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Trial By Jury. Critical edition/large score, Cloth by Arthur & W S Gilbert Sullivan. Edited by Steven Ledbetter. For Soli, SATB choir; 1 (piccolo) 121; 2220; Timpani, Percussion; strings. Critical edition and large score. Duration 45:00. Published by Broude Brothers (BB.G-S1). ISBN 0-8450-3001-9.
$225.00

Instruments: Choir, Piccolo, Percussion, Timpani, Vocal, Flute, Woodwinds
L'Arbre enchante (Opera-comique in einem Akt). By Christoph Willibald von Gluck (1714-1787). Edited by Alan Brown. For 2 soprano voice solos, alto voice solo, tenor voice solo, baritone voice solo, bass voice solo, flute, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, strings. This edition: Clothbound, Complete edition, Urtext edition. Gluck. Samtliche Werke. Serie IV, Band 11. Versailles 1775. Score. Language: French. 115 pages. Published by Baerenreiter Verlag (BA.BA5806). ISBN 9790006495573. With Language: French. 33.0 x 25.5 cm inches.
$222.95

Instruments: Baritone Voice, Flute, Clarinet, Oboe, Bassoon, Horn, Soprano Voice, Bass Voice, Tenor Voice, Alto Voice, Voice, Vocal, Woodwinds, Brass
Genres: Classical Period, Opera, Classical, Miscellaneous
Faham - 1ere symphonie pour orchestre by Bernard Carlosema. Orchestra. For Flutes 1-2, Clarinet in Bb 1-2, Oboes 1-2, Bassoons 1-2, Horns in F 1-2, Horns in F 3-4, Trumpets in C 1-2, Trumpet in C 3, Trombones 1-2, Trombone 3, Bass flute in C, English horn in F, Bass clarinet in Bb, Double bassoon, Tuba in C, Harp 1, Harp 2, Viol. This edition: Instrumental. Orchestra music. Instrumental parts. 26 pages. Published by Anne Fuzeau Productions - France (FZ.5612). ISBN M230656122. 29.7 x 42 cm inches. This editorial collection depends to a great extent on the creativity of young composers. This music score was composed by Bernard Carlosema for symphony orchestra. Flutes 1-2Clarinet in Bb 1-2Oboes 1-2Bassoons 1-2Horns in F 1-2Horns in F 3-4Trumpets in C 1-2Trumpet in C 3Trombones 1-2Trombone 3Bass flute in CCor anglais in FBass clarinet in BbDouble bassoonTuba in CHarp 1Harp 2Violins 1 (A-B)Violins 1 (C-D)Violins 2 (A-B)Violins 2 (C-D)Alti (A-B)Alto (C)Cellos (A-B)Cello (C)Double Bass A-B.
$219.95

Pages: 26
Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Bassoon, English Horn, Double Bass, Harp, Trombone, Tuba, C Trumpet, Woodwinds, Clarinet, Strings, Brass, Trumpet
Genres: Classical
A Symphony for Salem by D. Mark McCoy. For Concert Band (Piccolo/Alto Flute, Flute, Oboe, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet, Bassoon, Eb Alto Saxophone, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, F Horn 1-2, F Horn 3-4, Trombone 1, Trombone 2). Grade 5. Score and parts. Duration 19:50. Published by C. Alan Publications (CN.08880). "Thou shalt not suffer a witch to live..." Exodus 22:18Movement I: THE DANCEAccording to Arthur Miller's play, "THE CRUCIBLE", the entire episode began when several young girls (one the daughter of the minister) were caught dancing nude in the fields. To escape the harsh puritan punishments administered for their sins, the girls claimed Tituba, a slave woman from Barbados, had "conjured" spirits. This movement evokes the mood of that first night as each of four instruments (flute, oboe, clarinet and bassoon), portrays one of the antagonists on their journey into the forest on that dark night. The "devil's voice" is heard in euphonium as he changes the mode of the girls dance theme. As the dance builds to a feverish climax, the strains of music from the church are heard echoing in the distance. The dissonance of these themes is indicative of the inherent conflict in the young girl's actions. "The Devil's Waltz" is heard as the girls join in the seductive, ritualistic dance. The initial dance theme is heard again (with its modal alterations) as the girls return to the village and the church. The last strain of the movement corresponds to the line from the hymn "for still our ancient foe doth seek to work us woe..."Movement II: SCENES FROM THE VILLAGE (THE ACCUSED)Salem village was a contentious place full of hard-working, deeply religious people. The town had been suffering land battles for years. The New England winters were dull and hard and there was little to do as celebratory events such as Christmas or Mardi Gras were forbidden. The Village had been caught up in serious disputes with three previous ministers before it finally settled on its fourth, the Reverend Samuel Parris. The power of God and Satan was unquestioned. In this environment, hysteria could run rampant on this sleepy village. Between June and September of 1692, scores of men and women were accused of and tried for witchcraft. Themes in this movement represent two married couples and an old matron accused and executed as witches. Rebecca Nurse was a pious, nearly deaf, seventy-one year old woman. She replied to her accusers "OF this thing I am innocent as a child unborn, but surely, what sin hath God found in me unrepented of that He could lay such an affliction on me in my old age?" Martha Cory denied ever having been a witch and her husband Giles, in his humility had actually testified against her. John Procter was one of the first to speak out against the girls. "If they are let alone we should all be devils and witches." When first his wife and then he himself were accused, witnesses said that it met with much skepticism. The movement begins with Rebecca's theme, it's spinning continuo emblematic of her rocking chair. She had seen difficult times before; just when it seems her theme will stop, it finds the strength to continue. Next the "Cory theme" is heard representing the old couple trying to survive the harsh winter. As the village comes to life, their themes are turned into fugue and double fugue. As the movement nears its end, a love theme is heard representing the strong bond between the Proctors. Their theme is honest, strong and consonant, until the added Eb gives the theme an uneasy feeling of some discord lurking below the surface of this serene melody.Movement III: THE TRIALIn all, fourteen women and six men were put to death as witches. Nineteen of them were hanged. In an attempt to coerce a confession, Giles Cory was "pressed" to death by adding rocks to his chest until he was crushed. Reportedly his last words were "More Weight". Despite their high place of esteem in the community. the Proctors were given to the gallows to appease the screaming children. Even pious, God-fearing Rebecca Nurse was sent to Gallows Hill.The trials were a mockery of judicial restraint. When the accused were lead in, the girls would fall writhing on the floor, accusing the defendants of attacking, pinching, or biting them. If the judges remained unimpressed, the girls would claim the "witches" were sitting on the beams over their heads. The courtroom was a cacophonous, wicked circus with no chance of defense or search for the truth. This movement recreates the air of frustration and confusion as each of the accused are lead in, questioned and interrupted as they attempt to defend themselves. An eight-note theme is truncated again and again as if it were sand passing through an hourglass, for once in the courtroom, it was simply a matter of time until the guilty verdict was issued. The "Cory theme" is heard First and, as they state their case, the people of the village join in to claim their innocence. Their defense goes unheard. Martha is sent to the gallows and Giles is "pressed" to death. The love theme of the Proctors is heard again but it too is interrupted and ignored. They are sent to their deaths. Rebecca's theme is uttered softly to no avail; unlike before, it hasn't the power to continue. She is condemned to death as well.Movement IV: THE QUESTIONFinally, the Governor of Massachusetts forbad the use use of "spectral evidence" in the proceedings. The girls were silenced. Several months after the fury had dissipated, the "afflicted" girls were walking in a nearby town. As they passed a woman that they did not know, they fell writhing on the ground, accusing the woman of witchcraft. However, the people of this town paid the girls no attention. They had no desire to repeat the sins of Salem. The surprised girls rose and went on their way. No words were spoken, no names and deeds given, no apparitions imagined or explained.Narcissism would have us believe that that incident closed the book on witch trials in America. But history proves otherwise. The innocent people whose lives were wrecked by the McCarthy Hearings as recently as the 1950's relived the sins of Salem in a very real sense. The perrenial election-year arguments are at times eerily reminiscent of the witch hunts. "Those who do not study history are doomed to repeat it..." it would seem as true for most who do. Despite the fact that we condemn the people of Salem, we are all too capable of repeating their mistakes. The question is unfortunately not "will it happen again?" but "when......?".
$216.20

