Zion. (For Wind Ensemble - Full Score and Parts). By Dan Welcher. Concert Band. For Piccolo, Flute I, Flute II, Flute III, Oboe I, Oboe II, English Horn, Clarinet (in Eb), Clarinet I, Clarinet II, Clarinet III, Bass Clarinet, Bassoon I, Bassoon II, Contra Bassoon, Soprano Saxophone, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Tr. Score and Set of Parts. Standard notation. Composed OCTOBER 1998. 74 pages. Duration 10 minutes. Published by Theodore Presser Company (PR.165000920). With Standard notation.

For clarinet, French horn, violin, viola, cello and piano.

For clarinet, French horn, violin, viola, cello and piano.

Zigeunerweisen, Op. 20 (Gypsy Airs) (Gypsy Airs: for Clarinet in Bb and Piano). By Pablo de Sarasate (1844-1908). Edited by Kalmen Opperman. For Clarinet, Piano. Kalmen Opperman Repertoire Edition. Classical. Solo part with piano reduction. Standard notation. 16 pages. Published by Carl Fischer (CF.W2538). ISBN 0825833388. With Standard notation. classical.

No description available. Contact info@musicroom.com for more information.

Zeugma by P. Papini. For Clarinet. Standard notation. Published by Berben (PR.524015430). With Standard notation.

Zephyr by Gregory Danner. For Concert Band (flute, oboe, clarinet 1/2, bass clarinet, bassoon, Eb alto saxophone, tenor saxophone, baritone saxophone, Bb trumpet 1/2, horn in F, trombone, baritone tuba, timpani, percussion 1 (bells) percussion 2 (suspended cymbal) percussion 3 (wind chimes)). Grade 2. Score and parts. Duration 1:10. Published by C. Alan Publications (CN.08900). Zephyr is a poetic term for a gentle breeze. Nature offers few pleasures that are more calm and peaceful than the mood we feel with a refreshing breeze. It is this thought that is the stimulus for this ballad for band.

Zephyr by Gregory Danner. For Concert Band (flute, oboe, clarinet 1/2, bass clarinet, bassoon, Eb alto saxophone, tenor saxophone, baritone saxophone, Bb trumpet 1/2, horn in F, trombone, baritone tuba, timpani, percussion 1 (bells) percussion 2 (suspended cymbal) percussion 3 (wind chimes)). Grade 2. Score only. Duration 1:10. Published by C. Alan Publications (CN.08901). Zephyr is a poetic term for a gentle breeze. Nature offers few pleasures that are more calm and peaceful than the mood we feel with a refreshing breeze. It is this thought that is the stimulus for this ballad for band.

Zenith by Jo Van Der Booren. For Bass Clarinet, Piano. Standard notation. Published by Donemus (PR.524051360). With Standard notation.

Zefiro Torna by Carlo Galante. For Flute, Clarinet and Piano. Chamber Music with Piano. Score. Composed 1981. 16 pages. Duration 6 minutes. Published by Edizioni Suvini Zerboni (M7.ESZ-8960).

By Arturo Marquez. For Clarinet, Piano. Standard notation. Published by Peermusic

Zarabanda. (Xylophone/Marimba Feature). By Joseph Turrin (1947-). For Soloist(s) with Concert Band (Solo Percussion, Piccolo, Flute 1-2, Oboe 1-2, Bassoon 1-2, Clarinet in Eb, Clarinet in Bb 1-3, Bass Clarinet, Alto Saxophone 1-2, Tenor Saxophone, Baritone Saxophone, Horn in F 1-4, Trumpet in Bb 1-5, Trombone 1-3, Euphonium, Tuba, Contrabass, Percussion). Grade 4. Score and parts. Duration 5:00. Published by C. Alan Publications (CN.16430). I composed Zarabanda for a Latin American recording project with RCA Records and percussionist Evelyn Glennie. Although the recording project was never realized by RCA, I decided that the work would make a wonderful vehicle for Ms. Glennie along with wind ensemble accompaniment.The piece is in several sections with a Latin style rhythm that occasionally gets interrupted by accented outbursts from the ensemble. The soloist alternates between the xylophone, for the more accented staccato passages and scales, and the marimba, for the more melodic material. As the piece develops and moves from section to section, new rhythmic and melodic ideas are introduced. The piece culminates with a bravura cadenza - the soloist performing rapid-fire staccatos and scales on the xylophone. There is also an optional cadenza, which calls for the additional skills of playing the timbales, bongos, tom-toms, and conga drum. The piece concludes with a quick coda as the solo xylophone and ensemble build a fiery rhythmic syncopation. There are more rapidly accented staccatos, a quick scale, and the final bar.The zarabanda is a late 16th and 17th century Spanish dance in a lively alternating 6/8 and 3/4 time. Some evidence suggests that the zarabanda originated in the Spanish colonies in America, making it the first popular Latin American dance. Other evidence seems to suggest an African origin. A possible scenario might be that the zarabanda was brought to Spain by the Moors during the 12th Century, but was heavily modified by American influences during the early 16th Century.The zarabanda and its French descendant, the sarabande, were very different dances. While the French dance was a slow dance in 3/4 time, the Spanish original was very lively, alternating between 6/8 and 3/4 time. In the beginning, the zarabanda was considered very indecent. Cervantes writes about the "diabolic zarabanda" in one of his short stories, and in 1583, a law was passed against singing the zarabanda. The penalties for breaking it were banishment for women and 200 whiplashes and 6 years of galley service for men.

