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Baritone Saxophone
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Concertino for 4 Percussion (Percussion Quartet Feature). By David Gillingham. Arranged by Stuart Johnson. For Soloist(s) with Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon 1/2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bass Clarinet, Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, F Horn 1, F Horn 2, F Horn 3, F Horn ). Grade 5. Score only. Duration 9:30. Published by C. Alan Publications (CN.02871). Two thematic motives are used as a point of departure for this work. Both appear in the slow and mysterious introduction. The first, played by the marimbas, is dramatic and the second, played by vibraphone and bells, is haunting. The following Allegro is structured similar to a rondo with recurrences of both themes interspersed by episodic sections. The first theme, however, is transformed into a very lively arpeggiated tune played by the xylophone and marimba. The coda is marked by a relentless rhythmic competition of two sets of bass drums which accompany the primary thematic material as first heard in the slow introduction. The work draws to a resounding conclusion when the second haunting theme is stated dramatically in tour de force by the accompaniment.-David R. Gillingham.
$50.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Percussion, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Concertino for Clarinet, Mvt. I (Clarinet Feature). By Wolfgang Amadeus Mozart (1756-1791). Arranged by Stuart Johnson. For Soloist(s) with Concert Band (Solo Bb Clarinet, 1st Flute, 2nd Flute/Oboe, 1st Bb Clarinet, 2nd Bb Clarinet, Eb Alto Saxophone*, Bb Tenor Saxophone*, Eb Baritone Saxophone*, 1st Trumpet, 2nd Trumpet, 1st F Horn, 2nd F Horn, Trombone, Euphonium, (TC Baritone), Tuba, Piano*, Parts marke). Grade 2. Score and parts. Duration 5:00. Published by C. Alan Publications (CN.R10297). Stuart Johnson has arranged and adapted the first movement of this much loved Mozart piano sonata (KV 282) to create a delightful and welcome addition to the clarinet repertoire. The accompaniment is lightly scored for small wind band. Primarily this is to create a classical feel which reflects the style of the music. However, larger bands may wish to place the piece strategically in the program to give the heavy brass a rest. To this end, directors may also prefer to use single players on the brass and saxophone parts which would also help to give and orchestral feel to the performance.
$46.00

Instruments: Piano, Flute, B-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Horn, Trumpet, Trombone, Euphonium, Tuba, Piano and Keyboard, Woodwinds, Clarinet, Saxophone, Brass
Genres: Classical, Classical Period
Concertino for Clarinet, Mvt. I (Clarinet Feature). By Wolfgang Amadeus Mozart (1756-1791). Arranged by Stuart Johnson. For Soloist(s) with Concert Band (Solo Bb Clarinet, 1st Flute, 2nd Flute/Oboe, 1st Bb Clarinet, 2nd Bb Clarinet, Eb Alto Saxophone*, Bb Tenor Saxophone*, Eb Baritone Saxophone*, 1st Trumpet, 2nd Trumpet, 1st F Horn, 2nd F Horn, Trombone, Euphonium, (TC Baritone), Tuba, Piano*, Parts marke). Grade 2. Score only. Duration 5:00. Published by C. Alan Publications (CN.S11297). Stuart Johnson has arranged and adapted the first movement of this much loved Mozart piano sonata (KV 282) to create a delightful and welcome addition to the clarinet repertoire. The accompaniment is lightly scored for small wind band. Primarily this is to create a classical feel which reflects the style of the music. However, larger bands may wish to place the piece strategically in the program to give the heavy brass a rest. To this end, directors may also prefer to use single players on the brass and saxophone parts which would also help to give and orchestral feel to the performance.
$18.40

Instruments: Piano, Flute, B-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Horn, Trumpet, Trombone, Euphonium, Tuba, Piano and Keyboard, Woodwinds, Clarinet, Saxophone, Brass
Genres: Classical, Classical Period
(Clarinet Solo in B-Flat with Band Accompaniment). By Carl Maria von Weber (1786-1826) and Carl Maria von Weber (1786-1826). Arranged by Mayhew Lake. Concert Band. For Piccolo, Flute, Oboe, Clarinet (in Eb), Clarinet Solo, Clarinet I, Clarinet II, Clarinet III, Alto Clarinet, Bass Clarinet, Bassoon, Alto Saxophone I, Alto Saxophone II, Tenor Saxophone, Baritone Saxophone, Cornet Solo, Cornet I, Cornet II, Cornet III, Ho. Carl Fischer Classic Band Editions. Score and Set of Parts. Standard notation. Opus 26. 18 pages. Duration 9 minutes. Published by Carl Fischer
$85.00

