Metamorphosen. (uber ein Menuett von Franz Schubert (D 600)). By Albert Reimann (1936-). For flute (also Piccolo), oboe, clarinet (B-flat), bassoon, horn (F), 2 violins, viola, cello and contrabass. This edition: ED 9181. Scores. Study score. Composed 1997. 32 pages. Duration 9 minutes. Published by Schott Music (SD.49008329). ISBN 9790001127141. Als Vorlage dient ein weitgehend unbekanntes Menuett fur Klavier, eine streng durchgefuhrte Studie Schuberts zu barocker Harmonik und barockem Kontrapunkt, in gewisser Weise ein Beispiel fur Schuberts Bachrezeption. Unter Nutzung der durch die Besetzung mit Blaserquintett plus Streichquintett gegebenen klangfarblichen Moglichkeiten interpoliert Reimann zwischen die Hauptabschnitte des Menuetts freie Variationen - eben "Metamorphosen" - des vorliegenden Materials. Auch die Reprise wird schliesslich hiervon erfasst und der ehedem dreistimmige Satz durch kunstvolle kanonische Ausarbeitung harmonisch neu gedeutet.

Comedy Overture by John Ireland (1879-1962). For Concert Band (Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet*, Bb Bass Clarinet, 1st Bassoon, 2nd Bassoon*, 1st Eb Alto Saxophone, 2nd Eb Alto Saxophone, Bb Tenor Saxophone, Eb Baritone Saxophone*). Band Music. Grade 5. Score and parts. Duration 10:30. Published by C. Alan Publications (CN.R10004). Originally composed for Brass Band in 1934 "Comedy Overture" is, despite its name, a serious piece of writing. The term Overture does not imply that there is anything else to follow; it is used in the 19th century sense of Concert Overture (like Mendelssohn's "Fingal's Cave" - in other words, a miniature Tone Poem).The 1930's was a period of Ireland's mature writing - yielding the Piano Concerto (1930), the Legend for piano and orchestra (1933), and the choral work "These Things Shall Be" (1936-1937). We are fortunate therefore to have both "Comedy Overture" and "A Downland Suite" (1932) written for band medium at this time.As with "Maritime Overture" (written in 1944 for military band) Ireland approaches his material symphonically. The opening three notes state immediately the two seminal intervals of a semitone and a third. These are brooding and dark in Bb minor. It is these intervals which make up much of the thematic content of "Comedy," sometimes appearing in inverted form, and sometimes in major forms as well.The concept that some musical intervals are consonant , some dissonant, and some perfect is perhaps useful in understanding the nature of the tension and resolution of this work. The third is inherently unstable, and by bar 4, the interval is expanded to a fourth - with an ascending sem-quaver triplet - and then expanded to a fifth. The instability of the third pushes it towards a "perfect" resolution in the fourth or the fifth.The slow introduction is built entirely around these intervals in Bb minor and leads through an oboe cadenza, to an Allegro moderato brillante in Bb major.Once again, the semi-tone (inverted) and a third (major) comprise the main, chirpy, theme-inspired by a London bus-conductor's cry of "Piccadilly." (Much of the material in "Comedy" was re-conceived by Ireland for orchestra and published two years later under the title "A London Overture.")The expansion of the interval of a third through a fourth, fifth, sixth, and seventh now takes place quickly before our very ears at the outset of this quicker section.Immediately the theme is developed, inverted, and accents displaced across the bar line to give a 3/2 feel against the written meter. But this restlessness leads to a tranquillo built around an arpeggio figure and presented by flute and clarinet. Ireland weaves his flowing counterpoint around this melody until the original slow introduction returns leading to a stretto effect as the rising bass motifs become more urgent, requesting a resolution of the tension of that original semitone and minor third.Yet resolution is withheld at this point as the music becomes almost becalmed in a further, unrelated tranquillo section marked pianissimo. It is almost as if another side of Ireland's nature is briefly allowed to shine through the stern counterpoint and disciplined structure.This leads to virtually a full recapitulation of the chirpy "brilliante," with small additional touches of counterpoint, followed by the first tranquillo section-this time in the tonic of Bb major. But the instability of the third re-asserts itself, this time demanding a resolution. And a triumphant resolution it receives, for it finally becomes fully fledged and reiterates the octave in a closing vivace. The opening tension has at last resolved itself into the most perfect interval of all.

Missa sub titulo Sanctae Theresiae (Theresienmesse) by Michael Haydn (1737-1806). Edited by Sherman, Charles H.. For Soli SATB, SATB Choir, 2 Oboes, 2 Trumpets, Timpani, 2 Violins, Viola, Basso continuo. MH 797. Score available separately - see item CA.5032800. Latin Masses. Level 4. Part: Bassoon/Contrabass. Language: Latin. Composed 1801. 20 pages. Duration 40 min. Published by Carus Verlag (CA.5032815). With Language: Latin. Latin Masses.

