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Fantasy Triptych by Derek Bourgeois (1941-). For Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1/2, Eb Clarinet, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Eb Alto Clarinet, Bb Bass Clarinet, Bassoon 1/2, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Cornet 1, Bb Cornet 2/3, Bb Trumpet 1/2, Horn in F ). Band Music. Grade 5.5. Score and parts. Duration 17:40. Published by C. Alan Publications (CN.R10193). In 1972, I wrote a Sonata for Two Pianos for two friends who were piano teachers at Wellington College. When in 1995 I was asked to write a work for wind band, I returned to this Sonata and have re-arranged and in the new version renamed it "Fantasy Triptych."There are three movements:1. Le Tombeau d'Arthur BenjaminRavel wrote 'Le Tombeau de Couperin,' Arthur Benjamin wrote 'Le Tombeau de Ravel' and so the temptation to write 'Le Tombeau d'Arthur Benjamin' was overwhelming. At the end of the movement there is an oblique reference to Benjamin's own 'Jamaican Rumba' which accompanies a quote from an old Spanish folk song 'Loro, enciende el hervidor de agua.'2. Mr. Bolt goes for a ride in his motor car, and Monsieur Ravel turns in his grave.The movement is dedicated to an old friend, Geoffrey Bolt, who adores the music of Ravel. but at the time of writing was learning to drive. He always described his vehicle as a motor car. To describe him as an impatient motorist would be a gross understatement. The refined suavity of Ravel's music was in complete contrast to these early manifestations of road rage, hence the central angry outburst.3. The War March of the OstrichesThe music of Charles Ives was fascinating me at the time of writing this movement and some of the influence has rubbed off in this rondo-like march. At the end there is a quote from the very beginning of the first movement. The title was inspired by the amusing antics of a group of ostriches during a visit to Bristol Zoo.
$165.60

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Cornet, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: 20th Century, Classical
Concerto for Euphonium & Wind Ensemble. (Euphonium Feature). By David Gillingham. For Soloist(s) with Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1/2 , Bassoon 1/2, Eb Soprano Clarinet, Clarinet in Bb 1, Clarinet in Bb 2/3, Bass Clarinet, Contrabassoon, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Solo Euphonium, Trumpet in Bb 1/2, Trumpet in Bb 3, Horn i). Band Music. Grade 5. Score and parts. Duration 19:10. Published by C. Alan Publications (CN.15480). Scored in three movements, this concerto is a must for the serious euphonium player. The free flowing first movement pairs rubato style solo playing with strict rhythms in the ensemble while the sonorous second movement glistens with flowing melodies and Gillingham's signature mallet percussion and piano parts. The final Festival movement revisits many of the earlier themes with the flair of a festival performance.
$165.60