Pages: 18
Instruments: Piccolo, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Cornet, Flute, Woodwinds, Clarinet, Saxophone, Trumpet, Brass
Genres: Classical Period, Romantic Period, Classical
Concerto by Roland Szentpali. For tuba and wind band (piccolo, 2 flutes, 2 oboes, Eb clarinet, 3 Bb clarinets, bass clarinet, 2 bassoons, soprano saxophone, alto saxophone, tenor saxophone, baritone saxophone, 3 trumpets, 4 horns, 2 trombones, bass trombone, euphonium, tuba, contrabass, timpani, percussion). Contemporary. 5-6. Score. Composed 2002/2006. Duration 17'. Published by Editions BIM (ET.TU96E).
$62.50

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Soprano Saxophone, Tenor Saxophone, Bassoon, Horn, Double Bass, B-Flat Trumpet, Bass Trombone, Euphonium, Percussion, Timpani, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Strings, Trumpet, Trombone
Genres: Classical
Concerto by Roland Szentpali. For tuba and wind band (piccolo, 2 flutes, 2 oboes, Eb clarinet, 3 Bb clarinets, bass clarinet, 2 bassoons, soprano saxophone, alto saxophone, tenor saxophone, baritone saxophone, 3 trumpets, 4 horns, 2 trombones, bass trombone, euphonium, tuba, contrabass, timpani, percussion). Contemporary. 5-6. Parts. Composed 2002/2006. Duration 17'. Published by Editions BIM (ET.TU96F).
$137.50

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Soprano Saxophone, Tenor Saxophone, Bassoon, Horn, Double Bass, B-Flat Trumpet, Bass Trombone, Euphonium, Percussion, Timpani, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Strings, Trumpet, Trombone
Genres: Classical
Concerto. (For Baritone Saxophone and Wind Orchestra). By Bernard Van Beurden. For Baritone Saxophone Solo and Wind Orchestra. Full score. Duration 16 minutes, 30 seconds. Published by Donemus (PR.57600972S).
$66.95

Instruments: Piccolo, Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Soprano Saxophone, Tenor Saxophone, Bassoon, Horn, Double Bass, B-Flat Trumpet, Trombone, Percussion, Timpani, Tuba, Flute, Woodwinds, Saxophone, Brass, Strings, Trumpet
Genres: Classical
Concerto by Jean Martinon. For Soprano Saxophone, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Piano. Solo Part with Piano Reduction. Standard notation. Opus 38. Published by Gerard Billaudot Editeur (PR.524046500). With Standard notation.
$53.00

Instruments: Piano, Alto Saxophone, Baritone Saxophone, Soprano Saxophone, Tenor Saxophone, Piano and Keyboard, Saxophone, Woodwinds
Genres: Classical
Concerto by Jean Rivier (1896-1987). Arranged by Rene Decouais. For Alto Saxophone, Baritone Saxophone, 2 Bassoon, Trumpet, Contrabass. Full Score - Large. Standard notation. Published by Gerard Billaudot Editeur (PR.55400492S). With Standard notation.
$48.50