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: Classical
Symphony for William by Derek Bourgeois (1941-). For Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1, Oboe 2, Clarinet in Eb, Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3, Bass Clarinet, Bassoon 1, Bassoon 2, Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone, Baritone Saxophone, Trumpet 1, Trumpet 2, Trumpet 3,). Band Music. Grade 6. Score and parts. Duration 21:00. Published by C. Alan Publications (CN.16230). This dramatic three-movement work is Derek Bourgeois at his best. Angular melodies and masterful scoring characterize this 20-minute symphony.
$216.20

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, B-Flat Trumpet, Woodwinds, Clarinet, Saxophone, Trumpet, Brass
Genres: Classical, 20th Century
Paulus by Felix Bartholdy Mendelssohn (1809-1847). Edited by John Michael Cooper. For 2 flutes, 2 oboes, 2 clarinets (b flat), 2 bassoons, contrabassoon, 4 horns, 2 trumpets, alto trombone, tenor trombone, bass trombone, serpent, kettledrum. This edition: Urtext edition. Oratorium (Oratorios). Set of wind parts. Opus 36. 329 pages. Published by Baerenreiter Verlag (BA.BA9071-65). ISBN 9790006527595. Oratorium (Oratorios). 32.5 x 25.5 cm inches.
$215.95

Pages: 329
Instruments: Flute, Clarinet, Oboe, Bassoon, Horn, B-Flat Trumpet, Bass Trombone, Percussion, Woodwinds, Brass, Trumpet, Trombone
Genres: Classical
Concerto Per Due Chitarre E Orchestre. (For Guitar and Orchestra). By Mario Castelnuovo Tedesco (1895-1968) and Mario Castelnuovo-tedesco (1895-1968). For Flute 1, Flute 2, Oboe, Clarinet 1, Clarinet 2, Bassoon, Horn 1, Horn 2, Trumpet, Timpani, Drum, Percussion 1, Percussion 2, Violin 1, Violin 2, Viola, Cello, Double Bass. Set of parts. Standard notation. Opus 201. Published by Berben (PR.576007210). With Standard notation.
$215.45

Instruments: Guitar, Flute, Clarinet, Oboe, Bassoon, Horn, Violin, Cello, Viola, Double Bass, B-Flat Trumpet, Percussion, Timpani, Woodwinds, Brass, Strings, Trumpet
Genres: Classical, 20th Century
Aiscrim by Ivan Fedele. For Flute, Clarinet and Piano. Chamber Music with Piano. Set of parts. Composed 1983. 51 pages. Duration 4 minutes. Published by Edizioni Suvini Zerboni (M7.ESZ-9233).
$213.95

Pages: 51
Instruments: Piano Accompaniment, Flute, Clarinet, Piano, Piano and Keyboard, Woodwinds
God Is With Us is a celebration of a miracle: the appearance of God on earth in the body and human soul of Jesus Christ. C.S. Lewis calls this amazing birth "A grand miracle. Every other miracle prepares for this, or exhibits this, or results from this." The Incarnation is a sacred event so thrilling, so humbling, so mystifying that we must stand breathless in wonder and awe.God Is With Us tells the Christmas story using choir, soloists and a scripture narrative. The accompaniment may be simply piano and/or organ. If you have the resources, the magnificent full orchestration is available for purchase (there is a smaller chamber orchestration as well). As is always the case with major works, Alfred offers recorded orchestral accompaniment.God Is With Us is traditional in style, but features innovative twists and turns. It combines exciting and moving classical music by Faure, Beethoven, Vivaldi, Tchaikovsky and Billings with some of the world's most loved Christmas Carols. It begins with the awe-filled simplicity of Gregorian Chant and concludes with a fun, festive journey through favorite carols with a Nutcracker flair. And in between, one experiences indescribably beautiful music, worthy of the celebration of such a glorious and miraculous event.God Is With Us is not difficult. It is intentionally composed and arranged with the average mixed choir in mind and it offers a heart-warming and joyful worship experience for choirs of all sizes and skill levels. Except for an occasional optional "high" note, vocal ranges are quite reasonable. The work is about 36 minutes long and is appropriate for churches with various worship traditions. So, with boundless praise and thanks, we encourage you to join us in exclaiming: Alleluia! God Is With Us!Full Orchestration includes: Flute 1 & 2, Oboe, B-flat Clarinet 1 & 2, F Horn 1 & 2, B-flat Trumpet 1, 2 & 3, Trombone 1, 2 & 3, Tuba, Percussion, Piano, Harp, Violin 1 & 2, Viola, Cello, and Bass.Chamber Orchestra includes: Flute, Oboe, B-flat Clarinet, F Horn, B-flat Trumpet 1 & 2, Trombone 1 & 2, Piano, Violin 1 & 2, Viola, and Cello/Bassoon.
$210.64

Instruments: Choir, Vocal, Piano, Organ, Flute, Clarinet, Oboe, Bassoon, Horn, Violin, Cello, Viola, Harp, Trumpet, Trombone, Bass Guitar, Percussion, Tuba, Other, Piano and Keyboard, Woodwinds, Brass, Strings, Guitar
God Is With Us is a celebration of a miracle: the appearance of God on earth in the body and human soul of Jesus Christ. C.S. Lewis calls this amazing birth "A grand miracle. Every other miracle prepares for this, or exhibits this, or results from this." The Incarnation is a sacred event so thrilling, so humbling, so mystifying that we must stand breathless in wonder and awe.God Is With Us tells the Christmas story using choir, soloists and a scripture narrative. The accompaniment may be simply piano and/or organ. If you have the resources, the magnificent full orchestration is available for purchase (there is a smaller chamber orchestration as well). As is always the case with major works, Alfred offers recorded orchestral accompaniment.God Is With Us is traditional in style, but features innovative twists and turns. It combines exciting and moving classical music by Faure, Beethoven, Vivaldi, Tchaikovsky and Billings with some of the world's most loved Christmas Carols. It begins with the awe-filled simplicity of Gregorian Chant and concludes with a fun, festive journey through favorite carols with a Nutcracker flair. And in between, one experiences indescribably beautiful music, worthy of the celebration of such a glorious and miraculous event.God Is With Us is not difficult. It is intentionally composed and arranged with the average mixed choir in mind and it offers a heart-warming and joyful worship experience for choirs of all sizes and skill levels. Except for an occasional optional "high" note, vocal ranges are quite reasonable. The work is about 36 minutes long and is appropriate for churches with various worship traditions. So, with boundless praise and thanks, we encourage you to join us in exclaiming: Alleluia! God Is With Us!Full Orchestration includes: Flute 1 & 2, Oboe, B-flat Clarinet 1 & 2, F Horn 1 & 2, B-flat Trumpet 1, 2 & 3, Trombone 1, 2 & 3, Tuba, Percussion, Piano, Harp, Violin 1 & 2, Viola, Cello, and Bass.Chamber Orchestra includes: Flute, Oboe, B-flat Clarinet, F Horn, B-flat Trumpet 1 & 2, Trombone 1 & 2, Piano, Violin 1 & 2, Viola, and Cello/Bassoon.
$210.64

