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Parade of the Wooden Warriors by Adam Gorb (1958-). Arranged by D. Gillingham. For Concert Band (Full Score, Flute 1/2, Oboe, Clarinet 1/2/3, Bb bass clarinet, Bassoon, Alto Saxophone 1/2, Tenor Sax, Baritone Sax, Trumpet 1/2, F Horn 1/2, Trombone 1/2, Euphonium, Tuba, Timpani, Percussion 1 (xylophone, glockenspiel, cymbals, bass drum), Percussion 2 ). Band Music. Grade 2.5. Score only. Duration 2:40. Published by C. Alan Publications (CN.S11204). "Parade of the Wooden Warriors" is a three minute piece aimed at school and community wind ensembles. It describes the advance and retreat of an imaginary army in ancient times. The composer attempted to give the music the flavor of a Renaissance dance with the main melody in the Dorian mode and the harmony moving largely in consecutive fifths.
$7.50

Instruments: Flute, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Euphonium, Percussion, Timpani, Xylophone, Tuba, Glockenspiel, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: 20th Century, Classical
Parade of the Wooden Warriors by Adam Gorb (1958-). For Concert Band (Full Score, Flute 1/2, Oboe, Clarinet 1/2/3, Bb bass clarinet, Bassoon, Alto Saxophone 1/2, Tenor Sax, Baritone Sax, Trumpet 1/2, F Horn 1/2, Trombone 1/2, Euphonium, Tuba, Timpani, Percussion 1 (xylophone, glockenspiel, cymbals, bass drum), Percussion 2 ). Band Music. Grade 2.5. Score and parts. Duration 2:40. Published by C. Alan Publications (CN.R10204). "Parade of the Wooden Warriors" is a three minute piece aimed at school and community wind ensembles. It describes the advance and retreat of an imaginary army in ancient times. The composer attempted to give the music the flavor of a Renaissance dance with the main melody in the Dorian mode and the harmony moving largely in consecutive fifths.
$46.00

Instruments: Flute, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Euphonium, Percussion, Timpani, Xylophone, Tuba, Glockenspiel, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: 20th Century, Classical
Wedding March by Felix Bartholdy Mendelssohn (1809-1847). Arranged by Geoffrey Brand. For Concert Band (Flute 1/Piccolo, Flute 2, Oboe 1, Oboe 2*, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Eb Alto Clarinet* , Bb Bass Clarinet *, Bassoon 1, Bassoon 2*, Alto saxophone 1, Alto Saxophone 2, Bb Tenor Saxophone, Eb Baritone Saxophone*, Horn 1, Horn 2, Horn 3, ). Band Music. Grade 3.5. Score and parts. Duration 5:20. Published by C. Alan Publications (CN.R10180).
$64.40

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, Woodwinds, Clarinet, Saxophone, Brass
Genres: Classical, Wedding, Celebrations
Variations on The Coventry Carol. (in Baroque Style). By Harold Owen. For Sopranino, Soprano, Alto, Tenor, Bass Recorders, Flute, Viola da Gamba or Cello, and Harpsichord or Piano.. Instrumental. Sacred, Instrumental. Easy. 16 pages. Published by GIA Publications (GI.G-6351).
$21.00

Pages: 16
Instruments: Piano, Flute, Cello, Viola, Harpsichord, Bass Recorder, Viola da Gamba, Piano and Keyboard, Woodwinds, Strings, Recorder
Genres: Baroque Period, Christmas, Classical, Miscellaneous
Serenade, Op. 22c by Derek Bourgeois (1941-). For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon 1/2, Eb Soprano Clarinet, Bb Soprano Clarinet 1-3, Eb Alto Clarinet, Bb Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Cornet (in Bb) 1-3, Trumpet (in Bb) 1/2, Horn 1-4, Trombone 1-3, Euphoniu). Band Music. Grade 3. Score only. Duration 3 minutes. Published by C. Alan Publications (CN.S11062). Derek Bourgeois wrote this Serenade for his own wedding, to be played by the organist as the guests left the ceremony. Not wishing to allow them the luxury of proceeding in an orderly 2/4, the composer wrote the work in 11/8, and in case anyone felt too comfortable, he changed it to 13/8 in the middle! The work has now been released in a number of different orchestrations of the original version for organ.
$14.00

Instruments: Flute, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Cornet, Trombone, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: 20th Century, Classical
Scenes from an English Landscape by Adam Gorb (1958-). Arranged by Michael Brand. For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon 1/2, Bb Soprano Clarinet 1-3, Eb Alto Clarinet, Bb Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Cornet (in Bb) 1-3, Trumpet (in Bb) 1/2, French Horn 1-4 , Trombone 1-3, Euphonium, Tuba, Stri). Band Music. Grade 4. Score only. Duration 4:20. Published by C. Alan Publications (CN.S11242). This is a brief nostalgic tone poem taking its inspiration from visions of rural England as depicted in the paintings of John Constable, the novels of Thomas Hard, and the music of Gustav Holst and Ralph Vaughan Williams. I imagined a community of villagers coming out of church and filling a village square with their vibrant presence. A chorale-like theme is stated in the brass and then taken up at three times the tempo in the woodwinds. At the end o the work, both versions of the theme are stated together to bring the piece to a triumphant climax.Adam Gorb was born in Cardiff and started composing at the age of ten. His first work broadcast on national radio was written when he was fifteen. He studied at Cambridge University (1977-1980) and the Royal Academy of Music (1991-1993) where he graduated with the highest honours including the Principal's Prize. He has been on the staff at the London College of Music and Media, the junior Academy of the Royal Academy of Music and, since 2000 he has been the Head of School of Composition at the Royal Northern College of Music in Manchester .International recognition came in 1994 with the US Walter Beeler Prize for his work Metropolis . With it began what has developed into probably the most important wind ensemble catalogue by a contemporary composer, ranging from extremely challenging to the most accessible, at all technical levels, seized on by players internationally, widely recorded and now absolutely central to the world's wind repertoire. Equally important though are his works for dance, and concert pieces like the chamber orchestral Weimar , the Violin Sonata , a Clarinet Concerto for the Royal Liverpool Philharmonic Orchestra and Diaspora for strings (for the Goldberg Ensemble). Deceptively mainstream at first glance, they display the same inventive brilliance, pulsating sound world, striking use of rhythm and an undogmatic absence of stylistic hang-ups to embrace jazz and serialism in works where power, poetry, irony and pathos, often underlaid by a theatrical and deeply subversive element, coalesce in an integrated, highly individual musical voice. Gorb is also not afraid to draw on the vivid musical heritage of his Jewish roots, sometimes directly, often in a more subsumed or radically creative way. The crucial and consistent feature of Gorb's work though is that it communicates strongly without patronizing players or audiences. He firmly believes that if contemporary music - any music - does not impact on listeners then its message is irrelevant; it is lost.
$7.50

Instruments: Flute, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Cornet, Trombone, Euphonium, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: 20th Century, Classical
Scenes from an English Landscape by Adam Gorb (1958-). For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon 1/2, Bb Soprano Clarinet 1-3, Eb Alto Clarinet, Bb Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Cornet (in Bb) 1-3, Trumpet (in Bb) 1/2, French Horn 1-4 , Trombone 1-3, Euphonium, Tuba, Stri). Band Music. Grade 4. Score and parts. Duration 4:20. Published by C. Alan Publications (CN.R10242). This is a brief nostalgic tone poem taking its inspiration from visions of rural England as depicted in the paintings of John Constable, the novels of Thomas Hard, and the music of Gustav Holst and Ralph Vaughan Williams. I imagined a community of villagers coming out of church and filling a village square with their vibrant presence. A chorale-like theme is stated in the brass and then taken up at three times the tempo in the woodwinds. At the end of the work, both versions of the theme are stated together to bring the piece to a triumphant climax.Adam Gorb was born in Cardiff and started composing at the age of ten. His first work broadcast on national radio was written when he was fifteen. He studied at Cambridge University (1977-1980) and the Royal Academy of Music (1991-1993) where he graduated with the highest honours including the Principal's Prize. He has been on the staff at the London College of Music and Media, the junior Academy of the Royal Academy of Music and, since 2000 he has been the Head of School of Composition at the Royal Northern College of Music in Manchester .International recognition came in 1994 with the US Walter Beeler Prize for his work Metropolis . With it began what has developed into probably the most important wind ensemble catalogue by a contemporary composer, ranging from extremely challenging to the most accessible, at all technical levels, seized on by players internationally, widely recorded and now absolutely central to the world's wind repertoire. Equally important though are his works for dance, and concert pieces like the chamber orchestral Weimar , the Violin Sonata , a Clarinet Concerto for the Royal Liverpool Philharmonic Orchestra and Diaspora for strings (for the Goldberg Ensemble). Deceptively mainstream at first glance, they display the same inventive brilliance, pulsating sound world, striking use of rhythm and an undogmatic absence of stylistic hang-ups to embrace jazz and serialism in works where power, poetry, irony and pathos, often underlaid by a theatrical and deeply subversive element, coalesce in an integrated, highly individual musical voice. Gorb is also not afraid to draw on the vivid musical heritage of his Jewish roots, sometimes directly, often in a more subsumed or radically creative way. The crucial and consistent feature of Gorb's work though is that it communicates strongly without patronizing players or audiences. He firmly believes that if contemporary music - any music - does not impact on listeners then its message is irrelevant; it is lost.
$50.60

