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Hotchpotch Concerto by Jean-Michel Maury. Bb Clarinet Solo + Concert Band. For Solo Clarinet and Concert Band. Classical. Grade 6. Score and set of parts. 91 pages (score); 269 pages (parts). Published by FLEX Editions (FL.FX070756). Wonderful concerto, where classical and modern influences are mixed. Exciting to play and to listen to. To be added to the repertoire of clarinetists and orchestras!
Instruments: B-Flat Clarinet, Clarinet, Woodwinds
Clarinet in Motion by Steve Willaert. For Concert band. Solo Music. Grade 5. Score and set of parts. Duration 0:11:45. Published by Beriato Music (BT.9911-1-50). Clarinet in motion is a composition for clarinet and orchestra, written by Steve Willaert for the famous belgian clarinet player Walter Boeykens. This jazzy clarinet concerto consists of three parts.The cadenza allow the soloist to improvise freely.
Instruments: Clarinet, Woodwinds
Gypsy Rhapsody. (For Bb Clarinet solo and Symphonic Band). By Uri Hodorov. For Concert Band. Solo and Band. Grade 4. Score and set of parts. Duration 14:00. Published by Molenaar Edition (ML.01283108). Easy to play for the band. A most rewarding piece for the soloist. With this show piece the solo clarinet player will have a great success.
Instruments: Clarinet, Woodwinds
The Nutcracker (full score) by Peter Ilyich Tchaikovsky (1840-1893). Edited by Sergei Chebotaryov. For Children's (Women's) Choir, [3(II=Piccolo 1, III=Piccolo 2).2.English Horn.2(A-cl).Bass clarinet.2-4.2.3.Tuba], Timpani, Percussion, Glockenspiel, Celeste (Piano), 2 Harp, Strings, Children's Instruments (Cuckoo, Quail, Trumpets, Drums, Cymbals, Rabbit dr. This edition: Urtext. Ballet. Full score. Published by P. Jurgenson (PE.J00023). ISBN 5-7140-0347-0. Ballet. While preparing the present publication, the musical text was thoroughly examined and the misprints in the previous editions, including that of 1892 and that in Vols. 13a and 13b of Tchaikovsky's Complete Works (Moscow, 1955) , were duly corrected. Hence, the present edition will enable concert and stage performances of Tchaikovsky's music in its authentic form, unaffected by more recent distortions and misreadings. ' (from the Preface) Full Score (in two volumes). Editorial materials in Russian and English. Stage directions and composers notes in Russian, French and English.
Instruments: Piano Accompaniment, Piccolo, Bass Clarinet, English Horn, Harp, B-Flat Trumpet, Percussion, Timpani, Drums, Tuba, Piano, Piano and Keyboard, Flute, Woodwinds, Clarinet, Strings, Trumpet, Brass
Genres: Christmas, Miscellaneous
La Traviata - Act 1st (Selection: Preludio - N. 2 Introduzione - Brindisi - Un di felice, eterea - Ah, fors'e lui - Sempre libera). By Giuseppe Verdi (1813-1901). Arranged by Lorenzo Pusceddu. Concert band. For All inclusive package including: score vocal version + score instrumental version, parts for all instruments, vocal solo parts: Violetta (sop), Alfredo (ten), optional instrumental solos: clarinet, trumpet, euphonium.. Classical, Transcription, Vocal. Grade 3.5. Score and set of parts. Duration 22:00. Published by Scomegna Edizioni Musical srl (S4.ESB1008).
Instruments: Voice, Clarinet, B-Flat Trumpet, Euphonium, Vocal, Woodwinds, Trumpet, Brass
Genres: Classical, Opera, Miscellaneous
Flash!. (For Piccolo and Band). By Daniel Dorff. Concert band. For Solo Piccolo, 2 Flutes, 2 Oboes, Eb Clarinet, 2 Bb Clarinets, Bb Bass Clarinet, 2 Bassoons, Contrabassoon, 2 Eb Alto Saxophones, Bb Tenor Saxophone, Eb Baritone Saxophone, 3 Bb Trumpets, 4 F Horns, 2 Trombones, Bass Trombone, Euphonium, Tuba, 3 Percussion. This edition: Band. Walfrid Kujala piccolo, Mitchell Fennell conducting the California State University - Fullerton wind ensemble, at 2010 NFA convention. Contemporary. Score and part(s). Standard notation. Composed OCTOBER 2008. Duration 6 minutes, 30 seconds. Published by Theodore Presser Company (PR.115402040). With Standard notation. contemporary. Already a popular recital work for piccolo and piano, and winner of the 2009 International Piccolo Symposium biennial composition competition, Flash! is now available for solo piccolo with band accompaniment - fresh from the NFA premiere, featuring piccolo legend Walfrid Kujala. The East Coast premiere is scheduled for 11/18/10, featuring Boston Symphony piccoloist Linda Toote with the Boston University wind ensemble.