Woodwind Quintet by Nenad First (1964-). For woodwind quintet. Published by Pizzicato Verlag (PZ.PVH-1032).

Work for Oboe Solo composed in 1990.

At long last, a definitive edition providing an authentic and fresh perspective on this time-honored oratorio. Since the page layout remains identical to the old Schirmer/Spicker edition, you can now replace worn copies with this new publication that has been entirely reedited. Based on Handel's autograph and conducting scores, Van Camp corrected over 100 notational and textual errors which appeared in the Spicker edition and also provided a fine keyboard accompaniment that lies comfortably under the fingers--with the original bass line fully restored. Singers will rejoice now that the music pages are no longer cluttered with editorial footnotes and annotations. Instead, endnotes are used to provide comprehensive and practical information. Other features included the addition of text sources, breath marks, measure numbers, timings, rehearsal and performance suggestions, and much more.

Second in a series featuring some of the best from HillSongs, this choral collection includes My Redeemer Lives, Dwelling Places, Worthy Is the Lamb, Jesus, Lover of My Soul and more. Orchestration includes score and parts for Flute 1, 2, Oboe, Clarinet 1, 2, Bass Clarinet, Bassoon, Trumpet 1-3, Horn 1, 2 (Alto Sax), Trombone 1, 2, (Tenor Sax/Baritone Treble Clef), Trombone 3/Tuba, Harrp, Violin 1, 2, Viola (Clarinet 3), Cello, String Bass, Synthesizer String Reductioon, Drums, Percussion 1, 2, Rhythm (Piano/Guitar/Bass). Instrumentation varies. SATB, Listening Cassette, Listening CD, CD Accompaniment Trax (Split), CD Accompanimnet Trax (Stereo), Orchestration, CD 10-Pack, Preview Pack (Cassette), Preview Pack (CD) also available.Return Policy Exception: This product can not be returned if opened but it can be exchanged if defective, for the exact same title.

An American in Paris by George Gershwin (1898-1937). For oboe d'amore and piano. Swiss import. Grade 3. Score and parts. Published by Editions Marc Reift (MA.EMR-2154B).

Ob-La-Di, Ob-La-Da by The Beatles. By John Lennon, Paul McCartney. Arranged by Bill Ives. SATTBB A Cappella. King's Singer's Choral. 16 pages. Published by Hal Leonard (HL.8744452). From their recording, Beatles Connection, this often-requested arrangement is available separately: the first time. Performance Time: Approx. 3:30.

Hot Cha-Cha by Murray Houllif. For Concert Band (Flute (Piccolo), Oboe, Bassoon, Clarinet in Bb 1, Clarinet in Bb 2, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2, Horn in F, Trombone 1, Trombone 2, Euphonium, (Baritone T.C.), Tuba, Percussion 1). Band Music. Grade 2. Score only. Duration 2:20. Published by C. Alan Publications (CN.10051). To Chris Kullar & his 7th Grade BandAuthentic and danceable featuring infectious Latin unison rhythms and appealing melodies. Comfortable ranges for winds and brasses.

My Song Is Love Unknown by William Ferris. For SATB choir, Oboe, Organ. Octavo. Published by World Library Publications (WL.008824).

Uses: Advent, Christmas Scripture: Luke 2 From the composer of Tapestry of Light and The Winter Rose comes a new major work that is based on the traditional Lesson and Carols service. Filled to overflowing with beloved carols and original seasonal songs, this cantata tells the story of Christ's birth adorned with beautiful arrangements and meaningful Scriptures. The work includes optional moments for congregational participation, handbell ringers, and children's choir, if desired. Stunning orchestrations and a full line of support products are available to support your presentation. Titles include: A Christmas Overture; O Come, All Ye Faithful; A Prayer for Advent; People of Promise, Arise!; Song of Hope and Joy; O Little Town of Bethlehem; My Soul Doth Magnify the Lord; Lullabies of Bethlehem; Angels We Have Heard on High; Carols for Seekers; Let Christmas Begin; A Christmas Trilogy. Available separately: SATB, SAB, iPrint Orch CD-rom, Printed Orchestration (Score & parts for Flute 1&2, Oboe, Clarinet 1&2, Bassoon, Horn 1&2, Trumpet 1,2&3, Trombone 1&2, Bass Trombone/Tuba, Timpani, Perc 1&2, Harp, Piano, Violin 1&2, Viola, Cello, Double Bass), iPrint Consort CD-rom, iPrint Handbells CD-rom, StudioTrax CD, Listening CD, 10-Pack Listening CDs, Preview Pack, RehearsalTrax CDs, Digital Resource Kit. Duration: ca. 59:21 (full performance) ca. 48:37 (w/o opt. congregational anthems). New product for the week of Sept 17th, 2012.