Instruments: Alto Saxophone, Baritone Saxophone, Bassoon, Double Bass, B-Flat Trumpet, Saxophone, Woodwinds, Strings, Trumpet, Brass
Genres: Classical, 20th Century
Concerto No. 1 in D Minor for Marimba. (Marimba Feature). By Noah D. Taylor. For Soloist(s) with Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1, Oboe 2, Eb Clarinet, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet, Bassoon 1, Bassoon 2, Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3,). Percussion Music. Grade 5. Score only. Duration 30:00:00. Published by C. Alan Publications (CN.10924). The Marimba Concerto No. 1 in D Minor was completed in August 2003. This concerto was composed for marimbist Brenton Dunnington and was Taylor's first work for a solo mallet-percussion instrument. Taylor's Concerto displays confident youth as the composer ambitiously recalls the Romanticism of the past. The work is a large-scale undertaking for the soloist and the orchestra. Taylor has truly constructed a solo part of transcendental technique and virtuosity. The Concerto is tangible and tuneful, visually captivating and memorable from the first encounter.The first movement employs late 19th century harmony blended with Taylor's personal aesthetics. The full and rich orchestration is most evident here. The movement also displays the endurance and facility of the soloist. The opening fanfare and romantic theme form the basis for shaping the movement. Taylor thoroughly develops the theme in a romantically expanded sonata form. The solo cadenza (with improvisational intent) emerges from the end of the development and drives on to explore the theme. It demands intricate, complete command of the marimba and fearless composure from the soloist to accomplish the aggressively fluctuating tempi, the broad dynamic spectrum, and perilous octave descents. After a brief adagio, the first movement reaches an exhilarating orchestral conclusion.The slow second movement, still rooted in romanticism, slips in and out of 20th century harmonies. The movement is a tale of love and passion. Titled Adagio, the movement, opening in C major, is monothematic, but for a brief recapitulation of the first movement's main theme. The movement's poignant melody is carried by each of the oboe, clarinet, and flute solos with marimba. There is a tender, recurring duo between solo marimba and harp followed by a dramatic, climactic chorale where the soloist employs six-mallet technique. The movement culminates in a vivid new statement of the movement's main melody and fades off into the distance.A thematic transformation develops several stages further in the third movement. The Finale is a hero's tale of battle, danger, love, and triumph. Each section evokes a different account on the journey. Taylor reemphasizes the D minor tonality of the opening movement. The third movement bursts into the exhilarating and vigorous first subject, which features a thrilling rhythmic motif and interchange between the soloist and orchestra. The tale moves through a central, lyrical episode in place of a development section. Again, earlier material is recalled. As the final Vivace builds to a climax, the soloist unleashes fiery virtuosity with the orchestra. The majestic recapitulation, now in D major, surveys all of the Finale's opening material concluded by the coda in a brilliant presto and fortissimo.
$60.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, B-Flat Trumpet, Percussion, Marimba, Woodwinds, Clarinet, Saxophone, Trumpet, Brass
Genres: Classical
Concerto No. 1 in D Minor for Marimba (Marimba Feature). By Noah D. Taylor. Arranged by A. Dancy. For Soloist(s) with Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1, Oboe 2, Eb Clarinet, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet, Bassoon 1, Bassoon 2, Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3,). Grade 5. Score and parts. Duration 30:00:00. Published by C. Alan Publications (CN.10923). The Marimba Concerto No. 1 in D Minor was completed in August 2003. This concerto was composed for marimbist Brenton Dunnington and was Taylor's first work for a solo mallet-percussion instrument. Taylor's Concerto displays confident youth as the composer ambitiously recalls the Romanticism of the past. The work is a large-scale undertaking for the soloist and the orchestra. Taylor has truly constructed a solo part of transcendental technique and virtuosity. The Concerto is tangible and tuneful, visually captivating and memorable from the first encounter.The first movement employs late 19th century harmony blended with Taylor's personal aesthetics. The full and rich orchestration is most evident here. The movement also displays the endurance and facility of the soloist. The opening fanfare and romantic theme form the basis for shaping the movement. Taylor thoroughly develops the theme in a romantically expanded sonata form. The solo cadenza (with improvisational intent) emerges from the end of the development and drives on to explore the theme. It demands intricate, complete command of the marimba and fearless composure from the soloist to accomplish the aggressively fluctuating tempi, the broad dynamic spectrum, and perilous octave descents. After a brief adagio, the first movement reaches an exhilarating orchestral conclusion.The slow second movement, still rooted in romanticism, slips in and out of 20th century harmonies. The movement is a tale of love and passion. Titled Adagio, the movement, opening in C major, is monothematic, but for a brief recapitulation of the first movement's main theme. The movement's poignant melody is carried by each of the oboe, clarinet, and flute solos with marimba. There is a tender, recurring duo between solo marimba and harp followed by a dramatic, climactic chorale where the soloist employs six-mallet technique. The movement culminates in a vivid new statement of the movement's main melody and fades off into the distance.A thematic transformation develops several stages further in the third movement. The Finale is a hero's tale of battle, danger, love, and triumph. Each section evokes a different account on the journey. Taylor reemphasizes the D minor tonality of the opening movement. The third movement bursts into the exhilarating and vigorous first subject, which features a thrilling rhythmic motif and interchange between the soloist and orchestra. The tale moves through a central, lyrical episode in place of a development section. Again, earlier material is recalled. As the final Vivace builds to a climax, the soloist unleashes fiery virtuosity with the orchestra. The majestic recapitulation, now in D major, surveys all of the Finale's opening material concluded by the coda in a brilliant presto and fortissimo.
$165.60

