Sheet music search made easy
Search within results:
Delivery Method
Instruments
Genres
Price
Clarinet
6811 result(s) found
List results in: Detailed View | Thumbnail View
Sort results by: Price | Release Date | Popularity | Title
Results per page: 10 | 24 | 50
Concerto for Viola, Woodwinds, & Percussion by John Biggs (1932-). For viola solo, 2 flutes, 2 clarinets, 2 bassoons and percussion. Serious essay in one movement. Rhapsodic. Advanced. Score and parts. Duration 22 minutes. Published by Consort Press (CT.CP-304).
$200.00

Instruments: Flute, Clarinet, Bassoon, Viola, Percussion, Woodwinds, Strings
Genres: Classical
Messa a 4 voci con orchestra by Giacomo Puccini (1858-1924). Edited by Dieter Schickling. Arranged by Paul Horn. For Soli (S)TB, SATB choir, Piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 3 horns, 2 trumpet, 3 trombones, Ophicleide, Timpani, 2 Violins, Viola, Cello, Contrabass, Harp. This edition: linen cover. Latin Masses. Level 4. Score. Language: Latin. 248 pages. Duration 43 min. Published by Carus Verlag (CA.4064500). ISBN M-007-07536-1. With Language: Latin. Latin Masses.
$199.95

Pages: 248
Instruments: Choir, Piccolo, Clarinet, Oboe, Bassoon, Horn, Violin, Cello, Viola, Double Bass, Harp, B-Flat Trumpet, Trombone, Percussion, Timpani, Vocal, Flute, Woodwinds, Brass, Strings, Trumpet
Genres: Classical, Opera, Miscellaneous
Paulus (St. Paul) (Oratorium). By Felix Bartholdy Mendelssohn (1809-1847). Edited by R. Larry Todd. For Soli SATB, SATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 4 Horn, 2 Trumpets, 3 Trombones, Serpente, Timpani, 2 Violins, Viola, Cello, Contrabass, Organ. This edition: paperbound. Oratorios; Stuttgart Urtext Editions. Level 3. Score. Language: German/English. Composed 1834-1836. 36. 448 pages. Duration 145 min. Published by Carus Verlag (CA.4012900). ISBN M-007-08770-8. With Language: German/English. Oratorios; Stuttgart Urtext Editions.
$199.95

Pages: 448
Instruments: Choir, Organ, Flute, Clarinet, Oboe, Bassoon, Horn, Violin, Cello, Viola, Double Bass, B-Flat Trumpet, Trombone, Percussion, Timpani, Vocal, Piano and Keyboard, Woodwinds, Brass, Strings, Trumpet
Genres: Classical
Belshazzar's Feast by William Walton (1902-1983). Arranged by Steuart Bedford. For Mixed chorus, baritone solo, orchestra ([2, piccolo, 2, english horn(optional), 3(1+Eflat,II+bass clarinet), alto saxophone, 2, contrabassoon-4, 3, 3, 1], timpani, 4 percussion, 2 harp, piano (optional), organ, strings, and 2 optional brass ensembles each containing 3 trumpet, 3 trombone, tuba). Scores. William Walton Edition. Walton Edition. Full score. 208 pages. Duration 35'. Published by Oxford University Press (OU.9780193683082). ISBN 9780193683082. Walton Edition. 13 x 10 inches. For mixed chorus, baritone solo & orchestra. This edition of Walton's vibrant cantata presents a fully accurate score based on all extant sources, along with an informative preface and textual notes. A compatible vocal score is available. Compatible orchestral parts available on hire from the publisher.
$195.00

