Estructura II by Xavier Benguerel (1931-). For Solo flute. 20th century. Instrumental. Full Score. 4 pages. Duration 6 minutes. Published by Trito Ediciones (TI.TR-00241). ISBN 9790692042013. Instrumental.

Hacia el aire sin nombre by Cesar Camarero. For For soloist (Mezzo-soprano, Alto, Flute, Clarinet) and orchestra (2.2.2.2[+alto saxophone]-4.2.2.0, 3 percussion, harp, piano, strings). 20th century. Symphonic music. Full Score. 38 pages. Duration 20 minutes. Published by Trito Ediciones (TI.TR-00161). ISBN 9790692043096. Symphonic music.

Gnosis for woodwind quintet by Francisco Escudero. For Woodwind quintet. 20th century. Chamber music. Full Score. 36 pages. Duration 35 minutes. Published by Trito Ediciones (TI.TR-00143). ISBN 9790692042044. Chamber music.

Concerto for harpsichord and orchestral sextet by Francisco Escudero. For flute, clarinet, percussion, harp, violin and cello. 20th century. Concerto. Full Score. 75 pages. Published by Trito Ediciones (TI.TR-00141). ISBN 9790692041894. Concerto.

Chamber concert No. 2 "Duraton Oaks" by Jesus Rueda. For flute, oboe, clarinet, bassoon, percussion, Harp, Piano, violin, viola, Cello. 20th century. Chamber music. Full Score. 88 pages. Duration 12 minutes. Published by Trito Ediciones (TI.TR-00106). ISBN M-69204-165-8. Chamber music.

Sinfonietta-concerto (piano reduction) by Xavier Montsalvatge (1912-2002). For Flute and piano. 20th century. Concerto. Full Score. 24 pages. Duration 18 minutes. Published by Trito Ediciones (TI.TR-00087). ISBN M-69204-129-0. Concerto.

19th Century Album For Woodwind Quartet by Various. Arranged by David Heinick. For 2 Flutes and 2 Bb Clarinets. Woodwind Quartet. Grade 4. Published by Kendor Music Inc (KN.16696). This grade 4 collection includes arrangements of five short character pieces originally written for piano by Robert Schumann and Franz Schubert in a variety of light Romantic-era styles. Instrumentation includes 2 flutes (opt. oboe sub. for 2nd Flute) and 2 Bb clarinets.

Flute concert, Op. 72 (sonata No. 2) by Salvador Brotons. For Flute and piano. 20th century. Concerto. Full Score. 62 pages. Duration 22 minutes. Published by Trito Ediciones (TI.TR-00056). ISBN M-69204-064-4. Concerto.

6 Songs from L'infantament meravellos de Schahrazada by Robert Gerhard. Arranged by Meirion Bowen. For Solo Voice and Chamber Ensemble (Flute, Oboe Cl, Bsn, Horn, Trumpet, Harp, 2 Violins, Viola, Cello, Contrabass). 20th century. Lied, Vocal. Full Score. 38 pages. Duration 13 minutes. Published by Trito Ediciones (TI.TR-00039). ISBN 84-88955-40-5. Lied, Vocal.

7 Fables by La fontaine (chamber version) by Xavier Benguerel (1931-). For Narrator and Chamber Ensemble (Flute, Oboe, Clarinet, Bassoon, Trumpet, Trombone, 2 Percussion, Cello, Double Bass). 20th century. Music with narration. Full Score. 74 pages. Duration 30 minutes. Published by Trito Ediciones (TI.TR-00038). ISBN 84-88955-27-8. Music with narration.

Folia daliniana (chamber version) by Xavier Montsalvatge (1912-2002). For Flute, Oboe, Clarinet, Bassoon and Piano. 20th century. Chamber music. Full Score. 20 pages. Duration 24 minutes. Published by Trito Ediciones (TI.TR-00032). ISBN 84-88955-34-0. Chamber music.

Folia daliniana by Xavier Montsalvatge (1912-2002). For Flute, Oboe, Clarinet, Bassoon, String Orchestra and Percussion. 20th century. Orchestral. Full Score. 43 pages. Duration 15 minutes. Published by Trito Ediciones (TI.TR-00023). ISBN 84-88955-22-7. Orchestral.