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, B-Flat Trumpet, Marimba, Woodwinds, Clarinet, Saxophone, Trumpet, Brass, Percussion
Genres: Classical
Concerto No. 2 for Marimba & Wind Ensemble. (Marimba Feature). By David Gillingham. For Soloist(s) with Concert Band (Piccolo, Flute 1/2, Oboe 1/2 , Bassoon 1/2, Clarinet in Bb 1/2, Clarinet in Bb 3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2/3, Horn in F 1/3, Horn in F 2/4, Trombone 1/2, Bass Trombone, Euphon). Band Music. Grade 5. Score and parts. Duration 23:00. Published by C. Alan Publications (CN.11850). The Concerto No. 2 for Marimba is a commission by a consortium of schools and performers headed by Professor Marc Wooldridge of Northwestern College, Orange City, Iowa.The work exploits the full range of the technical and expressive ability of the five-octave concert grand marimba. It is cast in the standard three-movement format. The first movement uses sonata-rondo form and begins with a slow introduction and quasi-cadenza by the marimba. An animated first theme follows in G-minor accompanied by clarinets and tambourine. A contrasting second theme area follows featuring chromatic mediant progressions and descending chromatic lines. The return of the first theme utilizes a slightly different accompaniment. The development section reworks all the thematic material in different guises. The recapitulation presents the first theme, verbatim, as it was in the exposition. The second theme, however, changes the mode to major. The return alternates the marimba on the theme with the winds playing the theme in augmentation. The marimba quietly ends the movement with an ascending and descending arpeggiated passage.The second movement is a chaconne with eight variations. The marimba states a rather haunting chorale-like melody in Bb minor. The first variation features the low brass on the chaconne theme with the marimba on the variation. Variation II uses marimba, clarinet, bells, and vibraphone and Variation III uses marimba, oboe, and horns. Cascading muted brass against the augmented chaconne theme in the flutes and clarinets are indicative of Variation IV. Variation V changes the slow pace to fast using marimba, brass, timpani, and bells. A haunting Variation VI utilizes bowed marimba on the chaconne theme accompanied by piano and bells. Variation VII features the low brass on the chaconne theme against triplets in the upper brass. Rolled arpeggiated chords highlight Variation VIII along with a solo alto saxophone on the second half of the variation. A somber coda brings the movement to a close.The third movement, like the first, is in sonata-rondo design and is cyclic, bringing back and combining the thematic material of the first and second movements. The first theme, in D-minor, is angular and spirited, accompanied by clarinets and tambourine (reminiscent of Mvt. I). The second theme brings back the second theme of the first movement followed by the return of the first theme, now accompanied by saxophones and tambourine. The development combines and works thematic material from all three movements of the concerto. The recapitulation begins with the bassoons on the first theme, followed by the horns/trumpets and finally, the marimba. The second theme brings back the chaconne of the second movement, this time in major with the marimba accompanying using rhythmic material taken from the first theme of the third movement. There is no formal return of the first theme. Instead, the marimba plays a cadenza in which the first theme material and the second movement chaconne are developed. A galloping presto (coda) follows, ending the movement in D major.- David R. Gillingham.
$165.60

