in F 2/4, Trombone 1/2, Bass Trombone, Euphon). Band Music. Grade 4. Score only. Duration 23:00. Published by C. Alan Publications (CN.11851). The Concerto No. 2 for Marimba is a commission by a consortium of schools and performers headed by Professor Marc Wooldridge of Northwestern College, Orange City, Iowa.The work exploits the full range of the technical and expressive ability of the five-octave concert grand marimba. It is cast in the standard three-movement format. The first movement uses sonata-rondo form and begins with a slow introduction and quasi-cadenza by the marimba. An animated first theme follows in G-minor accompanied by clarinets and tambourine. A contrasting second theme area follows featuring chromatic mediant progressions and descending chromatic lines. The return of the first theme utilizes a slightly different accompaniment. The development section reworks all the thematic material in different guises. The recapitulation presents the first theme, verbatim, as it was in the exposition. The second theme, however, changes the mode to major. The return alternates the marimba on the theme with the winds playing the theme in augmentation. The marimba quietly ends the movement with an ascending and descending arpeggiated passage.The second movement is a chaconne with eight variations. The marimba states a rather haunting chorale-like melody in Bb minor. The first variation features the low brass on the chaconne theme with the marimba on the variation. Variation II uses marimba, clarinet, bells, and vibraphone and Variation III uses marimba, oboe, and horns. Cascading muted brass against the augmented chaconne theme in the flutes and clarinets are indicative of Variation IV. Variation V changes the slow pace to fast using marimba, brass, timpani, and bells. A haunting Variation VI utilizes bowed marimba on the chaconne theme accompanied by piano and bells. Variation VII features the low brass on the chaconne theme against triplets in the upper brass. Rolled arpeggiated chords highlight Variation VIII along with a solo alto saxophone on the second half of the variation. A somber coda brings the movement to a close.The third movement, like the first, is in sonata-rondo design and is cyclic, bringing back and combining the thematic material of the first and second movements. The first theme, in D-minor, is angular and spirited, accompanied by clarinets and tambourine (reminiscent of Mvt. I). The second theme brings back the second theme of the first movement followed by the return of the first theme, now accompanied by saxophones and tambourine. The development combines and works thematic material from all three movements of the concerto. The recapitulation begins with the bassoons on the first theme, followed by the horns/trumpets and finally, the marimba. The second theme brings back the chaconne of the second movement, this time in major with the marimba accompanying using rhythmic material taken from the first theme of the third movement. There is no formal return of the first theme. Instead, the marimba plays a cadenza in which the first theme material and the second movement chaconne are developed. A galloping presto (coda) follows, ending the movement in D major.- David R. Gillingham.
$45.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Bass Trombone, Marimba, Woodwinds, Clarinet, Saxophone, Brass, Trumpet, Trombone, Percussion
Genres: Classical
Concerto No. 2 for Marimba & Wind Ensemble. (Marimba Feature). By David Gillingham. For Soloist(s) with Concert Band (Piccolo, Flute 1/2, Oboe 1/2 , Bassoon 1/2, Clarinet in Bb 1/2, Clarinet in Bb 3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2/3, Horn in F 1/3, Horn in F 2/4, Trombone 1/2, Bass Trombone, Euphon). Band Music. Grade 5. Score and parts. Duration 23:00. Published by C. Alan Publications (CN.11850). The Concerto No. 2 for Marimba is a commission by a consortium of schools and performers headed by Professor Marc Wooldridge of Northwestern College, Orange City, Iowa.The work exploits the full range of the technical and expressive ability of the five-octave concert grand marimba. It is cast in the standard three-movement format. The first movement uses sonata-rondo form and begins with a slow introduction and quasi-cadenza by the marimba. An animated first theme follows in G-minor accompanied by clarinets and tambourine. A contrasting second theme area follows featuring chromatic mediant progressions and descending chromatic lines. The return of the first theme utilizes a slightly different accompaniment. The development section reworks all the thematic material in different guises. The recapitulation presents the first theme, verbatim, as it was in the exposition. The second theme, however, changes the mode to major. The return alternates the marimba on the theme with the winds playing the theme in augmentation. The marimba quietly ends the movement with an ascending and descending arpeggiated passage.The second movement is a chaconne with eight variations. The marimba states a rather haunting chorale-like melody in Bb minor. The first variation features the low brass on the chaconne theme with the marimba on the variation. Variation II uses marimba, clarinet, bells, and vibraphone and Variation III uses marimba, oboe, and horns. Cascading muted brass against the augmented chaconne theme in the flutes and clarinets are indicative of Variation IV. Variation V changes the slow pace to fast using marimba, brass, timpani, and bells. A haunting Variation VI utilizes bowed marimba on the chaconne theme accompanied by piano and bells. Variation VII features the low brass on the chaconne theme against triplets in the upper brass. Rolled arpeggiated chords highlight Variation VIII along with a solo alto saxophone on the second half of the variation. A somber coda brings the movement to a close.The third movement, like the first, is in sonata-rondo design and is cyclic, bringing back and combining the thematic material of the first and second movements. The first theme, in D-minor, is angular and spirited, accompanied by clarinets and tambourine (reminiscent of Mvt. I). The second theme brings back the second theme of the first movement followed by the return of the first theme, now accompanied by saxophones and tambourine. The development combines and works thematic material from all three movements of the concerto. The recapitulation begins with the bassoons on the first theme, followed by the horns/trumpets and finally, the marimba. The second theme brings back the chaconne of the second movement, this time in major with the marimba accompanying using rhythmic material taken from the first theme of the third movement. There is no formal return of the first theme. Instead, the marimba plays a cadenza in which the first theme material and the second movement chaconne are developed. A galloping presto (coda) follows, ending the movement in D major.- David R. Gillingham.
