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Triple Concerto by Donald Martino (1931-2005). For Soprano Clarinet, Bass Clarinet, Contrabass Clarinet, Chamber Orchestra. This edition: Study Score. Contemporary Classical. Contemporary Classical. Conservatory. Sheet Music. Published by Dantalian, Inc. (DA.DSE105A). An extraordinary concept: to transform the three different clarinets into one superclarinet, a six octave gargantuan who could romp and play with the superfriends (the orchestra). On the occasion of the premiere, the great Richard Stoltzman wrote "what a wonderful time to be a clarinetist, when such a beautiful and significant work can now be part of the repertoire." ( for the Group for Contemporary Music with assistance from the New York State Council on the Arts, the Andrew W. Mellon Foundation and the National Endowment for the Arts) 1-1-0-2/1-1-2-0/2 Perc/Pf & Cel/Str Quintet. Hear it on Albany Troy 168 with Alan Blustine, Dennis Smylie, Leslie Thimmig, soloists, Harvey Sollberger conducting the Group for Contemporary Music (1977, 26 minutes).
$20.00

Instruments: Bass Clarinet, Double Bass, Clarinet, Woodwinds, Strings
Genres: Classical, 20th Century
Papillons Op. 2 by Robert Schumann. Arranged by R. Stulken. For woodwind quintet. Quintet music. Published by Cimarron Music Press (BV.1156). 12 Movements.
$20.00

Instruments: Flute, Clarinet, Oboe, Bassoon, Horn, Woodwinds, Brass
Genres: Romantic Period, Classical
Dowland Suite by John Dowland (1563-1626). Arranged by Bruce R. Smith. Clarinet Ensemble. For Clarinet Choir. Grade 4. Published by BRS Music (BY.WW-407).
$20.00

Instruments: Clarinet, Woodwinds
Genres: Renaissance, Classical
Jimbo's Lullaby by Claude Debussy (1862-1918). Arranged by Bruce R. Smith. Clarinet Ensemble. For 3 Bb, Alto or Bass, Bass, Eb Contra, Bb Contra. Grade 4. Published by BRS Music (BY.WW-408).
$20.00