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Bass Trombone, Marimba, Woodwinds, Clarinet, Saxophone, Brass, Trumpet, Trombone, Percussion
Genres: Classical
Concerto No. 2 for Marimba & Wind Ensemble. (Marimba Feature). By David Gillingham. For Soloist(s) with Concert Band (Piccolo, Flute 1/2, Oboe 1/2 , Bassoon 1/2, Clarinet in Bb 1/2, Clarinet in Bb 3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2/3, Horn in F 1/3, Horn in F 2/4, Trombone 1/2, Bass Trombone, Euphon). Band Music. Grade 4. Score only. Duration 23:00. Published by C. Alan Publications (CN.11851). The Concerto No. 2 for Marimba is a commission by a consortium of schools and performers headed by Professor Marc Wooldridge of Northwestern College, Orange City, Iowa.The work exploits the full range of the technical and expressive ability of the five-octave concert grand marimba. It is cast in the standard three-movement format. The first movement uses sonata-rondo form and begins with a slow introduction and quasi-cadenza by the marimba. An animated first theme follows in G-minor accompanied by clarinets and tambourine. A contrasting second theme area follows featuring chromatic mediant progressions and descending chromatic lines. The return of the first theme utilizes a slightly different accompaniment. The development section reworks all the thematic material in different guises. The recapitulation presents the first theme, verbatim, as it was in the exposition. The second theme, however, changes the mode to major. The return alternates the marimba on the theme with the winds playing the theme in augmentation. The marimba quietly ends the movement with an ascending and descending arpeggiated passage.The second movement is a chaconne with eight variations. The marimba states a rather haunting chorale-like melody in Bb minor. The first variation features the low brass on the chaconne theme with the marimba on the variation. Variation II uses marimba, clarinet, bells, and vibraphone and Variation III uses marimba, oboe, and horns. Cascading muted brass against the augmented chaconne theme in the flutes and clarinets are indicative of Variation IV. Variation V changes the slow pace to fast using marimba, brass, timpani, and bells. A haunting Variation VI utilizes bowed marimba on the chaconne theme accompanied by piano and bells. Variation VII features the low brass on the chaconne theme against triplets in the upper brass. Rolled arpeggiated chords highlight Variation VIII along with a solo alto saxophone on the second half of the variation. A somber coda brings the movement to a close.The third movement, like the first, is in sonata-rondo design and is cyclic, bringing back and combining the thematic material of the first and second movements. The first theme, in D-minor, is angular and spirited, accompanied by clarinets and tambourine (reminiscent of Mvt. I). The second theme brings back the second theme of the first movement followed by the return of the first theme, now accompanied by saxophones and tambourine. The development combines and works thematic material from all three movements of the concerto. The recapitulation begins with the bassoons on the first theme, followed by the horns/trumpets and finally, the marimba. The second theme brings back the chaconne of the second movement, this time in major with the marimba accompanying using rhythmic material taken from the first theme of the third movement. There is no formal return of the first theme. Instead, the marimba plays a cadenza in which the first theme material and the second movement chaconne are developed. A galloping presto (coda) follows, ending the movement in D major.- David R. Gillingham.
$45.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Bass Trombone, Marimba, Woodwinds, Clarinet, Saxophone, Brass, Trumpet, Trombone, Percussion
Genres: Classical
Concerto for Euphonium by David Gillingham. Chamber Ensemble. For Euphonium & Piano (Piccolo, Flute 1, Flute 2, Oboe 1/2, Bassoon 1/2, Eb Soprano Clarinet, Clarinet in Bb 1, Clarinet in Bb 2/3, Bass Clarinet, Contrabassoon, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Solo Euphonium, Trumpet in Bb 1/2, Trumpet in Bb 3, Horn in). Chamber Music. Difficult. Piano reduction. Duration 19:10. Published by C. Alan Publications (CN.15482). Scored in three movements, this concerto is a must for the serious euphonium player. The free flowing first movement pairs rubato style solo playing with strict rhythms in the ensemble while the sonorous second movement glistens with flowing melodies and Gillingham's signature mallet percussion and piano parts. The final Festival movement revisits many of the earlier themes with the flair of a festival performance.
$50.00

Instruments: Piano, Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Euphonium, Piano and Keyboard, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: Classical
Concerto for Euphonium & Wind Ensemble. (Euphonium Feature). By David Gillingham. For Soloist(s) with Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1/2 , Bassoon 1/2, Eb Soprano Clarinet, Clarinet in Bb 1, Clarinet in Bb 2/3, Bass Clarinet, Contrabassoon, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Solo Euphonium, Trumpet in Bb 1/2, Trumpet in Bb 3, Horn i). Band Music. Grade 5. Score and parts. Duration 19:10. Published by C. Alan Publications (CN.15480). Scored in three movements, this concerto is a must for the serious euphonium player. The free flowing first movement pairs rubato style solo playing with strict rhythms in the ensemble while the sonorous second movement glistens with flowing melodies and Gillingham's signature mallet percussion and piano parts. The final Festival movement revisits many of the earlier themes with the flair of a festival performance.
$165.60