Pages: 208
Instruments: Choir, Piano, Organ, Bass Clarinet, Alto Saxophone, Bassoon, English Horn, Harp, B-Flat Trumpet, Trombone, Percussion, Timpani, Tuba, Vocal, Piano and Keyboard, Clarinet, Woodwinds, Saxophone, Strings, Trumpet, Brass
Genres: Classical, 20th Century
Messe solenelle in G by Luigi Cherubini (1760-1842). Edited by Oliver Schwarz-Roosmann. For SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, double bass. G-Dur (G major). Score available separately - see item CA.4008700. Masses, Latin. Set of instrumental parts (except strings). Composed 1819. 220 pages. Duration 45 min. Published by Carus Verlag (CA.4008709). A special charm of the mass is the fact that it dispenses with soloists. In this mass, exemplary for Cherubini's church music is the richness of color in the treatment of the orchestra, as well as in the choral parts, and the expressiveness of the dynamic nuances.
$191.95

Pages: 220
Instruments: Choir, Flute, Clarinet, Oboe, Bassoon, Horn, Violin, Cello, Viola, Double Bass, B-Flat Trumpet, Trombone, Percussion, Timpani, Vocal, Woodwinds, Brass, Strings, Trumpet
Genres: Classical Period, Classical
By Artie Shaw. Arranged by Ted Parson. Concert Band. Swiss import. Original Composition. Grade 4. Score and parts. Published by Editions Marc Reift
$190.34

Instruments: Clarinet, Woodwinds
Genres: Classical, Swing, Jazz & Blues
Symphony on Death & Dying by Karl Blench. For Concert Band (Piccolo, Flute 1, 2 (Piccolo 2, 3), Alto Flute (Flute 3), Oboe 1, 2, English Horn, Bassoon 1, 2 (Contrabassoon), Clarinet in Bb 1, 2, 3, 4, Bass Clarinet, Alto Saxophone 1, 2, Baritone Saxophone, Horn in F 1, 2, 3, 4, Trumpet in C 1, 2, 3, 4, Tenor Trombo). Band Music. Grade 5. Score and parts. Duration 17:40. Published by C. Alan Publications (CN.11420). Symphony on Death and Dying was written after taking a course at the University of New Hampshire of the same name. This piece explores the emotions a person may feel after the loss of someone close. The Symphony is cast in four movements played without pause. The pitch material is based on a seven note theme (E, F, G, F#, D#, [E], C, B) and all motives are derived from the intervals contained within this set. The work was written for the University of New Hampshire Wind Ensemble (Durham, NH) and dedicated to the ensemble's director, Dr. Andrew Boysen.Out of Confusion and Anger begins as a funeral march and is centered around the pitch E. The theme is stated from a solo trombone and then picked up by various groups of the ensemble. After the theme is presented an ostinato figure and melodic bass line build to the first outburst of anger followed by a return to the opening material.Of Remembrance is a solemn movement in contrast to the first. The solo clarinet has the melody at the beginning accompanied by soft harmonies in the low brass until it is interrupted by the theme from the first movement. Ghosts then can be heard as singing voices building to a brief climax and then a return to the opening melody this time in the solo bassoon.Of Rage begins with an outburst from the entire ensemble. The movement is filled with violent brass, screeching woodwinds, and is accented by barbaric percussion. After a brief return to the material of the first and second movements the material builds to the symphony's climax where violent screaming and shouting can be heard. The movement then slowly returns to the funeral march theme from the first movement.In Of Why? the solo soprano acts as the griever asking and wondering why their loved one has left them. The movement is brief and recalls material from the three previous movements. After one last desperate cry from the soprano and the ensemble the work comes to its quiet close.--Karl Blench.
$184.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Bassoon, English Horn, C Trumpet, Woodwinds, Clarinet, Saxophone, Trumpet, Brass
Genres: Classical
Three Songs by Claude Debussy (1862-1918). Arranged by Erik Somers. For Voice and Wind Ensemble (2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns and soprano). Grade 3. Full score and set of parts. Duration 10:00. Published by Baton Music (BF.BM258-SET).
$181.25

