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Zarabanda. (Xylophone/Marimba Feature). By Joseph Turrin (1947-). For Soloist(s) with Concert Band (Solo Percussion, Piccolo, Flute 1-2, Oboe 1-2, Bassoon 1-2, Clarinet in Eb, Clarinet in Bb 1-3, Bass Clarinet, Alto Saxophone 1-2, Tenor Saxophone, Baritone Saxophone, Horn in F 1-4, Trumpet in Bb 1-5, Trombone 1-3, Euphonium, Tuba, Contrabass, Percussion). Grade 4. Score and parts. Duration 5:00. Published by C. Alan Publications (CN.16430). I composed Zarabanda for a Latin American recording project with RCA Records and percussionist Evelyn Glennie. Although the recording project was never realized by RCA, I decided that the work would make a wonderful vehicle for Ms. Glennie along with wind ensemble accompaniment.The piece is in several sections with a Latin style rhythm that occasionally gets interrupted by accented outbursts from the ensemble. The soloist alternates between the xylophone, for the more accented staccato passages and scales, and the marimba, for the more melodic material. As the piece develops and moves from section to section, new rhythmic and melodic ideas are introduced. The piece culminates with a bravura cadenza - the soloist performing rapid-fire staccatos and scales on the xylophone. There is also an optional cadenza, which calls for the additional skills of playing the timbales, bongos, tom-toms, and conga drum. The piece concludes with a quick coda as the solo xylophone and ensemble build a fiery rhythmic syncopation. There are more rapidly accented staccatos, a quick scale, and the final bar.The zarabanda is a late 16th and 17th century Spanish dance in a lively alternating 6/8 and 3/4 time. Some evidence suggests that the zarabanda originated in the Spanish colonies in America, making it the first popular Latin American dance. Other evidence seems to suggest an African origin. A possible scenario might be that the zarabanda was brought to Spain by the Moors during the 12th Century, but was heavily modified by American influences during the early 16th Century.The zarabanda and its French descendant, the sarabande, were very different dances. While the French dance was a slow dance in 3/4 time, the Spanish original was very lively, alternating between 6/8 and 3/4 time. In the beginning, the zarabanda was considered very indecent. Cervantes writes about the "diabolic zarabanda" in one of his short stories, and in 1583, a law was passed against singing the zarabanda. The penalties for breaking it were banishment for women and 200 whiplashes and 6 years of galley service for men.
$138.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, Double Bass, B-Flat Trumpet, Trombone, Euphonium, Percussion, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Strings, Trumpet
Zarabanda. (Xylophone/Marimba Feature). By Joseph Turrin (1947-). For Soloist(s) with Concert Band (Solo Percussion, Piccolo, Flute 1-2, Oboe 1-2, Bassoon 1-2, Clarinet in Eb, Clarinet in Bb 1-3, Bass Clarinet, Alto Saxophone 1-2, Tenor Saxophone, Baritone Saxophone, Horn in F 1-4, Trumpet in Bb 1-5, Trombone 1-3, Euphonium, Tuba, Contrabass, Percussion). Grade 4. Score only. Duration 5:00. Published by C. Alan Publications (CN.16431). The piece is in several sections with a Latin style rhythm that occasionally gets interrupted by accented outbursts from the ensemble. As the piece develops and moves from section to section, new rhythmic and melodic ideas are introduced. The piece culminates with a bravura mallet cadenza and an optional cadenza, which calls for the additional skills of playing the timbales, bongos, tom-toms, and conga drum. I composed Zarabanda for a Latin American recording project with RCA Records and percussionist Evelyn Glennie. Although the recording project was never realized by RCA, I decided that the work would make a wonderful vehicle for Ms. Glennie along with wind ensemble accompaniment. The piece is in several sections with a Latin style rhythm that occasionally gets interrupted by accented outbursts from the ensemble. The soloist alternates between the xylophone, for the more accented staccato passages and scales, and the marimba, for the more melodic material. As the piece develops and moves from section to section, new rhythmic and melodic ideas are introduced. The piece culminates with a bravura cadenza - the soloist performing rapid-fire staccatos and scales on the xylophone. There is also an optional cadenza, which calls for the additional skills of playing the timbales, bongos, tom-toms, and conga drum. The piece concludes with a quick coda as the solo xylophone and ensemble build a fiery rhythmic syncopation. There are more rapidly accented staccatos, a quick scale, and the final bar. The zarabanda is a late 16th and 17th century Spanish dance in a lively alternating 6/8 and 3/4 time. Some evidence suggests that the zarabanda originated in the Spanish colonies in America, making it the first popular Latin American dance. Other evidence seems to suggest an African origin. A possible scenario might be that the zarabanda was brought to Spain by the Moors during the 12th Century, but was heavily modified by American influences during the early 16th Century. The zarabanda and its French descendant, the sarabande, were very different dances. While the French dance was a slow dance in 3/4 time, the Spanish original was very lively, alternating between 6/8 and 3/4 time. In the beginning, the zarabanda was considered very indecent. Cervantes writes about the "diabolic zarabanda" in one of his short stories, and in 1583, a law was passed against singing the zarabanda. The penalties for breaking it were banishment for women and 200 whiplashes and 6 years of galley service for men.
$30.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, Double Bass, B-Flat Trumpet, Trombone, Euphonium, Percussion, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Strings, Trumpet
Zamir by Andre Caurette. For oboe and piano. Classical. Easy. Score. Published by Editions Combre (LM.C04623).
$8.95