$165.60

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Bass Trombone, Marimba, Woodwinds, Clarinet, Saxophone, Brass, Trumpet, Trombone, Percussion
Genres: Classical
Michigama Suite by Catherine McMichael. Chamber Ensemble. For Alto Saxophone & Piano (soprano saxophone, alto saxophone, piano). Chamber Music. Medium. Set of parts. Duration 4:30. Published by C. Alan Publications (CN.11700). What if, on the night of a barn dance, the fiddle player got sick and couldn't make it? What if only a euphonium player were available to fill in? A spirited work which requires a little singing, whistling, kazoo playing, and even audience participation. You'll have fun with this one!
$24.00

Instruments: Piano, Alto Saxophone, Soprano Saxophone, Piano and Keyboard, Saxophone, Woodwinds
Genres: 20th Century, Classical
The Persia by Catherine McMichael. Arranged by Michael Brand. For Concert Band (Piccolo, Flute 1/2, Oboe, Bassoon 1/2, Clarinet in Bb 1, Clarinet in Bb 2/3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2/3, Horn in F 1/3, Horn in F 2/4, Trombone 1/2, Bass Trombone, Euphonium, ). Band Music. Grade 3. Score only. Duration 5:00. Published by C. Alan Publications (CN.11511). from Great Lakes VoyageGreat Lakes Voyage was commissioned to celebrate the memory of Andy Anderson, a charter member of the Bay Concert Band. The charge was to create a piece that would have special meaning for the band, and one that Andy would have enjoyed playing. Great Lakes folk song themes seemed a natural topic. The tunes chosen include:I. Bigler's CrewII. Low Bridge, Everybody Down (commonly known as The Erie Canal, written by Gov. Thomas Allen of NY in 1913)III. Nearer, My God, To Thee (Sarah F. Adams, 1841), The Persia Crew, also known as Lake Huron's Rockbound ShoreIV. The Huron Carol (French Canadian Tune), Hoot Owl Song (Chippewa/Objiwa, collected by Gertrude Prokosch Kurath), What Do You Do With a Drunken Sailor and Once More A-Lumbering Go (collected by Earl Clifton Beck)The PersiaNearer, My God, To TheeNearer, my God, to Thee, nearer to Thee! E'en though it be a cross that raiseth me.Still all my song shall be, 'Nearer, my God, to Thee'.Nearer, my God, to Thee, nearer to Thee.Lake Huron's Rockbound ShoreOh, sad and dismal is the tale that I'll now relate to you,That of the schooner, 'Persia,' her officers and crew;They sank beneath the deep blue lake in life to rise no more,Where wind and desolation sweep on Huron's rockbound shore.In celebration of Andy Anderson, a charter member of the Bay Concert Band, Bay City, MI.
$15.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Bass Trombone, Euphonium, Woodwinds, Clarinet, Saxophone, Brass, Trumpet, Trombone
Genres: 20th Century, Classical
The Persia by Catherine McMichael. For Concert Band (Piccolo, Flute 1/2, Oboe, Bassoon 1/2, Clarinet in Bb 1, Clarinet in Bb 2/3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2/3, Horn in F 1/3, Horn in F 2/4, Trombone 1/2, Bass Trombone, Euphonium, ). Band Music. Grade 3. Score and parts. Duration 5:00. Published by C. Alan Publications (CN.11510). from Great Lakes VoyageGreat Lakes Voyage was commissioned to celebrate the memory of Andy Anderson, a charter member of the Bay Concert Band. The charge was to create a piece that would have special meaning for the band, and one that Andy would have enjoyed playing. Great Lakes folk song themes seemed a natural topic. The tunes chosen include:I. Bigler's CrewII. Low Bridge, Everybody Down (commonly known as The Erie Canal, written by Gov. Thomas Allen of NY in 1913)III. Nearer, My God, To Thee (Sarah F. Adams, 1841), The Persia Crew, also known as Lake Huron's Rockbound ShoreIV. The Huron Carol (French Canadian Tune), Hoot Owl Song (Chippewa/Objiwa, collected by Gertrude Prokosch Kurath), What Do You Do With a Drunken Sailor and Once More A-Lumbering Go (collected by Earl Clifton Beck)The PersiaNearer, My God, To TheeNearer, my God, to Thee, nearer to Thee! E'en though it be a cross that raiseth me.Still all my song shall be, 'Nearer, my God, to Thee'.Nearer, my God, to Thee, nearer to Thee.Lake Huron's Rockbound ShoreOh, sad and dismal is the tale that I'll now relate to you,That of the schooner, 'Persia,' her officers and crew;They sank beneath the deep blue lake in life to rise no more,Where wind and desolation sweep on Huron's rockbound shore.In celebration of Andy Anderson, a charter member of the Bay Concert Band, Bay City, MI.
$59.80

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Bass Trombone, Euphonium, Woodwinds, Clarinet, Saxophone, Brass, Trumpet, Trombone
Genres: 20th Century, Classical
Low Bridge, Everybody Down by Catherine McMichael. For Concert Band (Piccolo, Flute 1/2, Oboe, Bassoon 1/2, Clarinet in Bb 1, Clarinet in Bb 2/3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2/3, Horn in F 1/3, Horn in F 2/4, Trombone 1/2, Bass Trombone, Euphonium, ). Band Music. Grade 3. Score only. Duration 2:30. Published by C. Alan Publications (CN.11501). from Great Lakes VoyageGreat Lakes Voyage was commissioned to celebrate the memory of Andy Anderson, a charter member of the Bay Concert Band. The charge was to create a piece that would have special meaning for the band, and one that Andy would have enjoyed playing. Great Lakes folk song themes seemed a natural topic. The tunes chosen include:I. Bigler's CrewII. Low Bridge, Everybody Down (commonly known as The Erie Canal, written by Gov. Thomas Allen of NY in 1913)III. Nearer, My God, To Thee (Sarah F. Adams, 1841), The Persia Crew, also known as Lake Huron's Rockbound ShoreIV. The Huron Carol (French Canadian Tune), Hoot Owl Song (Chippewa/Objiwa, collected by Gertrude Prokosch Kurath), What Do You Do With a Drunken Sailor and Once More A-Lumbering Go (collected by Earl Clifton Beck)Low Bridge, Everybody Down(The Erie Canal)I got a mule, her name is Sal; fifteen years on the Erie Canal.She's a good ol' pal; fifteen years on the Erie Canal.We've hauled some barges in our day, filled with lumber, coal and hay,And we know every step of the way from Albany to Buffalo.Low bridge, everybody down! Low bridge, 'cause we're coming to a town;And you'll always know your neighbor, you'll always know your pal,If you ever navigated on the Erie Canal.In celebration of Andy Anderson, a charter member of the Bay Concert Band, Bay City, MI.