Instruments: Clarinet, Woodwinds
Genres: Impressionism, 20th Century, Classical
Chamber Symphony No. 2 for Bassoon (Bassoon Feature). By Daniel McCarthy. Arranged by A. Dancy. Chamber Ensemble. For Solo Bassoon, Chamber Winds & Percussion (solo bassoon, flute, oboe, soprano saxophone, clarinet in Bb, bass clarinet, bassoon, horn in F, percussion (maracas, temple blocks, suspended cymbal, tam tam, bongos, castanets, triangle), marimba (4.5-octave), double bass). Medium difficult. Score only. Duration 16:00. Published by C. Alan Publications (CN.05861). Chamber Symphony No. 2 for Bassoon and Winds was commissioned for Barrick Stees by the Michigan State University Bands, John Whitwell, Conductor. This piece follows the format of McCarthy's Chamber Symphony (No. 1) for Marimba and Winds, a virtuosic composition for solo instrument and chamber ensemble that has more musically involved accompaniment than implied by the term "concerto."Daniel McCarthy met Barrick Stees as a colleague at the Interlochen Summer Arts Festival (Interlochen Arts Camp, Interlochen, Michigan) in the summer of 1995. Since that time, McCarthy and Stees have worked together on numerous recording and performance projects - most recently, the recording of another commissioned work of McCarthy's by Stees, All the West Was Moving (Centaur Records: Barrick Stees and The Arianna String Quartet).For Chamber Symphony No. 2, McCarthy prefers the multi-movement format, six movements of varying lengths. Similar to some of Beethoven's late string quartets, McCarthy uses two shorter movements as introductions to others, namely the two "Interludes." The outer two movements are programmatic, whereas the interior movements are much more classically conceived.Movement 1: "Stomp and Buc Dance"Having grown up in Northern Michigan, McCarthy has a special affinity for the autumn season. Several of his teachers from the Interlochen Academy (where McCarthy graduated in 1974) are avid hunters. The deer-hunting season for many in northern Michigan is sacred. One hears of the so-called "deer camps" where hunters have wild parties (far enough from their hunting sites as to not "spook" the animals).McCarthy imagines Deer, Buck, and Elk parties at the end of hunting season, when the animals, after another season of successfully avoiding the hunters' bullets and arrows, dance wildly around their own camp fires, drinking deer-beer and mocking the hunters in the dim fire light.Movement 2: "Interlude""Interlude" introduces a softer, darker, less humorous music than the first movement. It offers a transition to a much less programmatic third movement in comparison to the first.Movement 3: "Mechanique""Mechanique" is a study in angular intervals for the solo bassoon. The rhythmic animation in the solo with the motoric doublebass and marimba accompaniments give the music a mechanical sound that is (perhaps) associated with an etude.Movement 4: "Interlude: Creep"The second "Interlude," this time with the subtitle: "Creep" is inspired by the second movement of J. S. Bach's Suite No. 3 in D Major (Air on the G String). The inspiration for this interlude is textural: a long, sustained melody in the treble above a punctuated, quasi-jazz pizzicato bass and marimba bass line that "creeps" and crawls its way beneath the ensemble. It is the only movement without the bassoon solo.Movement 5: "Static"A somewhat improvisational, rhapsodic sounding piece, "Static" is a study in repeated notes and fast tonguing for the wind instruments. The "static" repetition of pitches creates a percussive effect that is juxtaposed with a mosaic of wide-interval motives.Movement 6: "Fire, Dance, and Wahbekanetta"This movement, like the first, is about wild-eyed, nocturnal parties in Michigan's northern wood. In 1969, the composer attended the National Music Camp as a trumpet player and later, the Interlochen Arts Academy from 1970-1974. He later joined the faculty of Interlochen Arts Camp in 1995. McCarthy was born very near Interlochen, in a small village of Onekoma on Portage Lake. The summer is the time for the composer to return to the land of his youth, a chance to escape the rigors of academe, to be with friends. Memories.