Instruments: Piano Accompaniment, Oboe, Piano, Piano and Keyboard, Woodwinds
Genres: Classical
Zais - Symphonies. Instrumental extracts from the ballet heroique in a prologue and four acts by Jean-Philippe Rameau (1683-1764). Edited by Graham Sadler. For orchestra (2 piccolos/2 flutes/2 oboes/2 bassoons/tambourine/strings/basso continuo). This edition: Paperback, Urtext edition. Instrumental extracts from the ballet heroique in a prologue and four acts. Score. Text language: French/English. 64 pages. Published by Baerenreiter Verlag (BA.BA7564). ISBN 9790006542000. With Text language: French/English. 33.0 x 24.0 cm inches. Premiered at the Paris Opera on 29 February 1748, Zais was much praised for the strength, elegance and diversity of its music and for the grace of its ballets. This edition is the first in a series that brings together the symphonies (orchestral pieces and dances) from operas published in Opera Omnia Rameau.
$49.95

Pages: 64
Instruments: Flute, Oboe, Bassoon, Piano and Keyboard, Woodwinds
Genres: Classical, Baroque Period, Opera, Miscellaneous
Zaide (Das Serail) (Deutsches Singspiel in 2 Akten. In dem Klavierauszug nach der Neuen Mozart-Ausgabe sind die verschollenen, ursprunglichen Dialogtexte ersetzt durch Texte aus dem "Bozener Textbuch" zu dem Singspiel "Das Serail"). By Wolfgang Amadeus Mozart (1756-1791). Edited by Friedrich-Heinrich Neumann. Arranged by Heinz Moehn. For Soprano voice solo, Tenor voice solo (2), Bass voice solo (2), Men's choir-TTTT, Flute (2), Oboe (2), Bassoon (2), Horn (2), Trumpet (2), Kettledrum, Strings. Singspiele (singing Games). Piano reduction (cloth bound). KV 344 (336b). Duration 90'. Published by Baerenreiter Verlag (BA.BA4510-90). ISBN 9790006449385. Singspiele (singing Games). 27.0 x 19.0 cm inches.
$38.95

Instruments: Choir, Piano, Flute, Oboe, Bassoon, Horn, B-Flat Trumpet, Percussion, Soprano Voice, Bass Voice, Tenor Voice, Vocal, Piano and Keyboard, Woodwinds, Brass, Trumpet, Voice
Genres: Classical, Classical Period, Opera, Miscellaneous
Your Wonderful Name (Instrumental part) by David Haas. For C Instrument. Sacred. Instrumental Part. 1 pages. Published by GIA Publications (GI.G-4340INST).
$2.50