Instruments: Piccolo, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Bass Trombone, Euphonium, Percussion, Tuba, Flute, Woodwinds, Clarinet, Saxophone, Brass, Trumpet, Trombone
Missa St. Bernardi von Offida (Messen Nr. 5-8). By Franz Joseph Haydn (1732-1809). Edited by Howard Chandler Robbins Landon; Christa Landon; Karl Heinz Fussl. Vocal soli, mixed choir, orchestra. For Soprano voice solo, Alto voice solo, Tenor voice solo, Bass voice solo, Mixed Choir-SATB, Oboe (2), Clarinet (B Flat) (2), Bassoon (2), Horn (2), Kettledrum, Strings, Basso Continuo. This edition: Urtext edition. Level 3. Score (cloth bound). Hob.XXII:10. Published by Baerenreiter Verlag (BA.BA4651). ISBN 9790006452125. 33.0 x 26.0 cm inches.
Instruments: Choir, Clarinet, Oboe, Bassoon, Horn, Percussion, Piano and Keyboard, Soprano Voice, Bass Voice, Tenor Voice, Alto Voice, Vocal, Woodwinds, Brass, Voice
Genres: Classical, Classical Period
Messiah (Helmuth Rilling gewidmet). By Sven-David Sandstrom. Arranged by Timothy Higgs. For SATBar solo, SMsATBarB choir, 2 flute, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 2 trombones, timpani, percussion, 2 violins, viola, cello and contrabass. Score available separately - see item CA.2810200. Oratorios. Study score. Language: English. Composed 2008. 270 pages. Duration 120 min. Published by Carus Verlag (CA.2810207). ISBN M-007-09400-3. With Language: English. Oratorios.
Instruments: Choir, Flute, Clarinet, Oboe, Bassoon, Horn, Violin, Cello, Viola, Double Bass, B-Flat Trumpet, Trombone, Percussion, Timpani, Vocal, Woodwinds, Brass, Strings, Trumpet
Genres: Christian, Religious
Sonatas For Piano And Violoncello (Cello)/Sonatas For Clarinet And Piano New Brahms Complete Edition
Critical edition and commentary. Includes: Sonata for Piano and Violoncello E minor, Op. 38; Sonata for Piano and Violoncello F Major, Op. 99; Sonata for Piano and Clarinet (or Viola) F minor, Op. 120, No. 1; Sonata for Piano and Clarinet (or Viola) E-flat Major, Op. 120, No. 2.
Instruments: Piano, Clarinet, Cello, Viola, Piano and Keyboard, Woodwinds, Strings
Concerto for Clarinet by R. Cardon. For solo clarinet and concert band. Concert band - with solo. Concert Band. Grade 4. Score and set of parts. Published by Edition Andel (ND.CBDS4-SET).
Instruments: Clarinet, Woodwinds
Danse Funambulesque by Jules Strens. For Concert Band (Piccolo, Flute 1 & 2, Oboe 1, Oboe 2, English Horn, Bassoon 1 & 2, Contrabassoon*, Eb Clarinet, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bass Clarinet, Contrabass Clarinet*, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Bass Saxophone*, Bb Corn). Band Music. Grade 6. Score and parts. Duration 21:00. Published by C. Alan Publications (CN.16120). Written in 1929, this diptych, originally conceived as an accompaniment to a choreographic impression, consists of a rather tragic first part and an exuberant second part leading to a frantic finale. The most original aspect of this composition is undoubtedly its polyrhthmic character, whereas the beautiful flute solo part should also be mentioned.
Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, English Horn, Double Bass, Woodwinds, Clarinet, Saxophone, Strings
Hemispheres by Joseph Turrin (1947-). For Concert Band (Piccolo, 3 Flutes, 3 Oboes, English Horn, Eb Clarinet, 2 Bb Clarinets, Bass Clarinet, 2 Bassoons, Contrabassoon, 5 Horns in F, 4 Bb Trumpets, 3 Trombones, Bass Trombone, Tuba, Harp, Piano & Celesta, Timpani, Percussion 1 (snare drum, wind chimes, bell tre). Grade 6. Score and parts. Duration 20:20. Published by C. Alan Publications (CN.06820). When Kurt Masur commissioned me to compose a work for his farewell concert with the New York Philharmonic he requested that it be exclusively for winds. Composing a piece for one half of the orchestra became the inspiration for the title Hemispheres (defined as one of two half spheres formed by a plane through the sphere's center). Hemispheres would become the metaphor for a piece written in three movements, with the middle movement, like an equator dividing the larger halves.While composing, I began to explore the concept of the hemisphere and how individual parts come together forming a larger, more perfect whole. The idea of a sphere, a circle, the earth, evolution, the cycle, the journey, and returning to the origin seem to take hold. I thought of how every culture has beliefs about creation and that somehow they are all based on a similar idea - that of returning to the origin, the full circle. Through my research on this subject I became most interested in three particular stories of creation all from very diverse cultures: The western (I. Genesis), American Indian (2. Earth Canto), and Hindu (3. Rajas). These stories became the motivation for Hemispheres in that music itself also takes on a cyclical form with reoccurring themes throughout and short motifs that develop into larger groups.Much of the music was complete by the time the horrific events of September 11, 2002 had occurred. Although there was more composing to be done, these events had a profound effect not only on me, but consequently, on the music as well. I began to look at the piece from a completely different perspective. As I continued writing, I decided to expand previous sections, cut, refine, and add new material until the work took on a new shape - something larger and more potent. What had started out as three culturally diverse stories coming together into one larger unison had now become an homage to life, earth, creation and the divine forces that drive the sphere of existence. In the shadow of September 11, 2001, I realized that I had written a memorial piece. Not as a melancholy elegy, as one might expect, but a work that is driving, forceful, exuberant, and a celebration of life itself.- Joseph Turrin.
Instruments: Piano, Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Bassoon, English Horn, Harp, B-Flat Trumpet, Bass Trombone, Percussion, Timpani, Tuba, Piano and Keyboard, Woodwinds, Clarinet, Strings, Trumpet, Brass, Trombone
Concerto for Piano, Winds & Percussion. (Piano Feature). By David Gillingham. For Soloist(s) with Concert Band (Solo Piano, Piccolo, Flute 1/2, Oboe 1/2, Bassoon 1/2, Clarinet in A 1, Clarinet in A 2/3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Trumpet in C 1, Trumpet in C 2/3, Horn in F 1/2, Horn in F 3/4, Trombone 1/2, Bass Trombone,). Grade 5. Score and parts. Duration 17:00. Published by C. Alan Publications (CN.09970). Also available for Solo Piano and Percussion Orchestra (Item #06530).
Instruments: Flute, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, Bass Trombone, Percussion, A Clarinet, C Trumpet, Woodwinds, Clarinet, Saxophone, Brass, Trombone, Trumpet
Sinfonietta by Gerard Gastinel. Woodwind orchestra. For 4 Flutes, 12 Clarinets in Bb (1-4, 5-8, 9-12), 1 oboe (or soprano saxophone), 2 alto saxophones, 1 baritone saxophone, Trumpets 1 and 2, Trumpets 3 and 4, 2 Trombones and/or 2 tenor saxophones, 1 Tuba, 2 double basses, Percussion : 2 suspended cymbals, 1 . This edition: Instrumental. Orchestra music. Instrumental parts. 12 pages. Published by Anne Fuzeau Productions - France (FZ.3063). ISBN M230630634. 21 x 29.7 cm inches. This editorial collection depends to a great extent on the creativity of young composers. This music score was composed by Gerard Gastinel for wind orchestra. 4 Flutes12 Clarinets in Bb (1-4, 5-8, 9-12)1 oboe (or soprano saxophone)2 alto saxophones1 baritone saxophoneTrumpets 1 and 2Trumpets 3 and 42 Trombones and/or 2 tenor saxophones1 Tuba 2 double bassesPercussion : 2 suspended cymbals, 1 hit-hat, 2 bongos, 3 toms, 1 snare-drum, 1 bass drum.