Instruments: Flute, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Cornet, Trombone, Euphonium, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: 20th Century, Classical
Prelude from 49th Parallel by Ralph Vaughan Williams (1872-1958). Arranged by Leroy Osmon. For Concert Band (1st Flute, 2nd Flute, Oboes, English Horn*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet*, Bb Bass Clarinet*, Eb Contralto Clarinet, 1st Bassoon, 2nd Bassoon*, 1st Eb Alto Saxophone, 2nd Eb Alto Saxophone*, Bb Tenor Saxophone, Eb Ba). Band Music. Grade 4. Score and parts. Duration 2:30. Published by C. Alan Publications (CN.R10241). Ralph Vaughan Williams was in his sixties when in 1941 he produced his first film score for Michael Powell and Emeric Pressburger's "49th Parallel." The Prelude, an orchestral hymn in praise of freedom and mutual trust, accompanies the film's prologue which is spoken over majestic shots of the Canadian Rockies.The Prelude was originally scored for strings and a few wind instruments. Osmon's orchestration retains the rich texture of the original, utilizing thick scoring throughout. The entire Prelude is played molto legato and its harmonies show a delightful simplicity.Osmon's orchestration was completed in December 1987 and is "dedicated to my friend Lee Boyd Montgomery.".
$50.60

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Tenor Saxophone, Bassoon, English Horn, Woodwinds, Clarinet, Saxophone
Genres: 20th Century, British, Classical, World
Prelude for an Occasion by Edward Gregson. Arranged by Geoffrey Brand. For Concert Band (Flute 1/Piccolo, Flute 2, Oboe 1, Oboe 2*, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Eb Alto Clarinet*, Bb Bass Clarinet, Bassoon, Eb Alto Saxophone 1, Eb Alto Saxophone 2*, Bb Tenor Saxophone, Eb Baritone Saxophone*, F Horn 1/2, F Horn 3/4*, Bb Cornet). Band Music. Grade 4. Score only. Duration 4:00. Published by C. Alan Publications (CN.S11053). "Prelude for an Occasion" might be described as a "curtain raiser." Its purpose is to set a mood which this Prelude does by bursting into a fanfare, always a good way to arrest attention. A quicker tempo Allegro moderato follows, comprising a short bouncing figure answered by a solid response from the lower instruments and introducing a lively solo on the clarinet, marked Giocoso (playfully, merrily). The interval of a falling 5th is important, echoes by a similar response from other instruments, which then gives way to a broad melody, played canabile (in a singing style).Rhythmic bi-play, trombone glissandi and a light-hearted obbligato, all add to the merriment. The opening fanfare returns in extended form, and a final flourish brings the Prelude to a triumphant ending.
$10.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, Cornet, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: 20th Century, Classical
Prelude for an Occasion by Edward Gregson. Arranged by Geoffrey Brand. For Concert Band (Flute 1/Piccolo, Flute 2, Oboe 1, Oboe 2*, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Eb Alto Clarinet*, Bb Bass Clarinet, Bassoon, Eb Alto Saxophone 1, Eb Alto Saxophone 2*, Bb Tenor Saxophone, Eb Baritone Saxophone*, F Horn 1/2, F Horn 3/4*, Bb Cornet). Band Music. Grade 4. Score and parts. Duration 4:00. Published by C. Alan Publications (CN.R10053). "Prelude for an Occasion" might be described as a "curtain raiser." Its purpose is to set a mood which this Prelude does by bursting into a fanfare, always a good way to arrest attention. A quicker tempo Allegro moderato follows, comprising a short bouncing figure answered by a solid response from the lower instruments and introducing a lively solo on the clarinet, marked Giocoso (playfully, merrily). The interval of a falling 5th is important, echoes by a similar response from other instruments, which then gives way to a broad melody, played canabile (in a singing style).Rhythmic bi-play, trombone glissandi and a light-hearted obbligato, all add to the merriment. The opening fanfare returns in extended form, and a final flourish brings the Prelude to a triumphant ending.
$64.40

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, Cornet, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: 20th Century, Classical
Partita by Edward Gregson. Arranged by Edward Gregson. For Concert Band (Full Score, 1st Flute (Piccolo), 2nd flute, 1st Oboe, 2nd Oboe (opt), Bb clarinet 1/2/3, Eb alto Clarinet (opt), Bb Bass Clarinet, 1st Bassoon, 2nd Bassoon (opt), 1st Also Sax, 2nd Alto Sax (opt), Bb Tenor Sax, Eb Baritone Sax (opt), Bb Cornet 1/2/3, Bb T). Band Music. Grade 4. Score only. Duration 10:00. Published by C. Alan Publications (CN.S11210). 'Partita' was originally composed for brass band in 1973. The work is in three movements, and uses material based on the 13th century plainsong 'Dies Irae". the opening Intrada is sombre. the second movement is a 'chorale and variations. the chorale melody follows the main outline of the plainsong. the five variations are varied in mood and intensity. the final March is much happier in mood and has a lyrical tune in the middle first heard on horns. However, references to the 'Dies Irae' are still apparent and the final bars of the work contain a quote from the opening movement.
$10.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Cornet, Woodwinds, Clarinet, Saxophone, Trumpet, Brass
Genres: 20th Century, Classical
Partita by Edward Gregson. Arranged by Edward Gregson. For Concert Band (Full Score, 1st Flute (Piccolo), 2nd flute, 1st Oboe, 2nd Oboe (opt), Bb clarinet 1/2/3, Eb alto Clarinet (opt), Bb Bass Clarinet, 1st Bassoon, 2nd Bassoon (opt), 1st Also Sax, 2nd Alto Sax (opt), Bb Tenor Sax, Eb Baritone Sax (opt), Bb Cornet 1/2/3, Bb T). Band Music. Grade 4. Score and parts. Duration 10:00. Published by C. Alan Publications (CN.R10210). Partita was originally composed for brass band in 1973. The work is in three movements, and uses material based on the 13th century plainsong 'Dies Irae". the opening Intrada is sombre. the second movement is a 'chorale and variations. the chorale melody follows the main outline of the plainsong. the five variations are varied in mood and intensity. the final March is much happier in mood and has a lyrical tune in the middle first heard on horns. However, references to the 'Dies Irae' are still apparent and the final bars of the work contain a quote from the opening movement.
$115.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Cornet, Woodwinds, Clarinet, Saxophone, Trumpet, Brass
Genres: 20th Century, Classical
Eine Kleine Yiddische Ragmusik by Adam Gorb (1958-). For Concert Band (Flute 1, Flute 2, Oboe 1/2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Eb Alto Clarinet, Bb Bass Clarinet, Bassoon 1/2, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Cornet 1, Bb Cornet 2/3, Bb Trumpet 1/2, Horn in F 1/2, Horn in F 3/4, Tr). Band Music. Grade 4. Score only. Duration 5:15. Published by C. Alan Publications (CN.S11248). This brilliant synthesis of Scott Joplin ragtime with Jewish folk song gives everyone a chance to shine. The effect is haunting and evocative of 1930s Berlin.
$20.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Cornet, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: 20th Century, Classical
Eine Kleine Yiddische Ragmusik by Adam Gorb (1958-). For Concert Band (Flute 1, Flute 2, Oboe 1/2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Eb Alto Clarinet, Bb Bass Clarinet, Bassoon 1/2, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Cornet 1, Bb Cornet 2/3, Bb Trumpet 1/2, Horn in F 1/2, Horn in F 3/4, Tr). Band Music. Grade 4. Score and parts. Duration 5:15. Published by C. Alan Publications (CN.R10248). This brilliant synthesis of Scott Joplin ragtime with Jewish folk song gives everyone a chance to shine. The effect is haunting and evocative of 1930s Berlin.
$78.20