Norte-Sur by Ernest Martinez-Izquierdo. For Flute/Piccolo, Oboe, Clarinet/bass clarinet, 2 Violins, Viola, Cello, Piano. 20th century. Chamber music. Full Score. 44 pages. Duration 10 minutes. Published by Trito Ediciones (TI.TR-00011). ISBN 84-88955-14-6. Chamber music.

Concert for flute and orchestra in B flat Major (IV-2). Flute/Piano score by Manuel Pla. Edited by Josep Dolcet. For Flute and piano. Pre-classical. Concerto. Full Score. 28 pages. Duration 16 minutes. Published by Trito Ediciones (TI.TR-00007). ISBN 84-88955-06-05. Concerto.

Concert for flute and orchestra in B flat Major (IV-2) by Manuel Pla. Edited by Josep Dolcet. For Flute, String Orchestra and Basso continuo. Pre-classical. Concerto. Full Score. 28 pages. Duration 16 minutes. Published by Trito Ediciones (TI.TR-00006). ISBN 84-88955-05-7. Concerto.

Io pur respiro, for woodwind quintet by Don Carlo Gesualdo (1566-1613). Arranged by Kenneth Amis. Woodwind Quintet. For flute, oboe, clarinet, bassoon, french horn. Renaissance Madrigal. Full score and set of parts. Duration 3:00. Published by Amis Musical Circle (AI.AMC-WW-007).

Mille volte il di moro (for woodwind quintet) by Don Carlo Gesualdo (1566-1613). Arranged by Kenneth Amis. Woodwind Quintet. For flute, oboe, clarinet, bassoon, french horn. Renaissance Madrigal. Full score and set of parts. Duration 3:30. Published by Amis Musical Circle (AI.AMC-WW-006).

Io parto e non piu dissi (for woodwind quintet) by Don Carlo Gesualdo (1566-1613). Arranged by Kenneth Amis. Woodwind Quintet. For flute, oboe, clarinet, bassoon, french horn. Renaissance Madrigal. Full score and set of parts. Duration 3:00. Published by Amis Musical Circle (AI.AMC-WW-005).

Resta di darmi noia, for woodwind quintet by Don Carlo Gesualdo (1566-1613). Arranged by Kenneth Amis. Woodwind Quintet. For flute, oboe, clarinet, bassoon, french horn. Renaissance Madrigal. Full score and set of parts. Duration 3:30. Published by Amis Musical Circle (AI.AMC-WW-004).

Belta poi che t'assenti (for woodwind quintet) by Don Carlo Gesualdo (1566-1613). Arranged by Kenneth Amis. Woodwind Quintet. For flute, oboe, clarinet, bassoon, french horn. Renaissance Madrigal. Full score and set of parts. Duration 3:15. Published by Amis Musical Circle (AI.AMC-WW-003).

Moro lasso al mio duolo (for woodwind quintet) by Don Carlo Gesualdo (1566-1613). Arranged by Kenneth Amis. Woodwind Quintet. For flute, oboe, clarinet, bassoon, french horn. Renaissance Madrigal. Full score and set of parts. Duration 3:45. Published by Amis Musical Circle (AI.AMC-WW-002).

Giuliani: La Battaglia Di Marengo (For Flute & Guitar) by Mauro Giuliani (1781-1829). For Guitar (Classical). Chamber. Chanterelle. Classic. Intermediate. Book. 28 pages. Published by Chanterelle (MB.ECH541). ISBN 9790204700929. Classic. 9x12 inches. An interesting and unusual descriptive work for flute and guitar attributed to Giuliani.

Gaude - Sonata Op. 24 (For Guitar & Flute (Oboe) or Violin) by Theodor Gaude. Edited by Simon Wynberg. For Guitar (Classical). Chamber. Chanterelle. Classic. Intermediate. Book. 20 pages. Published by Chanterelle (MB.ECH518). ISBN 9790204700813. Classic. 9x12 inches. Theodor Gaude composed his vivacious sonata Op. 24 for the famous flute virtuoso Raphael Dressler. This valuable addition to the repertoire, for flute and guitar is published for the first time in a reliable modern edition.

Concerto for Flute and Strings (BWV 1056) by Johann Sebastian Bach (1685-1750). For flute and strings. Published by Pizzicato Verlag (PZ.PVH-1381).