Instruments: Flute, Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Soprano Saxophone, Tenor Saxophone, Double Bass, B-Flat Trumpet, Trombone, Percussion, Tuba, Woodwinds, Saxophone, Strings, Trumpet, Brass
Three Japanese Dances by Bernard Rogers. Concert Band. For C Piccolo, Flute I, Flute II, Oboe I, Oboe II, English Horn, Eb Clarinet, Bb Clarinet I, Bb Clarinet II, Bb Clarinet III, Eb Alto Clarinet, Bb Bass Clarinet, Bbb Contrabass Clarinet, Bassoon I, Bassoon II, Contra Bassoon, Eb Alto Saxophone, Eb Baritone Sa. First performed by the Rochester Philharmonic Orchestra under the direction of Howard Hanson. Contemporary. Score and Set of Parts. Standard notation. 40 + pages. Duration 10 minutes, 40 seconds. Published by Theodore Presser Company (PR.115400390). With Standard notation. contemporary.
Instruments: Piccolo, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Bassoon, English Horn, Double Bass, Flute, Woodwinds, Clarinet, Saxophone, Strings
Concerto for Piano and Orchestra by Milton Babbitt (1916-). Contemporary Large Ensemble/Orchestra. For Piano Solo, [2(piccolo).2(English Horn).3(E-Flat, Bass clarinet).2(Contrabassoon)-188.8.131.52]. Modern. Full score. Duration 20 minutes. Published by Edition Peters (PE.P67087).
Instruments: Piccolo, Bass Clarinet, Bassoon, English Horn, Flute, Woodwinds, Clarinet
Trombone Concerto by Derek Bourgeois (1941-). For Soloist(s) with Full Orchestra (Flute 1, Flute 2, Oboe 1, Oboe 2, Bb Clarinet 1, Bb Clarinet 2, Bassoon 1, Bassoon 2, Horn 1, Horn 2, Horn 3, Horn 4, trumpet 1, Trumpet 2, Trumpet 3, Trombone 1, Trombone 2, Trombone 3, Tuba, Timpani, Percussion (snare drum, suspended cymbal, bass drum, ). Orchestra Music. Score and parts. Duration 20:00. Published by C. Alan Publications (CN.R99902). Derek Bourgeois is one of Britain's leading composers for brass and military bands and for solo wind instruments. Early in his career he showed a strong interest in the trombone and wrote a triple concerto for three trombones and orchestra. The idea was that the entire trombone section of an orchestra could come forward and display their abilities as a group and individually. While the premiere audience was strongly enthusiastic about the piece, it was rarely played after that. In 1988 Bourgeois returned to the trombone as a concerto instrument for the occasion of the first international trombone symposium in London, which was held in 1988. It is a substantial twenty-minute piece in three movements, "Allegro," "Adagio," and "Presto." Because trombonist from the worlds of pop and jazz would attend the symposium as well as classical artists, Bourgeois decided to make his new concerto musically ecumenical, and it was deliberately tailored to have an appeal wider than the usual classical audience. The third movement, in particular, was a great hit. The concerto was written for the Swedish player Christian Lindberg, who premiered it.
Instruments: Flute, B-Flat Clarinet, Oboe, Bassoon, Horn, B-Flat Trumpet, Trombone, Percussion, Timpani, Tuba, Woodwinds, Clarinet, Brass, Trumpet
Genres: Classical, 20th Century
Headhunt by Henry Brant (1913-). For Playing Score, Solo Trombone, Bass Clarinet, Bassoon, Timpani / Chimes, Contrabass (5 Required for Performance). Set of performance scores. Published by Carl Fischer (CF.CY1335). ISBN 0825875277.
Instruments: Bass Clarinet, Bassoon, Double Bass, Trombone, Percussion, Timpani, Clarinet, Woodwinds, Strings, Brass
L'Arbre enchante (Opera-comique in einem Akt). By Christoph Willibald von Gluck (1714-1787). Edited by Alan Brown. For 2 soprano voice solos, alto voice solo, tenor voice solo, baritone voice solo, bass voice solo, flute, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, strings. This edition: Clothbound, Complete edition, Urtext edition. Gluck. Samtliche Werke. Serie IV, Band 11. Versailles 1775. Score. Language: French. 115 pages. Published by Baerenreiter Verlag (BA.BA5806). ISBN 9790006495573. With Language: French. 33.0 x 25.5 cm inches.