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Cornet, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: 20th Century, Classical
Candlelight Procession by Adam Gorb (1958-). For Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1/2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Eb Alto Clarinet, Bb Bass Clarinet, Bassoon 1/2, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, Horn in F 1/2, Horn in F ). Band Music. Grade 4. Score only. Duration 5:30. Published by C. Alan Publications (CN.S11234). "Candlelight Procession" was written in 2001 and is a solemn ritual in 5/4 time. It is characterized by a one-bar theme that is repeated constantly throughout the piece.
$15.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: 20th Century, Classical
Candlelight Procession by Adam Gorb (1958-). For Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1/2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Eb Alto Clarinet, Bb Bass Clarinet, Bassoon 1/2, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, Horn in F 1/2, Horn in F ). Band Music. Grade 4. Score and parts. Duration 5:30. Published by C. Alan Publications (CN.R10234). "Candlelight Procession" was written in 2001 and is a solemn ritual in 5/4 time. It is characterized by a one-bar theme that is repeated constantly throughout the piece.
$64.40

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: 20th Century, Classical
Bridges Over the River Cam by Derek Bourgeois (1941-). For Concert Band (Piccolo*, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet*, Bb Bass Clarinet*, 1st Bassoon, 2nd Bassoon*, 1st Eb Alto Saxophone, 2nd Eb Alto Saxophone*, Bb Tenor Saxophone, Eb Baritone Saxopho). Band Music. Grade 4. Score only. Duration 8:00. Published by C. Alan Publications (CN.S11035). "Bridges Over the River Cam" was commissioned by Cambridge Youth Concert Band with the help of Eastern Arts Association.The first performance of this work was given by the Cambridge Youth Concert Band, conducted by the composer, at the Concert Hall of Cambridge University Music School, May 13, 1990.
$25.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Woodwinds, Clarinet, Saxophone
Genres: 20th Century, Classical
Bridges Over the River Cam by Derek Bourgeois (1941-). For Concert Band (Piccolo*, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet*, Bb Bass Clarinet*, 1st Bassoon, 2nd Bassoon*, 1st Eb Alto Saxophone, 2nd Eb Alto Saxophone*, Bb Tenor Saxophone, Eb Baritone Saxopho). Band Music. Pioneer Band Series. Grade 4. Score and parts. Duration 8:00. Published by C. Alan Publications (CN.R10035). "Bridges Over the River Cam" was commissioned by Cambridge Youth Concert Band with the help of Eastern Arts Association.The first performance of this work was given by the Cambridge Youth Concert Band, conducted by the composer, at the Concert Hall of Cambridge University Music School, May 13, 1990.
$115.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Woodwinds, Clarinet, Saxophone
Genres: 20th Century, Classical
Adagio from 'Bizet Symphony' (Alto Saxophone Feature). By Geoffrey Brand. Arranged by Geoffrey Brand. For Soloist(s) with Concert Band (piccolo, flute 1-2, oboe 1-2, Bb clarinet 1-3, Eb alto clarinet, Bb bass clarinet, bassoon 1-2, alto saxophone 1-2, Bb tenor saxophone, Eb baritone saxophone, Bb cornet 1-3, horn in F 1-4, trombone 1-3, euphonium, baritone Tc, tuba, string bass, timpani). Band Music. Grade 4. Score only. Duration 9:30. Published by C. Alan Publications (CN.S11232). The great French Composer, Georges Bizet, began writing his symphony in October 1855 and finished it in November of the same year. A remarkable achievement. In spite of his diligence, Bizet never heard his symphony performed. It was not heard until February of 1935 in Basel, Switzerland. The symphony is in four movements, of which the Adagio is the second.
$12.50

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, Double Bass, Cornet, Trombone, Euphonium, Percussion, Timpani, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Strings, Trumpet
Genres: Classical
Adagio from 'Bizet Symphony' (Alto Saxophone Feature). By Geoffrey Brand. Arranged by Geoffrey Brand. For Soloist(s) with Concert Band (piccolo, flute 1-2, oboe 1-2, Bb clarinet 1-3, Eb alto clarinet, Bb bass clarinet, bassoon 1-2, alto saxophone 1-2, Bb tenor saxophone, Eb baritone saxophone, Bb cornet 1-3, horn in F 1-4, trombone 1-3, euphonium, baritone Tc, tuba, string bass, timpani). Band Music. Grade 4. Score and parts. Duration 9:30. Published by C. Alan Publications (CN.R10232). The great French Composer, Georges Bizet, began writing his symphony in October 1855 and finished it in November of the same year. A remarkable achievement. In spite of his diligence, Bizet never heard his symphony performed. It was not heard until February of 1935 in Basel, Switzerland. The symphony is in four movements, of which the Adagio is the second.
$82.80

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, Double Bass, Cornet, Trombone, Euphonium, Percussion, Timpani, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Strings, Trumpet
Genres: Classical
Choral No. 2 for Organ by Percy Aldridge Grainger (1882-1961). Arranged by Percy Aldridge Grainger. For Concert Band (Piccolo, 1st Flute, 2nd Flute, Oboe, English Horn, Bassoon, Contrabassoon, Eb Clarinet, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet, Bb Bass Clarinet, Contrabass Clarinet, Soprano Saxophone, Alto Saxophone, Tenor Saxophone, Bariton). Band Music. Grade 5. Score only. Duration 11:00. Published by C. Alan Publications (CN.S11039). At the age of 15, Cesar Franck (1822-1890) traveled from his native Belgium to study organ and composition at the Paris Conservatoire. He remained in Paris for the rest of his life, working as a church organist and teaching piano and organ. In 1872, at the age of 50, he was named professor of organ at the Conservatoire. The same year he composed his popular Panis Angelicus, and as a result became more widely known as a composer. During the last eleven years of his life he wrote most of his compositions including the Symphonic Variations, the Violin Sonata, and the Symphony in D Minor. At a time when French music was often light in character, his was serious and profound.Franck's final and culminating achievement was the Three Chorals for Organ. The completed manuscript was at his fingertips as the priest arrived to administer last rites.The Three Chorals are organized in variation form. They are not as brief as the church chorals of Bach, but rather, extended symphonic compositions. Albert Schweitzer has commented that "the chorale in modern French organ literature means simply a fantasy on a formal, noble theme." The Organ Choral No. 2 fits Schweitzer's description. The music contains references to the D Minor Symphony, Heroic Piece for Organ, and the Violin Sonata, as well as settings of the Christ motive of Franck's The Beatitudes (bar 115 and bar 274).The 2nd Choral opens with a chaconne-style bass theme. The melody passes successively through bass and treble voices leading to a lyrical second subject (bar 65). This new theme develops through a series of interspersed interludes arriving at a grand, virtuosic cadenza (bar 127). The chaconne variations resume, continuing to unfold until the first and second themes are combined (bar 195). More intense and complex variants lead to a powerful final statement of the opening theme (bar 259). The music concludes with a tender and poignant coda based on the "Christ motive."Grainger's setting of the Choral No. 2 was first performed by the Interlochen Band on July 12, 1942. Grainger conducted. It is interesting to note that five years earlier at Interlochen, Grainger had conducted the 1st Franck Organ Choral in a band arrangement by his friend Ralph Leopold. Leopold's arrangement may have been an impetus for Grainger's setting of the 2nd Choral.Quite another factor may have been the composer's apprehension over the onset of World War II. In 1940, Percy and Ella Grainger moved away from their home in White Plains to escape the supposed vulnerability of the New York City area. They chose Springfield, Missouri, presumed safe from enemy air and naval attacks. It is not hard to imaging that he wanted his students to share Franck's healing message of love, hope, reaffirmation, and peace. The Interlochen program cover for the premier features Grainger's picture with the following inscription:a man of genius, force and achievement,renowned and honored throughout the world-who comes to us for the entire seasonwith the sweet simplicity of a true gentleman andthe rare patience of the exceptional teacher,with a gigantic intellect projected far beyond our petty problemsbut with a wide and sympathetic understandingfor the lowliest among us.His visit is a privilege we humble hope to merit.
$22.50

