9703 result(s) found
List results in: Detailed View | Thumbnail View
Comedy Overture by John Ireland (1879-1962). For Concert Band (Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet*, Bb Bass Clarinet, 1st Bassoon, 2nd Bassoon*, 1st Eb Alto Saxophone, 2nd Eb Alto Saxophone, Bb Tenor Saxophone, Eb Baritone Saxophone*). Band Music. Grade 5. Score and parts. Duration 10:30. Published by C. Alan Publications (CN.R10004). Originally composed for Brass Band in 1934 "Comedy Overture" is, despite its name, a serious piece of writing. The term Overture does not imply that there is anything else to follow; it is used in the 19th century sense of Concert Overture (like Mendelssohn's "Fingal's Cave" - in other words, a miniature Tone Poem).The 1930's was a period of Ireland's mature writing - yielding the Piano Concerto (1930), the Legend for piano and orchestra (1933), and the choral work "These Things Shall Be" (1936-1937). We are fortunate therefore to have both "Comedy Overture" and "A Downland Suite" (1932) written for band medium at this time.As with "Maritime Overture" (written in 1944 for military band) Ireland approaches his material symphonically. The opening three notes state immediately the two seminal intervals of a semitone and a third. These are brooding and dark in Bb minor. It is these intervals which make up much of the thematic content of "Comedy," sometimes appearing in inverted form, and sometimes in major forms as well.The concept that some musical intervals are consonant , some dissonant, and some perfect is perhaps useful in understanding the nature of the tension and resolution of this work. The third is inherently unstable, and by bar 4, the interval is expanded to a fourth - with an ascending sem-quaver triplet - and then expanded to a fifth. The instability of the third pushes it towards a "perfect" resolution in the fourth or the fifth.The slow introduction is built entirely around these intervals in Bb minor and leads through an oboe cadenza, to an Allegro moderato brillante in Bb major.Once again, the semi-tone (inverted) and a third (major) comprise the main, chirpy, theme-inspired by a London bus-conductor's cry of "Piccadilly." (Much of the material in "Comedy" was re-conceived by Ireland for orchestra and published two years later under the title "A London Overture.")The expansion of the interval of a third through a fourth, fifth, sixth, and seventh now takes place quickly before our very ears at the outset of this quicker section.Immediately the theme is developed, inverted, and accents displaced across the bar line to give a 3/2 feel against the written meter. But this restlessness leads to a tranquillo built around an arpeggio figure and presented by flute and clarinet. Ireland weaves his flowing counterpoint around this melody until the original slow introduction returns leading to a stretto effect as the rising bass motifs become more urgent, requesting a resolution of the tension of that original semitone and minor third.Yet resolution is withheld at this point as the music becomes almost becalmed in a further, unrelated tranquillo section marked pianissimo. It is almost as if another side of Ireland's nature is briefly allowed to shine through the stern counterpoint and disciplined structure.This leads to virtually a full recapitulation of the chirpy "brilliante," with small additional touches of counterpoint, followed by the first tranquillo section-this time in the tonic of Bb major. But the instability of the third re-asserts itself, this time demanding a resolution. And a triumphant resolution it receives, for it finally becomes fully fledged and reiterates the octave in a closing vivace. The opening tension has at last resolved itself into the most perfect interval of all.
Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Woodwinds, Clarinet, Saxophone
Genres: 20th Century, Comedy, Classical, Miscellaneous
Histoire Du Tango by Astor Piazzolla (1921-1992). For flute and guitar. Classical: 20th Century (Contemporary). Grade 4. Score. 19 + 12 pages. Published by Editions Henry Lemoine (LM.24810).
Instruments: Flute, Acoustic Guitar, Classical Guitar, Woodwinds, Guitar
Genres: Classical, 20th Century, Argentinian, Latin, Tango
Sabre Dance by Aram Ilyich Khachaturian (1903-1978). For Flute Quartet. Published by MSB Publishing (M1.EBC135).
Instruments: Flute, Woodwinds
Genres: 20th Century, Classical
Overture To The Nutcracker Ballet by Peter Ilyich Tchaikovsky (1840-1893). Arranged by Earl North. For Flute, Oboe, Bb Clarinet, French Horn And Bassoon. Woodwind Quintet. Romantic, Christmas. Grade 5. Published by Kendor Music Inc (KN.16935).