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Euphonium, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: Classical
Concerto for Horn & Symphonic Band. (Horn Feature). By David Gillingham. For Soloist(s) with Concert Band (Piccolo, Flute 1/2, Oboe 1/2 , Bassoon 1/2, Clarinet in Bb 1/2, Clarinet in Bb 3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1/2, Trumpet in Bb 3, SOLO HORN IN F, Horn in F 1/3, Horn in F 2/4, Trombone 1/2, Bass ). Band Music. Grade 5. Score and parts. Duration 20:00. Published by C. Alan Publications (CN.14540). The Gower Community Band of St. John's, NL, CANADA, Edsel Bonnell, Director, commissioned the Concerto for Horn and Symphonic Band.The concerto is cast in the usual three-movement format with the first and last movements structured in sonata-rondo design. The work is not intended to be programmatic, but titles have been given to each of the movements which allude to a musical style or mood.The first movement, Fanfares, starts slowly and mysteriously, using motives from the main thematic material of the movement answered by haunting falling minor thirds in the oboes and later in the low brass. A brass fanfare ensues followed by an entrance by the solo horn hinting at the main thematic material to follow. This section grows to a fanfare-like conclusion and leads to the allegro section and the first theme group. The first theme group is a spirited melodic line saturated with intervals of the perfect fourth that are commonly found in traditional fanfares. The low brass follow with the second theme group that contrasts the first with a flowing and lyrical line. The solo horn then brings back the first theme group and closes the exposition. The development seeks to extensively exploit motives from both theme groups in various guises and leads to the recapitulation. In the recapitulation, the solo horn carries both the first and second theme groups. This is followed by a partial return of the first theme group played in augmentation by low brass and woodwinds against fanfare riffs by the solo horn. The slow tempo of the introduction returns and the horn plays a sort of quasi-cadenza that is followed by a fast and rousing coda.The second movement, Supplication, is a fantasy based on a beautiful hymn tune composed by Gower Community Band Director, Edsel Bonnell. The hymn, A Prayer from Youth, was written for the Gower Youth Band for a special performance on May 30, 1975. The first verse and chorus are as follows:We ask not for gold or fameWhen we pray in Thy Great Name;Not for self or worldly gainLord, we come to Thee.The earth, the sky, the flower, the tree,All creatures of the land and sea,Let us live at peace in Thee;Lord, this is our prayer.The third movement, Dance Refrains, is a lively and spirited romp cast mostly in 6/8 meter and Bb minor. The sonata-rondo design of the movement is unique in that the second theme group in the exposition is based on the first theme group of the first movement and the second theme group of the recapitulation features the return of the verse of the hymn tune from the second movement accompanied by fanfare motives in the solo horn. The development section primarily features first theme group material. A cadenza by the solo horn is featured after a partial return of the first theme group in the recapitulation. The cadenza reworks first theme material and the hymn tune from the second movement. The dance-like first theme material returns and leads to a joyous climax in D major.
$165.60

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: Classical
Gate to Heaven: Concerto No. 1 (for Marimba & Wind Ensemble). By Gillingham. Arranged by M. Lasley. For Soloist(s) with Concert Band (SOLO MARIMBA, Flute 1, Flute 2, Oboe 1/2 , Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3, Bass Clarinet, Bassoon 1, Bassoon 2, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2, Trumpet in Bb 3, Horn in F 1, ). Grade 5. Score and parts. Duration 16:30. Published by C. Alan Publications (CN.03285). Though "Gate to Heaven" is structured as a three-movement concerto (all movements attaca) for solo marimba and wind ensemble, it has extramusical inspiration. Each movement of the work reflects the movement of the soul into the portal of heaven. The first movement, titled "Remission," is indicative of death and the consequences of the soul's former life. From the onset of the first movement, the introduction captures the hard blows of death and the mysterious passage into the unknown world beyond. The ensuing presto is representative of the tribulations of the former life fluctuating between evil and ecstasy. The second movement, "Reflection," is a solemn look into the past life of the soul and suggests mixed emotion about former life of the soul as a human form and its present state as energy moving through the infinite universe. The use of the human voice in this movement is depictive of the dilemma. Mournful bowed passages in the marimba toward the end of this movement are followed by a passage that builds to a rather joyous resolve, perhaps suggesting the golden light of the portal of heaven at the end of the tunnel of transition. The final solemn strains of the movement represent the soul's final reflection upon its former life. "Redemption," the final movement, hopefully invokes whatever image one has of "heaven." It was the composer's intention to paint a musical image of golden light shining upon a rainbow-colored landscape. The movement is comprised of two alternating themes, the first energetic and full of sparkle and the second dramatic and full of splendor. Toward the end of the movement, a fragment of the reflective theme of the second movement is heard before the movement drives to a joyous conclusion.
$165.60