Instruments: Choir, Organ, Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Soprano Saxophone, Tenor Saxophone, Bassoon, English Horn, Double Bass, Vocal, Piano and Keyboard, Woodwinds, Clarinet, Saxophone, Strings
Genres: 20th Century, Classical
Choral No. 2 for Organ by Percy Aldridge Grainger (1882-1961). Arranged by Percy Aldridge Grainger. For Concert Band (Piccolo, 1st Flute, 2nd Flute, Oboe, English Horn, Bassoon, Contrabassoon, Eb Clarinet, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet, Bb Bass Clarinet, Contrabass Clarinet, Soprano Saxophone, Alto Saxophone, Tenor Saxophone, Bariton). Band Music. Grade 5. Score and parts. Duration 11:00. Published by C. Alan Publications (CN.R10039). At the age of 15, Cesar Franck (1822-1890) traveled from his native Belgium to study organ and composition at the Paris Conservatoire. He remained in Paris for the rest of his life, working as a church organist and teaching piano and organ. In 1872, at the age of 50, he was named professor of organ at the Conservatoire. The same year he composed his popular Panis Angelicus, and as a result became more widely known as a composer. During the last eleven years of his life he wrote most of his compositions including the Symphonic Variations, the Violin Sonata, and the Symphony in D Minor. At a time when French music was often light in character, his was serious and profound.Franck's final and culminating achievement was the Three Chorals for Organ. The completed manuscript was at his fingertips as the priest arrived to administer last rites.The Three Chorals are organized in variation form. They are not as brief as the church chorals of Bach, but rather, extended symphonic compositions. Albert Schweitzer has commented that "the chorale in modern French organ literature means simply a fantasy on a formal, noble theme." The Organ Choral No. 2 fits Schweitzer's description. The music contains references to the D Minor Symphony, Heroic Piece for Organ, and the Violin Sonata, as well as settings of the Christ motive of Franck's The Beatitudes (bar 115 and bar 274).The 2nd Choral opens with a chaconne-style bass theme. The melody passes successively through bass and treble voices leading to a lyrical second subject (bar 65). This new theme develops through a series of interspersed interludes arriving at a grand, virtuosic cadenza (bar 127). The chaconne variations resume, continuing to unfold until the first and second themes are combined (bar 195). More intense and complex variants lead to a powerful final statement of the opening theme (bar 259). The music concludes with a tender and poignant coda based on the "Christ motive."Grainger's setting of the Choral No. 2 was first performed by the Interlochen Band on July 12, 1942. Grainger conducted. It is interesting to note that five years earlier at Interlochen, Grainger had conducted the 1st Franck Organ Choral in a band arrangement by his friend Ralph Leopold. Leopold's arrangement may have been an impetus for Grainger's setting of the 2nd Choral.Quite another factor may have been the composer's apprehension over the onset of World War II. In 1940, Percy and Ella Grainger moved away from their home in White Plains to escape the supposed vulnerability of the New York City area. They chose Springfield, Missouri, presumed safe from enemy air and naval attacks. It is not hard to imaging that he wanted his students to share Franck's healing message of love, hope, reaffirmation, and peace. The Interlochen program cover for the premier features Grainger's picture with the following inscription:a man of genius, force and achievement,renowned and honored throughout the world-who comes to us for the entire seasonwith the sweet simplicity of a true gentleman andthe rare patience of the exceptional teacher,with a gigantic intellect projected far beyond our petty problemsbut with a wide and sympathetic understandingfor the lowliest among us.His visit is a privilege we humble hope to merit.
$119.60

Instruments: Choir, Organ, Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Soprano Saxophone, Tenor Saxophone, Bassoon, English Horn, Double Bass, Vocal, Piano and Keyboard, Woodwinds, Clarinet, Saxophone, Strings
Genres: 20th Century, Classical
Trombone Concerto. (Trombone Feature). By Derek Bourgeois (1941-). For Soloist(s) with Concert Band (Solo Trombone, Piccolo, 1st Flute, 2nd Flute, Oboes, Eb Clarinet*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet*, Bb Bass Clarinet, Eb Alto Saxophone, Bb Tenor Saxophone, Eb Baritone Saxophone*, 1st/2nd F Horn, 3rd/4th F Horn, 1st B). Band Music. Platinum Band Series. Grade 5. Score and parts. Duration 20:00. Published by C. Alan Publications (CN.R10024). The first movement of Derek Bourgeois' Trombone Concerto is constructed Classically: the solo trombone immediately launches into the opening theme in F minor, conceived harmonically in a sequence of descending thirds and it is the solo trombone too that introduces the lyrical second idea, in A flat, presented over chords which are given mobility by dark-toned alto and bass clarinets.These contrasting subjects give the composer ample opportunity to let loose his fertile imagination, whether expanding on the Baroque qualities of the opening material in a fugato section for woodwinds, or boldly stating the romantic second theme on brass leading to cascading sextuplets, or with the soloist presenting the first theme in augmentation against a ripple of semi-quavers.After this development, there is virtually a formal recapitulations in the woodwinds and the soloist repeats the second theme in tonic (F) major. The movement closes with pianissimo chords - no great bravura here, but leading us in mood to the second movement which opens a tone lower in E-flat.Here, the rich tone of the soloist is matched by three accompanying trombones - with the writing equaling the expressiveness of a cello quartet. Gradually, the rest of the low brass join as the solo trombone weaves a seamless, almost Wagnerian theme, extending phrases sequentially. This movement has two separate thoughts and a solo clarinet answers the trombone with a new theme accompanied only by three horns, euphonium, and pizzicato string bass.Whilst most of the slow movement is contemplative, Bourgeois allows the band to unleash the full fortissimo passion implied in the second, clarinet theme, before the movement closes as it began - but this time only two trombones accompany the soloist, and all three are muted.After the passion of the slow movement, Bourgeois adopts a Classical rondo form as a 6/8 Scherzo, marked Presto, which gives the release we need. It is fun, to be thrown off lightly as we enjoy the semitone shifts with a wry smile. Towards the end of the movement is a cadenza which alludes to the thematic content of the first movement, but aurally the hard work has been done. For the soloist however, the music requires a virtuoso combination of slide and tongue.Derek Bourgeois' Trombone Concerto was commissioned by the British Trombone Society for the International Trombone Workshop at Eton, England, July 1989 with gratefully acknowledged assistance from Southern Arts. The world premiere was given by Christian Lindberg.
$207.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Horn, Trombone, Woodwinds, Clarinet, Saxophone, Brass
Genres: Classical, 20th Century, Latin
Symphony AD 78 by Gordon Jacob (1895-1986). For Concert Band (Piccolo, 1st Flute, 2nd Flute, Oboe 1/2, Bassoon 1/2, Eb Clarinet, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet, Bb Bass Clarinet, Eb Alto Saxophone 1/2, Bb Tenor Saxophone, Eb Baritone Saxophone, 1st Bb Cornet, 2nd/3rd Bb Cornet, 1). Band Music. Grade 5. Score only. Duration 15:30. Published by C. Alan Publications (CN.S11158). With this Symphony, Gordon Jacob proclaims his absolute mastery of idiom and instrumentation with a triumphant rejoicing. Written in 1978 as a commission from Arthur Doyle (hence the "AD" in the title, a typical piece of Jacob wit), it lay virtually unplayed save for the efforts of his Estate, Troy Peterson and Geoffrey Brand and CBDNA (College Band Directors Association, USA), who between them ensured that it was professionally recorded in 1994 and published in 1995.There is little point in indulging in semantics as to whether the piece is a Symphony. It is Jacob's approach to his tuneful, folk-based material which is symphonic: weighty in exposition and development, sonorous and expressive in the slow movement, with a scherzo-like last movement and a giocoso coda.After a brilliant opening fanfare, the quick triple-meter first theme (Allegro Risoluto) is introduced on clarinets, punctuated with brass. It is soon followed by a contrasting melody for saxophone. In all this material the interval of a 4th is prominent, and throughout the work the 4th and 7th are important. Perhaps it is the frequent use of the 7th which gives a feeling of restlessness without resolution which pervades this movement as the themes are dissected and developed.The second movement follows directly after a horn bridge. Still the melody outlines the 7th and the ear is not satisfied until the full band (with organ), comes to rest in Bb major. This point of repose and the magic pianissimo which follows shortly after when the slow theme is re-stated, are the apex of the Symphony's construction.Soon, however, we are transported, via a fanfare, into a helter-skelter 9/8 romp: rustic, English, and almost vulgar, this theme is thrown around the group before exploding into a boisterous 2/4 coda.
$20.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Cornet, Woodwinds, Clarinet, Saxophone, Trumpet, Brass
Genres: Classical, 20th Century
Symphony AD 78 by Gordon Jacob (1895-1986). For Concert Band (Piccolo, 1st Flute, 2nd Flute, Oboe 1/2, Bassoon 1/2, Eb Clarinet, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet, Bb Bass Clarinet, Eb Alto Saxophone 1/2, Bb Tenor Saxophone, Eb Baritone Saxophone, 1st Bb Cornet, 2nd/3rd Bb Cornet, 1). Band Music. Grade 5. Score and parts. Duration 15:30. Published by C. Alan Publications (CN.R10158). With this Symphony, Gordon Jacob proclaims his absolute mastery of idiom and instrumentation with a triumphant rejoicing. Written in 1978 as a commission from Arthur Doyle (hence the "AD" in the title, a typical piece of Jacob wit), it lay virtually unplayed save for the efforts of his Estate, Troy Peterson and Geoffrey Brand and CBDNA (College Band Directors Association, USA), who between them ensured that it was professionally recorded in 1994 and published in 1995.There is little point in indulging in semantics as to whether the piece is a Symphony. It is Jacob's approach to his tuneful, folk-based material which is symphonic: weighty in exposition and development, sonorous and expressive in the slow movement, with a scherzo-like last movement and a giocoso coda.After a brilliant opening fanfare, the quick triple-meter first theme (Allegro Risoluto) is introduced on clarinets, punctuated with brass. It is soon followed by a contrasting melody for saxophone. In all this material the interval of a 4th is prominent, and throughout the work the 4th and 7th are important. Perhaps it is the frequent use of the 7th which gives a feeling of restlessness without resolution which pervades this movement as the themes are dissected and developed.The second movement follows directly after a horn bridge. Still the melody outlines the 7th and the ear is not satisfied until the full band (with organ), comes to rest in Bb major. This point of repose and the magic pianissimo which follows shortly after when the slow theme is re-stated, are the apex of the Symphony's construction.Soon, however, we are transported, via a fanfare, into a helter-skelter 9/8 romp: rustic, English, and almost vulgar, this theme is thrown around the group before exploding into a boisterous 2/4 coda.
$207.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Cornet, Woodwinds, Clarinet, Saxophone, Trumpet, Brass
Genres: Classical, 20th Century
Suite in B-flat by Gordon Jacob (1895-1986). For Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1, Oboe 2, Bassoon 1, Bassoon 2, Eb Clarinet, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Alto Clarinet, Bass Clarinet, Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone, Baritone Saxophone, Cornet 1, Cornet 2, Cornet 3,). Band Music. Grade 5. Score and parts. Duration 12:00. Published by C. Alan Publications (CN.R10021). British composer Gordon Jacob ranks as one of the world's foremost contributors to the wind ensemble repertoire, with hundreds of works for military band as well as other types of musical groups. He earned his Doctor of Music degree and also taught counterpoint, orchestration and composition for 40 years at the Royal College of Music. He wrote band works along the lines of Gustav Holst and his good friend Vaughan Williams - not imitating their style but, as he said, "striving to come near to their spirit of adventure and independence of thought" in his own work.This suite was originally written for Brass Band in 1955 and was arranged for symphonic band in 1979. It has three movements, opening with a lighthearted March, followed by a subdued and tranquil movement entitled "Solemn Music." The suite closes with a symphonic march, which showcases the power of the wind ensemble.
$119.60