Instruments: Choir, Vocal, Piano, Organ, Flute, Clarinet, Oboe, Bassoon, Horn, Violin, Cello, Viola, Harp, Trumpet, Trombone, Bass Guitar, Percussion, Tuba, Other, Piano and Keyboard, Woodwinds, Brass, Strings, Guitar
Variations on an Original Theme for Orchestra "Enigma" by Edward Elgar (1857-1934). Edited by Christopher Hogwood. For 2 flutes, 2 oboes, 2 clarinets (b flat), 2 bassoons, contrabassoon, 4 horns, 3 trumpets, 3 trombones, tuba, organ, kettledrum, percussion. This edition: Urtext edition. Set of wind parts. Opus 36. 142 pages. Published by Baerenreiter Verlag (BA.BA9042-65). ISBN 9790006527779. 32.5 x 25.5 cm inches.
$208.95

Pages: 142
Instruments: Organ, Flute, Clarinet, Oboe, Bassoon, Horn, B-Flat Trumpet, Trombone, Percussion, Tuba, Piano and Keyboard, Woodwinds, Brass, Trumpet
Genres: Classical, 20th Century
Suite by Gabriel Grovlez (1879-1944). For alto saxophone in Eb solo, string quintet (violin 1 and 2, viola, cello and double bass), horn in F, flute and harp. This edition: Instrumental. Small ensemble music. Grade 3. Instrumental parts. 9 pages. Duration 16 minutes. Published by Anne Fuzeau Productions - France (FZ.3390). ISBN M230633901. 21 x 29.7 cm inches. For alto solo saxophone in Eb, strings' quintet (violin 1 and 2, alto, cello and double bass), horn in F, flute and harp.
$207.95