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Marimba, Woodwinds, Clarinet, Saxophone, Brass, Trumpet, Percussion
Genres: Classical
Concerto No. 1 in D Minor for Marimba (Marimba Feature). By Noah D. Taylor. Arranged by A. Dancy. For Soloist(s) with Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1, Oboe 2, Eb Clarinet, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet, Bassoon 1, Bassoon 2, Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3,). Grade 5. Score and parts. Duration 30:00:00. Published by C. Alan Publications (CN.10923). The Marimba Concerto No. 1 in D Minor was completed in August 2003. This concerto was composed for marimbist Brenton Dunnington and was Taylor's first work for a solo mallet-percussion instrument. Taylor's Concerto displays confident youth as the composer ambitiously recalls the Romanticism of the past. The work is a large-scale undertaking for the soloist and the orchestra. Taylor has truly constructed a solo part of transcendental technique and virtuosity. The Concerto is tangible and tuneful, visually captivating and memorable from the first encounter.The first movement employs late 19th century harmony blended with Taylor's personal aesthetics. The full and rich orchestration is most evident here. The movement also displays the endurance and facility of the soloist. The opening fanfare and romantic theme form the basis for shaping the movement. Taylor thoroughly develops the theme in a romantically expanded sonata form. The solo cadenza (with improvisational intent) emerges from the end of the development and drives on to explore the theme. It demands intricate, complete command of the marimba and fearless composure from the soloist to accomplish the aggressively fluctuating tempi, the broad dynamic spectrum, and perilous octave descents. After a brief adagio, the first movement reaches an exhilarating orchestral conclusion.The slow second movement, still rooted in romanticism, slips in and out of 20th century harmonies. The movement is a tale of love and passion. Titled Adagio, the movement, opening in C major, is monothematic, but for a brief recapitulation of the first movement's main theme. The movement's poignant melody is carried by each of the oboe, clarinet, and flute solos with marimba. There is a tender, recurring duo between solo marimba and harp followed by a dramatic, climactic chorale where the soloist employs six-mallet technique. The movement culminates in a vivid new statement of the movement's main melody and fades off into the distance.A thematic transformation develops several stages further in the third movement. The Finale is a hero's tale of battle, danger, love, and triumph. Each section evokes a different account on the journey. Taylor reemphasizes the D minor tonality of the opening movement. The third movement bursts into the exhilarating and vigorous first subject, which features a thrilling rhythmic motif and interchange between the soloist and orchestra. The tale moves through a central, lyrical episode in place of a development section. Again, earlier material is recalled. As the final Vivace builds to a climax, the soloist unleashes fiery virtuosity with the orchestra. The majestic recapitulation, now in D major, surveys all of the Finale's opening material concluded by the coda in a brilliant presto and fortissimo.
$165.60

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, B-Flat Trumpet, Marimba, Woodwinds, Clarinet, Saxophone, Trumpet, Brass, Percussion
Genres: Classical
Serenade for Band by Vincent Persichetti (1915-1987). Concert Band. For Piccolo, Flute I, Flute II, Oboe I, Oboe II, Clarinet I, Clarinet II, Clarinet III, Alto Clarinet (in Eb), Bass Clarinet (in Bb), Bassoon I, Bassoon II, Alto Saxophone I, Alto Saxophone II, Tenor Saxophone, Baritone Saxophone, Cornet I, Cornet II, Cornet . Contemporary. Score and Set of Parts. Standard notation. Opus 85. 36 + pages. Published by Theodore Presser Company (PR.165000420). With Standard notation. contemporary.
$165.55

Instruments: Piccolo, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Cornet, Flute, Woodwinds, Clarinet, Saxophone, Trumpet, Brass
Genres: 20th Century, Classical
Missa S. Spiritus. (19 Stimmen). By Johann Heinrich Schmelzer (1620-1680). Mass. For SSATTB choir, 2 violins, 2 violas, 2 clarinets, 2 horns ad libitum, 4 trombones, and organ. Score. Published by Doblinger Music Publishers (DB.WE-00004).
$163.95

Instruments: Choir, Organ, Clarinet, Horn, Violin, Viola, Trombone, Vocal, Piano and Keyboard, Woodwinds, Brass, Strings
Genres: Baroque Period, Classical
Stabat Mater (Stabat Mater) by Gioachino Rossini (1792-1868). Edited by Klaus Doge. For Soli SSTB, Choir SSTB, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 4 Horn, 2 Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Cello, Contrabass. This edition: linen cover. Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary; Use during the church year: Lent and Passiontide, Holy Week. Level 4. Score. Language: Latin. Composed 1832. 232 pages. Duration 66 min. Published by Carus Verlag (CA.7008900). ISBN M-007-08335-9. With Language: Latin. Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary; Use during the church year: Lent and Passiontide, Holy Week.
$163.95