Pages: 1
Instruments: Piano, Guitar, Piccolo, Oboe, Recorder, Violin, Piano and Keyboard, Flute, Woodwinds, Strings
Genres: Christian, Religious
Your Name Alone (with Your Name) - Oboe by Paul Baloche. By Paul Baloche and Glenn Packiam. Arranged by Camp Kirkland. Orchestra. Concert; Contemporary; Sacred. EPak. 1 pages. Duration 4:45. Published by Hal Leonard - Digital Sheet Music (HX.133840). About Digital Print Sheet Music Digital Print is printable sheet music available anytime, anywhere. Just purchase, print and play! View your online sheet music at home, school, work or anywhere you have a computer connected to the Internet. With Digital Print, you can print your digital sheet music immediately after purchase, or wait until its convenient. And our software installation is easy - we'll guide you through the simple steps to make sure you have Adobe Flash Player, Adobe AIR and the Sheet Music Plus AIR application. Learn more
$5.00

Pages: 1
Instruments: Oboe, Woodwinds
Genres: Classical
Choral Instrumental Pak, Sheet Music Download, Orchestra. Arranger: Harold Ross. Composer: Krissy Nordhoff; Michael Neale. Writer: Harold Ross; Krissy Nordhoff; Michael Neale.
$5.88

Pages: 2
Instruments: Choir, Oboe, Vocal, Woodwinds
Your Gentle Touch (Instrument part) by Paul Inwood. For C Instrument or B-flat Clarinet. Sacred. Instrumental Part. 1 pages. Published by GIA Publications (GI.G-6885INST).
$2.50

Pages: 1
Instruments: Piano, Guitar, Piccolo, B-Flat Clarinet, Oboe, Recorder, Violin, Piano and Keyboard, Flute, Woodwinds, Clarinet, Strings
Your First Fake Book arranged by Alexander Citron. For voice and C instrument. Hal Leonard Fake Books. Vocal Standards and Pop. Difficulty: easy-medium. Fakebook (leadsheet notation). Vocal melody, lyrics, leadsheet notation and chord names. 158 pages. Published by Hal Leonard (HL.240112). ISBN 0793585031. With vocal melody, lyrics, leadsheet notation and chord names. Vocal Standards and Pop. 9x12 inches. An entry-level fake book! This book features larger-than-most fake book notation with simplified harmonies and melodies - and all songs are in the key of C. An introduction addresses basic instruction in playing from a fake book. Includes over 100 songs, including: Ain't Misbehavin' * All the Things You Are * America the Beautiful * Beauty and the Beast * Bewitched * Blueberry Hill * Can't Help Falling in Love * Don't Get Around Much Anymore * Edelweiss * Getting to Know You * Heart and Soul * It Only Takes a Moment * Leaving on a Jet Plane * Let It Be * Love Me Tender * Maria * Mood Indigo * Satin Doll * Somewhere Out There * Try to Remember * When the Saints Go Marching In * Young at Heart * and more. About Hal Leonard Fake Books A "fake book" contains songs written in a concise format that includes only the melody and chords, letting you interpret the song's performance as you feel is appropriate. This is great for quickly learning songs by yourself or with an ensemble. Each song in a fake book only has a single melody actually written out in notes, which is usually the vocal or lead melody. This melody will have the lyrics written beneath the notes, with each word aligned to its corresponding note. Above the notes of the melody will appear the names of the appropriate chords to play - for example, a "C minor" chord would be written as "Cmin" or Cm", rather than writing out all of the notes in those chords as they appeared in the original version of the song. This format is very compact, which is why you will often see fakebooks containing 500 or more songs.
$15.96

Pages: 158
Instruments: Piano, Voice, Piccolo, Oboe, Recorder, Violin, Electric Guitar, Piano and Keyboard, Vocal, Flute, Woodwinds, Strings, Guitar
Genres: Pop, Standards, Jazz & Blues