Romantic Blue by Dennis Armitage. For solo instrument (flute, clarinet, oboe, bassoon, tenor saxophone, horn in Eb, horn in F, trumpet, trombone, bass trombone, tuba, euphonium, Eb bass, violin, or violoncello) and concert band. Swiss import. Jazz / Ragtime / Dixieland. Grade 3+. Score and parts. Published by Editions Marc Reift (MA.EMR-1901).

Concertante by Franz Krommer (1759-1831). For Flute, Oboe, Violin, Piano. Published by Friedrich Hofmeister Musikverlag (HF.FH-2338). ISBN M-2034-2338-6.

Wedding & Love Fake Book - C Edition. (4th Edition). By Various. For voice and C instrument. Hal Leonard Fake Books. Love and Wedding. Difficulty: easy-medium. Fakebook. Vocal melody, lyrics and chord names. 352 pages. Published by Hal Leonard (HL.240041). ISBN 0793514096. With vocal melody, lyrics and chord names. Love and Wedding. 9x12 inches. The best wedding fake book just got better! The 4th edition of this classic resource features over 450 songs, updated to include some of today's most popular love songs, as well as classical and sacred titles. Songs include All I Ask of You, I Swear, Trumpet Voluntary and more! For piano, vocal, guitar, electronic keyboard and all 'C' instruments. Essential for every professional musician! About Hal Leonard Fake Books A "fake book" contains songs written in a concise format that includes only the melody and chords, letting you interpret the song's performance as you feel is appropriate. This is great for quickly learning songs by yourself or with an ensemble. Each song in a fake book only has a single melody actually written out in notes, which is usually the vocal or lead melody. This melody will have the lyrics written beneath the notes, with each word aligned to its corresponding note. Above the notes of the melody will appear the names of the appropriate chords to play - for example, a "C minor" chord would be written as "Cmin" or Cm", rather than writing out all of the notes in those chords as they appeared in the original version of the song. This format is very compact, which is why you will often see fakebooks containing 500 or more songs.

By Astor Piazzolla (1921-1992). For Oboe (or C Instrument), Piano. Tango. Published by Tonos Music

Feed My Lambs. (SATB and Optional C Instruments). By Raymond D. Hatton. For SATB choir (with optional C instrument). Sacred Anthem. Moderately easy. Octavo. Published by Purifoy Publishing Company (LO.10-1234P). With gentle petition, the composer has woven familiar text with inspired music in this stirring original. Mainly 2-part with limited SATB and the optional C instrument makes this a perfect choice for youth or adult choirs.

New product for the week of Sept 10th, 2012.

I Was Glad by Kenneth T. Kosche. For SATB choir, organ, oboe/trumpet. General; Praise; Thanksgiving. Easy-Moderately Easy. Published by Concordia Publishing House (CR.98-3731U1).

Hot Cha-Cha by Murray Houllif. For Concert Band (Flute (Piccolo), Oboe, Bassoon, Clarinet in Bb 1, Clarinet in Bb 2, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2, Horn in F, Trombone 1, Trombone 2, Euphonium, (Baritone T.C.), Tuba, Percussion 1). Band Music. Pioneer Band Series. Grade 2. Score and parts. Duration 2:20. Published by C. Alan Publications (CN.10050). To Chris Kullar & his 7th Grade BandAuthentic and danceable featuring infectious Latin unison rhythms and appealing melodies. Comfortable ranges for winds and brasses.

By David Haas. For 2 equal or mixed voices, C Instrument. Ritual Prayer. Sacred. Text language: English. 12 pages. Published by GIA Publications

Concert Band, Sheet Music Download, Concert Band, Level 2 to 3. Artist: Celine Dion. Arranger: Paul Murtha. Composer: James Horner; Will Jennings. Writer: Celine Dion; James Horner; Paul Murtha; Will Jennings.

Method for Oboe by Guiseppe F Verdi Peter Ilyich Tchaikovsky. Edited by Bruno Labate. Arranged by Bruno Labate. For Oboe. Student book. Standard notation. 91 pages. Published by Carl Fischer (CF.O1524). ISBN 0825809037. With Standard notation.

These short movements make great stylistic exercises in baroque music. Not an easy play and requiring some stamina, the oboe part soars up to top C while the Bassoon part reaches top C. Rhythmically complex and working through some extreme keys, these are a rewarding challenge for advanced players.