First Festival Solos: 20 easy Flute solos with Piano Accompaniments. Carl Fischer presents a new collection of solo pieces with piano accompaniments for use at festival adjudicated events or in recitals. These solos are written by two of the most popular composers of music for students: Larry Clark and Sean O'Loughlin. The solos range in difficulty from grades 1 to 2 and are progressively arranged in the book. There is a wide variety of musical styles from original compositions to beautiful arrangements of folk songs and classical pieces. Each volume includes a CD of full-version recordings for the student to use as examples, as well as piano-only recordings to use in practice. The CD also contains piano accompaniments as printable PDF files, so that the student can print the solo they need for the accompanist. This collection of solos is destined to be on every state contest/festival required music list.

An excellent primer for those with little or no experience playing the flute. Always wanted to play the flute? Are you a former flautist who wants to refresh your skills? Flute For Dummies is the guide for you. Following along with the book's accompanying CD, you will learn the nuances of playing the flute as an accompanying instrument or for playing a solo, in a variety of musical styles. Readers will learn how to play, step-by-step – from the correct angle for blowing into the mouthpiece and controlling pitch, to proper breathing, creating vibrato, and much more The book's accompany CD allows readers to play what they are learning, and listen to the accompanying track to see if they're getting it right Karen Moratz is Principal Flutist with the Indianapolis Symphony Orchestra and Artist in Residence and Adjunct Professor of Flute at the School of Music/Jordan College of Fine Arts at Butler University Easy-to-understand methods and instructions make learning to play this beautiful instrument as simple and straightforward as possible!

Learn to play 15 favourites from the Great White Way with this exciting new collection of Broadway Hits for Flute from the Hal Leonard Instrumental Play-along series. Features solo Flute arrangements of songs such as: Backwoods Barbie • Breathe • Expressing Yourself • Find Your Grail • Follow Your Heart • Ireland • Mama Who Bore Me • and more! Includes CD accompaniment with backing tracks.

Optional Piccolo (or Fife) part for James Whitbourn's Missa Carolae.

For the beginner to the highly advanced player of Irish flute, tin whistle, or Boehm-system flute. The Essential Guide to Irish Flute and Tin Whistle features a simple and penetrating new approach to understanding and notating ornamentation that goes beyond any previous method, exploring ornamentation techniques never described in print before. Also includes adaptations for Boehm-system flute players, guidance on breathing and phrasing, 49 ornamentation exercises, history and theory of traditional Irish flute and whistle music, and 27 meticulous transcriptions of recordings by these important Irish flute and tin whistle players: John McKenna ,Tom Morrison, William Cummins, Séamus Ennis, Willie Clancy, Paddy Taylor, Paddy Carty, Grey Larsen, Josie McDermott, Matt Molloy, Cathal McConnell, Mary Bergin, Donncha Ó Briain (Denis O'Brien), Desi Wilkinson, Breda Smyth, Seán Ryan, Conal Ó Gráda, Micho Russel, Joanie Madden, Kevin Crawford, Catherine McEvoy, and Seamus Egan. For those who don't read music, almost all the exercises, examples and tunes appear on the two companion CDs. "Grey has, through his research, patience, and diligence, completed a work on Irish flute and tin whistle that I feel is essential reading for anybody interested in getting it right." - Matt Molloy, Irish Flute player with the Chieftains.

Nine songs from the Andrew Lloyd Webber musical masterpiece, The Phantom of the Opera arranged for solo Flute: All I Ask of You · Angel of Music · Masquerade · The Music of the Night · The Phantom of the Opera · The Point of No Return · Prima Donna · Think of Me · Wishing You Were Somehow Here Again