Quintet by Franz Joseph Haydn (1732-1809). Arranged by Muth. For Woodwind Quintet. Woodwind Solos & Ensembles - Woodwind Quintet. Full Score. Published by Southern Music Company (SO.SS537FS).

Trio in 1 Movement by Stanley Hoffman. For Harp, Flute, and Viola. Harp, Flute & Viola. Contemporary, tonal. Intermediate. Published by Fatrock Ink Music Publishers (FR.076-2248).

Music for Duke Orsino's Table by Byron Adams. For Flute, Viola, Harp, and Percussion. Flute, Viola, Harp & Percussion. 3 movements. Contemporary, tonal. Professional. Published by Fatrock Ink Music Publishers (FR.076-1803).

Springscape by Bruce Babcock. For Harp, Flute, and Viola. Harp, Flute & Viola. Contemporary, tonal. Professional. Published by Fatrock Ink Music Publishers (FR.076-1950).

Trois Poemes de Ronsard by Byron Adams. For Soprano, Flute, Cello, and Harpsichord. Soprano/Flute/Cello/Harpsichord. 3 movements. Contemporary, tonal. Professional. Published by Fatrock Ink Music Publishers (FR.026-1805). Poems by Pierre de Ronsard.

So Went the Christ unto His Death - Inst Ensemble Score/Parts by Lloyd Larson. For flute, oboe (clarinet), string orchestra, percussion. Sacred Anthem: Holy Week, Lent. Instrumental Score & Parts. Published by Exaltation Publications (LO.30-2294L). The final steps of Christ's journey to Calvary are recounted in this solemn Holy Week anthem. The lyrics offer an insightful view as we--both singers and congregation--experience the passion of Christ from a close and personal vantage point.

So Went the Christ unto His Death by Lloyd Larson. For SATB choir and piano (with optional flute, oboe (clarinet), string orchestra). Sacred Anthem: Holy Week, Lent. Octavo. Published by Exaltation Publications (LO.10-3645L). The final steps of Christ's journey to Calvary are recounted in this solemn Holy Week anthem. The lyrics offer an insightful view as we--both singers and congregation--experience the passion of Christ from a close and personal vantage point.

Concerto in G Major. For Flute and Piano. Woodwind Solo. Reduction of orignal for Flute, Strings, and Keyboard. 16 pages. Hal Leonard #SIK455K. Published by Hal Leonard (HL.50157940).

Alleluia Round - Instrument by William Boyce (1711-1779). Arranged by Richard Proulx. For Flute, Brass quartet (2 Trombones, 2 Horns in F), Bass. Sacred. Easy. Instrumental Part. 24 pages. Published by GIA Publications (GI.G-6325INST).

When Jesus Came from Nazareth (Instrumental Parts) by Randall Sensmeier (1944-). For Flute, Cello or Bb Clarinet or Bassoon. Sacred. Instrumental Part. 4 pages. Published by GIA Publications (GI.G-5137INST).

This Love, O Christ (Instrumental part) by Randall Sensmeier (1944-). For Flute. Sacred. Instrumental Part. 1 pages. Published by GIA Publications (GI.G-4164INST).

The Virgin's Slumber Song by Max Reger (1873-1916). Arranged by Richard Proulx. For SATB Choir, Flute, Harp or Piano. Sacred, Christmas. Easy. Text language: English/Latin. 8 pages. Published by GIA Publications (GI.G-6467). With Text language: English/Latin. Sacred, Christmas. Text Source: Martin Boelitz tr Edward Teschemacher 1875-1940.