Zarabanda. (Xylophone/Marimba Feature). By Joseph Turrin (1947-). For Soloist(s) with Concert Band (Solo Percussion, Piccolo, Flute 1-2, Oboe 1-2, Bassoon 1-2, Clarinet in Eb, Clarinet in Bb 1-3, Bass Clarinet, Alto Saxophone 1-2, Tenor Saxophone, Baritone Saxophone, Horn in F 1-4, Trumpet in Bb 1-5, Trombone 1-3, Euphonium, Tuba, Contrabass, Percussion). Grade 4. Score only. Duration 5:00. Published by C. Alan Publications (CN.16431). The piece is in several sections with a Latin style rhythm that occasionally gets interrupted by accented outbursts from the ensemble. As the piece develops and moves from section to section, new rhythmic and melodic ideas are introduced. The piece culminates with a bravura mallet cadenza and an optional cadenza, which calls for the additional skills of playing the timbales, bongos, tom-toms, and conga drum. I composed Zarabanda for a Latin American recording project with RCA Records and percussionist Evelyn Glennie. Although the recording project was never realized by RCA, I decided that the work would make a wonderful vehicle for Ms. Glennie along with wind ensemble accompaniment. The piece is in several sections with a Latin style rhythm that occasionally gets interrupted by accented outbursts from the ensemble. The soloist alternates between the xylophone, for the more accented staccato passages and scales, and the marimba, for the more melodic material. As the piece develops and moves from section to section, new rhythmic and melodic ideas are introduced. The piece culminates with a bravura cadenza - the soloist performing rapid-fire staccatos and scales on the xylophone. There is also an optional cadenza, which calls for the additional skills of playing the timbales, bongos, tom-toms, and conga drum. The piece concludes with a quick coda as the solo xylophone and ensemble build a fiery rhythmic syncopation. There are more rapidly accented staccatos, a quick scale, and the final bar. The zarabanda is a late 16th and 17th century Spanish dance in a lively alternating 6/8 and 3/4 time. Some evidence suggests that the zarabanda originated in the Spanish colonies in America, making it the first popular Latin American dance. Other evidence seems to suggest an African origin. A possible scenario might be that the zarabanda was brought to Spain by the Moors during the 12th Century, but was heavily modified by American influences during the early 16th Century. The zarabanda and its French descendant, the sarabande, were very different dances. While the French dance was a slow dance in 3/4 time, the Spanish original was very lively, alternating between 6/8 and 3/4 time. In the beginning, the zarabanda was considered very indecent. Cervantes writes about the "diabolic zarabanda" in one of his short stories, and in 1583, a law was passed against singing the zarabanda. The penalties for breaking it were banishment for women and 200 whiplashes and 6 years of galley service for men.

No description available. Contact info@musicroom.com for more information.

Easy Studies for the first Year

Progressive Studies for the first Year

Yu Ko by Wen-chung Chou. Mixed Ensemble, Contemporary Small Ensemble. For Alto Flute, English Horn, Bass Clarinet, 2 Trombone, 2 Percussion, Piano, Violin. Modern. Score. Duration 5 minutes. Published by Edition Peters (PE.P66098). ISBN M-3007-1710-4. Modern.

Your story by Claude Crousier. For Clarinet, Piano. This edition: Instrumental. Woodwind music. Grade 1. 5 pages. Duration 2 minutes. Published by Anne Fuzeau Productions - France (FZ.2495). ISBN M230624954. 21 x 29.5 cm inches. This music score was composed by Claude Crousier for clarinet in Bb and piano accompaniment. Crousier - Your story - Clarinet - Piano. Approach to present-day sonorities. This editorial collection depends to a great extent on the creativity of young composers.

Digital sheet music is available for immediate viewing and download to your printer when your purchase has been completed.

Digital sheet music is available for immediate viewing and download to your printer when your purchase has been completed.

Your Name Alone (with Your Name) - Clarinet 1 & 2 by Paul Baloche. By Paul Baloche and Glenn Packiam. Arranged by Camp Kirkland. Orchestra. Concert; Contemporary; Sacred. EPak. 1 pages. Duration 4:45. Published by Hal Leonard - Digital Sheet Music (HX.133841). About Digital Print Sheet Music Digital Print is printable sheet music available anytime, anywhere. Just purchase, print and play! View your online sheet music at home, school, work or anywhere you have a computer connected to the Internet. With Digital Print, you can print your digital sheet music immediately after purchase, or wait until its convenient. And our software installation is easy - we'll guide you through the simple steps to make sure you have Adobe Flash Player, Adobe AIR and the Sheet Music Plus AIR application. Learn more

Choral Instrumental Pak, Sheet Music Download, Orchestra. Arranger: Harold Ross. Composer: Krissy Nordhoff; Michael Neale. Writer: Harold Ross; Krissy Nordhoff; Michael Neale.

Choral Instrumental Pak, Sheet Music Download, Orchestra. Arranger: Harold Ross. Composer: Krissy Nordhoff; Michael Neale. Writer: Harold Ross; Krissy Nordhoff; Michael Neale.