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Cornet, Woodwinds, Clarinet, Saxophone, Trumpet, Brass
Genres: 20th Century, Classical
Sir Godfrey Kneller's March by Gordon Jacob (1895-1986). For Concert Band (Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe*, Eb Clarinet*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet*, Bb Bass Clarinet, 1st Bassoon, 2nd Bassoon*, 1st Eb Alto Saxophone, 2nd Eb Alto Saxophone, Bb Tenor Saxophone, Eb Barit). Band Music. Grade 4.5. Score only. Duration 5:10. Published by C. Alan Publications (CN.S11174). Kneller Hall is a famous mansion, set in beautiful grounds near Twickenham, London which now serves as the training establishment for Directors of Music for the British Army and overseas forces.A feature of the programme is the outdoor summer concerts, attended by distinguished visitors and local residents.Gordon Jacob was so inspired at one such an occasion in 1976 that he wrote this march "to convey to all at Kneller Hall my admiration and gratitude for their encouragement of my music over many years," as he put it shortly afterwards.The manuscript was overlooked until brought to light by a previous Director of Music of Kneller Hall, Lt. Col. Rodney Bashford and was published to celebrate the centenary of the composer's birth.
$10.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Tenor Saxophone, Bassoon, Woodwinds, Clarinet, Saxophone
Genres: 20th Century, Classical
Sir Godfrey Kneller's March by Gordon Jacob (1895-1986). For Concert Band (Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe*, Eb Clarinet*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet*, Bb Bass Clarinet, 1st Bassoon, 2nd Bassoon*, 1st Eb Alto Saxophone, 2nd Eb Alto Saxophone, Bb Tenor Saxophone, Eb Barit). Band Music. Grade 4.5. Score and parts. Duration 5:10. Published by C. Alan Publications (CN.R10174). Kneller Hall is a famous mansion, set in beautiful grounds near Twickenham, London which now serves as the training establishment for Directors of Music for the British Army and overseas forces.A feature of the programme is the outdoor summer concerts, attended by distinguished visitors and local residents.Gordon Jacob was so inspired at one such an occasion in 1976 that he wrote this march "to convey to all at Kneller Hall my admiration and gratitude for their encouragement of my music over many years," as he put it shortly afterwards.The manuscript was overlooked until brought to light by a previous Director of Music of Kneller Hall, Lt. Col. Rodney Bashford and was published to celebrate the centenary of the composer's birth.
$69.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Tenor Saxophone, Bassoon, Woodwinds, Clarinet, Saxophone
Genres: 20th Century, Classical
Fantasia on an English Folk Song by Gordon Jacob (1895-1986). For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Eb Clarinet, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Eb Alto Clarinet, Bb Bass Clarinet, Bassoon 1/2, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet/Cornet 1/2, Bb Trumpet/Cornet 3, Horn in F 1, Horn). Band Music. Grade 4. Score. Duration 5:30. Published by C. Alan Publications (CN.S11008). Gordon Jacob, like many of his British contemporaries, drew freely on the English folk song tradition. With its clear melodic lines and characteristic scoring in 'families" of instruments, the "Fantasia on an English Folk Song" once again demonstrates Jacob's mastery of the concert band.
$15.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Cornet, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: 20th Century, Folk Songs, Classical, Folk
Fantasia on an English Folk Song by Gordon Jacob (1895-1986). For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Eb Clarinet, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Eb Alto Clarinet, Bb Bass Clarinet, Bassoon 1/2, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet/Cornet 1/2, Bb Trumpet/Cornet 3, Horn in F 1, Horn). Band Music. Grade 4. Score and parts. Duration 5:30. Published by C. Alan Publications (CN.R10008). Gordon Jacob, like many of his British contemporaries, drew freely on the English folk song tradition. With its clear melodic lines and characteristic scoring in 'families" of instruments, the "Fantasia on an English Folk Song" once again demonstrates Jacob's mastery of the concert band.
$78.20

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Cornet, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: 20th Century, Folk Songs, Classical, Folk
A Downland Suite by John Ireland (1879-1962). For Concert Band (Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe*, Eb Clarinet*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet*, Bb Bass Clarinet, 1st Bassoon, 2nd Bassoon*, 1st Eb Alto Saxophone, 2nd Eb Alto Saxophone, Bb Tenor Saxophone, Eb Barit). Band Music. Grade 5. Band score. Duration 16:30. Published by C. Alan Publications (CN.S11006). "A Downland Suite" is one of a pair of works Ireland wrote for brass band (the other being "Comedy Overture") in the 1930s. Both were commissioned by the National Brass Band Championships of Great Britain, and this piece was completed in 1932. Ray Steadman-Allen's skillful arrangement was published in 1985.Interestingly, the composer himself "freely adapted" the Elegy and Minuet for String Orchestra and the adaptation of the outer movements for strings was undertaken some years later by Geoffrey Bush, one of Ireland's many eminent composer pupils."A Downland Suite" is structured classically, revealing itself in the loose "sonata form" of the Prelude, the song-like Elegy, the Minuet with formal repeats and full Trio, and a last movement which utilizes the Rondo framework of a recurring theme reappearing in different keys. But within this classical form are unsettling elements.The tonal relationships between movements of the suite becomes more remote as the work progresses. The first movement is in C Minor, the second in Eb Major, the third in Bb Major (with a Trio in Bb Minor) and the last opens in G Minor and ends with blazing fanfares in G Major, a long way from the sombre mood of the opening.The phrase structure of the Minuet is sometimes unexpected: an 8-bar phrase opens, but Ireland mirrors it with a 9-bar phrase! In fact, throughout the work, the music reaches over bar-lines, phrases are extended, and strong beats displaced.Tight thematic unity between movements gives the work its cohesion. The Elegy melody provides the kernel and the rising fourth interval is seminal. Ireland gives us our clue by repeating the Elegy theme in the last movement. In fact, the opening Rondo theme is virtually the Elegy (but played four times as fast) and the Minuet is the Elegy theme in inversion.The interval of the fourth (sometimes manifested as a falling fifth) is emphasized throughout the first movement. Add to this the octave leaps, the pillars around which the Prelude is constructed, which find their way into the Rondo as the opening accompaniment, and the mature composer's high art of achieving unity within diversity of structure and style is revealed.
$15.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Tenor Saxophone, Bassoon, Woodwinds, Clarinet, Saxophone
Genres: 20th Century, Classical
A Downland Suite by John Ireland (1879-1962). For Concert Band (Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe*, Eb Clarinet*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet*, Bb Bass Clarinet, 1st Bassoon, 2nd Bassoon*, 1st Eb Alto Saxophone, 2nd Eb Alto Saxophone, Bb Tenor Saxophone, Eb Barit). Band Music. Grade 5. Score and parts. Duration 16:30. Published by C. Alan Publications (CN.R10006). "A Downland Suite" is one of a pair of works Ireland wrote for brass band (the other being "Comedy Overture") in the 1930s. Both were commissioned by the National Brass Band Championships of Great Britain, and this piece was completed in 1932. Ray Steadman-Allen's skillful arrangement was published in 1985.Interestingly, the composer himself "freely adapted" the Elegy and Minuet for String Orchestra and the adaptation of the outer movements for strings was undertaken some years later by Geoffrey Bush, one of Ireland's many eminent composer pupils."A Downland Suite" is structured classically, revealing itself in the loose "sonata form" of the Prelude, the song-like Elegy, the Minuet with formal repeats and full Trio, and a last movement which utilizes the Rondo framework of a recurring theme reappearing in different keys. But within this classical form are unsettling elements.The tonal relationships between movements of the suite becomes more remote as the work progresses. The first movement is in C Minor, the second in Eb Major, the third in Bb Major (with a Trio in Bb Minor) and the last opens in G Minor and ends with blazing fanfares in G Major, a long way from the sombre mood of the opening.The phrase structure of the Minuet is sometimes unexpected: an 8-bar phrase opens, but Ireland mirrors it with a 9-bar phrase! In fact, throughout the work, the music reaches over bar-lines, phrases are extended, and strong beats displaced.Tight thematic unity between movements gives the work its cohesion. The Elegy melody provides the kernel and the rising fourth interval is seminal. Ireland gives us our clue by repeating the Elegy theme in the last movement. In fact, the opening Rondo theme is virtually the Elegy (but played four times as fast) and the Minuet is the Elegy theme in inversion.The interval of the fourth (sometimes manifested as a falling fifth) is emphasized throughout the first movement. Add to this the octave leaps, the pillars around which the Prelude is constructed, which find their way into the Rondo as the opening accompaniment, and the mature composer's high art of achieving unity within diversity of structure and style is revealed.
$119.60