Instruments: Voice, Flute, Clarinet, Oboe, Bassoon, Horn, Vocal, Woodwinds, Brass
Genres: Impressionism, 20th Century, Classical
The Midnight Ride of Paul Revere - Wind Symphony Score and Parts. (for SATB divisi Choir and Wind Symphony). By Rene Clausen. For SATB divisi choir and wind Symphony: piccolo, 2 flutes, 2 oboes, english horn, 2 bassoon, 3 clarinet, bass clarinet, alto saxophone, tenor saxophone, baritone saxophone, 4 horn, 3 cornet, 2 trumpet, 2 trombone, bass trombone, euphonium, tuba, percussion (. Major Work. Conductor's score and instrumental parts. Published by Roger Dean Publishing (LO.30-2433R). As an accomplished conductor, pianist, and brass player, Rene Clausen is uniquely qualified to write a piece for choir and wind symphony while avoiding the inherent pitfalls in such a work. The instruments never cover the singers, the singers do not have to over-sing to be heard, and the resulting overall effect is an exciting and stunning work that will inspire the performers and thrill the audience. Using the famous Longfellow poem, "The Midnight Ride of Paul Revere," Dr. Clausen's five movements invoke the excitement of the horse ride as well as the quiet of the streets, the beauty of the night, the history of the rickety old bell tower, and the breathless excitement as the message is delivered. Instrumentation: Picc, 2 Fl, 2 Ob, Eng Hn, 2 Bsn, 3 Cl, B Cl, A Sax, T Sax, Bari Sax, 4 Hn, 3 Cornet, 2 Tpt, 2 Tbn, B Tbn, Euph, Tuba, Perc (Timp, Snare Drum, Bass Drum, Triangle, Cymbals, Bells, Vibraphone, Marimba, Chimes).
$179.40

Instruments: Choir, Piccolo, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, English Horn, B-Flat Trumpet, Cornet, Bass Trombone, Euphonium, Percussion, Tuba, Vocal, Flute, Woodwinds, Clarinet, Saxophone, Trumpet, Brass, Trombone
Genres: Classical, 4th of July, Patriotic, Celebrations, Folk
Konzertstuck Nr. 1 In F Minor by Felix Bartholdy Mendelssohn (1809-1847). Arranged by Donato Semeraro. Concert band. For solo 2 Bb Clarinets (or Clarinet and Basset horn). Classical, Transcription. Grade 4. Score and set of parts. Duration 9 minutes, 30 seconds. Published by Scomegna Edizioni Musical srl (S4.ESB1062). Felix Mendelssohn Bartholdy (1809 - 1847) was a close friend of Heinrich Joseph Baermann. Baermann was undisputedly the best clarinettist of his days and performed concerts throughout Europe together with his son Carl, also a talented clarinettist. Mendelssohn wrote Konzertstuck Nr. 1 in F minor Op. 113 for them both, employing clarinet and basset horn as soloists with either piano or orchestra accompaniment.
$179.35

Instruments: B-Flat Clarinet, Clarinet, Woodwinds
Genres: Classical
Antalya by Serge Folie. Symphonic orchestra. For Violin 1 (x 8), Violin 2 (x 8, )Viola (x 6), Cello (x 4), Double bass (x 2), Flutes 1 and 2 - Piccolo, Clarinet in Bb (x 2), Oboe, English horn in F, Bassoon, Soprano saxophone in Bb - Alto saxophone in Eb, Trumpet in Bb (x 3), Trombones 1 and 2 (x 3), Tu. This edition: Instrumental. Orchestra music. Conductor's score. 96 pages. Duration 25 minutes. Published by Anne Fuzeau Productions - France (FZ.2051). ISBN M230620512. 24 x 33 cm inches. This editorial collection depends to a great extent on the creativity of young composers. This music score was composed by Serge Folie for symphony orchestra. Violin 1 (x 8)Violin 2 (x 8)Viola (x 6)Cello (x 4)Double bass (x 2)Flutes 1 and 2 - PiccoloClarinet in Bb (x 2)OboeCor anglais transposed to FBassoonSoprano saxophone in Bb - Alto saxophone in EbTrumpet in Bb (x 3)Trombones 1 and 2 (x 3)Tuba in Bb Horns in F 1 and 2 (x 2)HarpPianoPercussions 1 : timpanis, light percussion (quarquab, egg, chimes) - 2 percussionistsPercussions 2 : congas - 1 percussionistPercussions 3 : bass drum, gong, cymbals, basque drum, crown of small cymbals - 3 percussionists.
$177.95