Concerto No. 2 for Marimba and Orchestra by Gillingham. Arranged by Nathan Daughtrey. For Soloist(s) with Full Orchestra (Piccolo, Flute 1/2, Oboe 1/2, Clarinet 1/2 in Bb, Bassoon 1/2, Trumpet 1/2 in C, Trumpet 3 in C, Horn 1/3, Horn 2/4, Trombone 1/2, Trombone 3, Bass Trombone, Tuba, Solo Marimba, Piano, Timpani, Percussion 1 (Bells, Brake Drum), Percussion 2 (Vibraphone, S). Orchestra Music. Grade 5. Score only. Duration 23:00. Published by C. Alan Publications (CN.11854). The Concerto for Marimba and Orchestra is a commission by a consortium of schools and performers headed by Professor Marc Wooldridge of Northwestern College, Orange City, Iowa.The work exploits the full range of the technical and expressive ability of the five-octave concert grand marimba. It is cast in the standard three-movement format. The first movement uses sonata-rondo form and begins with a slow introduction and quasi-cadenza by the marimba. An animated first theme follows in G-minor accompanied by clarinets and tambourine. A contrasting second theme area follows featuring chromatic mediant progressions and descending chromatic lines. The return of the first theme utilizes a slightly different accompaniment. The development section reworks all the thematic material in different guises. The recapitulation presents the first theme, verbatim, as it was in the exposition. The second theme, however, changes the mode to major. The return alternates the marimba on theme with the orchestra playing the theme in augmentation. The marimba quietly ends the movement with an ascending and descending arpeggiated passage.The second movement is a chaconne with eight variations. The marimba states a rather haunting chorale-like melody in Bb minor. The first variation features the horns and low strings on the chaconne theme with the marimba on the variation. Variation II uses marimba, oboe, and horns and Variation III uses marimba, vibraphone, and strings. Cascading muted brass against the augmented chaconne theme in the flutes and clarinets are indicative of Variation IV. Variation V changes the slow pace to fast using marimba, strings, timpani and bells. A haunting Variation VI utilizes bowed marimba on the chaconne theme accompanied by piano, bells, and vibraphone. Variation VII features the strings and low winds on the chaconne theme against triplets in the upper brass. Rolled arpeggiated chords highlight Variation VIII along with solo cello and solo violin on the second half of the variation. A somber coda brings the movement to a close.The third movement, like the first, is in sonata-rondo design and is cyclic, bringing back and combining the thematic material of the first and second movements. The first theme, in D-minor, is angular and spirited, accompanied by strings and tambourine (reminiscent of Mvt. I). The second theme brings back the second theme of the first movement followed by the return of the first theme, now accompanied by horns, strings, and tambourine. The development combines and works thematic material from all three movements of the concerto. The recapitulation begins with the cellos on the first theme, followed by the horns and trumpets and finally, the marimba. The second theme brings back the chaconne of the second movement, this time in major with the marimba accompanying using rhythmic material taken from the first theme of the third movement. There is no formal return of the first theme. Instead, the marimba plays a cadenza in which the first theme material and the 2nd movement chaconne are developed. A galloping presto (coda) follows bringing the movement to a close in D major.- David R. GillinghamPRAISE FOR THE CONCERTO"The new Concerto for Marimba by David Gillingham is an intriguing, engaging, and challenging piece. I had so much fun playing it and I am planning to perform it everywhere!! It is a "must-try" for all marimbists!"She-e Wuworld-renowned solo marimba artist.

Hunter's Chorus by Carl Maria von Weber (1786-1826). Arranged by B. Ward. For Concert Band (flute (oboe) clarinet in Bb (bass clarinet) alto saxophone, tenor saxophone (baritone saxophone) trumpet in Bb, horn in F, trombone (euphonium) (baritone Tc) tuba, timpani, mallets, snare drum, tenor drum, bass drum, crash cymbals, triangle). Band Music. Grade 2. Score only. Duration 1:35. Published by C. Alan Publications (CN.12271). Barry Ward has done a superb job of capturing the jolly spirit of the ever-popular "Hunter's Chorus" from Weber's opera 'Der Freischutz" in his arrangement for young bands.

Hunter's Chorus by Carl Maria von Weber (1786-1826). Arranged by B. Ward. For Concert Band (flute (oboe) clarinet in Bb (bass clarinet) alto saxophone, tenor saxophone (baritone saxophone) trumpet in Bb, horn in F, trombone (euphonium) (baritone Tc) tuba, timpani, mallets, snare drum, tenor drum, bass drum, crash cymbals, triangle). Band Music. Grade 2. Score and parts. Duration 1:35. Published by C. Alan Publications (CN.12270). Barry Ward has done a superb job of capturing the jolly spirit of the ever-popular "Hunter's Chorus" from Weber's opera 'Der Freischutz" in his arrangement for young bands.