$15.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Bass Trombone, Euphonium, Woodwinds, Clarinet, Saxophone, Brass, Trumpet, Trombone
Genres: 20th Century, Classical
Low Bridge, Everybody Down by Catherine McMichael. For Concert Band (Piccolo, Flute 1/2, Oboe, Bassoon 1/2, Clarinet in Bb 1, Clarinet in Bb 2/3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2/3, Horn in F 1/3, Horn in F 2/4, Trombone 1/2, Bass Trombone, Euphonium, ). Band Music. Grade 3. Score and parts. Duration 2:30. Published by C. Alan Publications (CN.11500). from Great Lakes VoyageGreat Lakes Voyage was commissioned to celebrate the memory of Andy Anderson, a charter member of the Bay Concert Band. The charge was to create a piece that would have special meaning for the band, and one that Andy would have enjoyed playing. Great Lakes folk song themes seemed a natural topic. The tunes chosen include:I. Bigler's CrewII. Low Bridge, Everybody Down (commonly known as The Erie Canal, written by Gov. Thomas Allen of NY in 1913)III. Nearer, My God, To Thee (Sarah F. Adams, 1841), The Persia Crew, also known as Lake Huron's Rockbound ShoreIV. The Huron Carol (French Canadian Tune), Hoot Owl Song (Chippewa/Objiwa, collected by Gertrude Prokosch Kurath), What Do You Do With a Drunken Sailor and Once More A-Lumbering Go (collected by Earl Clifton Beck)Low Bridge, Everybody Down(The Erie Canal)I got a mule, her name is Sal; fifteen years on the Erie Canal.She's a good ol' pal; fifteen years on the Erie Canal.We've hauled some barges in our day, filled with lumber, coal and hay,And we know every step of the way from Albany to Buffalo.Low bridge, everybody down! Low bridge, 'cause we're coming to a town;And you'll always know your neighbor, you'll always know your pal,If you ever navigated on the Erie Canal.In celebration of Andy Anderson, a charter member of the Bay Concert Band, Bay City, MI.
$59.80

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Bass Trombone, Euphonium, Woodwinds, Clarinet, Saxophone, Brass, Trumpet, Trombone
Genres: 20th Century, Classical
Symphony on Death & Dying by Karl Blench. For Concert Band (Piccolo, Flute 1, 2 (Piccolo 2, 3), Alto Flute (Flute 3), Oboe 1, 2, English Horn, Bassoon 1, 2 (Contrabassoon), Clarinet in Bb 1, 2, 3, 4, Bass Clarinet, Alto Saxophone 1, 2, Baritone Saxophone, Horn in F 1, 2, 3, 4, Trumpet in C 1, 2, 3, 4, Tenor Trombo). Band Music. Grade 5. Score only. Duration 17:40. Published by C. Alan Publications (CN.11421). Symphony on Death and Dying was written after taking a course at the University of New Hampshire of the same name. This piece explores the emotions a person may feel after the loss of someone close. The Symphony is cast in four movements played without pause. The pitch material is based on a seven note theme (E, F, G, F#, D#, [E], C, B) and all motives are derived from the intervals contained within this set. The work was written for the University of New Hampshire Wind Ensemble (Durham, NH) and dedicated to the ensemble's director, Dr. Andrew Boysen.Out of Confusion and Anger begins as a funeral march and is centered around the pitch E. The theme is stated from a solo trombone and then picked up by various groups of the ensemble. After the theme is presented an ostinato figure and melodic bass line build to the first outburst of anger followed by a return to the opening material.Of Remembrance is a solemn movement in contrast to the first. The solo clarinet has the melody at the beginning accompanied by soft harmonies in the low brass until it is interrupted by the theme from the first movement. Ghosts then can be heard as singing voices building to a brief climax and then a return to the opening melody this time in the solo bassoon.Of Rage begins with an outburst from the entire ensemble. The movement is filled with violent brass, screeching woodwinds, and is accented by barbaric percussion. After a brief return to the material of the first and second movements the material builds to the symphony's climax where violent screaming and shouting can be heard. The movement then slowly returns to the funeral march theme from the first movement.In Of Why? the solo soprano acts as the griever asking and wondering why their loved one has left them. The movement is brief and recalls material from the three previous movements. After one last desperate cry from the soprano and the ensemble the work comes to its quiet close.--Karl Blench.