Pages: 96
Instruments: Piccolo, B-Flat Clarinet, Oboe, Alto Saxophone, Soprano Saxophone, Bassoon, English Horn, Violin, Cello, Viola, Double Bass, B-Flat Trumpet, Trombone, Flute, Woodwinds, Clarinet, Saxophone, Strings, Trumpet, Brass
Genres: Classical
The Last Judgment (Oratorio). By Louis Spohr (1784-1859). Edited by Dieter Zeh / Irene Schallhorn. For Solo SATB, SATB Choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 Violin, viola, cello, contrabass. Score available separately - see item CA.2300300. Oratorios. Set of instrumental parts (except strings). Language: German/English. Opus 61WoO. 244 pages. Duration 80 min. Published by Carus Verlag (CA.2300309). With Language: German/English. Oratorios. In honor of the 150th anniversary of the death of Louis Spohr, for the first time Carus is publishing a critical edition of The Last Judgment, the most important of his four oratorios. It was first performed on Good Friday, 1826 in Kassel. It is based on the theologically most significant portions of the Revelations of John in the New Testament, whose visions of death and eternity Spohr vividly portrayed in music. The work represents an important enrichment to the repertoire of the oratorio, especially suitable for the end of the church year. It is captivating on account of its masterful instrumentation, excellent use of chromaticism, large-scale solo recitatives and accessible choral passages filled with heartfelt sensitivity on the one hand, and exciting drama on the other.
$176.95

Pages: 244
Instruments: Choir, Flute, Clarinet, Oboe, Bassoon, Horn, Violin, Cello, Viola, Double Bass, B-Flat Trumpet, Trombone, Percussion, Timpani, Vocal, Woodwinds, Brass, Strings, Trumpet
Genres: Classical Period, Classical
Eighth Symphony (Theologoumena) by Charles Wuorinen (1938-). Contemporary Large Ensemble/Orchestra. For Piccolo, [3.3 English Horn.3.Bass clarinet.3.Contrabassoon-4.3.3.1], Timpani, 3 Percussion, Harp, Piano, Strings. Modern. Full Score. Composed Composed: 2006. Duration 30 minutes. Published by Edition Peters (PE.P68121).
$175.00

Instruments: Piano, Piccolo, Bass Clarinet, Bassoon, English Horn, Harp, Percussion, Timpani, Piano and Keyboard, Flute, Woodwinds, Clarinet, Strings
Genres: Classical, 20th Century
Musik der Mannheimer Hofkapelle Bd. 1 (Mass in C major) by Ignaz Holzbauer (1711-1783). Edited by Jochen Reutter. For Soli SATB, SATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, Timpani, 2 Violins, 2 Violas, Basso continuo. This edition: linen cover. Score available separately - see item CA.5050100. Masses, Latin; Monument Editions. Level 4. Score (Linen Envelope). Language: Latin. Composed 1770 (ca.). 224 pages. Duration 40 min. Published by Carus Verlag (CA.5050101). ISBN M-007-08196-6. With Language: Latin. Masses, Latin; Monument Editions.
$172.95

Pages: 224
Instruments: Choir, Flute, Clarinet, Oboe, Bassoon, Horn, Violin, Viola, B-Flat Trumpet, Percussion, Timpani, Piano and Keyboard, Vocal, Woodwinds, Brass, Strings, Trumpet
Genres: Baroque Period, Classical
Esther. (Opera in Three Acts). By Hugo Weisgall. Vocal ensemble. For Soprano, Mezzo-Soprano, Contralto, Tenor I, Tenor II, Tenor III, Tenor IV, Baritone I, Baritone II, Countertenor, Bass-Baritone, Bass, Chorus, Children's Chorus, Piccolo, 3 Flutes, Alto Flute, 2 Oboes, English Horn, 2 Clarinets, Bass Clarinet, 2 Bassoons,. Charles Kondek. Opera. Piano reduction/vocal score. Standard notation. 316 pages. Published by Theodore Presser Company (PR.411411190). With Standard notation. opera.
$171.95