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Tenor Saxophone, Bassoon, Woodwinds, Clarinet, Saxophone
Genres: 20th Century, Classical
Concerto for Timpani & Band. (Timpani Feature). By Gordon Jacob (1895-1986). For Soloist(s) with Concert Band (Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe, Eb Clarinet*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet*, Bb Bass Clarinet, 1st Bassoon, 2nd Bassoon*, 1st Eb Alto Saxophone, 2nd Eb Alto Saxophone, Bb Tenor Saxophone, 1st F Hor). Band Music. Grade 4.5. Score only. Duration 12:30. Published by C. Alan Publications (CN.S11005). Gordan Jacob wrote his Concerto for Timpani in 1984 and it was to be the last major work that he wrote before he died. It was written for a professional wind group in Konstanz (West Germany) and the first performance was given there in June 1984 with the soloist Klaus Huber (to whom it is dedicated) conducted by Douglas Bostock.In the first movement, a broad theme is announced by the timpani themselves based on a rising succession of thirds, and immediately echoed and modified by the full wind band. After a bridge, when the material is embroidered by woodwinds, the theme is presented in an inverted and varied form by the soloist before being developed. Unlike a Classical development in which tonality provides the tension, the nature of the timpani means that the development is rhythmic rather than tonal. To modulate extensively would obviously present problems even with pedal timpani. A recapitulation follows and a quasi cadenza leads to a strong close.The second movement (Adagio) is virtually an aria. The timpani carry the melody throughout, embellished and them embroidered by small groups of instruments presented in choirs. Jacob, the masterful orchestrator, allows only four bars of full band. By the end of only 47 bars, we are left with an expressive mood conjured from the timpani themselves.The last movement is a romp - displaying Jacob's English roots: his characteristic use of quasi-folk material is well suited to the band and the rhythmic characteristics of the timpani are highlighted.
$25.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Tenor Saxophone, Bassoon, Percussion, Timpani, Woodwinds, Clarinet, Saxophone
Genres: Classical, 20th Century
Concerto for Timpani & Band. (Timpani Feature). By Gordon Jacob (1895-1986). For Soloist(s) with Concert Band (Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe, Eb Clarinet*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet*, Bb Bass Clarinet, 1st Bassoon, 2nd Bassoon*, 1st Eb Alto Saxophone, 2nd Eb Alto Saxophone, Bb Tenor Saxophone, 1st F Hor). Band Music. Grade 4.5. Score and parts. Duration 12:30. Published by C. Alan Publications (CN.R10005). Gordan Jacob wrote his Concerto for Timpani in 1984 and it was to be the last major work that he wrote before he died. It was written for a professional wind group in Konstanz (West Germany) and the first performance was given there in June 1984 with the soloist Klaus Huber (to whom it is dedicated) conducted by Douglas Bostock.In the first movement, a broad theme is announced by the timpani themselves based on a rising succession of thirds, and immediately echoed and modified by the full wind band. After a bridge, when the material is embroidered by woodwinds, the theme is presented in an inverted and varied form by the soloist before being developed. Unlike a Classical development in which tonality provides the tension, the nature of the timpani means that the development is rhythmic rather than tonal. To modulate extensively would obviously present problems even with pedal timpani. A recapitulation follows and a quasi cadenza leads to a strong close.The second movement (Adagio) is virtually an aria. The timpani carry the melody throughout, embellished and them embroidered by small groups of instruments presented in choirs. Jacob, the masterful orchestrator, allows only four bars of full band. By the end of only 47 bars, we are left with an expressive mood conjured from the timpani themselves.The last movement is a romp - displaying Jacob's English roots: his characteristic use of quasi-folk material is well suited to the band and the rhythmic characteristics of the timpani are highlighted.
$119.60

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Tenor Saxophone, Bassoon, Percussion, Timpani, Woodwinds, Clarinet, Saxophone
Genres: Classical, 20th Century
Comedy Overture by John Ireland (1879-1962). For Concert Band (Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet*, Bb Bass Clarinet, 1st Bassoon, 2nd Bassoon*, 1st Eb Alto Saxophone, 2nd Eb Alto Saxophone, Bb Tenor Saxophone, Eb Baritone Saxophone*). Band Music. Grade 5. Score and parts. Duration 10:30. Published by C. Alan Publications (CN.R10004). Originally composed for Brass Band in 1934 "Comedy Overture" is, despite its name, a serious piece of writing. The term Overture does not imply that there is anything else to follow; it is used in the 19th century sense of Concert Overture (like Mendelssohn's "Fingal's Cave" - in other words, a miniature Tone Poem).The 1930's was a period of Ireland's mature writing - yielding the Piano Concerto (1930), the Legend for piano and orchestra (1933), and the choral work "These Things Shall Be" (1936-1937). We are fortunate therefore to have both "Comedy Overture" and "A Downland Suite" (1932) written for band medium at this time.As with "Maritime Overture" (written in 1944 for military band) Ireland approaches his material symphonically. The opening three notes state immediately the two seminal intervals of a semitone and a third. These are brooding and dark in Bb minor. It is these intervals which make up much of the thematic content of "Comedy," sometimes appearing in inverted form, and sometimes in major forms as well.The concept that some musical intervals are consonant , some dissonant, and some perfect is perhaps useful in understanding the nature of the tension and resolution of this work. The third is inherently unstable, and by bar 4, the interval is expanded to a fourth - with an ascending sem-quaver triplet - and then expanded to a fifth. The instability of the third pushes it towards a "perfect" resolution in the fourth or the fifth.The slow introduction is built entirely around these intervals in Bb minor and leads through an oboe cadenza, to an Allegro moderato brillante in Bb major.Once again, the semi-tone (inverted) and a third (major) comprise the main, chirpy, theme-inspired by a London bus-conductor's cry of "Piccadilly." (Much of the material in "Comedy" was re-conceived by Ireland for orchestra and published two years later under the title "A London Overture.")The expansion of the interval of a third through a fourth, fifth, sixth, and seventh now takes place quickly before our very ears at the outset of this quicker section.Immediately the theme is developed, inverted, and accents displaced across the bar line to give a 3/2 feel against the written meter. But this restlessness leads to a tranquillo built around an arpeggio figure and presented by flute and clarinet. Ireland weaves his flowing counterpoint around this melody until the original slow introduction returns leading to a stretto effect as the rising bass motifs become more urgent, requesting a resolution of the tension of that original semitone and minor third.Yet resolution is withheld at this point as the music becomes almost becalmed in a further, unrelated tranquillo section marked pianissimo. It is almost as if another side of Ireland's nature is briefly allowed to shine through the stern counterpoint and disciplined structure.This leads to virtually a full recapitulation of the chirpy "brilliante," with small additional touches of counterpoint, followed by the first tranquillo section-this time in the tonic of Bb major. But the instability of the third re-asserts itself, this time demanding a resolution. And a triumphant resolution it receives, for it finally becomes fully fledged and reiterates the octave in a closing vivace. The opening tension has at last resolved itself into the most perfect interval of all.
$119.60