$60.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Bassoon, English Horn, C Trumpet, Woodwinds, Clarinet, Saxophone, Trumpet, Brass
Genres: Classical
Symphony on Death & Dying by Karl Blench. For Concert Band (Piccolo, Flute 1, 2 (Piccolo 2, 3), Alto Flute (Flute 3), Oboe 1, 2, English Horn, Bassoon 1, 2 (Contrabassoon), Clarinet in Bb 1, 2, 3, 4, Bass Clarinet, Alto Saxophone 1, 2, Baritone Saxophone, Horn in F 1, 2, 3, 4, Trumpet in C 1, 2, 3, 4, Tenor Trombo). Band Music. Grade 5. Score and parts. Duration 17:40. Published by C. Alan Publications (CN.11420). Symphony on Death and Dying was written after taking a course at the University of New Hampshire of the same name. This piece explores the emotions a person may feel after the loss of someone close. The Symphony is cast in four movements played without pause. The pitch material is based on a seven note theme (E, F, G, F#, D#, [E], C, B) and all motives are derived from the intervals contained within this set. The work was written for the University of New Hampshire Wind Ensemble (Durham, NH) and dedicated to the ensemble's director, Dr. Andrew Boysen.Out of Confusion and Anger begins as a funeral march and is centered around the pitch E. The theme is stated from a solo trombone and then picked up by various groups of the ensemble. After the theme is presented an ostinato figure and melodic bass line build to the first outburst of anger followed by a return to the opening material.Of Remembrance is a solemn movement in contrast to the first. The solo clarinet has the melody at the beginning accompanied by soft harmonies in the low brass until it is interrupted by the theme from the first movement. Ghosts then can be heard as singing voices building to a brief climax and then a return to the opening melody this time in the solo bassoon.Of Rage begins with an outburst from the entire ensemble. The movement is filled with violent brass, screeching woodwinds, and is accented by barbaric percussion. After a brief return to the material of the first and second movements the material builds to the symphony's climax where violent screaming and shouting can be heard. The movement then slowly returns to the funeral march theme from the first movement.In Of Why? the solo soprano acts as the griever asking and wondering why their loved one has left them. The movement is brief and recalls material from the three previous movements. After one last desperate cry from the soprano and the ensemble the work comes to its quiet close.--Karl Blench.
$184.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Bassoon, English Horn, C Trumpet, Woodwinds, Clarinet, Saxophone, Trumpet, Brass
Genres: Classical
African Samba by Adam Gorb (1958-). For Concert Band (Flute 1-2, Oboe, Bb Clarinet 1-3, Bb Bass Clarinet, Bassoon, Eb Alto Saxophone 1-2, Bb tenor saxophone, Eb Baritone Saxophone, Bb Trumpet 1-2, F Horn 1-2, Trombone 1-2, Euphonium, Tuba, Tambourine, Bongos, Drum Kit). Band Music. Grade 2. Score only. Duration 3:00. Published by C. Alan Publications (CN.S11273). Another tuneful and accessible piece for younger players from British master- composer Adam Gorb. He starts with the traditional slow chant, adds the infectious samba rhythm, and lets it roll! A great piece with plenty of Latin percussion.
$10.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Euphonium, Percussion, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: 20th Century, Samba, Classical, Latin
African Samba by Adam Gorb (1958-). For Concert Band (flute 1-2, oboe, Bb clarinet 1-3, Bb bass clarinet, bassoon, Eb alto saxophone 1-2, Bb tenor saxophone, Eb baritone saxophone, Bb trumpet 1-2, F horn 1-2, trombone 1-2, euphonium, tuba, tambourine, bongos, drum kit). Band Music. Grade 2. Score and parts. Duration 3:00. Published by C. Alan Publications (CN.R10273). Another tuneful and accessible piece for younger players from British master- composer Adam Gorb. He starts with the traditional slow chant, adds the infectious samba rhythm, and lets it roll! A great piece with plenty of Latin percussion.
$50.60

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Euphonium, Percussion, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: 20th Century, Samba, Classical, Latin
Euphonium Concerto. (Euphonium Feature). By Gareth Wood. For Soloist(s) with Concert Band (Solo Euphonium, Piccolo, Flute 1, Flute 2, Oboe 1, Oboe 2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Eb Alto Clarinet, Bb Bass Clarinet, Bassoon 1, Bassoon 2, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Corne). Band Music. Grade 5. Score only. Duration 16:00. Published by C. Alan Publications (CN.S11262). Gareth Wood's 3-movement (fast-slow-fast) concerto is a tour-de-force that showcases the euphonium's best qualities, full realizing it's lyrical potential while also demonstrating it's fast-tonguing capabilities.
$25.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, B-Flat Trumpet, Euphonium, Woodwinds, Clarinet, Saxophone, Trumpet, Brass
Genres: Classical
Euphonium Concerto. (Euphonium Feature). By Gareth Wood. For Soloist(s) with Concert Band (Solo Euphonium, Piccolo, Flute 1, Flute 2, Oboe 1, Oboe 2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Eb Alto Clarinet, Bb Bass Clarinet, Bassoon 1, Bassoon 2, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Corne). Band Music. Grade 5. Score and parts. Duration 16:00. Published by C. Alan Publications (CN.R10262). Gareth Wood's 3-movement (fast-slow-fast) concerto is a tour-de-force that showcases the euphonium's best qualities, full realizing it's lyrical potential while also demonstrating it's fast-tonguing capabilities.