This arrangement of 'Away in a Manger' by Rebecca Faith incorporates two traditional melodies woven together seamlessly to create a refreshing interpretation of a universally familiar song. A verse of the traditional American tune is heard first on the piano before being interrupted by the flute taking over with the British melody. Piano interludes of the American themes return but never in full until the end of the piece where it returns to its original starting point. As much as the familiar melodies are recognisable they are laced with jazzy harmonies and a nonchalant improvisatory style. All of Rebecca's Christmas Carol arrangements are fresh, exciting and uniquely crafted, and are very much for the concert platform rather than a sing-along or play-along at home with Dad playing the piano part. These beautiful arrangements require work on the part of both flautist and pianist, as with a demanding accompaniment they are very much a duo. The majority are for the advanced flautist, minimum grade 6-7 standard, as there are some complicated rhythms, flutter tonguing and technically challenging jazzy-style passages. Highly recommended and well received by audiences there is nothing else available like them, and so these challenging yet thoroughly enjoyable arrangements fill a gap in the market and are an effective and welcome addition to the repertoire, providing some festive music with a rather different flavour, away from the usual standard melody with accompaniment. The collection of 10 Christmas Carols was written for the flute and piano duo 'Tranquillo', who recorded them as their debut album 'Tranquillo Christmas' in 2010, a CD that has attracted some excellent reviews and can be purchased for £10 (plus P&P) from www.tranquilloduo.com Review: "Rebecca has taken both the British and the American version of 'Away in a Manger' and cleverly blended them into one beautiful arrangement of this traditional carol. The solo piano interludes bring out the American melody, whereas the British theme is given to the flute. It is a pleasure to play an arrangement where both instruments are of equal importance. Whilst the laid back melodies and jazz harmonies make for easy listening, there are plenty of challenges for both players and it is a refreshing change to the many easy arrangements available. We would highly recommend this carol as part of your Christmas repertoire!" - Sarah Waycott & Hannah Mitchell of Tranquillo, November 2012 Review: "Rebecca's arrangement of 'Away in a Manger' has a calm and gentle feel to it, and as the tempo suggests, 'relaxed'. The piano opens with an introduction before the flute takes a verse of the carol soaring into the high octave. The music then goes into an effective variation with some decoration of the tune and a number of running semi-quaver passages in the flute part across the middle and high octave of the flute, then returning to a coda-like recapitulation of the melody. The accompaniment is fairly straight-forward and more so than her other carol arrangements, perhaps making it more accessible for a grade 6ish student to perform at a school Christmas concert. Very different flavour and great addition to the flute Christmas repertoire, and one I look forward to including in a Christmas recital." - Rachel Smith, November 2012

This arrangement by Rebecca Faith is not what is usually expected when labelled with the familiar title Silent Night. This piece of music is more of a variation of themes, the familiar melodies remaining recognisable but treated as small pockets of atmospheric motifs rather than one long lyrical melody. The style and harmonies have a more experimental magical feel whilst remaining easy on the ear, and are created to capture the attention and imagination of the listener. All of Rebecca's Christmas Carol arrangements are fresh, exciting and uniquely crafted, and are very much for the concert platform rather than a sing-along or play-along at home with Dad playing the piano part. These beautiful arrangements require work on the part of both flautist and pianist, as with a demanding accompaniment they are very much a duo. The majority are for the advanced flautist, minimum grade 6-7 standard, as there are some complicated rhythms, flutter tonguing and technically challenging jazzy-style passages. Highly recommended and well received by audiences there is nothing else available like them, and so these challenging yet thoroughly enjoyable arrangements fill a gap in the market and are an effective and welcome addition to the repertoire, providing some festive music with a rather different flavour, away from the usual standard melody with accompaniment. The collection of 10 Christmas Carols was written for the flute and piano duo 'Tranquillo', who recorded them as their debut album 'Tranquillo Christmas' in 2010, a CD that has attracted some excellent reviews and can be purchased for £10 (plus P&P) from www.tranquilloduo.com Review: "Silent Night is the most challenging carol in Rebecca's Christmas collection. Rather than a straight play through of the melody, key rhythmic and melodic elements are used, being shared between both instruments. It is an unusual, haunting arrangement that will test a performer's sense of interpretation and musicality, and is a good piece for securing ensemble skills. A definite 'must-have' for the more advanced flute and piano duo." - Sarah Waycott & Hannah Mitchell of Tranquillo, November 2012 Review: "This beautiful carol is one definitely not to miss out when arranging Christmas carols, with its simple but idyllic soaring tune, especially working well on the flute. Rebecca has captured this well, taking the flute into the high octave and providing an obbligato-style part for the flute above the piano tune. The flute only has snippets of the melody, but it is a creative arrangement with a rather different flavour to the original carol. It passes through different keys and time signatures, with the piano part adding a rich harmonic texture and almost jazzy feel with the triplet and off-beat rhythms in places. The flute part is not too demanding, probably around the grade five level, so would suit a school Christmas concert with an accomplished pianist or a college student or professional flautist looking for a festive treat to insert into a Christmas recital. Lovely addition to the flute Christmas repertoire." - Rachel Smith, November 2012