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Woodwinds, Clarinet, Saxophone
Genres: 20th Century, Comedy, Classical, Miscellaneous
Chamber Suite for Viola & Orchestra by Daniel McCarthy. Arranged by Nathan Daughtrey. For Soloist(s) with Full Orchestra (solo viola, flute, oboe, Bb clarinet, bass clarinet, bassoon, F horn, Bb trumpet, trombone, tuba, timpani, percussion (suspended cymbal, temple blocks, low tom, bongo, finger cymbals, tam tam, drum rack), piano, violin I, violin II, viola, cello, string b). Orchestra Music. Medium. Score only. Duration 9:00. Published by C. Alan Publications (CN.10311). Written for the composers son, Daniel, who is a violist. This composition is derived partly from Chamber Symphony No. 3 and a piece for viola and piano, also written for McCarthy's son, "Testament.".
$16.00

Instruments: Piano, Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Bassoon, Horn, Violin, Cello, Viola, B-Flat Trumpet, Trombone, Percussion, Timpani, Tuba, Piano and Keyboard, Woodwinds, Clarinet, Brass, Strings, Trumpet
Genres: Classical
Chamber Suite for Viola & Orchestra by Daniel McCarthy. For Soloist(s) with Full Orchestra (solo viola, flute, oboe, Bb clarinet, bass clarinet, bassoon, F horn, Bb trumpet, trombone, tuba, timpani, percussion (suspended cymbal, temple blocks, low tom, bongo, finger cymbals, tam tam, drum rack), piano, violin I, violin II, viola, cello, string b). Orchestra Music. Medium. Score and parts. Duration 9:00. Published by C. Alan Publications (CN.10310). Written for the composers son, Daniel, who is a violist. This composition is derived partly from Chamber Symphony No. 3 and a piece for viola and piano, also written for McCarthy's son, "Testament.".
$89.00

Instruments: Piano, Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Bassoon, Horn, Violin, Cello, Viola, B-Flat Trumpet, Trombone, Percussion, Timpani, Tuba, Piano and Keyboard, Woodwinds, Clarinet, Brass, Strings, Trumpet
Genres: Classical
Windows. (for Bassoon & Orchestra). By Daniel McCarthy. For Soloist(s) with Full Orchestra (Piccolo, Flute, Oboe , English Horn, Clarinet 1/2 in Bb, Bassoon 1/2, Trumpet 1/2 in Bb, Horn 1/2, Horn 3, Trombone , Percussion 1 (bongos, snare drum, maracas, suspended cymbal, tambourine, wood block, sand paper, sleigh bells), Percussion 2 (suspended c). Orchestra Music. Score only. Duration 22:00. Published by C. Alan Publications (CN.10301). Commissioned by Barrick Stees, assistant principal bassoonist of The Cleveland Orchestra. Each movement is a study of various aspects of light in the study of refraction in prisms.I. PrismsII. Liquid MoonIII. Through Stained, Leaded GlassIV. Clouds: Obscured Light V. White Light.
$40.00

Instruments: Flute, Clarinet, Oboe, Bassoon, English Horn, B-Flat Trumpet, Trombone, Percussion, Woodwinds, Trumpet, Brass
Genres: Classical
Passing by Joshua Missal. For Full Orchestra (piccolo, flute 1-2, oboe 1-2, english horn, Bb clarinet 1-2, bassoon 1-2, F horn 1-4, Bb trumpet 1-3, trombone 1-3, tuba, timpani, percussion (2, players) (tam tam, bass drum, cymbals, field drum), violin 1-2, viola, cello, contrabass). Orchestra Music. Grade 3. Score only. Duration 7:45. Published by C. Alan Publications (CN.10231). For Pegge, beloved wife, in memory (9/9/01).
$12.00

Instruments: Flute, B-Flat Clarinet, Oboe, Bassoon, English Horn, Violin, Cello, Viola, Double Bass, B-Flat Trumpet, Trombone, Percussion, Timpani, Tuba, Woodwinds, Clarinet, Strings, Trumpet, Brass
Genres: Classical
Passing by Joshua Missal. For Full Orchestra (piccolo, flute 1-2, oboe 1-2, english horn, Bb clarinet 1-2, bassoon 1-2, F horn 1-4, Bb trumpet 1-3, trombone 1-3, tuba, timpani, percussion (2, players) (tam tam, bass drum, cymbals, field drum), violin 1-2, viola, cello, contrabass). Orchestra Music. Grade 3. Score and parts. Duration 7:45. Published by C. Alan Publications (CN.10230). For Pegge, beloved wife, in memory (9/9/01).
$65.00

Instruments: Flute, B-Flat Clarinet, Oboe, Bassoon, English Horn, Violin, Cello, Viola, Double Bass, B-Flat Trumpet, Trombone, Percussion, Timpani, Tuba, Woodwinds, Clarinet, Strings, Trumpet, Brass
Genres: Classical
Gothica by Daniel McCarthy. For Full Orchestra (Piccolo, Flute , Oboe , English Horn, E-flat Clarinet, Clarinet in Bb, Bass Clarinet, Bassoon, Trumpet 1/2 in Bb, Trumpet 3 in Bb, Horn in F 1/2, Horn in F 3, Trombone , Tuba, Timpani, Percussion 1 (snare drum, bongos, maracas, suspended cymbal, tambourin). Orchestra Music. Score only. Duration 20:00. Published by C. Alan Publications (CN.10221). Written for Barrick Stees, Assistant Principal bassoon of the Cleveland Orchestra. The various movements of this work depict aspects of Gothic Cathedral architecture.
$40.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Bassoon, English Horn, B-Flat Trumpet, Trombone, Percussion, Timpani, Tuba, Woodwinds, Clarinet, Trumpet, Brass
Genres: Classical
Symphony No. 2 by Kimberly Archer. For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon, Clarinet in Bb 1, Clarinet in Bb 2/3, Bass Clarinet, Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2, Trumpet in Bb 3, Horn in F 1/2, Horn in F 3/4, Trombone ). Band Music. Grade 5. Score only. Duration 21:00. Published by C. Alan Publications (CN.10181). Symphony No. 2 is my doctoral dissertation. At this significant point in my life and career, I feel it is important to pay homage to three people who have been critical in my getting this far, both personally and professionally.I. March is dedicated to Andy Waggoner, my first composition teacher in graduate school. By form it is a march, but by style, a scherzo. It is intended to be playful and humorous (reflective of our personal relationship), but also makes use of several of the concepts and skills he taught me, including how to use octatonic collections.II. Passacaglia is dedicated to Pat Dunnigan. Pat taught me to use Finale, premiered several of my early band compositions (including my first symphony), and has been my friend and mentor for more than ten years. His movement is composed in the style of Phillip Glass - one of his favorite composers. There are also allusions to the "Star Trek" theme and Mahler's Symphony No. 1.III. Theme and Variations is dedicated to my father, who is a former church organist, and particularly fond of the hymn "Blessed Assurance." All three movements of the symphony include elements of this hymn in some form, thus adding unity to an otherwise eclectic work, but the third movement takes the hymn as its outright theme. Some of my earliest musical experiences involved listening to my dad practice or having him accompany me for solos and auditions. I doubt I would have pursued music professionally, or have survived graduate school, had it not been for him.- Kim ArcherSymphony No. 2 is conceived for a full symphonic band rather than a true wind ensemble, which assumes that at least all the flute and clarinet parts will be doubled.The piano part for Movements II and III and the string bass part for Movements I and II should both be clearly audible, particularly in solo passages. String bass should be positioned near the front of the stage and the piano should use full stick.
$50.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: Classical
Weihnachten by Engelbert Humperdinck (1854-1921). Arranged by Richard Proulx. For Flute. Sacred, Christmas. Easy. Instrumental Part. 4 pages. Published by GIA Publications (GI.G-6145FL).
$3.00