Pages: 232
Instruments: Flute, Clarinet, Oboe, Bassoon, Horn, Violin, Cello, Viola, Double Bass, B-Flat Trumpet, Trombone, Percussion, Timpani, Woodwinds, Brass, Strings, Trumpet
Genres: Classical Period, Christian, Classical, Religious
Fortune by Charles Wuorinen (1938-). Contemporary Small Ensemble. For Clarinet in A, Violin, Cello. Modern. Set of parts. Duration circa 17 minutes. Published by Edition Peters (PE.P66829A). ISBN M-3007-3049-3. Modern.
$162.00

Instruments: Violin, Cello, A Clarinet, Strings, Clarinet, Woodwinds
Genres: 20th Century, Classical
Symphonie (mit Schlusschor "An die Freude"). By Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. Vocal soli, mixed choir, orchestra. For Soprano voice solo, Alto voice solo, Tenor voice solo, Bass voice solo, Mixed Choir-SATB, Piccolo, 2 flutes, 2 oboes, 2 clarinets (B Flat), 2 bassoons, Contrabassoon, 4 horns, 2 trumpets, 3 trombones, Kettledrum, Drums, Strings. This edition: Urtext edition. Score (paperbound). Text language: German/English. Opus 125, No. 9. Duration 65'. Published by Baerenreiter Verlag (BA.BA9009). ISBN 9790006499465. With Text language: German/English. 31.0 x 24.3 cm inches.
$161.95

Instruments: Choir, Piccolo, Clarinet, Oboe, Bassoon, Horn, B-Flat Trumpet, Trombone, Percussion, Drums, Soprano Voice, Bass Voice, Tenor Voice, Vocal, Flute, Woodwinds, Brass, Trumpet, Voice
Genres: Classical Period, Classical
Give Us This Day. (Short Symphony for Wind Ensemble - Full Score and Parts). By David Maslanka. Concert Band. For Piccolo, Flute I, Flute II, Oboe I, Oboe II, Clarinet I, Clarinet II, Clarinet III, Bass Clarinet, Contra Alto Clarinet, Bassoon, Alto Saxophone I, Alto Saxophone II, Tenor Saxophone, Baritone Saxophone, Trumpet I, Trumpet II, Horn I, Horn II, Horn III, H. Carl Fischer Classic Band Editions. Score and Set of Parts. Standard notation. 80 pages. Published by Carl Fischer (CF.J757). ISBN 0825864933. With Standard notation.
$161.00

Pages: 80
Instruments: Piccolo, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Flute, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: 20th Century, Classical
Aegean Symphony by Gary Ziek. For Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1/2, Bassoon 1/2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, F Horn 1, F Horn 2, F Horn 3, F Horn 4, Trombo). Grade 5. Score and parts. Duration 20:35. Published by C. Alan Publications (CN.08550). I. PhaetonII. SisyphusIII. PanIV. Pandora"The Aegean Symphony" is comprised of four narrative movements telling the story of four Greek mythological legends. Phaeton's ill fated chariot ride across the sky, Sisyphus' doomed eternity of frustration, the origin of the Pan flute, and Pandora's curiosity that released the ills of the world only to be comforted by Hope at the conclusion.
$161.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: Classical
Parable for Band. (Parable IX). By Vincent Persichetti (1915-1987). Concert Band. For Piccolo I, Piccolo II, Flute I, Flute II, Flute III, Flute IV, Oboe I, Oboe II, English Horn, Clarinet I, Clarinet II, Clarinet III, Clarinet IV, Alto Clarinet (in Eb), Bass Clarinet (in Bb), Contrabass Clarinet, Bassoon I, Bassoon II, Alto Saxophone I, A. Score and Set of Parts. Standard notation. Opus 121. 91 pages. Duration 16 minutes. Published by Theodore Presser Company (PR.165000660). With Standard notation.
$161.00