This Stephen Sondheim - Broadway Solos edition from the Hal Leonard Instrumental Play-Along series features solo Flute arrangements of 14 fabulous Sondheim tunes, complete with CD accompaniment.

Flute Friction is a series of flute duets in three books aimed at flautists from grade 1 to 8. 15 Flute duets. 10 Flute Trios. In this first book in the series, ten flute trios are also included, which teachers will find particularly profitable when working with small groups, although the main emphasis in this series is on the interaction between two players similar in standard. In many cases each part is given equal importance, so it is the ease with which players can shift from pole position to a more supporting role and back again that poses the principle challenge. Elsewhere, the spoils are slightly less equitably carved up, and again teachers will quickly gauge for themselves which pieces best suit the abilities and personalities of their students. If teachers can get their students to learn both parts in each piece, then in a sense the books immediately double in value! I like to think of these pieces as being useful from a number of viewpoints and would suggest using them in a variety of ways, not exclusively as light relief at the end of lessons. Duets are an excellent way of improving sight-reading, to be sure, as well as building confidence and assertiveness. But at least as importantly they nurture that most underestimated of skills, listening, without which musical accomplishment is doomed to certain failure. If the teacher is limited in pianistic ability, then duets offer a much needed chance for students to play in a small ensemble setting, which is the first stage to being able to 'hold a line' in a wind band or orchestra. Above all perhaps, the sheer joy of being part of a 'winning team' can hardly be overestimated; played well, a duet is greater than the sum of its parts and may well have the potential to please in a concert setting. The business of matching intonation is of course especially important in duets, and similarly, taking breaths in suitable places is critical to the way an audience understands the overall musical texture. Balance, and dynamic involvement generally, can quickly be seen as being critical to how the music springs from the page, while articulation in all its guises is absolutely key to creating a engaging musical effect. Gauging tempo, and particularly changes in tempo, becomes a process of negotiation in duet playing, and a happy outcome will require an awareness of the other player's technical challenges as well as artistic ideas. These are short pieces, not unduly encumbered by structural cleverness, and as such they lend themselves easily to achieving fairly immediate rewards. Come back to them a few months later, and this time expect a little more from the performances. My gratitude, as ever, goes to Gillian Poznansky for road-testing the pieces and ensuring the scores make good musical sense. Mark Tanner, 2012

Entrata is concert piece for flute and piano by Geoff Warren. With its modern jazz tinged harmonies and shifting rhythms, this is a great way to introduce some jazz stylings to the concert platform. Rhythmically complex, and reaching up to top B, one for the more advanced players. There is also the optino to use the included chord sequence to improvise over the middle section, of there is a written out solo for the less adventurous!

Flute Quartet - Piccolo, Flute, Alto Flute, Bass Flute. This Quartet provides a chance for smaller groups to experience the fantastic music of Vincenzo Sorrentino. Featuring all his trademarks - exciting syncopations, flowing overlapping melodies in all parts and modern harmonies. A great encore opiece for a more advanced quartet.

Flute Ensemble - Piccolo, optional G Treble, 4 flutes, Alto flute, Bass flute, optional Contr'alto flute, optional Contrabass flute, optional subcontrabass flute in C. Phillip Rawle's Suite No.2 is in four movements: Cantilena - smooth and flowing pitting 3/4 time against a 6/8 feel. Patetico - richly chromatic, with expansive solos for both bass and alto flutes. Piacevole - a fanfare like beginning leading to a slow and tranquil piece alternating between G major and G minor. Scherzando - a playful movement, sounding almost like a nursery rhyme in places leading to a rousing finish. Equal interest in all parts, about Grade 4/5 standard upwards.