Instruments: Flute, B-Flat Clarinet, Oboe, Bassoon, Horn, Woodwinds, Clarinet, Brass
Genres: Christmas, Romantic Period, Miscellaneous, Classical
By William Steffe (1830-1890). Arranged by Peter Wilhousky. Orchestra. For Flute I, Flute II, Piccolo, Clarinet I, Clarinet II, Tenor Saxophone, Horn III, Horn IV, Trumpet I, Trumpet II, Trumpet III, Tenor I, Tenor II, Tenor III, Oboe, Bassoon, Alto Saxophone, Horn I, Horn II, Tuba, Timpani, Harp, Percussion, Violin I, Violin II. Carl Fischer Classic Orchestra Edition. Classical. Score and part(s). Standard notation. 10 pages. Published by Carl Fischer
Instruments: Piccolo, Clarinet, Oboe, Alto Saxophone, Tenor Saxophone, Bassoon, Horn, Violin, Harp, B-Flat Trumpet, Percussion, Timpani, Tuba, Flute, Woodwinds, Saxophone, Brass, Strings, Trumpet
Genres: Classical, 4th of July, Memorial Day, Patriotic, Celebrations, Folk
Verwandlung by David Padros. For Flute quartet. 21st century. Chamber music. Full Score. 11 pages. Published by Trito Ediciones (TI.TR-00542). ISBN M-69204-397-3. Chamber music.
Instruments: Flute, Woodwinds
Genres: 21st Century, Classical
By Claude Debussy (1862-1918). Piano trio. For flute, clarinet and piano. Published by International Music Company
Instruments: Piano Accompaniment, Flute, Clarinet, Violin, Cello, Piano, Piano and Keyboard, Woodwinds, Strings
Genres: Impressionism, 20th Century, Classical
By Ralph Vaughan Williams (1872-1958). For Contralto/mezzo solo, SA choir and orchestra/flute and piano. Upper Voices. Contemporary, Choral Works. Vocal score. 24 pages. Duration 12'. Published by Oxford University Press
Instruments: Choir, Voice, Piano Accompaniment, Flute, Vocal, Piano, Piano and Keyboard, Woodwinds
Genres: Classical, 20th Century, British, World
A Rockin' Halloween (featuring "Ghostbusters," "Scooby-Doo, Where Are You?," and "Monster Mash"). By Joseph Barbera, Hoyt Curtin, William Hanna, Ray Parker, Jr., Leonard Capizzi, and Bobby "Boris" Pickett. Arranged by Michael Story. Orchestra. For orchestra (2 - flute, 2 - oboe, 1 - 1st clarinet, 1 - 2nd clarinet, 1 - bass clarinet, 2 - bassoon, 4 - horn in F, 1 - 1st trumpet, 1 - 2nd trumpet, 3 - trombone, 1 - tuba, 1 - mallet percussion, 1 - timpani, 2 - percussion, 1 - piano, 8 - 1st violin, 8 -. Full Orchestra. Belwin Orchestra Intermediate Level. Contemporary; Fall; Halloween; Light Concert; Novelty. Grade 2.5. Conductor's score and set of performance parts. 238 pages. Duration 2m45s. Published by Belwin Publishing (AP.25034). Give your students the opportunity to rock 'n' roll this Halloween with three classic pop tunes in one easy medley, specifically scored for your intermediate string or full orchestra.
Instruments: Piano, Flute, Bass Clarinet, Oboe, Bassoon, Horn, Violin, Trumpet, Trombone, Percussion, Timpani, Tuba, Piano and Keyboard, Woodwinds, Clarinet, Brass, Strings
Genres: Classical, Halloween, Celebrations
By Astor Piazzolla (1921-1992). For Oboe (or C Instrument), Piano. Tango. Published by Tonos Music
Instruments: Piano, Guitar, Piccolo, Oboe, Recorder, Violin, Piano and Keyboard, Flute, Woodwinds, Strings
Genres: Classical, Argentinian, Latin