Pages: 9
Instruments: Flute, Alto Saxophone, Horn, Violin, Cello, Viola, Double Bass, Harp, Woodwinds, Saxophone, Brass, Strings
Genres: 20th Century, Classical
Symphony AD 78 by Gordon Jacob (1895-1986). For Concert Band (Piccolo, 1st Flute, 2nd Flute, Oboe 1/2, Bassoon 1/2, Eb Clarinet, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet, Bb Bass Clarinet, Eb Alto Saxophone 1/2, Bb Tenor Saxophone, Eb Baritone Saxophone, 1st Bb Cornet, 2nd/3rd Bb Cornet, 1). Band Music. Grade 5. Score and parts. Duration 15:30. Published by C. Alan Publications (CN.R10158). With this Symphony, Gordon Jacob proclaims his absolute mastery of idiom and instrumentation with a triumphant rejoicing. Written in 1978 as a commission from Arthur Doyle (hence the "AD" in the title, a typical piece of Jacob wit), it lay virtually unplayed save for the efforts of his Estate, Troy Peterson and Geoffrey Brand and CBDNA (College Band Directors Association, USA), who between them ensured that it was professionally recorded in 1994 and published in 1995.There is little point in indulging in semantics as to whether the piece is a Symphony. It is Jacob's approach to his tuneful, folk-based material which is symphonic: weighty in exposition and development, sonorous and expressive in the slow movement, with a scherzo-like last movement and a giocoso coda.After a brilliant opening fanfare, the quick triple-meter first theme (Allegro Risoluto) is introduced on clarinets, punctuated with brass. It is soon followed by a contrasting melody for saxophone. In all this material the interval of a 4th is prominent, and throughout the work the 4th and 7th are important. Perhaps it is the frequent use of the 7th which gives a feeling of restlessness without resolution which pervades this movement as the themes are dissected and developed.The second movement follows directly after a horn bridge. Still the melody outlines the 7th and the ear is not satisfied until the full band (with organ), comes to rest in Bb major. This point of repose and the magic pianissimo which follows shortly after when the slow theme is re-stated, are the apex of the Symphony's construction.Soon, however, we are transported, via a fanfare, into a helter-skelter 9/8 romp: rustic, English, and almost vulgar, this theme is thrown around the group before exploding into a boisterous 2/4 coda.
$207.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Cornet, Woodwinds, Clarinet, Saxophone, Trumpet, Brass
Genres: Classical, 20th Century
Trombone Concerto. (Trombone Feature). By Derek Bourgeois (1941-). For Soloist(s) with Concert Band (Solo Trombone, Piccolo, 1st Flute, 2nd Flute, Oboes, Eb Clarinet*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet*, Bb Bass Clarinet, Eb Alto Saxophone, Bb Tenor Saxophone, Eb Baritone Saxophone*, 1st/2nd F Horn, 3rd/4th F Horn, 1st B). Band Music. Platinum Band Series. Grade 5. Score and parts. Duration 20:00. Published by C. Alan Publications (CN.R10024). The first movement of Derek Bourgeois' Trombone Concerto is constructed Classically: the solo trombone immediately launches into the opening theme in F minor, conceived harmonically in a sequence of descending thirds and it is the solo trombone too that introduces the lyrical second idea, in A flat, presented over chords which are given mobility by dark-toned alto and bass clarinets.These contrasting subjects give the composer ample opportunity to let loose his fertile imagination, whether expanding on the Baroque qualities of the opening material in a fugato section for woodwinds, or boldly stating the romantic second theme on brass leading to cascading sextuplets, or with the soloist presenting the first theme in augmentation against a ripple of semi-quavers.After this development, there is virtually a formal recapitulations in the woodwinds and the soloist repeats the second theme in tonic (F) major. The movement closes with pianissimo chords - no great bravura here, but leading us in mood to the second movement which opens a tone lower in E-flat.Here, the rich tone of the soloist is matched by three accompanying trombones - with the writing equaling the expressiveness of a cello quartet. Gradually, the rest of the low brass join as the solo trombone weaves a seamless, almost Wagnerian theme, extending phrases sequentially. This movement has two separate thoughts and a solo clarinet answers the trombone with a new theme accompanied only by three horns, euphonium, and pizzicato string bass.Whilst most of the slow movement is contemplative, Bourgeois allows the band to unleash the full fortissimo passion implied in the second, clarinet theme, before the movement closes as it began - but this time only two trombones accompany the soloist, and all three are muted.After the passion of the slow movement, Bourgeois adopts a Classical rondo form as a 6/8 Scherzo, marked Presto, which gives the release we need. It is fun, to be thrown off lightly as we enjoy the semitone shifts with a wry smile. Towards the end of the movement is a cadenza which alludes to the thematic content of the first movement, but aurally the hard work has been done. For the soloist however, the music requires a virtuoso combination of slide and tongue.Derek Bourgeois' Trombone Concerto was commissioned by the British Trombone Society for the International Trombone Workshop at Eton, England, July 1989 with gratefully acknowledged assistance from Southern Arts. The world premiere was given by Christian Lindberg.
$207.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Horn, Trombone, Woodwinds, Clarinet, Saxophone, Brass
Genres: Classical, 20th Century, Latin
Variations on a Bass Theme by Geoffrey Brand. Arranged by Geoffrey Brand. For Concert Band (Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe, Eb Clarinet*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet*, Bb Bass Clarinet, 1st Bassoon, 2nd Bassoon, 1st Eb Alto Saxophone, 2nd Eb Alto Saxophone, Bb Tenor Saxophone, Eb Bariton). Band Music. Grade 5. Score and parts. Duration 10:00. Published by C. Alan Publications (CN.R10254). "Variations on a Bass Theme" was written in 1986 for brass band and the original version was titled "Diversions on a Bass Theme." The composer himself wrote:"This piece is a set of variations. Traditionally variations were what they said they were, i.e. a given tune was treated in a variety of ways. The pattern of this work is made the other way round: a number of tunes grow out of the first bar, played by the tubas, which provide the motif for the whole work.Arranger's Note:The suggestion to arrange the work for symphonic wind band came from George Lloyd: he felt the piece lent itself to such transcription and asked if I would be interested in undertaking it. Interestingly, he always referred to the piece as his Variations on a Bass Theme and I have reflected this in the title of this concert band version. In all other respects the work is exactly as George Lloyd wrote it.
$207.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Tenor Saxophone, Bassoon, Woodwinds, Clarinet, Saxophone
Concerto for Saxophone & Wind Symphony. (Saxophone Feature). By Jere Hutcheson. For Soloist(s) with Concert Band (Piccolo, Flute 1/2/3, Oboe 1/2, English Horn, Soprano Clarinet in Eb, Clarinet in Bb 1/2/3, Bass Clarinet in Bb, Bassoon 1/2, SOLO ALTO SAXOPHONE (doubling Soprano Saxophone in 2nd mvt), Trumpet in Bb, Horn in F 1/2, Trombone 1, Bass Trombone, Euphonium, ). Band Music. Grade 5. Score and parts. Duration 18:00. Published by C. Alan Publications (CN.14140). Concerto for Saxophone is dedicated to Joseph Lulloff, saxophonnist, and The Michigan State University Wind Symphony, John Whitwell, conductor.
$207.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Soprano Saxophone, Bassoon, English Horn, B-Flat Trumpet, Bass Trombone, Euphonium, Woodwinds, Clarinet, Saxophone, Trumpet, Brass, Trombone
Genres: Classical
Symphony No. 2: Genesis by David Gillingham. For Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1/2, English Horn, Bassoon 1/2, Eb Soprano Clarinet, Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3, Bass Clarinet, Contrabassoon, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in B). Band Music. Grade 5. Score and parts. Duration 20:00. Published by C. Alan Publications (CN.14760). Like Symphony No.1 (Apocalyptic Dreams), Symphony No. 2 ("Genesis") is programmatic and based on Biblical scripture. Symphony No. 2 is inspired by the first nine chapters of Genesis and is divided into five movements: I. In the beginning; II. Eden and the forbidden fruit; III. Noah and the Ark; IV. The floodgates of heaven; and V. The sign of the covenant.Movement I. In the beginning, opens mysteriously with the whirring of flexible plastic hoses in the percussion and a pedal G in the vibraphone which signify chapter 1, verse 2, "Now the earth was formless and empty, darkness was over the surface of the deep, and the Spirit of God was hovering over the waters." God's presence and voice are represented by repeated notes leading to a note a half step above and then back down, (the "God motive") first heard by the horns in the thirteenth measure. Following are ascending passages in the Eb clarinet over harp-like passages in the piano indicative of chapter 1, verse 3, "And God said 'Let there be light', and God saw that the light was good, and he separated the light from the darkness." An accumulation of texture follows building into an expansive tone cluster which breaks into G major with a soaring melodic line in the horns. The section represents chapter 1, verse 6, "And God said, 'Let there be an expanse between the waters to separate water from water.'" Ensuing is the essence of chapter 1, verse 11, "Then God said, ' Let the land produce vegetation: seed-bearing plants and trees on the land that bear fruit with seed in it, according to their various kinds.'", and chapter 1, verse 14-15, "And God said, 'Let there be lights in the expanse of the sky to separate the day from the night, and let them serve as signs to mark seasons and days and years, and let there be lights in the expanse of the sky to give light on the earth.'" Strident articulations of chords along with the brake drum begin this section, likened to lightening, followed by rustling in the clarinets over clusters in the brass followed again by a soaring horn melody emulating the voice of God. Trills and ascending passages in the woodwinds and piano over low brass chords characterize the next section which expresses the creation of living creatures expressed by chapter 1, verse 20 and 24, "And God said, 'Let the water teem with living creatures, and let birds fly above the earth across the expanse of the sky'"; "And God said, 'Let the land produce living creatures according to their kinds: livestock, creatures that move along the ground, and wild animals, each according to its kind.'" A quiet and most reverent section ensues which expresses the voice of God (the "God motive") as He creates his most prized possession, Man, as written in chapter 1, verse 26, "Then God said, 'Let us make man in our image, in our likeness and let them rule over the fish of the sea and the birds of the air, over the livestock, over all the earth, and over all the creatures that move along the ground'". The movement ends with a sort of benediction which utilizes the "God motive" and ends quite peacefully in G major, all inspired by chapter 2, verse 2, "By the seventh day God had finished the work he had been doing; so on the seventh day He rested from all His work.'"Movement II. Eden and the Forbidden Fruit, seeks to exploit both the beauty and the wrath of God. The first part of the movement is devoted to the Garden of Eden, the creation of the woman (Eve) and The Tree of Knowledge of Good and Evil. Verses 8-9, 16-17, and 21-22, from the 2nd chapter of Genesis provide the inspiration for this part of the movement: "Now the Lord God had planted a garden in the east, in Eden; and there He put the man He had formed. And the Lord God made all kinds of trees grow out of the ground--trees that were pleasing to the eye and good for food. In the middle of the garden were the tree of life and the tree of the knowledge of good and evil." "And the Lord God commanded the man, 'You are free to eat from any tree in the garden; but you must not eat from the tree of the knowledge of good and evil, for when you eat of it you will surely die.'" "So the Lord God caused the man to fall into a deep sleep; and while he was sleeping, He took one of the man's ribs and closed up the place with flesh. Then the Lord God made a woman from the rib He had taken out of the man, and He brought her to the man." The mood begins to change when the euphonium plays the first two phrases of the hymn O God Our Help in Ages Past (Tune by William Croft 1708; "St. Anne"). Tempted by a most crafty serpent, Adam and Eve eat the forbidden fruit from the tree of knowledge of good and evil: "When the woman saw that the fruit of the tree was good for food and pleasing to the eye, and also desirable for gaining wisdom, she took some and ate it. She also gave some to her husband, who was with her, and he ate it" (chapter 3, vs. 6). The hymn abruptly ends articulated by stopped horns. Following, is a section filled with angry and evil motives and dissonant textures which allude to the consequences of eating the forbidden fruit: "To the woman he said, 'I will greatly increase your pains in childbearing; with pain you will give birth to children. Your desire will be for your husband, and he will rule over you'" (chapter 3, vs. 16). And to Adam he said, "Cursed is the ground because of you; through painful toil you will eat of it all the days of your life. It will produce thorns and thistles for you, and you will eat the plants of the field. By the sweat of your brow you will eat your food until you return to the ground, since from it you were taken; for dust you are and to dust you will return" (chapter 3, vs. 17-19). The movement ends in woeful reflection of the curse that God bestowed upon mankind.Movement III. Noah and the Ark, is in a scherzo-trio structure. The scherzo section is set in compound duple meter and reflects Noah's overwhelming job to build a most expansive ark as described in chapter 6 of Genesis. The trio is almost child-like in mood and quotes the hymn All Things Bright and Beautiful (Words by Cecil F. Alexander, 1848, 17th century English melody):All things bright and beautiful,All creatures great and small,All things wise and wonderful,The Lord God made them all.The hymn serves to create the image of boarding all the "creatures" on the ark: "You are to bring into the ark two of all living creatures, male and female, to keep them alive with you. Two of every kind of bird, or every kind of animal and of every kind of creature that moves along the ground will come to you to be kept alive." (Chapter 6, vs. 16-20.) The recapitulation of the trio is interrupted by a dissonant textural crescendo leading to movement IV.Movement IV. The Floodgates of Heaven, begins with falling rain (closed hi-hats) over a pedal Eb. After several strikes of lightning, tutti chords, the heavens open up and it begins to pour (cascading woodwind passages). As described in Chapter 7, vs. 11-12: "In the six hundredth year of Noah's life, on the seventeenth day of the second month--on that day all the springs of the great deep burst forth, and the floodgates of the heavens were opened. And rain fell on the earth forty days and forty nights." Under the cascading woodwinds the horns and trumpets sing a theme of destruction. The intensity grows and reaches its height in C major and becomes quiet with a repeated eighth note pedal on C in the trumpets. Then, motives from the death chant, Dies Irae, appear in the woodwinds and piano representative of Chapter 7, vs. 23: "Every living thing on the face of the earth was wiped out; men and animals and the creatures that move along the ground and the birds of the air were wiped from the earth. Only Noah was left, and those with him in the ark." The section builds to a partial statement of the chant by the full ensemble ending with a pedal on G by the timpani.Movement V. The Sign of the Covenant is the fifth and final movement of the symphony. The first part of the movement reflects the dove sent by Noah to find land. The piccolo solo aptly alludes to the bird as it flies toward land and brings back the olive branch: "He waited seven more days and again sent out the dove from the ark. When the dove returned to him in the evening, there in its beak was a freshly plucked olive leaf! Then Noah knew that the water had receded from the earth" (chapter 8, vs. 10-12). Below the continuing song of the piccolo (the dove), the horns sing a theme of celebration as Noah and the animals step off the ark onto dry land. A prayer follows with a series of overlapping cadences alluding to Noah building an altar and God vowing not to ever again destroy the living things on earth (chapter 8, vs. 20: "Then Noah built an altar to the Lord.."; Chapter 8, vs. 21-22: "Never again will I curse the ground because of man, even though every inclination of his heart is evil from childhood. And never again will I destroy all living creatures, as I have done."). The symphony ends in fanfare modulating dramatically to E major and then fading away to a single E major chord in the marimba which then fades to silence (Chapter 9, vs. 12-13: "This is the sign of the covenant I am making between men and you and every living creature with you, a covenant for all generations to come: I have set My rainbow in the clouds, and it will be the sign of the covenant between Me and the earth.").Dedicated to Dr. Mallory B. Thompson in celebration of her first decade as Director of Bands at Northwestern University.
$207.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, English Horn, B-Flat Trumpet, Woodwinds, Clarinet, Saxophone, Trumpet, Brass
Genres: Classical
Elias (Elijah) (Elie) (Ein Oratorium nach Worten des Alten Testaments). By Felix Bartholdy Mendelssohn (1809-1847). Edited by R. Larry Todd. For Soli SATB, SATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 4 Horn, 2 Trumpets, 3 Trombones, Oficleide, Timpani, 2 Violins, Viola, Cello, Contrabass, Organ. This edition: paperbound. Score available separately - see item CA.4013001. Oratorios; Stuttgart Urtext Editions; Use / Occasion: Psalms. Level 4. Score. Language: German/English. Composed 1844-1846. 70. 496 pages. Duration 130 min. Published by Carus Verlag (CA.4013000). ISBN M-007-08778-4. With Language: German/English. Oratorios; Stuttgart Urtext Editions; Use / Occasion: Psalms.
$206.95