Pages: 91
Instruments: Piccolo, Bass Clarinet, Oboe, Alto Saxophone, Bassoon, English Horn, Double Bass, Flute, Woodwinds, Clarinet, Saxophone, Strings
Genres: 20th Century, Classical
Band Land by Derek Bourgeois (1941-). For Concert Band (Piccolo, Flute 1, Flute 2, Oboe, Clarinet in Eb, Clarinet 1 in Bb, Clarinet 2 in Bb, Clarinet 3 in Bb, Bass Clarinet, Bassoon, Alto Saxophone 1 in Eb, Alto Saxophone 2 in Eb, Tenor Saxophone in Bb, Baritone Saxophone in Eb, Trumpet 1, Trumpet 2, Trumpet 3). Band Music. Grade 3+. Score and parts. Duration 22:00. Published by C. Alan Publications (CN.16170). "In a far country called Band Land, there lived four families of instruments. The country was divided in half by a wide river on which there was a small island. The two main families lived on opposite sides of the river. The first was the woodwind family who lived in a dense wood on a large hill on the left hand side of the river. This family were nature lovers and lived in peace and harmony ....".
$161.00

Instruments: Flute, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, B-Flat Trumpet, Woodwinds, Clarinet, Saxophone, Trumpet, Brass
Genres: 20th Century, Classical
Turn the Page by Daniel McCarthy. For Full Orchestra (Piccolo, Flute, Oboe, English Horn, Bb Clarinet 1-2, Bass Clarinet, Bassoon, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, Trombone, Tuba, Timpani (5), Percussion 1 (suspended cymbal, 4 tom-toms, snare drum, rain stick, claves, bongos), Percussion 2 (suspended cymb). Orchestra Music. Score and parts. Duration 7:30. Published by C. Alan Publications (CN.11300). The writing of "Turn the Page" was the result of my association with conductor and good friend Jung Ho Pak (New Haven Symphony and World Youth Symphony Orchestras). Maestro Pak and I met at The Interlochen Arts Camp where we are both faculty and we collaborate on the orchestra reading project with the student composers.Our conversations over the years have included the future of the orchestra and new orchestral music in our society. Audiences have lost a great deal of context with new music over the past 90 years, in my opinion, and new music has remained an anomaly for many listeners.So when I decided to write Jung Ho an orchestra piece, I knew it had to be music that meant something to listeners--something that would have cultural context to an audience and yet be challenging and interesting to play. And a piece that would be played more than just once.I seek a certain drama and excitement in my music. Perhaps that is why I am so attracted to composers like Mahler, Stravinky, and Daugherty. But I also have a diverse listening palate having played big band jazz as a lead trumpet player and funk as a synthesizer player.Often when I travel, especially on long driving trips, I will listen to old "art-rock" of bands such as "Yes," "Genesis," and "Led Zeppelin." One of my favorite tunes is "Heartbreaker" from the album "Led Zeppelin II." It has a very unusual guitar solo in the middle of the song--Unusual, because the band stops playing and Jimmy Page takes a motivically oriented solo, much like a cadenza in a concerto. It was the first time anything like that was ever done in that genre and was really the beginning of guitarists becoming virtuosos on their instruments. Actually, that solo had all the fire of a Tchaikovsky or Mendelssohn concerto cadenza.Hence, the idea came to be to combine the suggestion of this solo with orchestra and, later, to use an electric guitar or CD recording of the actual solo with the orchestra. It seemed to me that all the power of Led Zeppelin was certainly in good company with a full-sized symphony orchestra--Witness Stravinsky's "Rite of Spring." Could any rock band create that much excitement?-DWM.
$160.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Bassoon, English Horn, B-Flat Trumpet, Trombone, Percussion, Timpani, Tuba, Woodwinds, Clarinet, Trumpet, Brass
Genres: Classical
Paulus (St. Paul) (Oratorium). By Felix Bartholdy Mendelssohn (1809-1847). Edited by R. Larry Todd. For Soli SATB, SATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 4 Horn, 2 Trumpets, 3 Trombones, Serpente, Timpani, 2 Violins, Viola, Cello, Contrabass, Organ. Score available separately - see item CA.4012900. Oratorios; Stuttgart Urtext Editions. Level 3. Set of instrumental parts (except strings). Language: German/English. Composed 1834-1836. 36. 188 pages. Duration 145 min. Published by Carus Verlag (CA.4012909). With Language: German/English. Oratorios; Stuttgart Urtext Editions.
$159.95