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Euphonium, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: Classical
Concerto for Euphonium & Wind Ensemble. (Euphonium Feature). By David Gillingham. For Soloist(s) with Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1/2 , Bassoon 1/2, Eb Soprano Clarinet, Clarinet in Bb 1, Clarinet in Bb 2/3, Bass Clarinet, Contrabassoon, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Solo Euphonium, Trumpet in Bb 1/2, Trumpet in Bb 3, Horn i). Band Music. Grade 5. Score only. Duration 19:10. Published by C. Alan Publications (CN.15481). Scored in three movements, this concerto is a must for the serious euphonium player. The free flowing first movement pairs rubato style solo playing with strict rhythms in the ensemble while the sonorous second movement glistens with flowing melodies and Gillingham's signature mallet percussion and piano parts. The final Festival movement revisits many of the earlier themes with the flair of a festival performance.
$45.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Euphonium, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: Classical
Concerto for Faculty and Band: E-flat Baritone Saxophone by James D. Ployhar. For Concert Band. Instructional. Part. 1 pages. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001967_BTX). This unusual arrangement is constructed to provide a humorous break in your program. The incorporation of several not-necessarily musical faculty members as percussion soloists offers both musical and visual wit for your audience. The use of prominent yet supportive teachers on your concert will foster your program for the whole school. This creative arrangement will be the hit of your next performance. About Digital Print Sheet Music Digital Print is printable sheet music available anytime, anywhere. Just purchase, print and play! View your online sheet music at home, school, work or anywhere you have a computer connected to the Internet. With Digital Print, you can print your digital sheet music immediately after purchase, or wait until its convenient. And our software installation is easy - we'll guide you through the simple steps to make sure you have Adobe Flash Player, Adobe AIR and the Sheet Music Plus AIR application. Learn more
$3.99

Pages: 1
Instruments: Baritone Saxophone, Saxophone, Woodwinds
Genres: Classical
Concerto for Horn & Symphonic Band. (Horn Feature). By David Gillingham. For Soloist(s) with Concert Band (Piccolo, Flute 1/2, Oboe 1/2 , Bassoon 1/2, Clarinet in Bb 1/2, Clarinet in Bb 3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1/2, Trumpet in Bb 3, SOLO HORN IN F, Horn in F 1/3, Horn in F 2/4, Trombone 1/2, Bass ). Band Music. Grade 5. Score and parts. Duration 20:00. Published by C. Alan Publications (CN.14540). The Gower Community Band of St. John's, NL, CANADA, Edsel Bonnell, Director, commissioned the Concerto for Horn and Symphonic Band.The concerto is cast in the usual three-movement format with the first and last movements structured in sonata-rondo design. The work is not intended to be programmatic, but titles have been given to each of the movements which allude to a musical style or mood.The first movement, Fanfares, starts slowly and mysteriously, using motives from the main thematic material of the movement answered by haunting falling minor thirds in the oboes and later in the low brass. A brass fanfare ensues followed by an entrance by the solo horn hinting at the main thematic material to follow. This section grows to a fanfare-like conclusion and leads to the allegro section and the first theme group. The first theme group is a spirited melodic line saturated with intervals of the perfect fourth that are commonly found in traditional fanfares. The low brass follow with the second theme group that contrasts the first with a flowing and lyrical line. The solo horn then brings back the first theme group and closes the exposition. The development seeks to extensively exploit motives from both theme groups in various guises and leads to the recapitulation. In the recapitulation, the solo horn carries both the first and second theme groups. This is followed by a partial return of the first theme group played in augmentation by low brass and woodwinds against fanfare riffs by the solo horn. The slow tempo of the introduction returns and the horn plays a sort of quasi-cadenza that is followed by a fast and rousing coda.The second movement, Supplication, is a fantasy based on a beautiful hymn tune composed by Gower Community Band Director, Edsel Bonnell. The hymn, A Prayer from Youth, was written for the Gower Youth Band for a special performance on May 30, 1975. The first verse and chorus are as follows:We ask not for gold or fameWhen we pray in Thy Great Name;Not for self or worldly gainLord, we come to Thee.The earth, the sky, the flower, the tree,All creatures of the land and sea,Let us live at peace in Thee;Lord, this is our prayer.The third movement, Dance Refrains, is a lively and spirited romp cast mostly in 6/8 meter and Bb minor. The sonata-rondo design of the movement is unique in that the second theme group in the exposition is based on the first theme group of the first movement and the second theme group of the recapitulation features the return of the verse of the hymn tune from the second movement accompanied by fanfare motives in the solo horn. The development section primarily features first theme group material. A cadenza by the solo horn is featured after a partial return of the first theme group in the recapitulation. The cadenza reworks first theme material and the hymn tune from the second movement. The dance-like first theme material returns and leads to a joyous climax in D major.
$165.60