Pages: 496
Instruments: Choir, Organ, Flute, Clarinet, Oboe, Bassoon, Horn, Violin, Cello, Viola, Double Bass, B-Flat Trumpet, Trombone, Percussion, Timpani, Vocal, Piano and Keyboard, Woodwinds, Brass, Strings, Trumpet
Genres: Classical
This value collection features ten outstanding big band jazz ensemble arrangements at the medium difficulty level. The charts are written by experienced educational jazz arrangers and composers in a variety of styles and tempos: swing, ballad, and jazz-rock. Books are available for full instrumentation---5/4/4/4, plus optional books for flute, horn in F, 1st /2nd /3rd baritone horn T.C., and tuba. The conductor book includes full-length recordings of all arrangements to listen to, study, and use as a resource. Titles: Get it On, Greensleeves, Jumpin' at the Woodside, Just in Time, Lester Leaps In, My Foolish Heart, Oh, Lady be Good!, On Green Dolphin Street, Summertime and This Can't be Love.
$206.49

Instruments: Flute, Horn, Tuba, Woodwinds, Brass
Serenade nach Altgrazer Kontratanzen by Jeno Takacs (1902-). Edited by Armin Suppan. Various concert music. For wind orchestra (Flute (Piccolo), Oboe, 3 Clarinet, Alto Saxophone, bassoon, 2 Horns, 2 trumpets, Trombone, Baritone, Bass Drum, Percussion). Set of parts. Op. 83d. Published by Doblinger Music Publishers (DB.74-00803-ST).
$202.95

Instruments: Flute, Clarinet, Oboe, Alto Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Percussion, Woodwinds, Saxophone, Brass, Trumpet
Genres: Classical
Serenata. (for Flute and Concert Band). By A. Cobine. For Concert Band. Flute/Piccolo Solos with Concert Band / Solo Concerts. Solo and Band Series. Grade 5. Score and Parts. Published by Molenaar Edition (ML.011451070).
$202.95