Pages: 316
Instruments: Choir, Piano, Piccolo, Bass Clarinet, Oboe, Bassoon, English Horn, Mezzo Soprano Voice, Vocal, Piano and Keyboard, Flute, Woodwinds, Clarinet, Voice
Genres: Classical, Opera, Miscellaneous
Pictures at an Exhibition (Full Score). By Modest Petrovich Mussorgsky (1839-1881). Arranged by Bruno Peterschmitt. Reduced symphonic orchestra. For Flute (and Piccolo), Oboe (and English horn), Bb Clarinet (and A Clarinet), Bassoon, Horn, 2 Violins, Viola, Cello, Double Bass, Harp, Percussion. Classical. Grade 5. Score and set of parts. 151 pages (score); 146 pages (parts). Published by FLEX Editions (FL.FX070624).
$170.95

Instruments: Piccolo, B-Flat Clarinet, Oboe, Bassoon, English Horn, Violin, Cello, Viola, Double Bass, Harp, Percussion, A Clarinet, Flute, Woodwinds, Clarinet, Strings
Genres: Classical
Sapphire. (Alto Saxophone Feature). By Catherine McMichael. For Soloist(s) with Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon 1/2, Eb Clarinet, Bb Clarinet 1, Bb Clarinet 2/3, Bb Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Solo Alto Saxophone, Bb Trumpet 1-4, F Horn 1-4, Trombone 1/2, Bass Trombone, Euphonium, Tub). Grade 5. Score and parts. Duration 11:20. Published by C. Alan Publications (CN.08610). "Sapphire" is a one-movement concerto for alto saxophone and concert band or wind ensemble, commissioned by Mr. Lynn Klock, Professor of Saxophone at the University of Massachussetts at Amherst. It consists of three connected sections: the fast opening section is full of energy and edgy intensity; the second is a meditative ballad in improvisatory style, linked by a cadenza to the third section, which is a lively salsa, giving the percussion section a real workout. The themes of all the sections are reunited in the coda of the piece, as it culminates in a long trill by the solo saxophone, with instruments gradually added for a noisy, celebratory climax. The piece was composed entirely during the month of September 2000, and the title Sapphire refers to September's birthstone.
$170.20

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Bass Trombone, Euphonium, Woodwinds, Clarinet, Saxophone, Brass, Trumpet, Trombone
Genres: 20th Century, Classical
Quodlibet (on 15th-century French song texts) by Mauricio Kagel (1931-). Contemporary Large Ensemble/Orchestra. For Soprano/Alto Voice Solo, [2(I+II=Piccolo+Alto Flute).1.English Horn.2(II=E-flat Clarinet).Bass clarinet.1.Contrabassoon/Bassoon-2.2.2.1], 2 Percussion, Harp, Piano, Electric organ, Strings [0.0.0.6/8.4/6]. Modern. Score. Composed Composed: 1986-88. Duration circa 19 minutes 30 seconds. Published by Edition Peters (PE.P08744).
$170.00

Instruments: Piano, Organ, Piccolo, Bass Clarinet, E-Flat Clarinet, Bassoon, English Horn, Harp, Percussion, Alto Voice, Piano and Keyboard, Flute, Woodwinds, Clarinet, Strings, Voice, Vocal
Genres: 20th Century, Argentinian, Classical, Latin
Der feurige Engel by Juraj Filas. For wind orchestra (piccolo, 2 flutes, 1 oboe, 3 clarinet (Bb), bass clarinet, 1 bassoon, 2 alto saxophones, 1 tenor saxophone, 1 baritone saxophone, 3 trumpets, 3 horns, 3 tubas, 2 baritone, 2 tubas, timpani, gran cassa, piatti a due, contrabass a 5 cordi). Contemporary. Parts. Composed 1993. Duration 10'. Published by Editions BIM (ET.OV2C).
$168.75