Instruments: Baritone Voice, Flute, Clarinet, Oboe, Bassoon, Horn, Soprano Voice, Bass Voice, Tenor Voice, Alto Voice, Voice, Vocal, Woodwinds, Brass
Genres: Classical Period, Opera, Classical, Miscellaneous
Faham - 1ere symphonie pour orchestre by Bernard Carlosema. Orchestra. For Flutes 1-2, Clarinet in Bb 1-2, Oboes 1-2, Bassoons 1-2, Horns in F 1-2, Horns in F 3-4, Trumpets in C 1-2, Trumpet in C 3, Trombones 1-2, Trombone 3, Bass flute in C, English horn in F, Bass clarinet in Bb, Double bassoon, Tuba in C, Harp 1, Harp 2, Viol. This edition: Instrumental. Orchestra music. Instrumental parts. 26 pages. Published by Anne Fuzeau Productions - France (FZ.5612). ISBN M230656122. 29.7 x 42 cm inches. This editorial collection depends to a great extent on the creativity of young composers. This music score was composed by Bernard Carlosema for symphony orchestra. Flutes 1-2Clarinet in Bb 1-2Oboes 1-2Bassoons 1-2Horns in F 1-2Horns in F 3-4Trumpets in C 1-2Trumpet in C 3Trombones 1-2Trombone 3Bass flute in CCor anglais in FBass clarinet in BbDouble bassoonTuba in CHarp 1Harp 2Violins 1 (A-B)Violins 1 (C-D)Violins 2 (A-B)Violins 2 (C-D)Alti (A-B)Alto (C)Cellos (A-B)Cello (C)Double Bass A-B.
Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Bassoon, English Horn, Double Bass, Harp, Trombone, Tuba, C Trumpet, Woodwinds, Clarinet, Strings, Brass, Trumpet
Symphony for William by Derek Bourgeois (1941-). For Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1, Oboe 2, Clarinet in Eb, Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3, Bass Clarinet, Bassoon 1, Bassoon 2, Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone, Baritone Saxophone, Trumpet 1, Trumpet 2, Trumpet 3,). Band Music. Grade 6. Score and parts. Duration 21:00. Published by C. Alan Publications (CN.16230). This dramatic three-movement work is Derek Bourgeois at his best. Angular melodies and masterful scoring characterize this 20-minute symphony.
Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, B-Flat Trumpet, Woodwinds, Clarinet, Saxophone, Trumpet, Brass
Genres: Classical, 20th Century
A Symphony for Salem by D. Mark McCoy. For Concert Band (Piccolo/Alto Flute, Flute, Oboe, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet, Bassoon, Eb Alto Saxophone, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, F Horn 1-2, F Horn 3-4, Trombone 1, Trombone 2). Grade 5. Score and parts. Duration 19:50. Published by C. Alan Publications (CN.08880). "Thou shalt not suffer a witch to live..." Exodus 22:18Movement I: THE DANCEAccording to Arthur Miller's play, "THE CRUCIBLE", the entire episode began when several young girls (one the daughter of the minister) were caught dancing nude in the fields. To escape the harsh puritan punishments administered for their sins, the girls claimed Tituba, a slave woman from Barbados, had "conjured" spirits. This movement evokes the mood of that first night as each of four instruments (flute, oboe, clarinet and bassoon), portrays one of the antagonists on their journey into the forest on that dark night. The "devil's voice" is heard in euphonium as he changes the mode of the girls dance theme. As the dance builds to a feverish climax, the strains of music from the church are heard echoing in the distance. The dissonance of these themes is indicative of the inherent conflict in the young girl's actions. "The Devil's Waltz" is heard as the girls join in the seductive, ritualistic dance. The initial dance theme is heard again (with its modal alterations) as the girls return to the village and the church. The last strain of the movement corresponds to the line from the hymn "for still our ancient foe doth seek to work us woe..."Movement II: SCENES FROM THE VILLAGE (THE ACCUSED)Salem village was a contentious place full of hard-working, deeply religious people. The town had been suffering land battles for years. The New England winters were dull and hard and there was little to do as celebratory events such as Christmas or Mardi Gras were forbidden. The Village had been caught up in serious disputes with three previous ministers before it finally settled on its fourth, the Reverend Samuel Parris. The power of God and Satan was unquestioned. In this environment, hysteria could run rampant on this sleepy village. Between June and September of 1692, scores of men and women were accused of and tried for witchcraft. Themes in this movement represent two married couples and an old matron accused and executed as witches. Rebecca Nurse was a pious, nearly deaf, seventy-one year old woman. She replied to her accusers "OF this thing I am innocent as a child unborn, but surely, what sin hath God found in me unrepented of that He could lay such an affliction on me in my old age?" Martha Cory denied ever having been a witch and her husband Giles, in his humility had actually testified against her. John Procter was one of the first to speak out against the girls. "If they are let alone we should all