Instruments: Piccolo, Flute, Woodwinds
Divertimento For Flute. (And Concert Band). By Alfred Reed (1921-2005). For Concert Band. Solo Concerts / Flute/Piccolo Solos with Concert Band. Masterpieces. Grade 3. Score and Parts. Duration 6 minutes, 51 seconds. Published by Molenaar Edition (ML.012502070). Commissioned by the "Band of Blue" Club, an alumni organization consisting of former members of the Middle Tennessee State University Band in honor of the long time director of this group, Joseph T. Smith, the Divertimento for Flute and Wind orchestra was completed in the fall of 1996 for performance at the annual Wind Ensemble Conference sponsored by this institution. The first performance was by the Tennessee Valley Winds, a community group directed by Mr. Smith since his retirement from the university, on February 7th, 1977, with its concertmistress, Ms Cindy McNeal, as soloist, under the composeris direction. Although cast in the form of a single movement, the music is divided into two parts, a lyrical introduction followed by a light scherzando in varying rhythmic meters throughout. Towards the close, some melodic elements of the first section are brought back in slightly different form, blending with the thematic material of the second round off the form and lead the music to a logical and satisfying conclusion with the soloist having the opportunity of displaying virtually all aspects of contemporary flute performance: from the purely lyrical to the technically virtuoso level, all set off against the other wind colors of the modern wind orchestra.
$202.95

Instruments: Piccolo, Flute, Woodwinds
Lieder eines fahrenden Gesellen by Gustav Mahler (1860-1911). Arranged by Erik Somers. For Voice and Wind Ensemble (solo voice, piccolo, flute, oboe, english horn, 2 clarinets, 2 bassoons, 4 horns, string bass, harp). Grade 5. Full score and set of parts. Duration 18:00. Published by Baton Music (BF.BM289-SET).
$202.50

Instruments: Piccolo, Clarinet, Oboe, Bassoon, English Horn, Double Bass, Harp, Flute, Woodwinds, Strings
Concerto for Percussion. (Solo Percussion Feature). By Derek Bourgeois (1941-). For Soloist(s) with Concert Band (Piccolo, Flute 1-2, Oboe 1-2, Bassoon, Eb Clarinet, Bb Clarinet 1-3, Eb Alto Clarinet, Bass Clarinet, Alto Saxophone 1-2, Tenor Saxophone, Baritone Saxophone, Bb Cornet 1-3, Bb Trumpet 1-2, Horn in F 1-4, Trombone 1-3, Euphonium, TC Baritone, Bass , Strin). Band Music. Grade 6. Score and parts. Duration 21:00. Published by C. Alan Publications (CN.16130). Focused mainly on the marimba and vibraphone, the soloist is also called on to play a multi percussion set up including congas, bongos, toms, and snare drum. The first two movements are highly improvisatory in sound while the final movement's 16th note patterns lend it a frolicking perpetual motion effect.
$202.40

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Cornet, Trombone, Euphonium, Percussion, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: Classical, 20th Century
Winanga-li by Hardy Mertens. For Concert Band (Flute 1 , Flute 2, Flute 3, Oboe 1, Oboe 2, Oboe 3, Bassoons, Eb Clarinet, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bass Clarinet, Soprano Saxophone, Alto Saxophone 1, Alto Saxophone 2, Alto Saxophone 3, Tenor Saxophone, Baritone Saxophone, Bb Trumpet). Band Music. Grade 5. Score and parts. Duration 23:00. Published by C. Alan Publications (CN.16160). Based on themes by Mark Smerdon.
$202.40

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Soprano Saxophone, Tenor Saxophone, Bassoon, B-Flat Trumpet, Woodwinds, Clarinet, Saxophone, Trumpet, Brass
The Best of Belwin Jazz: Young Jazz Collection includes twelve outstanding jazz arrangements for the young ensemble. Each chart is written by experienced educational jazz arrangers and composers in a variety of styles and tempos: swing, ballad, holiday, rock, Latin and pop. The collection is written for full instrumentation, but can accommodate reduced instrumentation of four saxes, three trumpets, two trombones and three rhythm. Additional optional parts are available for flute, clarinet, horn in F, baritone horn T.C./tenor sax and tuba. The rhythm section parts offer suggestions for rhythms, piano chord voicings and guitar chord frames. All solos are written-out in improvised sections. The conductor's book includes full-length CD recordings of all titles. Titles are: Big Band Holiday * Cantaloupe Island * Count Bubba's Revenge * Drummin' Man * Grooved Pavement * Moondance * My Funny Valentine * Now What * Sambeando * Sing, Sing, Sing * Stompin' at the Savoy * Swingin' Shanty
$202.29

Instruments: Piano, Guitar, Flute, Clarinet, Horn, Trumpet, Trombone, Tuba, Piano and Keyboard, Woodwinds, Brass
Aura by Chinary Ung. Contemporary Medium Ensemble. For 2 Soprano Voices, Flute, Oboe, Clarinet, Percussion(1), 2 Violins, 2 Violas, Cello, Contrabass. Modern. Full Score. Duration circa 45 minutes. Published by Edition Peters (PE.P68145). ISBN M-3007-5495-6. Modern. Full Score for sale.For Two Sopranos and Chamber Ensemble. All performers including the conductor are required to sing.
$200.00

Instruments: Medium Voice, Flute, Clarinet, Oboe, Violin, Cello, Viola, Double Bass, Percussion, Soprano Voice, Voice, Vocal, Woodwinds, Strings
Danza de los Duendes by Nancy Galbraith (1951-). For Concert Band (2 flutes, piccolo, 2 oboes, Eb clarinet, 3 clarinets*, bass clarinet, 2 bassoons; 2 alto saxophones, tenor saxophone, baritone saxophone; 4 horns, 4 trumpets, 3 trombones, euphonium, 2 tubas; timpani, 4 percussion, piano, string-bass (*at least 2 per part). Set of Parts. Composed Arr. 1996. Duration 10'. Published by Subito Music Corporation (SU.90810025). "Galbraith has penned a score of bright allure, its minimalistic touches deftly applied and its energetic personality balanced by lyrical finesse." --Pittsburgh Press "...full of imagination and energy." --American Record Guide. Study Score: available for sale (#90810020).
$200.00

Instruments: Piano, Flute, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Euphonium, Percussion, Timpani, Tuba, Piano and Keyboard, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Concerto for Viola, Woodwinds, & Percussion by John Biggs (1932-). For viola solo, 2 flutes, 2 clarinets, 2 bassoons and percussion. Serious essay in one movement. Rhapsodic. Advanced. Score and parts. Duration 22 minutes. Published by Consort Press (CT.CP-304).
$200.00

Instruments: Flute, Clarinet, Bassoon, Viola, Percussion, Woodwinds, Strings
Genres: Classical
Included in set: Flute, Oboe, Horn 1 & 2, Trumpet 1 & 2, Trombone 1 & 2, Percussion (drum set), Rhythm, Violin 1 & 2, Viola, Cello, Contrabass, Piano.
$200.00

Instruments: Choir, Piano, Flute, Oboe, Horn, Violin, Cello, Viola, Trumpet, Trombone, Bass Guitar, Percussion, Drums, Drum Set, Vocal, Piano and Keyboard, Woodwinds, Brass, Strings, Guitar
Messa a 4 voci con orchestra by Giacomo Puccini (1858-1924). Edited by Dieter Schickling. Arranged by Paul Horn. For Soli (S)TB, SATB choir, Piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 3 horns, 2 trumpet, 3 trombones, Ophicleide, Timpani, 2 Violins, Viola, Cello, Contrabass, Harp. This edition: linen cover. Latin Masses. Level 4. Score. Language: Latin. 248 pages. Duration 43 min. Published by Carus Verlag (CA.4064500). ISBN M-007-07536-1. With Language: Latin. Latin Masses.
$199.95