Instruments: Flute, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, Double Bass, B-Flat Trumpet, Percussion, Timpani, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Strings, Trumpet
Genres: Classical
Intermezzo (from the Opera Rusalka). By Antonin Dvorak (1841-1904). Arranged by Erik Somers. For Wind Ensemble (2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 3 horns, cello, string bass). Grade 3. Full score and set of parts. Duration 6:30. Published by Baton Music (BF.BM210-SET).
$167.50

Instruments: Flute, Clarinet, Oboe, Bassoon, Horn, Cello, Double Bass, Woodwinds, Brass, Strings
Genres: Romantic Period, Opera, Classical, Miscellaneous
Concerto for Marimba & Wind Ensemble. (Marimba Feature). By David J. Long. For Soloist(s) with Concert Band (Solo Marimba, Flute 1/2, Oboe 1/2, English Horn, Bassoon 1/2, Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3 , Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2, Trumpet in Bb 3, Horn in F 1, Horn in F 2, Trom). Ensemble: grade 4 / Solo: grade 6. Score and parts. Duration 30:00:00. Published by C. Alan Publications (CN.02840). You can hear a recording of this version on Nathan Daughtrey's CD, "Spiral Passages" (also available from C. Alan). Also available with wind ensemble or orchestra.
$165.60

Instruments: Flute, B-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, English Horn, B-Flat Trumpet, Marimba, Woodwinds, Clarinet, Saxophone, Trumpet, Brass, Percussion
Genres: Classical
Symphony No. 2 by Kimberly Archer. For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon, Clarinet in Bb 1, Clarinet in Bb 2/3, Bass Clarinet, Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2, Trumpet in Bb 3, Horn in F 1/2, Horn in F 3/4, Trombone ). Band Music. Grade 5. Score and parts. Duration 21:00. Published by C. Alan Publications (CN.10180). Symphony No. 2 is my doctoral dissertation. At this significant point in my life and career, I feel it is important to pay homage to three people who have been critical in my getting this far, both personally and professionally.I. March is dedicated to Andy Waggoner, my first composition teacher in graduate school. By form it is a march, but by style, a scherzo. It is intended to be playful and humorous (reflective of our personal relationship), but also makes use of several of the concepts and skills he taught me, including how to use octatonic collections.II. Passacaglia is dedicated to Pat Dunnigan. Pat taught me to use Finale, premiered several of my early band compositions (including my first symphony), and has been my friend and mentor for more than ten years. His movement is composed in the style of Phillip Glass - one of his favorite composers. There are also allusions to the "Star Trek" theme and Mahler's Symphony No. 1.III. Theme and Variations is dedicated to my father, who is a former church organist, and particularly fond of the hymn "Blessed Assurance." All three movements of the symphony include elements of this hymn in some form, thus adding unity to an otherwise eclectic work, but the third movement takes the hymn as its outright theme. Some of my earliest musical experiences involved listening to my dad practice or having him accompany me for solos and auditions. I doubt I would have pursued music professionally, or have survived graduate school, had it not been for him.- Kim ArcherSymphony No. 2 is conceived for a full symphonic band rather than a true wind ensemble, which assumes that at least all the flute and clarinet parts will be doubled.The piano part for Movements II and III and the string bass part for Movements I and II should both be clearly audible, particularly in solo passages. String bass should be positioned near the front of the stage and the piano should use full stick.
$165.60