Concerto for Percussion Solo & Orchestra by Ziek. Arranged by Nathan Daughtrey. For Soloist(s) with Full Orchestra (Piccolo, Flute 1/2, Oboe 1/2, English Horn, E-flat Clarinet, Clarinet 1/2, Bassoon 1/2, Trumpet 1 in C, Trumpet 2/3 in C, Horn 1/3, Horn 2/4, Trombone 1, Trombone 2/3, Tuba, Solo Percussion, Timpani, Percussion 1 (tam tam, wind chimes, temple blocks, wind). Grade 5. Score only. Duration 14:20. Published by C. Alan Publications (CN.05385). Concerto for Percussion Solo was composed in January of 2001 as a showcase for the talents of percussionist Scott Herring. The concerto is in three connected movements and features the soloist on a variety of instruments, including marimba, vibraphone, bells, and crotales. A large percussion battery with two snare drums, multiple toms, brake drums, and bass drum is also used. The first movement, March, utilizes a quasi five-part rondo form. The movement starts with a solo snare drum, with the ensemble providing melodic interjections. The introduction builds to the first solo marimba entrance. A left hand ostinato leads to a melodic figure which alternates between six-eight and common time. A short snare drum solo sets up the middle section, in which the soloist and ensemble trade musical ideas. The multi-meter passage returns, with the soloist embellishing ensemble melodic figures. An abrupt modulation leads to the final section, which echoes the opening ideas of the movement. March ends with the soloist back on the snare drum, as it comes quietly to its conclusion. The concerto immediately segues into the second movement, Meditation, which begins with the ethereal sound of multiple sets of wind chimes. As the movement progresses, the soloist plays long, reflective lines over a simple accompaniment, on various combinations of keyboard percussion instruments. The movement builds to a moment of triumph, before returning to its initial contemplative state. Fantasia (a free flight of fantasy) immediately shatters the previous mood. A loud, cacophonous accompaniment provides a charged atmosphere for the soloist to utilize the percussion battery. A short melodic section, noble in character, leads to the initial climax of the final movement. The atmosphere abruptly changes again, as the ensemble and soloist embark upon a fast, violent new section. Musical lines are furiously exchanged, leading up to a thunderous percussive display. The mood is suddenly tinged with blues and jazz influences, letting the soloist function in a manner reminiscent of a drum set player. The final section of Fantasia begins with a unaccompanied marimba solo, played at breakneck speed. The ensemble begins to gradually join the soloist, as the movement builds to a final, fortissimo climax.

Concert Piece for Marimba & Orchestra by David J. Long. For Soloist(s) with Full Orchestra (flute 1/2, oboe 1/2, clarinet in Bb 1/2, bassoon 1/2, horn in F 1/2, horn in F 3/4, trumpet in Bb 1/2, percussion (timpani, suspended cymbal, tam-tam, chimes), solo marimba, violin I, violin II, viola, violoncello, contrabass). Medium. Score only. Duration 8:20. Published by C. Alan Publications (CN.01171). Concert Piece requires 2-mallet technique only. Three pairs of yarn mallets are requested: medium soft, medium, and hard. Directions are given for rolling and generally remain in effect until a new direction is given.

Concertino for 4 Percussion & Orchestra by Gillingham. Arranged by Nathan Daughtrey. For Soloist(s) with Full Orchestra (Piccolo, Flute 1/2, Oboe 1/2, Clarinet 1/2 in Bb, Bassoon 1/2, Trumpet 1/2 in C, Trumpet 3 in C, Horn 1/3, Horn 2/4, Trombone 1/2, Trombone 3, Bass Trombone, Tuba, Harp, Solo Percussion 1 (timpani, bells, crash cymbal, suspended cymbal, bass drums, tam-ta). Grade 5. Score only. Duration 9:30. Published by C. Alan Publications (CN.02875). The original conception of this work, "Concertino for Four Percussion and Wind Ensemble," was commissioned by the Oklahoma State University Wind Ensemble, Joseph Missal, conductor and Wayne Bovenschen, Professor of Percussion studies.The Concertino or "small concerto" seeks to exploit keyboard, membrane, and auxiliary percussion instruments with the marimbas, xylophone, timpani, vibraphone, and bass drums as the featured instruments, assisted by crash cymbals, suspended cymbal, tam-tam, bells, chimes, triangle, and hi-hat to enhance both the ensemble and the solo instruments.Two thematic motives are used as a point of departure for this work. Both appear in the slow and mysterious introduction. The first, played by the marimbas, is dramatic and the second is haunting and played by the vibraphone and bells. The following Allegro is structured similar to a rondo with recurrences of both themes interspersed by episodic sections. The first theme, however, is transformed into a very lively arpeggiated tune played by the xylophone and marimba. The coda is marked by a relentless rhythmic competition of two sets of bass drums which accompany the primary thematic material as first heard in the slow introduction. The work draws to a resounding conclusion when the second haunting theme is stated dramatically in tour de force by the brass.Concertino for Four Percussion is also available for performance with Wind Ensemble (Item #02870) and Piano (Item #02872).