Pages: 248
Instruments: Choir, Piccolo, Clarinet, Oboe, Bassoon, Horn, Violin, Cello, Viola, Double Bass, Harp, B-Flat Trumpet, Trombone, Percussion, Timpani, Vocal, Flute, Woodwinds, Brass, Strings, Trumpet
Genres: Classical, Opera, Miscellaneous
Requiem in b (Requiem in B flat minor) (Requiem en si bemol mineur) by Josef Gabriel Rheinberger. Edited by Wolfgang Hochstein. For Soli SATB, SSATTB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 3 Horns, 3 Trombones, Tuba, Timpani, 2 Violins, Viola, Cello, Contrabass. This edition: linen cover. Requiem; Complete editions; Use / Occasion: Mourning, Death. Complete edition. Language: Latin/German. Composed 1867. 60. 248 pages. Duration 54 min. Published by Carus Verlag (CA.5020400). ISBN M-007-08721-0. With Language: Latin/German. Requiem; Complete editions; Use / Occasion: Mourning, Death.
$199.95

Pages: 248
Instruments: Choir, Flute, Clarinet, Oboe, Bassoon, Horn, Violin, Cello, Viola, Double Bass, Trombone, Percussion, Timpani, Tuba, Vocal, Woodwinds, Brass, Strings
Paulus (St. Paul) (Oratorium). By Felix Bartholdy Mendelssohn (1809-1847). Edited by R. Larry Todd. For Soli SATB, SATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 4 Horn, 2 Trumpets, 3 Trombones, Serpente, Timpani, 2 Violins, Viola, Cello, Contrabass, Organ. This edition: paperbound. Oratorios; Stuttgart Urtext Editions. Level 3. Score. Language: German/English. Composed 1834-1836. 36. 448 pages. Duration 145 min. Published by Carus Verlag (CA.4012900). ISBN M-007-08770-8. With Language: German/English. Oratorios; Stuttgart Urtext Editions.
$199.95

Pages: 448
Instruments: Choir, Organ, Flute, Clarinet, Oboe, Bassoon, Horn, Violin, Cello, Viola, Double Bass, B-Flat Trumpet, Trombone, Percussion, Timpani, Vocal, Piano and Keyboard, Woodwinds, Brass, Strings, Trumpet
Genres: Classical
The instrumental ensemble for "No Greater Sacrifice" includes a Conductor's Score and parts for Piano, Flute, Clarinet, Trumpet, Cello, and Synth. Strings.
$199.88

Instruments: Piano, Flute, Clarinet, Cello, Trumpet, Piano and Keyboard, Woodwinds, Strings, Brass
The instrumental ensemble for "In Calvary's Shadow" includes a Conductor's Score and parts for Flute, Clarinet, Horn, Violin, Cello, Piano, and Digital Keyboard.
$199.88

Instruments: Piano, Flute, Clarinet, Horn, Violin, Cello, Piano and Keyboard, Woodwinds, Brass, Strings
Garritan Concert & Marching Band 2 is an update to the state-of-the-art software that reproduces the sounds of the musical instruments in concert and marching bands, right from your computer. This collection is the first library of its kind and fills a major void in the world of sample libraries. Concert & Marching Band 2 features and array of trumpets, cornets, trombones, mellophones, euphoniums, baritones, tubas, sousaphones, clarinets, piccolos, flutes, saxophones, marching percussion (including drumline from Virtual Drumline 2 by Tapspace), and much more. Ideal for educators teaching band, band students, band directors who write drill routines, or for musicians who want to add band instrument sounds to their tracks.
$199.00

Instruments: Flute, Piccolo, Clarinet, Saxophone, Lute, Trumpet, Cornet, Trombone, Euphonium, Percussion, Tuba, Woodwinds, Strings, Brass
Wild Angels of the Open Hills by Joseph Schwantner (1943-). Voices (Solo) in Ensemble. For Soprano voice, Flute (Alto flute), Harp. Modern. Set of parts. Duration 28 minutes. Published by Edition Peters (PE.P66782A). ISBN M-3007-2979-4. Modern. Set of Parts; Score (EP 66782) also available.
$195.00

Instruments: Flute, Harp, Soprano Voice, Woodwinds, Strings, Voice, Vocal
Genres: 20th Century, Classical
Instrumentation: Piccolo, Flute 1 & 2, Oboe 1 & 2, English Horn, Clarinet 1 & 2, Bass Clarinet, Bassoon 1 & 2, Horn 1, 2, 3 & 4, Trumpet 1, 2 & 3, Trombone 1 & 2, Bass Trombone, Tuba, Timpani, Cymbals, Mallets, Snare Drum, Bass Drum, Percussion, Harp, Piano, Violin 1 & 2, Viola, Cello, Double Bass.
$195.00

Instruments: Choir, Piano, Flute, Clarinet, Oboe, Bassoon, Horn, Violin, Cello, Viola, Harp, Trumpet, Trombone, Bass Guitar, Percussion, Timpani, Snare Drum, Tuba, Cymbal, Vocal, Piano and Keyboard, Woodwinds, Brass, Strings, Guitar, Drums
The small orchestra for "The Living Last Words" includes a Conductor's Score and parts for Flute, 2 Clarinets, Oboe, Horn, Timpani, Percussion, Violin 1, Violin 2, Viola, Cello, Bass, and Piano.
$195.00

Instruments: Piano, Flute, Clarinet, Oboe, Horn, Violin, Cello, Viola, Bass Guitar, Percussion, Timpani, Piano and Keyboard, Woodwinds, Brass, Strings, Guitar
The instrumental score and parts for "Lead Me Back to Bethlehem" include a Conductor's Score and parts for Flute, Oboe (sub Clarinet), Clarinet, optional Bassoon (sub Bass Clarinet), Horn (sub Alto Saxophone), Percussion, Timpani, Piano, 2 Violins, Viola, Cello, Bass (String Reduction included).
$195.00

Instruments: Piano, Flute, Clarinet, Oboe, Bassoon, Horn, Violin, Cello, Viola, Bass Guitar, Percussion, Timpani, Piano and Keyboard, Woodwinds, Brass, Strings, Guitar
Christmas Cantata - OrchestrationCantataTitle: The Birthday Of A King- Orchestration a novelty work Sweet Hour of Prayer Merry GentlemenKey: Ab, C, F, D, Eb, G, Db, F,Meter: 4-4, 6-8, 2-4, 3-4, 9-8,Form: CantataComments: 2 flutes, oboe, 3 trumpets, 3hn, 2trb, tb, strings, rhythm, percussion: timpany, bells, xyl, chimes, cab, tri, mark tree, score, cc, wind chimes, . . . SATB Choir, Narrator, Soloists, congregationSongs included: Part I: The Birthday of a King, Worship the King Medley, You Are My Kling, Eternal Son/He's Still the King of Kings; Part II: Born To Die/Oh How He Loves You and Me, Christ Is Alive; Part III: This Little Child, He Comes Again, Lift Up Your Heads, The Bir
$195.00