Pages: 188
Instruments: Choir, Organ, Flute, Clarinet, Oboe, Bassoon, Horn, Violin, Cello, Viola, Double Bass, B-Flat Trumpet, Trombone, Percussion, Timpani, Vocal, Piano and Keyboard, Woodwinds, Brass, Strings, Trumpet
Genres: Classical
Ma Mere l'Oye by Maurice Ravel (1875-1937). Arranged by Erik Somers. For piccolo, 2 flutes, 2 oboes, english horn, 2 clarinets, bass clarinet, 2 bassoons, 2 horns, string bass, harp. Baton Music Ensemble Series. Suite From the Ballet. Grade 5. Full score and parts. Duration 17:30. Published by Baton Music (BF.BM351-SET). Ravel originally wrote Ma mere l'oye (Mother Goose) as a piano duet for the Godebski children, Mimi and Jean, ages 6 and 7. Ravel dedicated this work for four hands to the children (just as he had dedicated an earlier work, Sonatine to their parents). Jeanne Leleu and Genevieve Durony premiered the work. The piece was transcribed for solo piano by Ravel's friend Jacques Charlot the same year as it was published (1910). In 1911, Ravel orchestrated the work. Then, in 1912, he expanded it into a ballet adding new movements (Prelude and Danse du rouet et scene) and interludes. Erik Somers transcribed the suite from the ballet for Wind Ensemble.
$158.75

Instruments: Piccolo, Bass Clarinet, Oboe, Bassoon, English Horn, Double Bass, Harp, Flute, Woodwinds, Clarinet, Strings
Genres: Impressionism, 20th Century, Classical
Concertino Opus 26 (Klarinet Solo). By Carl Maria von Weber (1786-1826) and Carl Maria von Weber (1786-1826). Arranged by C. Lhomme. For Concert Band. Arrangements of Classical Pieces / Solo Concerts / Clarinet Solo and Wind Band. Solo and Band Series. Grade 5. Score and Parts. Published by Molenaar Edition (ML.010168060). Carl Maria von Weber (1786-1826) was a pupil of Michael Haydn. Before he was fifteen years old he had already composed an opera, a mass and piano music. He was subsequently director of the Prague Opera House and Music Master at the Dresden Court. The overtures to his operas DER FREISCHa!1TZ and OBERON are still often performed by wind bands, though it is often lesser known that von Weber also wrote pieces for 'Harmoniemusik', such as a CONCERTINO IN C for oboe and small wind band. Von Weber wrote most of his clarinet works for the famous German clarinettist Heinrich Ba!!rmann (1784-1874). This was the case for his CLARINET CONCERTO No1 in F and his CLARINET CONCERTO No2 in Eb and for the CONCERTINO, all composed in 1811. Von Weber was very impressed by Ba!!rmann's virtuosity and the expressiveness of the clarinet. The CONCERTINO is one of the very great works of the classical clarinet repertoire. A slow introduction is followed by a cheerful theme repeated with several contrasting variations. This pre-eminently romantic clarinet piece was scored for symphonic band by the French composer and arranger Charles Lhomme (Hargicourt 1889).
$157.95

Instruments: Clarinet, Woodwinds
Genres: Classical, Classical Period, Romantic Period
Symphonie Nr. 1 e-moll op. 39 by Jean Sibelius (1865-1957). Edited by Timo Virtanen. For 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, triangle, cymbals, strings*. This edition: Urtext. Score. Opus 39. 172 pages. Published by Breitkopf and Haertel (BR.PB-5358). ISBN 979-0-004-21215-8.
$157.95