$138.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, B-Flat Trumpet, Euphonium, Woodwinds, Clarinet, Saxophone, Trumpet, Brass
Genres: Classical
Huron Passage by Catherine McMichael. For Concert Band (Piccolo, Flute 1/2, Oboe, Bassoon 1/2, Clarinet in Bb 1, Clarinet in Bb 2/3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2/3, Horn in F 1/3, Horn in F 2/4, Trombone 1/2, Bass Trombone, Euphonium, ). Band Music. Grade 3. Score only. Duration 4:00. Published by C. Alan Publications (CN.11171). "Great Lakes Voyage" was commissioned to celebrate the memory of Andy Anderson, a charter member of the Bay Concert Band. The charge was to create a piece that would have special meaning for the band, and one that Andy would have enjoyed playing. Great Lakes folk song themes seemed a natural topic. The tunes chosen include:I. Bigler's CrewII. Low Bridge, Everybody Down (commonly known as The Erie Canal, written by Gov. Thomas Allen of NY in 1913)III. Nearer, My God, To Thee (Sarah F. Adams, 1841), The Persia Crew, also known as Lake Huron's Rockbound ShoreIV. The Huron Carol (French Canadian Tune), Hoot Owl Song (Chippewa/Objiwa, collected by Gertrude Prokosch Kurath), What Do You Do With a Drunken Sailor and Once More A-Lumbering Go (collected by Earl Clifton Beck)Huron Carol'Twas the moon of wintertime, when all the birds had fled,That mighty Gitchi Manitou sent angel choirs instead;Before their light the stars grew dim and wandering hunters heard the hymn:"Jesus your King is born, Jesus is born, in excelsis Gloria."Hoot Owl SongKu-ku-ku'u ning-o-sa,Ku-ku-ku'u ning-o-sa,Wa-bi-ku-ku ning-o-sa.(Ning-o-sa = I'm afraid of, Kukuku'u = owl, Wabikuku = great white owl)Drunken SailorWhat do you do with a drunken sailor (3x) / Ear-lai in the morning?Once More A-Lumbering GoCome all you sons of freedom that run the Saginaw stream,Come all you roving lumber boys and listen to my there:We'll cross the Titabawassee, where the mighty waters flow,And we'll range the woods of Michigan, once more a-lumbering go, and once more a-lumbering go.And we'll range the woods of Michigan, once more a-lumbering go.
$15.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Bass Trombone, Euphonium, Woodwinds, Clarinet, Saxophone, Brass, Trumpet, Trombone
Genres: 20th Century, Classical
Huron Passage by Catherine McMichael. For Concert Band (Piccolo, Flute 1/2, Oboe, Bassoon 1/2, Clarinet in Bb 1, Clarinet in Bb 2/3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2/3, Horn in F 1/3, Horn in F 2/4, Trombone 1/2, Bass Trombone, Euphonium, ). Band Music. Maestro Band Series. Grade 3. Score and parts. Duration 4:00. Published by C. Alan Publications (CN.11170). "Great Lakes Voyage" was commissioned to celebrate the memory of Andy Anderson, a charter member of the Bay Concert Band. The charge was to create a piece that would have special meaning for the band, and one that Andy would have enjoyed playing. Great Lakes folk song themes seemed a natural topic. The tunes chosen include:I. Bigler's CrewII. Low Bridge, Everybody Down (commonly known as The Erie Canal, written by Gov. Thomas Allen of NY in 1913)III. Nearer, My God, To Thee (Sarah F. Adams, 1841), The Persia Crew, also known as Lake Huron's Rockbound ShoreIV. The Huron Carol (French Canadian Tune), Hoot Owl Song (Chippewa/Objiwa, collected by Gertrude Prokosch Kurath), What Do You Do With a Drunken Sailor and Once More A-Lumbering Go (collected by Earl Clifton Beck)Huron Carol'Twas the moon of wintertime, when all the birds had fled,That mighty Gitchi Manitou sent angel choirs instead;Before their light the stars grew dim and wandering hunters heard the hymn:"Jesus your King is born, Jesus is born, in excelsis Gloria."Hoot Owl SongKu-ku-ku'u ning-o-sa,Ku-ku-ku'u ning-o-sa,Wa-bi-ku-ku ning-o-sa.(Ning-o-sa = I'm afraid of, Kukuku'u = owl, Wabikuku = great white owl)Drunken SailorWhat do you do with a drunken sailor (3x) / Ear-lai in the morning?Once More A-Lumbering GoCome all you sons of freedom that run the Saginaw stream,Come all you roving lumber boys and listen to my there:We'll cross the Titabawassee, where the mighty waters flow,And we'll range the woods of Michigan, once more a-lumbering go, and once more a-lumbering go.And we'll range the woods of Michigan, once more a-lumbering go.
$59.80

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Bass Trombone, Euphonium, Woodwinds, Clarinet, Saxophone, Brass, Trumpet, Trombone
Genres: 20th Century, Classical
Bigler's Crew by Catherine McMichael. For Concert Band (Piccolo, Flute 1/2, Oboe, Bassoon 1/2, Clarinet in Bb 1, Clarinet in Bb 2/3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2/3, Horn in F 1/3, Horn in F 2/4, Trombone 1/2, Bass Trombone, Euphonium, ). Band Music. Grade 3. Score only. Duration 4:00. Published by C. Alan Publications (CN.11161). from "Great Lakes Voyage""Great Lakes Voyage" was commissioned to celebrate the memory of Andy Anderson, a charter member of the Bay Concert Band. The charge was to create a piece that would have special meaning for the band, and one that Andy would have enjoyed playing. Great Lakes folk song themes seemed a natural topic. The tunes chosen include:I. Bigler's CrewII. Low Bridge, Everybody Down (commonly known as The Erie Canal, written by Gov. Thomas Allen of NY in 1913)III. Nearer, My God, To Thee (Sarah F. Adams, 1841), The Persia Crew, also known as Lake Huron's Rockbound ShoreIV. The Huron Carol (French Canadian Tune), Hoot Owl Song (Chippewa/Objiwa, collected by Gertrude Prokosch Kurath), What Do You Do With a Drunken Sailor and Once More A-Lumbering Go (collected by Earl Clifton Beck)Bigler's CrewCome all my boys and listen, a song I'll sing to you.It's all about the Bigler and of her jolly crew.In Milwaukee last October, I chanced to get a sightIn the schooner called the 'Bigler" belonging to Detroit.Watch her, catch her, jump up on her juberju,Give her the sheet and let her slide, the boys will push her through.You ought to see us howling, the winds were blowing free,On our passage down to Buffalo from Milwaukee.PiccoloFlute 1/2OboeBassoon 1/2Clarinet in Bb 1Clarinet in Bb 2/3Bass ClarinetAlto Saxophone 1/2Tenor SaxophoneBaritone SaxophoneTrumpet in Bb 1Trumpet in Bb 2/3Horn in F 1/3Horn in F 2/4Trombone 1/2Bass TromboneEuphonium(Baritone T.C.)TubaPercussion 1 (chimes)Percussion 2 (snare drum, bass drum)Percussion 3 (triangle, suspended cymbal).