Flute Quartet - 3 flutes and Alto flute A new flute quartet from the pen of Geoff Warren. This piece explores the rhythmic possibilities of the 9/8 time signature, switching between groups of 3+2+2+2, 3+3+3 and 2+2+2+3

Flute Quartet - 3 flutes and Alto flute. Eastern Fjords is an atmospheric quartet, this piece conjures up images of frozen landscapes and towering glaciers. Flute 1 and alto flute play melodically in octaves through a lot of this piece, with the harmonies being completed by the inner parts. Both flute 2 and 3 get melodic interest as the piece progresses. Exploring the lower range of the flute (flute 3 uses a few low Bs) and rhythmically less complex than his other works, this is an easier way in to the music of this interesting composer.

Flute Quartet - 3 flutes and Alto Flute. Toppling Leaves is in a modern jazz style. A chorale-like introduction using modern harmonies leads into solo-like sections where flute 1 has a free line over ostinati in the lower three parts, interspersed with short interjections in rhythmic unison. There then follow sections where the top three parts build up to a climactic finish. Wandering through many keys (including Ab major), and using some complex rhythmic patterns, this is a treat for a more advanced quartet.

Duettino by Lynne Williams for Flute and Alto Saxophone Duet

Solo Flute, flute, alto flute, bass flute The first of Mozart's flute quartets, arranged with flutes taking the string parts. Once again, the flute part has been left unchanged meaning no extra learning for players who already know this piece. In three movements; an initial allegro, a slow lyrical middle movement allowing the soloist to sing out, and a final romp of a Rondo. A good chance for new players to get to know this fabulous piece of music.

Mask is full blooded concert piece for flute and piano by Vincenzo Sorrentino. The piano part ripples away while the flute soars and flies over the top. With fast, complex rhythms and wide-ranging rich harmonies, this piece shimmers like a jewel in the sun. Reaching the dizzy heights of top C, this is one for the serious player.

Flute Ensemble - Piccolo, 4 flutes, Alto flute, Bass flute. Settimeno is a slightly smaller scale flute choir piece by Vincenzo Sorrentino. In his trademark style, multiple ostinati in the lower parts support long flowing tunes in the upper parts, often with modal harmonies. Later on, the syncopations start to appear adding excitement and drive. Finishing with a flourish, a great piece for a smaller ensemble.

Flute Ensemble - Piccolo, 6 flutes, 2 Alto flutes, Bass flute. Fluten II is a companion piece to Fluten, using the same instrumental line up. A fast, syncopated rhythm drives this piece along, appearing in almost every bar. Around this pedal rhythm, two other themes wind and merge, this time based around a triplet pattern. A couple of big climaxes and then the piece fades away to nothing. Again, this piece is already well established on the concert platform.

Flute Ensemble - Piccolo, 6 flutes, 2 Alto flutes, Bass flute. Fluten is a large scale flute choir piece by Vincenzo Sorrentino. A slow introduction leads into a the main, faster section. With it's ostinati and overlapping entries of the main theme this almost has an oriental feeling in places. Later on, overlapping entries of the main theme in increasingly fast rhythms give an impression of church bells pealing out. Using a wide range of keys but not excessively difficult, players from grade 4 upwards should be able to approach this piece succesfully.

A suite of 4 character pieces for alto flute and piano. Each movement lives up to it's title: 'Flight' explores the full range of the instrument with nimble fingers required for the many semiquaver runs. 'Plaintive' is mournful and melancholic, whilst 'Edgewise' explores the rhythmic possibilities of a 5/4 time signature. The last movement ' Radiance' has an improvisatory feel to it. All with the characteristic lush harmonies that are winning Phil more and more fans all the time. A great addition to the alto flute concert repertoire.

Inno for Joueurs, scored for Piccolo, 5 flutes, 2 alto flutes, 2 basses, optional parts for contr'alto, contrabass in C, Contrabass in G, subcontrabass in C. A thrilling piece full of excitement for the full flute choir. Rushing along at breakneck speed and with the most exciting of syncopations, this is a great addition to the concert platform, and is already proving to be very popular. Requiring accurate, fast tonguing and nimble fingers, one for the more advanced group.