A Little Tango Music by Adam Gorb (1958-). For Concert Band (1st Flute, 2nd Flute, Oboe, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Bb Bass Clarinet, Bassoon, 1st/2nd Eb Alto Saxophone, Tenor Saxophone, Baritone Saxophone, 1st/2nd Bb Trumpet, 1st/2nd F Horn, 1st/2nd Trombone, Euphonium, TC Baritone, Tuba, P). Band Music. Grade 3. Score only. Duration 4:30. Published by C. Alan Publications (CN.S11282). This is a short sequence of melodies inspired by the curvaceous, melancholic and dangerous dance from Argentina that is the tango. The three brief movements can be played in any order, continuously, or separately.

Chanson de Matin (Flute Feature). By Edward Elgar (1857-1934). Arranged by Michael Brand. For Soloist(s) with Concert Band (Flute 1, Flute 2, Oboe, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet, Bassoon, Eb Alto Saxophone 1, Eb Alto Saxophone 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, F Horn 1, F Horn 2, Trombone 1, Trombone 2, Eu). Band Music. Grade 2.5. Score only. Duration 3:00. Published by C. Alan Publications (CN.S11283).

Chanson de Matin (Flute Feature). By Edward Elgar (1857-1934). Arranged by Michael Brand. For Soloist(s) with Concert Band (Flute 1, Flute 2, Oboe, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet, Bassoon, Eb Alto Saxophone 1, Eb Alto Saxophone 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, F Horn 1, F Horn 2, Trombone 1, Trombone 2, Eu). Band Music. Grade 2.5. Score and parts. Duration 3:00. Published by C. Alan Publications (CN.R10283).

Fantasy Triptych by Derek Bourgeois (1941-). For Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1/2, Eb Clarinet, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Eb Alto Clarinet, Bb Bass Clarinet, Bassoon 1/2, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Cornet 1, Bb Cornet 2/3, Bb Trumpet 1/2, Horn in F ). Band Music. Grade 5.5. Score only. Duration 17:40. Published by C. Alan Publications (CN.S11193). In 1972, I wrote a Sonata for Two Pianos for two friends who were piano teachers at Wellington College. When in 1995 I was asked to write a work for wind band, I returned to this Sonata and have re-arranged and in the new version renamed it "Fantasy Triptych."There are three movements:1. Le Tombeau d'Arthur BenjaminRavel wrote 'Le Tombeau de Couperin,' Arthur Benjamin wrote 'Le Tombeau de Ravel' and so the temptation to write 'Le Tombeau d'Arthur Benjamin' was overwhelming. At the end of the movement there is an oblique reference to Benjamin's own 'Jamaican Rumba' which accompanies a quote from an old Spanish folk song 'Loro, enciende el hervidor de agua.'2. Mr. Bolt goes for a ride in his motor car, and Monsieur Ravel turns in his grave.The movement is dedicated to an old friend, Geoffrey Bolt, who adores the music of Ravel. but at the time of writing was learning to drive. He always described his vehicle as a motor car. To describe him as an impatient motorist would be a gross understatement. The refined suavity of Ravel's music was in complete contrast to these early manifestations of road rage, hence the central angry outburst.3. The War March of the OstrichesThe music of Charles Ives was fascinating me at the time of writing this movement and some of the influence has rubbed off in this rondo-like march. At the end there is a quote from the very beginning of the first movement. The title was inspired by the amusing antics of a group of ostriches during a visit to Bristol Zoo.