$15.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Bass Trombone, Euphonium, Woodwinds, Clarinet, Saxophone, Brass, Trumpet, Trombone
Genres: 20th Century, Classical
Bigler's Crew by Catherine McMichael. Arranged by Geoffrey Brand. For Concert Band (Piccolo, Flute 1/2, Oboe, Bassoon 1/2, Clarinet in Bb 1, Clarinet in Bb 2/3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2/3, Horn in F 1/3, Horn in F 2/4, Trombone 1/2, Bass Trombone, Euphonium, ). Band Music. Maestro Band Series. Grade 3. Score and parts. Duration 4:00. Published by C. Alan Publications (CN.11160). Great Lakes Voyage was commissioned to celebrate the memory of Andy Anderson, a charter member of the Bay Concert Band. The charge was to create a piece that would have special meaning for the band, and one that Andy would have enjoyed playing. Great Lakes folk song themes seemed a natural topic. The tunes chosen include:I. Bigler's CrewII. Low Bridge, Everybody Down (commonly known as The Erie Canal, written by Gov. Thomas Allen of NY in 1913)III. Nearer, My God, To Thee (Sarah F. Adams, 1841), The Persia Crew, also known as Lake Huron's Rockbound ShoreIV. The Huron Carol (French Canadian Tune), Hoot Owl Song (Chippewa/Objiwa, collected by Gertrude Prokosch Kurath), What Do You Do With a Drunken Sailor and Once More A-Lumbering Go (collected by Earl Clifton Beck)Bigler's CrewCome all my boys and listen, a song I'll sing to you.It's all about the Bigler and of her jolly crew.In Milwaukee last October, I chanced to get a sightIn the schooner called the 'Bigler" belonging to Detroit.Watch her, catch her, jump up on her juberju,Give her the sheet and let her slide, the boys will push her through.You ought to see us howling, the winds were blowing free,On our passage down to Buffalo from Milwaukee.
$59.80

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Bass Trombone, Euphonium, Woodwinds, Clarinet, Saxophone, Brass, Trumpet, Trombone
Genres: 20th Century, Classical
Variations on a Theme of Paganini by Joseph Horovitz (1926-). Chamber Ensemble. For Saxophone Quartet. Chamber Music. Medium. Score and set of parts. Published by C. Alan Publications (CN.R60201).
$12.50

Instruments: Saxophone, Woodwinds
Genres: 20th Century, Classical
Baroque Celebration by James A. Hirt. For Concert Band (Flute 1/2, Oboe 1/2, English Horn, Bassoon 1/2, Clarinet in Eb, Clarinet in Bb 1, Clarinet in Bb 2/3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1/2, Trumpet in Bb 3/4, Trumpet in Bb 5, Horn in F 1/2, Horn in F 3). Band Music. Grade 3. Score only. Duration 10:00-12:00. Published by C. Alan Publications (CN.10961). I. Prelude (1:30-2:00)II. Minuette (1:30-2:00)III. Arioso (3:50-4:10)IV. Fantasy (2:45-3:15).
$15.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, English Horn, B-Flat Trumpet, Woodwinds, Clarinet, Saxophone, Trumpet, Brass
Genres: Baroque Period, Classical
Baroque Celebration by James A. Hirt. For Concert Band (Flute 1/2, Oboe 1/2, English Horn, Bassoon 1/2, Clarinet in Eb, Clarinet in Bb 1, Clarinet in Bb 2/3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1/2, Trumpet in Bb 3/4, Trumpet in Bb 5, Horn in F 1/2, Horn in F 3). Band Music. Maestro Band Series. Grade 4. Score and parts. Duration 10:00-12:00. Published by C. Alan Publications (CN.10960). I. Prelude (1:30-2:00)II. Minuette (1:30-2:00)III. Arioso (3:50-4:10)IV. Fantasy (2:45-3:15).
$73.60

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, English Horn, B-Flat Trumpet, Woodwinds, Clarinet, Saxophone, Trumpet, Brass
Genres: Baroque Period, Classical
Childgrove by Frederick Speck. Arranged by Percy Aldridge Grainger. For Concert Band (Piccolo, Flute 1, Flute 2, Oboe, Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3, Bass Clarinet in Bb, Bassoon, Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2, Trumpet in Bb 3, Horn in F 1, H). Orchestra Music. Grade 3. Score only. Duration 3:00. Published by C. Alan Publications (CN.10951). Commissioned byThe Beaumont Middle School Band, Lexington, Kentuckyfor Performance at the 2005 Midwest Band & Orchestra ClinicTeresa Elliot, Director.
$15.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: Classical
Childgrove by Frederick Speck. Arranged by Percy Aldridge Grainger. For Concert Band (Piccolo, Flute 1, Flute 2, Oboe, Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3, Bass Clarinet in Bb, Bassoon, Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2, Trumpet in Bb 3, Horn in F 1, H). Orchestra Music. Grade 3. Score and parts. Duration 3:00. Published by C. Alan Publications (CN.10950). Commissioned byThe Beaumont Middle School Band, Lexington, Kentuckyfor Performance at the 2005 Midwest Band & Orchestra ClinicTeresa Elliot, Director.