Instruments: Choir, Vocal, Flute, Oboe, Trumpet, Percussion, Bells, Woodwinds, Brass
13 of John Edmondson s best Concert Marches for Young Band (Grades 2 - 21/2) packaged together in an affordable collection. Great concert material for younger bands! Great reading material for more experienced bands! Titles Include: - American Heritage March - Belleau Wood - The Double Eagle - El Alamein - The Flying Tigers - The Invincibles - Juno Beach - Kentucky Pride - Melbourne March - Omaha Beach - Tipperary March - Rio Bravo - Utah Beach   Starter Set Instrumentation: 1 - Piccolo 5 - Flute 1 - Oboe 3 - 1st Bb Clarinet 3 - 2nd Bb Clarinet 3 - 3rd Bb Clarinet 1 - Eb Alto Clarinet 1 - Bb Bass Clarinet 1 - Bassoon 2 - 1st Eb Alto Saxophone 2 - 2nd Eb Alto Saxophone 1 - Bb Tenor Saxophone 1 - Eb Baritone Saxophone 2 - 1st Bb Cornet/Trumpet 2 - 2nd Bb Cornet/Trumpet 2 - 3rd Bb Cornet/Trumpet 2 - 1st & 2nd F horns 2 - 1st Trombone 2 - 2nd Trombone 2 - 3rd Trombone 1 - Baritone B.C. 1 - Baritone T.C. 3 - Tuba 1 - String Bass 1 - Bells 1 - Timpani 2 - Percussion 1 1 - Percussion 2.
$192.33

Instruments: Flute, Clarinet, Oboe, Bassoon, Horn, Trumpet, Trombone, Bass Guitar, Percussion, Timpani, Tuba, Bells, Woodwinds, Brass, Guitar
$192.00

Instruments: Piano, Flute, Horn, Violin, Cello, Piano and Keyboard, Woodwinds, Brass, Strings
Messe solenelle in G by Luigi Cherubini (1760-1842). Edited by Oliver Schwarz-Roosmann. For SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, double bass. G-Dur (G major). Score available separately - see item CA.4008700. Masses, Latin. Set of instrumental parts (except strings). Composed 1819. 220 pages. Duration 45 min. Published by Carus Verlag (CA.4008709). A special charm of the mass is the fact that it dispenses with soloists. In this mass, exemplary for Cherubini's church music is the richness of color in the treatment of the orchestra, as well as in the choral parts, and the expressiveness of the dynamic nuances.
$191.95

Pages: 220
Instruments: Choir, Flute, Clarinet, Oboe, Bassoon, Horn, Violin, Cello, Viola, Double Bass, B-Flat Trumpet, Trombone, Percussion, Timpani, Vocal, Woodwinds, Brass, Strings, Trumpet
Genres: Classical Period, Classical
Symphony 6, Op 68. Set of parts (includes strings 4/4/3/2/2) by Ludwig van Beethoven (1770-1827). For 2, Piccolo, 222; 2220; timpani; strings. Set of parts (includes strings 4.4.3.2.2). Duration 40:00. Published by Broude Brothers (BB.BI980P).
$190.00

Instruments: Piccolo, Percussion, Timpani, Flute, Woodwinds
Genres: Classical, Classical Period
$189.00

Instruments: Organ, Flute, Piano and Keyboard, Woodwinds
German Requiem, Op 45. Set of parts (includes strings 4/4/3/2/2, organ) by Johannes Brahms (1833-1897). For Soprano, Baritone soli; SATB Chorus; 2, Piccolo, 222; 4231; Timpani, harp; strings. Set of parts (includes strings 4.4.3.2.2, organ). Duration 60:00. Published by Broude Brothers (BB.BB5P).
$185.00

Instruments: Choir, Organ, Piccolo, Harp, Percussion, Timpani, Vocal, Piano and Keyboard, Flute, Woodwinds, Strings
Concerto Piccolo. ((4 Saxos et 6 Percussions) Parties De Percussions). By Edison Denisov (1929-1996). For percussion. Percussion parts. Published by Alphonse Leduc (AH.AL25798). ISBN 9790046257988.
$184.70

Instruments: Piccolo, Percussion, Flute, Woodwinds
Genres: Classical
Symphony on Death & Dying by Karl Blench. For Concert Band (Piccolo, Flute 1, 2 (Piccolo 2, 3), Alto Flute (Flute 3), Oboe 1, 2, English Horn, Bassoon 1, 2 (Contrabassoon), Clarinet in Bb 1, 2, 3, 4, Bass Clarinet, Alto Saxophone 1, 2, Baritone Saxophone, Horn in F 1, 2, 3, 4, Trumpet in C 1, 2, 3, 4, Tenor Trombo). Band Music. Grade 5. Score and parts. Duration 17:40. Published by C. Alan Publications (CN.11420). Symphony on Death and Dying was written after taking a course at the University of New Hampshire of the same name. This piece explores the emotions a person may feel after the loss of someone close. The Symphony is cast in four movements played without pause. The pitch material is based on a seven note theme (E, F, G, F#, D#, [E], C, B) and all motives are derived from the intervals contained within this set. The work was written for the University of New Hampshire Wind Ensemble (Durham, NH) and dedicated to the ensemble's director, Dr. Andrew Boysen.Out of Confusion and Anger begins as a funeral march and is centered around the pitch E. The theme is stated from a solo trombone and then picked up by various groups of the ensemble. After the theme is presented an ostinato figure and melodic bass line build to the first outburst of anger followed by a return to the opening material.Of Remembrance is a solemn movement in contrast to the first. The solo clarinet has the melody at the beginning accompanied by soft harmonies in the low brass until it is interrupted by the theme from the first movement. Ghosts then can be heard as singing voices building to a brief climax and then a return to the opening melody this time in the solo bassoon.Of Rage begins with an outburst from the entire ensemble. The movement is filled with violent brass, screeching woodwinds, and is accented by barbaric percussion. After a brief return to the material of the first and second movements the material builds to the symphony's climax where violent screaming and shouting can be heard. The movement then slowly returns to the funeral march theme from the first movement.In Of Why? the solo soprano acts as the griever asking and wondering why their loved one has left them. The movement is brief and recalls material from the three previous movements. After one last desperate cry from the soprano and the ensemble the work comes to its quiet close.--Karl Blench.
$184.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Bassoon, English Horn, C Trumpet, Woodwinds, Clarinet, Saxophone, Trumpet, Brass
Genres: Classical
Danses Espagnoles by Enrique Granados (1867-1916). For Concert Band (Piccolo, Flute 1 , Flute 2, Oboe 1, Oboe 2, English Horn, Bassoon 1, Bassoon 2, Contrabassoon*, Eb Clarinet, Bb Solo Clarinet, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bass Clarinet, Contrabass Clarinet*, Soprano Saxophone, Alto Saxophone, Tenor Saxop). Band Music. Grade 5. Score and parts. Duration 11:30. Published by C. Alan Publications (CN.16210). Wonderfully scored and fun to perform! These three Spanish Dances bring a stylistic challenge to the advanced ensemble while still providing the opportunity to display musician ship and flair.
$184.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Soprano Saxophone, Tenor Saxophone, Bassoon, English Horn, Double Bass, Woodwinds, Clarinet, Saxophone, Strings
Genres: Spanish, World