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: Classical
Symphony for Winds & Percussion by Luigi Zaninelli. For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, English Horn, Solo Clarinet in Bb 1/2, Clarinet in Bb 1, Clarinet in Bb 2/3, Bass Clarinet in Bb, Contralto Clarinet in Eb, Alto Saxophone in Eb 1, Alto Saxophone in Eb 2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1,). Band Music. Grade 5. Score and parts. Duration 14:10. Published by C. Alan Publications (CN.10420). The first movement of Zaninelli's Symphony is remarkable for its conciseness and brevity. In a very short "space in time" he creates a true Sonata-Allegro movement. The language is pure Zaninelli - restless, tender, mysterious, muscular, gentle, and at all times captivating.The second movement is a theme and variations. It begins with a theme presented by the solo flute. Three variations ensue - a sexy tango, a sensuous blues, and a rousing barn dance. There is a genuine purity to Zaninelli's feel for these diverse dance forms. One senses that he has an intimate knowledge of these idioms.
$165.60

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, English Horn, B-Flat Trumpet, Percussion, Woodwinds, Clarinet, Saxophone, Trumpet, Brass
Genres: Classical
Concerto No. 2 for Marimba & Wind Ensemble. (Marimba Feature). By David Gillingham. For Soloist(s) with Concert Band (Piccolo, Flute 1/2, Oboe 1/2 , Bassoon 1/2, Clarinet in Bb 1/2, Clarinet in Bb 3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2/3, Horn in F 1/3, Horn in F 2/4, Trombone 1/2, Bass Trombone, Euphon). Band Music. Grade 5. Score and parts. Duration 23:00. Published by C. Alan Publications (CN.11850). The Concerto No. 2 for Marimba is a commission by a consortium of schools and performers headed by Professor Marc Wooldridge of Northwestern College, Orange City, Iowa.The work exploits the full range of the technical and expressive ability of the five-octave concert grand marimba. It is cast in the standard three-movement format. The first movement uses sonata-rondo form and begins with a slow introduction and quasi-cadenza by the marimba. An animated first theme follows in G-minor accompanied by clarinets and tambourine. A contrasting second theme area follows featuring chromatic mediant progressions and descending chromatic lines. The return of the first theme utilizes a slightly different accompaniment. The development section reworks all the thematic material in different guises. The recapitulation presents the first theme, verbatim, as it was in the exposition. The second theme, however, changes the mode to major. The return alternates the marimba on the theme with the winds playing the theme in augmentation. The marimba quietly ends the movement with an ascending and descending arpeggiated passage.The second movement is a chaconne with eight variations. The marimba states a rather haunting chorale-like melody in Bb minor. The first variation features the low brass on the chaconne theme with the marimba on the variation. Variation II uses marimba, clarinet, bells, and vibraphone and Variation III uses marimba, oboe, and horns. Cascading muted brass against the augmented chaconne theme in the flutes and clarinets are indicative of Variation IV. Variation V changes the slow pace to fast using marimba, brass, timpani, and bells. A haunting Variation VI utilizes bowed marimba on the chaconne theme accompanied by piano and bells. Variation VII features the low brass on the chaconne theme against triplets in the upper brass. Rolled arpeggiated chords highlight Variation VIII along with a solo alto saxophone on the second half of the variation. A somber coda brings the movement to a close.The third movement, like the first, is in sonata-rondo design and is cyclic, bringing back and combining the thematic material of the first and second movements. The first theme, in D-minor, is angular and spirited, accompanied by clarinets and tambourine (reminiscent of Mvt. I). The second theme brings back the second theme of the first movement followed by the return of the first theme, now accompanied by saxophones and tambourine. The development combines and works thematic material from all three movements of the concerto. The recapitulation begins with the bassoons on the first theme, followed by the horns/trumpets and finally, the marimba. The second theme brings back the chaconne of the second movement, this time in major with the marimba accompanying using rhythmic material taken from the first theme of the third movement. There is no formal return of the first theme. Instead, the marimba plays a cadenza in which the first theme material and the second movement chaconne are developed. A galloping presto (coda) follows, ending the movement in D major.- David R. Gillingham.
$165.60

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Bass Trombone, Marimba, Woodwinds, Clarinet, Saxophone, Brass, Trumpet, Trombone, Percussion
Genres: Classical