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: Classical
Concerto for Horn & Symphonic Band. (Horn Feature). By David Gillingham. For Soloist(s) with Concert Band (Piccolo, Flute 1/2, Oboe 1/2 , Bassoon 1/2, Clarinet in Bb 1/2, Clarinet in Bb 3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1/2, Trumpet in Bb 3, SOLO HORN IN F, Horn in F 1/3, Horn in F 2/4, Trombone 1/2, Bass ). Band Music. Grade 5. Score only. Duration 20:00. Published by C. Alan Publications (CN.14541). The Gower Community Band of St. John's, NL, CANADA, Edsel Bonnell, Director, commissioned the Concerto for Horn and Symphonic Band.The concerto is cast in the usual three-movement format with the first and last movements structured in sonata-rondo design. The work is not intended to be programmatic, but titles have been given to each of the movements which allude to a musical style or mood.The first movement, Fanfares, starts slowly and mysteriously, using motives from the main thematic material of the movement answered by haunting falling minor thirds in the oboes and later in the low brass. A brass fanfare ensues followed by an entrance by the solo horn hinting at the main thematic material to follow. This section grows to a fanfare-like conclusion and leads to the allegro section and the first theme group. The first theme group is a spirited melodic line saturated with intervals of the perfect fourth that are commonly found in traditional fanfares. The low brass follow with the second theme group that contrasts the first with a flowing and lyrical line. The solo horn then brings back the first theme group and closes the exposition. The development seeks to extensively exploit motives from both theme groups in various guises and leads to the recapitulation. In the recapitulation, the solo horn carries both the first and second theme groups. This is followed by a partial return of the first theme group played in augmentation by low brass and woodwinds against fanfare riffs by the solo horn. The slow tempo of the introduction returns and the horn plays a sort of quasi-cadenza that is followed by a fast and rousing coda.The second movement, Supplication, is a fantasy based on a beautiful hymn tune composed by Gower Community Band Director, Edsel Bonnell. The hymn, A Prayer from Youth, was written for the Gower Youth Band for a special performance on May 30, 1975. The first verse and chorus are as follows:We ask not for gold or fameWhen we pray in Thy Great Name;Not for self or worldly gainLord, we come to Thee.The earth, the sky, the flower, the tree,All creatures of the land and sea,Let us live at peace in Thee;Lord, this is our prayer.The third movement, Dance Refrains, is a lively and spirited romp cast mostly in 6/8 meter and Bb minor. The sonata-rondo design of the movement is unique in that the second theme group in the exposition is based on the first theme group of the first movement and the second theme group of the recapitulation features the return of the verse of the hymn tune from the second movement accompanied by fanfare motives in the solo horn. The development section primarily features first theme group material. A cadenza by the solo horn is featured after a partial return of the first theme group in the recapitulation. The cadenza reworks first theme material and the hymn tune from the second movement. The dance-like first theme material returns and leads to a joyous climax in D major.
$45.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: Classical
Concerto for Marimba & Orchestra by David J. Long. Arranged by Nathan Daughtrey. For Soloist(s) with Full Orchestra (Solo Marimba, Flute 1/2, Oboe 1/2, English Horn, Bassoon 1/2, Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3 , Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2, Trumpet in Bb 3, Horn in F 1, Horn in F 2, Trom). Difficult. Score only. Duration 30:00:00. Published by C. Alan Publications (CN.02843). You can hear a recording of this version on Nathan Daughtrey's CD, "Spiral Passages" (also available from C. Alan). Also available with wind ensemble or orchestra.
$60.00