$20.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Soprano Saxophone, Horn, Double Bass, Percussion, Marimba, Woodwinds, Clarinet, Saxophone, Brass, Strings
Genres: Classical
Orpheus in the Underworld by Jacques Offenbach (1819-1880). Arranged by J. Bishop. For Full or String Orchestra (flute, oboe, Bb clarinet 1, Bb clarinet 2, bass clarinet, bassoon, F horn 1, F horn 2, Bb trumpet 1, Bb trumpet 2, trombone, tuba, violin 1, violin 2, viola, violoncello, bass, timpani, percussion (3, players) (snare drum, bass drum, crash cymbals)). String Music. Grade 3. Score only. Duration 2:50. Published by C. Alan Publications (CN.06601). Here is a strong arrangement at the medium-easy level that offers you all the excitement of the original! With cues given to cover all the wind parts, this really can be done with strings only or as a full orchestra. From the mysterious opening, to the "Can-Can" dance, to the big finish, this one has it all.
$20.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Bassoon, Horn, Violin, Cello, Viola, B-Flat Trumpet, Trombone, Percussion, Timpani, Tuba, Woodwinds, Clarinet, Brass, Strings, Trumpet
Genres: Classical
Five Songs from the Summit by Daniel McCarthy. For Full Orchestra with CD (Piccolo, Flute 1, Flute 2, Oboe 1, Oboe 2, Clarinet in Bb 1, Clarinet in Bb 2, Bass Clarinet, Bassoon 1, Bassoon 2, Horn in F 1-2, Horn in F 3-4, Trumpet in Bb 1, Trumpet in Bb 2-3, Tuba, Timpani, Percussion 1 (drum set, bongos, claves), Percussion 2 (sha). Grade 5. Score only. Duration 10:00. Published by C. Alan Publications (CN.06621). Commissioned by the Akron Symphony Orchestra for the 75th anniversary celebration. The piece is for youth orchestra with an accompanying cd of songs written by middle school children from Akron middle schools.
$20.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Bassoon, Horn, B-Flat Trumpet, Percussion, Timpani, Drum Set, Tuba, Woodwinds, Clarinet, Brass, Trumpet, Drums
Genres: Classical
Chamber Symphony No. 3 for Clarinet. (Clarinet Feature). By Daniel McCarthy. For Solo Bb Clarinet & Chamber Ensemble (Solo Bb Clarinet, Flute, Oboe, Bb Clarinet, Bass Clarinet, Bassoon, F Horn, Bb Trumpet, Trombone, Tuba, Percussion 1-2 (crotales, suspended cymbal, low tom, timbales, bongos, temple blocks, finger cymbals, maracas, timpani, shaker), Piano, Violin I, Violi). Medium difficult. Score only. Published by C. Alan Publications (CN.08601). Chamber Symphony No. 3 was written for the Cleveland Chamber Symphony and clarinetist Kristina Belisle. This is the third work by McCarthy titled "Chamber Symphony" written for a soloist and chamber group. The term is used instead of "concerto" due to a more virtuosic approach to the ensemble writing so that ensemble and soloist are intimately involved. Chamber Symphony No. 1 for Marimba and Winds and Chamber Symphony No. 2for Bassoon and Winds are recorded on Klavier Records by the North Texas Wind Symphony conducted by Eugene Corporon. The six movements were written during a dark period of the composer's life involving several family deaths and deep personal struggle. The second movement, Holy Ghost, is a remembrance of McCarthy's mother, a strong woman of faith who died in the summer of 2002. A Voice in the Dark depicts the reality of living with the specter of those who have passed. TanzMusik, a lively dance movement, is perhaps a bit sarcastic. It is about trying to dance the lively dance in the midst of profound doubt and struggle.
$20.00