Pages: 4
Instruments: Flute, Woodwinds
Genres: Classical Period, Christmas, Classical, Miscellaneous
Symphony No. 2 by Kimberly Archer. For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon, Clarinet in Bb 1, Clarinet in Bb 2/3, Bass Clarinet, Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2, Trumpet in Bb 3, Horn in F 1/2, Horn in F 3/4, Trombone ). Band Music. Grade 5. Score and parts. Duration 21:00. Published by C. Alan Publications (CN.10180). Symphony No. 2 is my doctoral dissertation. At this significant point in my life and career, I feel it is important to pay homage to three people who have been critical in my getting this far, both personally and professionally.I. March is dedicated to Andy Waggoner, my first composition teacher in graduate school. By form it is a march, but by style, a scherzo. It is intended to be playful and humorous (reflective of our personal relationship), but also makes use of several of the concepts and skills he taught me, including how to use octatonic collections.II. Passacaglia is dedicated to Pat Dunnigan. Pat taught me to use Finale, premiered several of my early band compositions (including my first symphony), and has been my friend and mentor for more than ten years. His movement is composed in the style of Phillip Glass - one of his favorite composers. There are also allusions to the "Star Trek" theme and Mahler's Symphony No. 1.III. Theme and Variations is dedicated to my father, who is a former church organist, and particularly fond of the hymn "Blessed Assurance." All three movements of the symphony include elements of this hymn in some form, thus adding unity to an otherwise eclectic work, but the third movement takes the hymn as its outright theme. Some of my earliest musical experiences involved listening to my dad practice or having him accompany me for solos and auditions. I doubt I would have pursued music professionally, or have survived graduate school, had it not been for him.- Kim ArcherSymphony No. 2 is conceived for a full symphonic band rather than a true wind ensemble, which assumes that at least all the flute and clarinet parts will be doubled.The piano part for Movements II and III and the string bass part for Movements I and II should both be clearly audible, particularly in solo passages. String bass should be positioned near the front of the stage and the piano should use full stick.
$165.60

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: Classical
Weihnachten - Full Score and Parts by Engelbert Humperdinck (1854-1921). Arranged by Richard Proulx. For Flute, Oboe, 2 Horns in F, Solo Violin, String Quintet, Bass, Organ; Flute, harp for use with vocal score only (G-6145FL, G-6145HARP). Sacred. Easy. Score & Parts. 20 pages. Published by GIA Publications (GI.G-6145INST).
$45.00

Pages: 20
Instruments: Voice, Organ, Flute, Oboe, Horn, Harp, Vocal, Piano and Keyboard, Woodwinds, Brass, Strings
Genres: Classical Period, Christmas, Classical, Miscellaneous
Sword Dancer. (Oboe Feature). By Catherine McMichael. For Soloist(s) with Concert Band (Piccolo, Flute 1/2, Oboe, Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3, Bass Clarinet in Bb, Bassoon, Contrabassoon, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Oboe Solo, Trumpet in Bb 1, Trumpet in Bb 2/3, Horn in F 1, Horn in F 2, ). Band Music. Grade 4. Score only. Duration 8:00. Published by C. Alan Publications (CN.10171). Commissioned byThe Andover High School Symphony BandBloomfield Hills, MI, Robert H. Ambrose, ConductorDedicated to the Memory ofDr. Robert H. Ambrose, M.D.1925-1994.
$12.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: 20th Century, Classical
Sword Dancer. (Oboe Feature). By Catherine McMichael. For Soloist(s) with Concert Band (Piccolo, Flute 1/2, Oboe, Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3, Bass Clarinet in Bb, Bassoon, Contrabassoon, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Oboe Solo, Trumpet in Bb 1, Trumpet in Bb 2/3, Horn in F 1, Horn in F 2, ). Band Music. Grade 4. Score and parts. Duration 8:00. Published by C. Alan Publications (CN.10170). Commissioned byThe Andover High School Symphony BandBloomfield Hills, MI, Robert H. Ambrose, ConductorDedicated to the Memory ofDr. Robert H. Ambrose, M.D.1925-1994.
$78.20

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: 20th Century, Classical
Cape Breton Postcard by Catherine McMichael. For Concert Band (Piccolo, Flute 1/2, Oboe, Bassoon, Clarinet in Bb 1/2/3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2, Trumpet in Bb 3, Horn in F 1/2, Trombone 1/2, Euphonium, (Baritone T.C.), Tuba, Timpani, Per). Band Music. Grade 3. Score only. Duration 7:00. Published by C. Alan Publications (CN.10091). What is it about Cape Breton? What makes the people so strong and their music so keen? In 1497 the first Europeans led by the famed explorer John Cabot arrived on Cape Breton, which is now part of Nova Scotia, Canada. Cabot's discovery of the island led to its gradual settlement by Scots, Irish, French and English. The mid 1700s brought major changes to Scotland with the end of the Highland Clan System. Contemplating a grim future in their homeland, many Scots left for new opportunity in Cape Breton. Cape Breton has since become a stronghold of Gaelic culture, some say more deeply Scottish than Scotland. This fierce blend of daring, edgy courage, pathos and energy has become distilled to a fine, strong spirit in the music played by Bretonians from then until now. Music from Cape Breton is Celtic times twenty!The three movements of Cape Breton Postcard are meant to portray the integral bond between the land and the soul: Dawn, Mist and Thunder are all intrinsic to the Cape Breton environment. The Mist is derived from a melody for solo fiddle called "Arisaig Mist" by Wilfred Gillis, a Canadian composer, and used by permission of Cranford Publications of Cape Breton Island. That haunting melody was the starting point for the concept of the entire piece. All other melodies are original to this work but inspired by much listening to music from Cape Breton.Cape Breton Postcard was commissioned by the Hill Country Middle School Bands in Austin, Texas, Cheryl Floyd and Chuck Fisher, directors. The commission was funded by the Baylor University School of Music, Dr. Kevin Sedatole, conductor, and the Stevenson family. The piece was premiered by the Hill Country Middle School Band on May 24, 2005 at the Westlake High School Auditorium with the composer present. The orchestra adaptation was premiered by the Midland (MI) Community Orchestra, Robert Ralston, conductor on February 19, 2006.
$12.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Euphonium, Percussion, Timpani, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: 20th Century, Classical
Cape Breton Postcard by Catherine McMichael. For Concert Band (Piccolo, Flute 1/2, Oboe, Bassoon, Clarinet in Bb 1/2/3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2, Trumpet in Bb 3, Horn in F 1/2, Trombone 1/2, Euphonium, (Baritone T.C.), Tuba, Timpani, Per). Band Music. Maestro Band Series. Grade 3. Score and parts. Duration 7:00. Published by C. Alan Publications (CN.10090). What is it about Cape Breton? What makes the people so strong and their music so keen? In 1497 the first Europeans led by the famed explorer John Cabot arrived on Cape Breton, which is now part of Nova Scotia, Canada. Cabot's discovery of the island led to its gradual settlement by Scots, Irish, French and English. The mid 1700s brought major changes to Scotland with the end of the Highland Clan System. Contemplating a grim future in their homeland, many Scots left for new opportunity in Cape Breton. Cape Breton has since become a stronghold of Gaelic culture, some say more deeply Scottish than Scotland. This fierce blend of daring, edgy courage, pathos and energy has become distilled to a fine, strong spirit in the music played by Bretonians from then until now. Music from Cape Breton is Celtic times twenty!The three movements of Cape Breton Postcard are meant to portray the integral bond between the land and the soul: Dawn, Mist and Thunder are all intrinsic to the Cape Breton environment. The Mist is derived from a melody for solo fiddle called "Arisaig Mist" by Wilfred Gillis, a Canadian composer, and used by permission of Cranford Publications of Cape Breton Island. That haunting melody was the starting point for the concept of the entire piece. All other melodies are original to this work but inspired by much listening to music from Cape Breton.Cape Breton Postcard was commissioned by the Hill Country Middle School Bands in Austin, Texas, Cheryl Floyd and Chuck Fisher, directors. The commission was funded by the Baylor University School of Music, Dr. Kevin Sedatole, conductor, and the Stevenson family. The piece was premiered by the Hill Country Middle School Band on May 24, 2005 at the Westlake High School Auditorium with the composer present. The orchestra adaptation was premiered by the Midland (MI) Community Orchestra, Robert Ralston, conductor on February 19, 2006.
$64.40

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Euphonium, Percussion, Timpani, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: 20th Century, Classical
Spirit of the Shannon. (Flute Feature). By Catherine McMichael. For Soloist(s) with Concert Band (Flute 1/2, Oboe 1/2, Bassoon 1/2, Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2/3, Horn in F 1, Horn in F 2, Trombone 1/2, Bass Trombone, Euph). Band Music. Grade 3. Score only. Duration 4:30. Published by C. Alan Publications (CN.10081). Celtic in style, this one movement concerto for flute is in three sections: lively, lovely and really, really fast! The accompaniment is accessible by an intermediate level band.
$12.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Bass Trombone, Woodwinds, Clarinet, Saxophone, Brass, Trumpet, Trombone
Genres: 20th Century, Classical