$69.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: Classical
Tune in a Popular London Style by Percy Aldridge Grainger (1882-1961). Arranged by Barry Kopetz. For Concert Band (Piccolo, 1st & 2nd Flute, 1st & 2nd Oboe, English Horn, 1st & 2nd Bassoon, 1st Clarinet in Bb, 2nd Clarinet in Bb, 3rd Clarinet in Bb, Bass Clarinet in Bb, Soprano Saxophone, 1st & 2nd Alto Saxophone in Eb, Tenor Saxophone in Bb, Baritone Saxophone in Eb,). Band Music. Grade 4. Score only. Duration 3:15. Published by C. Alan Publications (CN.10891). Tune in a Popular London Style was "An attempt to write an air with a 'Music Hall' flavor embodying the London blend of gaiety with wistfulness so familiar in the performances of George Grossmith, Jr., and other vaudeville artists. It consists of two strains, like the solo and chorus of music-hall ditties.The musical material, composed in London, dates from about 1912, and was worked out and scored during the winter of 1915/16 in New York City and in railway trains.(Notes derived form "A Source Guide to the Music of Percy Grainger," ed. by Thomas P. Lewis.)While residing in London in 1915, Grainger and his mother made a quick decision to leave London. The Great War had just begun, and Rose Grainger worried about her son's career prospects if they remained in London. They boarded the Cunrad ship Laconia in Liverpool and reached Boston on September 8, 1915. Grainger merged into the musical life of New York City and began performing at the piano, earning him a wide reputation. Sixteen concerts were booked for New York with the leading orchestras, as well as numerous solo recitals. Other performances were scheduled in Philadelphia, Minneapolis, Boston and the Chicago orchestras.In the first season in America, Grainger's works received approximately one hundred performances, though Grainger was only invited to conduct but once. Although the success he was receiving as a pianist was unlike anything he received in Europe, he saw that his success as a performer was in danger of denying him any critical acclaim as a serious composer.As his career began to flourish, the need for increased travel became a necessity. Whenever Grainger traveled, he took the train. He loved railways, as they gave him the space to spread his manuscripts out and compose. He always traveled second class, and rarely took a sleeper, preferring to sleep sitting up. He would occasionally depart the train one station early and give the difference in fare to a local charity. It was partly during these trips on the train that Grainger scored In a Nutshell.In June of 1916, Grainger was invited to take part in the Norfolk, Connecticut Festival of Music. It was for this performance that he scored and put together an orchestral suite which he entitled In a Nutshell. Some of the sketches for the piece went back to 1905, and the suite was eventually published in four movements, the final movement being the well-known "Gum-Suckers March" (originally entitled 'Cornstalks March'). Despite the mood of jollity of the suite, it is serious in intent and contains some of Grainger's most characteristic scoring. The first performance was conducted by Dr. Arthur Mees and Grainger was paid $500 for producing it.(Notes derived from "Percy Grainger" by John Bird).
$15.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Soprano Saxophone, Tenor Saxophone, Bassoon, English Horn, Woodwinds, Clarinet, Saxophone
Genres: 20th Century, Classical
Tune in a Popular London Style by Percy Aldridge Grainger (1882-1961). Arranged by Barry Kopetz. For Concert Band (Piccolo, 1st & 2nd Flute, 1st & 2nd Oboe, English Horn, 1st & 2nd Bassoon, 1st Clarinet in Bb, 2nd Clarinet in Bb, 3rd Clarinet in Bb, Bass Clarinet in Bb, Soprano Saxophone, 1st & 2nd Alto Saxophone in Eb, Tenor Saxophone in Bb, Baritone Saxophone in Eb,). Band Music. Platinum Band Series. Grade 4. Score and parts. Duration 3:15. Published by C. Alan Publications (CN.10890). Tune in a Popular London Style was "An attempt to write an air with a 'Music Hall' flavor embodying the London blend of gaiety with wistfulness so familiar in the performances of George Grossmith, Jr., and other vaudeville artists. It consists of two strains, like the solo and chorus of music-hall ditties.The musical material, composed in London, dates from about 1912, and was worked out and scored during the winter of 1915/16 in New York City and in railway trains.(Notes derived form "A Source Guide to the Music of Percy Grainger," ed. by Thomas P. Lewis.)While residing in London in 1915, Grainger and his mother made a quick decision to leave London. The Great War had just begun, and Rose Grainger worried about her son's career prospects if they remained in London. They boarded the Cunrad ship Laconia in Liverpool and reached Boston on September 8, 1915. Grainger merged into the musical life of New York City and began performing at the piano, earning him a wide reputation. Sixteen concerts were booked for New York with the leading orchestras, as well as numerous solo recitals. Other performances were scheduled in Philadelphia, Minneapolis, Boston and the Chicago orchestras.In the first season in America, Grainger's works received approximately one hundred performances, though Grainger was only invited to conduct but once. Although the success he was receiving as a pianist was unlike anything he received in Europe, he saw that his success as a performer was in danger of denying him any critical acclaim as a serious composer.As his career began to flourish, the need for increased travel became a necessity. Whenever Grainger traveled, he took the train. He loved railways, as they gave him the space to spread his manuscripts out and compose. He always traveled second class, and rarely took a sleeper, preferring to sleep sitting up. He would occasionally depart the train one station early and give the difference in fare to a local charity. It was partly during these trips on the train that Grainger scored In a Nutshell.In June of 1916, Grainger was invited to take part in the Norfolk, Connecticut Festival of Music. It was for this performance that he scored and put together an orchestral suite which he entitled In a Nutshell. Some of the sketches for the piece went back to 1905, and the suite was eventually published in four movements, the final movement being the well-known "Gum-Suckers March" (originally entitled 'Cornstalks March'). Despite the mood of jollity of the suite, it is serious in intent and contains some of Grainger's most characteristic scoring. The first performance was conducted by Dr. Arthur Mees and Grainger was paid $500 for producing it.(Notes derived from "Percy Grainger" by John Bird).