be devils and witches." When first his wife and then he himself were accused, witnesses said that it met with much skepticism. The movement begins with Rebecca's theme, it's spinning continuo emblematic of her rocking chair. She had seen difficult times before; just when it seems her theme will stop, it finds the strength to continue. Next the "Cory theme" is heard representing the old couple trying to survive the harsh winter. As the village comes to life, their themes are turned into fugue and double fugue. As the movement nears its end, a love theme is heard representing the strong bond between the Proctors. Their theme is honest, strong and consonant, until the added Eb gives the theme an uneasy feeling of some discord lurking below the surface of this serene melody.Movement III: THE TRIALIn all, fourteen women and six men were put to death as witches. Nineteen of them were hanged. In an attempt to coerce a confession, Giles Cory was "pressed" to death by adding rocks to his chest until he was crushed. Reportedly his last words were "More Weight". Despite their high place of esteem in the community. the Proctors were given to the gallows to appease the screaming children. Even pious, God-fearing Rebecca Nurse was sent to Gallows Hill.The trials were a mockery of judicial restraint. When the accused were lead in, the girls would fall writhing on the floor, accusing the defendants of attacking, pinching, or biting them. If the judges remained unimpressed, the girls would claim the "witches" were sitting on the beams over their heads. The courtroom was a cacophonous, wicked circus with no chance of defense or search for the truth. This movement recreates the air of frustration and confusion as each of the accused are lead in, questioned and interrupted as they attempt to defend themselves. An eight-note theme is truncated again and again as if it were sand passing through an hourglass, for once in the courtroom, it was simply a matter of time until the guilty verdict was issued. The "Cory theme" is heard First and, as they state their case, the people of the village join in to claim their innocence. Their defense goes unheard. Martha is sent to the gallows and Giles is "pressed" to death. The love theme of the Proctors is heard again but it too is interrupted and ignored. They are sent to their deaths. Rebecca's theme is uttered softly to no avail; unlike before, it hasn't the power to continue. She is condemned to death as well.Movement IV: THE QUESTIONFinally, the Governor of Massachusetts forbad the use use of "spectral evidence" in the proceedings. The girls were silenced. Several months after the fury had dissipated, the "afflicted" girls were walking in a nearby town. As they passed a woman that they did not know, they fell writhing on the ground, accusing the woman of witchcraft. However, the people of this town paid the girls no attention. They had no desire to repeat the sins of Salem. The surprised girls rose and went on their way. No words were spoken, no names and deeds given, no apparitions imagined or explained.Narcissism would have us believe that that incident closed the book on witch trials in America. But history proves otherwise. The innocent people whose lives were wrecked by the McCarthy Hearings as recently as the 1950's relived the sins of Salem in a very real sense. The perrenial election-year arguments are at times eerily reminiscent of the witch hunts. "Those who do not study history are doomed to repeat it..." it would seem as true for most who do. Despite the fact that we condemn the people of Salem, we are all too capable of repeating their mistakes. The question is unfortunately not "will it happen again?" but "when......?".
Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Paulus by Felix Bartholdy Mendelssohn (1809-1847). Edited by John Michael Cooper. For 2 flutes, 2 oboes, 2 clarinets (b flat), 2 bassoons, contrabassoon, 4 horns, 2 trumpets, alto trombone, tenor trombone, bass trombone, serpent, kettledrum. This edition: Urtext edition. Oratorium (Oratorios). Set of wind parts. Opus 36. 329 pages. Published by Baerenreiter Verlag (BA.BA9071-65). ISBN 9790006527595. Oratorium (Oratorios). 32.5 x 25.5 cm inches.
Instruments: Flute, Clarinet, Oboe, Bassoon, Horn, B-Flat Trumpet, Bass Trombone, Percussion, Woodwinds, Brass, Trumpet, Trombone
Concerto Per Due Chitarre E Orchestre. (For Guitar and Orchestra). By Mario Castelnuovo Tedesco (1895-1968) and Mario Castelnuovo-tedesco (1895-1968). For Flute 1, Flute 2, Oboe, Clarinet 1, Clarinet 2, Bassoon, Horn 1, Horn 2, Trumpet, Timpani, Drum, Percussion 1, Percussion 2, Violin 1, Violin 2, Viola, Cello, Double Bass. Set of parts. Standard notation. Opus 201. Published by Berben (PR.576007210). With Standard notation.
Instruments: Guitar, Flute, Clarinet, Oboe, Bassoon, Horn, Violin, Cello, Viola, Double Bass, B-Flat Trumpet, Percussion, Timpani, Woodwinds, Brass, Strings, Trumpet
Genres: Classical, 20th Century