Instruments: Piano, Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Bassoon, Horn, Violin, B-Flat Trumpet, Trombone, Percussion, Timpani, Tuba, Piano and Keyboard, Woodwinds, Clarinet, Brass, Strings, Trumpet
Genres: Classical
Suite in B-flat by Gordon Jacob (1895-1986). For Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1, Oboe 2, Bassoon 1, Bassoon 2, Eb Clarinet, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Alto Clarinet, Bass Clarinet, Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone, Baritone Saxophone, Cornet 1, Cornet 2, Cornet 3,). Band Music. Grade 5. Score only. Duration 12:00. Published by C. Alan Publications (CN.S11021). British composer Gordon Jacob ranks as one of the world's foremost contributors to the wind ensemble repertoire, with hundreds of works for military band as well as other types of musical groups. He earned his Doctor of Music degree and also taught counterpoint, orchestration and composition for 40 years at the Royal College of Music. He wrote band works along the lines of Gustav Holst and his good friend Vaughan Williams - not imitating their style but, as he said, "striving to come near to their spirit of adventure and independence of thought" in his own work.This suite was originally written for Brass Band in 1955 and was arranged for symphonic band in 1979. It has three movements, opening with a lighthearted March, followed by a subdued and tranquil movement entitled "Solemn Music." The suite closes with a symphonic march, which showcases the power of the wind ensemble.
$20.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Cornet, Woodwinds, Clarinet, Saxophone, Trumpet, Brass
Genres: 20th Century, Classical
Symphony AD 78 by Gordon Jacob (1895-1986). For Concert Band (Piccolo, 1st Flute, 2nd Flute, Oboe 1/2, Bassoon 1/2, Eb Clarinet, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet, Bb Bass Clarinet, Eb Alto Saxophone 1/2, Bb Tenor Saxophone, Eb Baritone Saxophone, 1st Bb Cornet, 2nd/3rd Bb Cornet, 1). Band Music. Grade 5. Score only. Duration 15:30. Published by C. Alan Publications (CN.S11158). With this Symphony, Gordon Jacob proclaims his absolute mastery of idiom and instrumentation with a triumphant rejoicing. Written in 1978 as a commission from Arthur Doyle (hence the "AD" in the title, a typical piece of Jacob wit), it lay virtually unplayed save for the efforts of his Estate, Troy Peterson and Geoffrey Brand and CBDNA (College Band Directors Association, USA), who between them ensured that it was professionally recorded in 1994 and published in 1995.There is little point in indulging in semantics as to whether the piece is a Symphony. It is Jacob's approach to his tuneful, folk-based material which is symphonic: weighty in exposition and development, sonorous and expressive in the slow movement, with a scherzo-like last movement and a giocoso coda.After a brilliant opening fanfare, the quick triple-meter first theme (Allegro Risoluto) is introduced on clarinets, punctuated with brass. It is soon followed by a contrasting melody for saxophone. In all this material the interval of a 4th is prominent, and throughout the work the 4th and 7th are important. Perhaps it is the frequent use of the 7th which gives a feeling of restlessness without resolution which pervades this movement as the themes are dissected and developed.The second movement follows directly after a horn bridge. Still the melody outlines the 7th and the ear is not satisfied until the full band (with organ), comes to rest in Bb major. This point of repose and the magic pianissimo which follows shortly after when the slow theme is re-stated, are the apex of the Symphony's construction.Soon, however, we are transported, via a fanfare, into a helter-skelter 9/8 romp: rustic, English, and almost vulgar, this theme is thrown around the group before exploding into a boisterous 2/4 coda.
$20.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Cornet, Woodwinds, Clarinet, Saxophone, Trumpet, Brass
Genres: Classical, 20th Century
Eine Kleine Yiddische Ragmusik by Adam Gorb (1958-). For Concert Band (Flute 1, Flute 2, Oboe 1/2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Eb Alto Clarinet, Bb Bass Clarinet, Bassoon 1/2, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Cornet 1, Bb Cornet 2/3, Bb Trumpet 1/2, Horn in F 1/2, Horn in F 3/4, Tr). Band Music. Grade 4. Score only. Duration 5:15. Published by C. Alan Publications (CN.S11248). This brilliant synthesis of Scott Joplin ragtime with Jewish folk song gives everyone a chance to shine. The effect is haunting and evocative of 1930s Berlin.
$20.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Cornet, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: 20th Century, Classical
A Little Tango Music by Adam Gorb (1958-). For Concert Band (1st Flute, 2nd Flute, Oboe, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Bb Bass Clarinet, Bassoon, 1st/2nd Eb Alto Saxophone, Tenor Saxophone, Baritone Saxophone, 1st/2nd Bb Trumpet, 1st/2nd F Horn, 1st/2nd Trombone, Euphonium, TC Baritone, Tuba, P). Band Music. Grade 3. Score only. Duration 4:30. Published by C. Alan Publications (CN.S11282). This is a short sequence of melodies inspired by the curvaceous, melancholic and dangerous dance from Argentina that is the tango. The three brief movements can be played in any order, continuously, or separately.
$20.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Euphonium, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: 20th Century, Tango, Classical, Latin
O Lord, Thou Hast Searched Me Out - Instrumental Accompaniment by John Rutter (1945-). For SATB choir (Accompaniment: Organ & English Horn, Or Clarinet Or Oboe). John Rutter. Sacred. Medium Advanced Adult. 21 pages. Duration 5 min, 19 sec. Published by Hinshaw Music Inc. (HI.HMC2149A).
$20.00