Fantasy Triptych by Derek Bourgeois (1941-). For Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1/2, Eb Clarinet, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Eb Alto Clarinet, Bb Bass Clarinet, Bassoon 1/2, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Cornet 1, Bb Cornet 2/3, Bb Trumpet 1/2, Horn in F ). Band Music. Grade 5.5. Score and parts. Duration 17:40. Published by C. Alan Publications (CN.R10193). In 1972, I wrote a Sonata for Two Pianos for two friends who were piano teachers at Wellington College. When in 1995 I was asked to write a work for wind band, I returned to this Sonata and have re-arranged and in the new version renamed it "Fantasy Triptych."There are three movements:1. Le Tombeau d'Arthur BenjaminRavel wrote 'Le Tombeau de Couperin,' Arthur Benjamin wrote 'Le Tombeau de Ravel' and so the temptation to write 'Le Tombeau d'Arthur Benjamin' was overwhelming. At the end of the movement there is an oblique reference to Benjamin's own 'Jamaican Rumba' which accompanies a quote from an old Spanish folk song 'Loro, enciende el hervidor de agua.'2. Mr. Bolt goes for a ride in his motor car, and Monsieur Ravel turns in his grave.The movement is dedicated to an old friend, Geoffrey Bolt, who adores the music of Ravel. but at the time of writing was learning to drive. He always described his vehicle as a motor car. To describe him as an impatient motorist would be a gross understatement. The refined suavity of Ravel's music was in complete contrast to these early manifestations of road rage, hence the central angry outburst.3. The War March of the OstrichesThe music of Charles Ives was fascinating me at the time of writing this movement and some of the influence has rubbed off in this rondo-like march. At the end there is a quote from the very beginning of the first movement. The title was inspired by the amusing antics of a group of ostriches during a visit to Bristol Zoo.

Concerto for Saxophone & Wind Symphony. (Saxophone Feature). By Jere Hutcheson. For Soloist(s) with Concert Band (Piccolo, Flute 1/2/3, Oboe 1/2, English Horn, Soprano Clarinet in Eb, Clarinet in Bb 1/2/3, Bass Clarinet in Bb, Bassoon 1/2, SOLO ALTO SAXOPHONE (doubling Soprano Saxophone in 2nd mvt), Trumpet in Bb, Horn in F 1/2, Trombone 1, Bass Trombone, Euphonium, ). Band Music. Grade 5. Score only. Duration 18:00. Published by C. Alan Publications (CN.14141). Concerto for Saxophone is dedicated to Joseph Lulloff, saxophonnist, and The Michigan State University Wind Symphony, John Whitwell, conductor.

Concerto for Saxophone & Wind Symphony. (Saxophone Feature). By Jere Hutcheson. For Soloist(s) with Concert Band (Piccolo, Flute 1/2/3, Oboe 1/2, English Horn, Soprano Clarinet in Eb, Clarinet in Bb 1/2/3, Bass Clarinet in Bb, Bassoon 1/2, SOLO ALTO SAXOPHONE (doubling Soprano Saxophone in 2nd mvt), Trumpet in Bb, Horn in F 1/2, Trombone 1, Bass Trombone, Euphonium, ). Band Music. Grade 5. Score and parts. Duration 18:00. Published by C. Alan Publications (CN.14140). Concerto for Saxophone is dedicated to Joseph Lulloff, saxophonnist, and The Michigan State University Wind Symphony, John Whitwell, conductor.

Sinfonia Caroliniana by Walter Hartley (1927-). For Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1/2, Bassoon 1/2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, Horn 1/2, Horn 3/4, Trombone 1/2, Trombone 3, ). Band Music. Grade 5. Score only. Duration 8:00. Published by C. Alan Publications (CN.14101). Sinfonia Caroliniana is the sixteenth of Hartley's works to use "sinfonia" in its title and the sixth of these for symphonic wind ensemble (including Sinfonia I, IV, IX, and XIV). The second word refers to the excellent musicians of the University of North Carolina at Charlotte Symphonic Wind Ensemble, and their director, Dr. Laurence L. Marks, for whom the work was written, to whom it is dedicated, and who premiered it on February 25, 2006 at the Southern Division Conference of the College Band Directors National Association. The title also reflects the composer's delight "in the welcoming spirit my wife and I have encountered since moving to North Carolina in 2004." Some of the melodic material in the piece is based on the pentatonic scale typically found in Southern hymnody, which has inspired some of his other recent compositions. "As with most of my other Sinfonias, this one is a short and compact symphony structured in three movements, fast-slow-fast, as were the early 18th-century Italian opera overtures called "sinfonias." Like them, this piece is tonally centered (E-flat - C - E-flat) but uses current harmonic spectrums.