Pages: 172
Instruments: Flute, Clarinet, Oboe, Bassoon, Horn, B-Flat Trumpet, Trombone, Percussion, Timpani, Tuba, Woodwinds, Brass, Trumpet
Genres: 20th Century, Scandinavian, Classical, World
Die Jahreszeiten (Oratorium 1799-1801). By Franz Joseph Haydn (1732-1809). Edited by Armin Raab. For flute 1, flute 2/ piccolo, oboe 1, oboe 2, clarinet (b flat) 1, clarinet (b flat) 2, bassoon 1, bassoon 2, contrabassoon, horn 1, horn 2, clarin trumpet 1, clarin trumpet 2, clarin trumpet 3, trombone 1, trombone 2, bass trombone, kettledrum. This edition: Urtext edition. Set of wind parts. Language: German. Hob. XXI:3. 279 pages. Published by Baerenreiter Verlag (BA.BA4647-65). ISBN 9790006535989. With Language: German. 32.5 x 25.5 cm inches.
$156.95

Pages: 279
Instruments: Piccolo, Clarinet, Oboe, Bassoon, Horn, B-Flat Trumpet, Bass Trombone, Percussion, Flute, Woodwinds, Brass, Trumpet, Trombone
Genres: Classical, Classical Period
Concerto by Juraj Filas. For horn and symphonic wind band (horn solo; piccolo, flute 1and 2, oboe, english horn, clarinet 1,2,3, alto clarinet, bass clarinet, bass 1 and 2; saxophones: altos 1 and 2, tenor, baritone; horns 1, 2, 3, 4, trumpet 1, 2, 3; trombone 1, 2; bass - trombone; baritone, euphonium; tuba Eb, ). Contemporary. 4-5. Parts. Composed 2004. Duration 15'. Published by Editions BIM (ET.CO71E).
$156.25

Instruments: Flute, Bass Clarinet, Oboe, Saxophone, English Horn, B-Flat Trumpet, Trombone, Euphonium, Tuba, Woodwinds, Clarinet, Trumpet, Brass
Genres: Classical
Concertino Opus 26 (Klarinet Solo). By Carl Maria von Weber (1786-1826) and Carl Maria von Weber (1786-1826). Arranged by Charles Lhomme. For Concert Band. Solo and Band. Grade 5. Score and set of parts. Published by Molenaar Edition (ML.01016806). "Carl Maria von Weber (1786-1826) was a pupil of Michael Haydn. Before he was fifteen years old he had already composed an opera, a mass and piano music. He was subsequently director of the Prague Opera House and Music Master at the Dresden Court. The over".
$155.95

Instruments: Clarinet, Woodwinds
Genres: Classical Period, Romantic Period, Classical
Variazioni (For Clar.Or Soprano Saxophone.And Band). By Gioachino Rossini (1792-1868). Arranged by Willy Hautvast. For Concert Band / Fanfare Band. Solo and Band. Grade 5. Score and set of parts. Published by Molenaar Edition (ML.0102185606).
$155.95

Instruments: Clarinet, Soprano Saxophone, Woodwinds, Saxophone
Genres: Classical Period, Classical
Symphony for Band by Vincent Persichetti (1915-1987). Concert Band. For Piccolo, Flute I, Flute II, Oboe I, Oboe II, Clarinet I, Clarinet II, Clarinet III, Alto Clarinet (in Eb), Bass Clarinet (in Bb), Bassoon I, Bassoon II, Alto Saxophone I, Alto Saxophone II, Tenor Saxophone, Baritone Saxophone, Cornet I, Cornet II, Cornet . This edition: Symphonic Band with Score. Symphonic Band with Score. Classical. Score and Set of Parts. Standard notation. Opus 69. 127 pages. Duration 15 minutes. Published by Theodore Presser Company (PR.165000430). With Standard notation. classical.
$151.80

Pages: 127
Instruments: Piccolo, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Cornet, Flute, Woodwinds, Clarinet, Saxophone, Trumpet, Brass
Genres: Classical, 20th Century