Pages: 21
Instruments: Choir, Organ, Clarinet, Oboe, English Horn, Vocal, Piano and Keyboard, Woodwinds
Genres: Classical
Capriccio "La Pucelle De New Orleans" ("the Maid of New Orleans") (For Various Instruments). By PDQ Bach (1935-). Edited by Professor Peter Schickele. For Oboe I, Oboe II, Bassoon I, Bassoon II, Flute I, Flute II, Clarinet, Trumpet, Tenor. Score and part(s). Standard notation. S under 18. 16 pages. Duration 4 minutes. Published by Theodore Presser Company (PR.114405780). With Standard notation.
$20.00

Pages: 16
Instruments: Flute, Clarinet, Oboe, Bassoon, B-Flat Trumpet, Woodwinds, Trumpet, Brass
Genres: Classical, Comedy, Miscellaneous
Inventions. (For Bb Clarinet and Percussion). By Ralph Shapey. Chamber ensemble. For Clarinet, Percussion, Glockenspiel, Vibraphone, Low-C Marimba, Timpani or Roto-Toms, Tom-Tom, Xylophone. Classical. Score and part(s). Standard notation. 16 pages. Duration 11 minutes, 30 seconds. Published by Theodore Presser Company (PR.114407080). With Standard notation. classical.
$20.00

Pages: 16
Instruments: Clarinet, Percussion, Timpani, Marimba, Vibraphone, Xylophone, Glockenspiel, Woodwinds
Genres: Classical
Clarinet Candy by Leroy Anderson (1908-1975). Anderson Classics. Pops American: 20th Century. Full score. Composed 1962. Duration 3 minutes. Published by Edwin F. Kalmus (KM.A9083-FSC).
$20.00

Instruments: Clarinet, Woodwinds
Genres: 20th Century, Americana, Pop, Classical, Folk
Sextet by Frank Levy. For flute, Bb clarinet, bassoon, violin, viola and cello. Score and Parts. Published by Wiltshire Music/Cor Publishing Co. (WS.WS1).
$20.00

Instruments: Flute, B-Flat Clarinet, Bassoon, Violin, Cello, Viola, Woodwinds, Clarinet, Strings
Genres: 20th Century, Classical
Easy Collection of Clarinet Quartets by Various. Arranged by David Marlatt. For 4 Clarinets. Mixed Instruments - Flexible Instrumentation; Quartet. Eighth Note Publications. Renaissance. Book. Published by Eighth Note Publications (AP.81-CC986). ISBN 9781554722952. Renaissance. This collection is directed at the developing player and a wide variety of pieces has been arranged with this in mind. Pieces include the main themes from: Aura Lee, Surprise Symphony, 1812 Overture, Battle Hymn of the Republic, O God Our Help in Ages Past, Canon (Mozart), and several others. The concept of these collections is to bridge the gap between the younger players and professionals by providing "stepping stones" in difficulty while introducing players to an enormous cross-section of music.
$20.00

Instruments: Clarinet, Flexible Instrument, Woodwinds, Other
Genres: Renaissance, Classical
The Sounds of the Season by Various. Arranged by David Marlatt. For 2 Clarinets & Keyboard. Duet or Duo; Woodwind - Clarinet Duet. Eighth Note Publications. Renaissance, Christmas. Book. Published by Eighth Note Publications (AP.81-CC2654). ISBN 1554729629. Renaissance, Christmas. This is a collection of fresh arrangements of well-loved Christmas music set for 2 like-instruments and piano. A number of styles and moods are represented in these eight pieces. They are suitable for a variety of performance situations such as school concerts, at church or on Christmas gigs in a community. Pieces included are Joy to the World, I Saw Three Ships, Silent Night, We Three Kings, Pat-a-Pan, Gesu Bambino, O Come, O Come Emanuel and Ye Merry Gents.
$20.00

Instruments: Piano, Organ, Clarinet, Piano and Keyboard, Woodwinds
Genres: Christmas, Renaissance, Miscellaneous, Classical
Echo Song by Orlande De Lassus (1532-1594). Arranged by Robert Hall. For 8 Clarinets. Masterworks; Woodwind - Large Clarinet Ensemble. Eighth Note Publications. Renaissance. Duration 00:01:20. Published by Eighth Note Publications (AP.81-CC9913). ISBN 1554723043. Renaissance. Echo Song has been set for two choirs of 4 clarinets each. As the title would suggest, there is a continuous echo effect throughout the work. An ideal piece for a recital at the university or professional level to display the dynamic control and elegance of sound of the trombone. Antiphonal spacing is an obvious performance choice to aid the imitation between the two choirs.
$20.00