Instruments: Flute, B-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, English Horn, B-Flat Trumpet, Marimba, Woodwinds, Clarinet, Saxophone, Trumpet, Brass, Percussion
Genres: Classical
Concerto for Marimba & Wind Ensemble. (Marimba Feature). By David J. Long. For Soloist(s) with Concert Band (Solo Marimba, Flute 1/2, Oboe 1/2, English Horn, Bassoon 1/2, Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3 , Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2, Trumpet in Bb 3, Horn in F 1, Horn in F 2, Trom). Ensemble: grade 4 / Solo: grade 6. Score and parts. Duration 30:00:00. Published by C. Alan Publications (CN.02840). You can hear a recording of this version on Nathan Daughtrey's CD, "Spiral Passages" (also available from C. Alan). Also available with wind ensemble or orchestra.
$165.60

Instruments: Flute, B-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, English Horn, B-Flat Trumpet, Marimba, Woodwinds, Clarinet, Saxophone, Trumpet, Brass, Percussion
Genres: Classical
Concerto for Marimba & Wind Ensemble. (Marimba Feature). By David J. Long. For Soloist(s) with Concert Band (Solo Marimba, Flute 1/2, Oboe 1/2, English Horn, Bassoon 1/2, Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3 , Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2, Trumpet in Bb 3, Horn in F 1, Horn in F 2, Trom). Ensemble: grade 4 / Solo: grade 6. Score only. Duration 30:00:00. Published by C. Alan Publications (CN.02841). You can hear a recording of this version on Nathan Daughtrey's CD, "Spiral Passages" (also available from C. Alan). Also available with wind ensemble or orchestra.
$60.00

Instruments: Flute, B-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, English Horn, B-Flat Trumpet, Marimba, Woodwinds, Clarinet, Saxophone, Trumpet, Brass, Percussion
Genres: Classical
Concerto for Percussion. (Solo Percussion Feature). By Derek Bourgeois (1941-). For Soloist(s) with Concert Band (Piccolo, Flute 1-2, Oboe 1-2, Bassoon, Eb Clarinet, Bb Clarinet 1-3, Eb Alto Clarinet, Bass Clarinet, Alto Saxophone 1-2, Tenor Saxophone, Baritone Saxophone, Bb Cornet 1-3, Bb Trumpet 1-2, Horn in F 1-4, Trombone 1-3, Euphonium, TC Baritone, Bass , Strin). Band Music. Grade 6. Score and parts. Duration 21:00. Published by C. Alan Publications (CN.16130). Focused mainly on the marimba and vibraphone, the soloist is also called on to play a multi percussion set up including congas, bongos, toms, and snare drum. The first two movements are highly improvisatory in sound while the final movement's 16th note patterns lend it a frolicking perpetual motion effect.
$202.40

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Cornet, Trombone, Euphonium, Percussion, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: Classical, 20th Century
Concerto for Percussion. (Solo Percussion Feature). By Derek Bourgeois (1941-). For Soloist(s) with Concert Band (Piccolo, Flute 1-2, Oboe 1-2, Bassoon, Eb Clarinet, Bb Clarinet 1-3, Eb Alto Clarinet, Bass Clarinet, Alto Saxophone 1-2, Tenor Saxophone, Baritone Saxophone, Bb Cornet 1-3, Bb Trumpet 1-2, Horn in F 1-4, Trombone 1-3, Euphonium, TC Baritone, Bass , Strin). Band Music. Grade 6. Score only. Duration 21:00. Published by C. Alan Publications (CN.16131). Focused mainly on the marimba and vibraphone, the soloist is also called on to play a multi percussion set up including congas, bongos, toms, and snare drum. The first two movements are highly improvisatory in sound while the final movement's 16th note patterns lend it a frolicking perpetual motion effect.
$50.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Cornet, Trombone, Euphonium, Percussion, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: Classical, 20th Century