$69.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Soprano Saxophone, Tenor Saxophone, Bassoon, English Horn, Woodwinds, Clarinet, Saxophone
Genres: 20th Century, Latin, Classical
Three Folk Tunes by Gustav Holst (1874-1934). For Concert Band (Piccolo, Flute, Bassoon, Eb Clarinet, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Alto Saxophone, Bb Trumpet 1, Bb Trumpet 2, Horn in F 1, Horn in F 2, Trombone 1, Trombone 2, Trombone 3, Euphonium, (Baritone T.C.), Tuba, Percussion 1 (snare drum), Percu). Brass Ensemble Music. Grade 3. Score only. Published by C. Alan Publications (CN.S11069).
$7.50

Instruments: Flute, B-Flat Clarinet, E-Flat Clarinet, Alto Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Euphonium, Percussion, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: 20th Century, Folk Songs, Classical, Folk
Serenade Op. 22A by Derek Bourgeois (1941-). For Full Orchestra (flute 1, flute 2, oboe 1, oboe 2, Bb clarinet 1, Bb clarinet 2, bassoon, Eb alto saxophone, Bb tenor Saxophone, Bb trumpet 1, Bb trumpet 2, F horn 1, F horn 2, trombone 1, trombone 2, tuba, timpani, percussion (cymbals, triangle), violin 1, violin 2, viol). Orchestra Music. Score and parts. Published by C. Alan Publications (CN.R40001). Delight listeners with this lighthearted work. Derek Bourgeois wrote the Serenade for his own wedding, to be played by the organist as the guests left the ceremony. Not wishing to allow them the luxury of proceeding in an orderly 2/4, the composer wrote the work in 11/8, and in case anyone felt too comfortable, he changed it to 13/8 in the middle! The work has now been released in a number of different orchestrations of the original version for organ.
$55.00

Instruments: Flute, B-Flat Clarinet, Oboe, Alto Saxophone, Tenor Saxophone, Bassoon, Horn, Violin, B-Flat Trumpet, Trombone, Percussion, Timpani, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Strings, Trumpet
Genres: Classical, 20th Century
Symphony for Winds & Percussion by Luigi Zaninelli. For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, English Horn, Solo Clarinet in Bb 1/2, Clarinet in Bb 1, Clarinet in Bb 2/3, Bass Clarinet in Bb, Contralto Clarinet in Eb, Alto Saxophone in Eb 1, Alto Saxophone in Eb 2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1,). Band Music. Grade 5. Score only. Duration 14:10. Published by C. Alan Publications (CN.10421). The first movement of Zaninelli's Symphony is remarkable for its conciseness and brevity. In a very short "space in time" he creates a true Sonata-Allegro movement. The language is pure Zaninelli - restless, tender, mysterious, muscular, gentle, and at all times captivating.The second movement is a theme and variations. It begins with a theme presented by the solo flute. Three variations ensue - a sexy tango, a sensuous blues, and a rousing barn dance. There is a genuine purity to Zaninelli's feel for these diverse dance forms. One senses that he has an intimate knowledge of these idioms.
$50.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, English Horn, B-Flat Trumpet, Percussion, Woodwinds, Clarinet, Saxophone, Trumpet, Brass
Genres: Classical
Symphony for Winds & Percussion by Luigi Zaninelli. For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, English Horn, Solo Clarinet in Bb 1/2, Clarinet in Bb 1, Clarinet in Bb 2/3, Bass Clarinet in Bb, Contralto Clarinet in Eb, Alto Saxophone in Eb 1, Alto Saxophone in Eb 2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1,). Band Music. Grade 5. Score and parts. Duration 14:10. Published by C. Alan Publications (CN.10420). The first movement of Zaninelli's Symphony is remarkable for its conciseness and brevity. In a very short "space in time" he creates a true Sonata-Allegro movement. The language is pure Zaninelli - restless, tender, mysterious, muscular, gentle, and at all times captivating.The second movement is a theme and variations. It begins with a theme presented by the solo flute. Three variations ensue - a sexy tango, a sensuous blues, and a rousing barn dance. There is a genuine purity to Zaninelli's feel for these diverse dance forms. One senses that he has an intimate knowledge of these idioms.
$165.60

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, English Horn, B-Flat Trumpet, Percussion, Woodwinds, Clarinet, Saxophone, Trumpet, Brass
Genres: Classical
Northern Lament by Derek Bourgeois (1941-). For Concert Band (Flute 1/Piccolo, Flute 2, Oboe 1/2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Eb Alto Clarinet*, Bb Bass Clarinet, Bassoon 1, Bassoon 2*, Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone, Baritone Saxophone*, Bb Cornet 1, Bb Cornet 2, Bb Cornet 3, B). Band Music. Grade 4.5. Score only. Duration 4:30. Published by C. Alan Publications (CN.S11214). This piece originated in the slow movement of "Sonata for Brass Quintet," which I wrote in 1965 whilst still a pupil of Herbert Howells at the Royal College of Music, London. It had been commissioned by the Halle Brass Quintet, although they never performed the work. In 1997, Timothy Reynish suggested that I should arrange the work for wind orchestra. I decided to expand the movement into something more than double its original length, adding a fiery climax to its central section. The whole movement derives from the simple melody stated at the beginning. Because of Timothy Reynish's association with the Royal Northern College of Music in Manchester, England and because the original sonata was never played by the northern-based Halle Brass Quintet who invited me to write it, I decided to call the new piece "Northern Lament.".
$10.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Cornet, Woodwinds, Clarinet, Saxophone, Trumpet, Brass
Genres: 20th Century, Classical