Instruments: Clarinet, Woodwinds
Genres: Renaissance, Classical
Concerto for Lute (Complete) by Antonio Vivaldi (1678-1741). Arranged by David Marlatt. For 2 Flutes, 2 Clarinets. Masterworks; Quartet; Woodwind - Quartet. Eighth Note Publications. Baroque. Duration 00:07:30. Published by Eighth Note Publications (AP.81-WWE2433). ISBN 1554722101. Baroque. This work (originally for lute or mandolin) is great for a clarinet to take center stage. The solo part is not too difficult yet interesting for players to perform and the audience to listen to. This has been arranged for 2 flutes and 2 clarinets. This is the complete three movement work rather than just the first movement.
$20.00

Instruments: Flute, Clarinet, Lute, Woodwinds, Strings
Genres: Baroque Period, Classical
Two Early Canadian Marches by Charles Voyer de Poligny d’Argenson. Arranged by Timothy Maloney. For 2 Flutes, 2 Oboes, 2 Clarinets, 2 Horns, 2 Bassoons. Masterworks; Mixed Instruments - Miscellaneous Ensemble. Eighth Note Publications. Classical. Duration 00:03:40. Published by Eighth Note Publications (AP.81-WWE2647). ISBN 155473102X. Classical. These two marches are the oldest extant secular music composed in Canada. The Royal Fusiliers’ Arrival at Quebec was written in honour of the arrival of the newest regiment from England and its commanding officer. An inscription on the manuscript of the Marche de Normandie identifies Charles Voyer de Poligny d’Argenson as the composer of that work, and from the available evidence it seems likely that both marches were written by the same person. They are arranged for a woodwind ensemble consisting of piccolo, flute, 2 oboes, 2 clarinets, 2 horns and 2 bassoons.
$20.00

Instruments: Flute, Clarinet, Oboe, Bassoon, Horn, Woodwinds, Brass
Genres: Classical
Night Journey. (Choreographic Poem for Fifteen Instruments). By William Schuman (1910-1992). For Flute, Oboe, Clarinet, Bassoon, Horn, Piano, Violin, Viola, Cello, Contrabass. Classical. Full score (study). Standard notation. 78 pages. Duration 21 minutes, 25 seconds. Published by Theodore Presser Company (PR.444410110). With Standard notation. classical.
$20.00

Pages: 78
Instruments: Piano, Flute, Clarinet, Oboe, Bassoon, Horn, Violin, Cello, Viola, Double Bass, Piano and Keyboard, Woodwinds, Brass, Strings
Genres: Classical, 20th Century
American Hymn. (Orchestral Variations On an Original Melody). By William Schuman (1910-1992). For Flute, Oboe, English Horn, Saxophone, Bass Clarinet, Bassoon, Contra Bassoon, Horn, Trumpet, Tenor, Tuba, Timpani, Percussion, Piano, Celesta, Celesta, Violin, Viola, Cello, Contrabass. The first performance was given by the saint louis symphony orchestra under the direction of Leonard slatkin on september 24, 1982. Classical. Full score (study). Standard notation. 84 pages. Duration 27 minutes. Published by Theodore Presser Company (PR.446410440). With Standard notation. classical.
$20.00

Pages: 84
Instruments: Piano, Flute, Bass Clarinet, Oboe, Saxophone, Bassoon, English Horn, Violin, Cello, Viola, Double Bass, B-Flat Trumpet, Percussion, Timpani, Tuba, Piano and Keyboard, Woodwinds, Clarinet, Strings, Trumpet, Brass
Genres: Classical, 20th Century, Americana, Folk