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Flute Sonata (1936). (for Flute & Piano). By Paul Hindemith (1895-1963). For flute and piano. Schott. 20th Century. Set of performance parts. 28 pages. Duration 15m. Schott Music #ED2522. Published by Schott Music (HL.49003799).
Instruments: Piano Accompaniment, Flute, Piano, Piano and Keyboard, Woodwinds
Genres: 20th Century, Classical
(Flute, violin and piano). By Nino Rota (1911-1979). Ensemble. 56 pages. Ricordi #R133178. Published by Ricordi
Instruments: Piano, Flute, Violin, Piano and Keyboard, Woodwinds, Strings
Genres: 20th Century, Film & TV, Classical
Concierto Pastoral (1977). (Flute and Piano). By Joaquin Rodrigo (1901-1999). Schott. Piano Reduction with Solo Part. 93 pages. Schott Music #ED11489. Published by Schott Music (HL.49002841). Contents: Allegro • Adagio • Rondó.
Instruments: Piano, Flute, Piano and Keyboard, Woodwinds
Genres: 20th Century, Spanish, Classical, World
Seventh Symphony. (Liturgical). By Vincent Persichetti (1915-1987). Orchestra. For Piccolo, Flute, Oboe, English Horn, Clarinet, Bass Clarinet in Bb, Bassoon, Contra Bassoon, Horn, Trumpet, Tenor, Tuba, Timpani, Snare Drum, Chimes, Suspended Cymbal, Tenor Drum, Bass Drum, Violin I, Violin II, Viola, Cello, Contrabass. Full score (large). Standard notation. Opus 80. 139 pages. Duration 28 minutes. Published by Theodore Presser Company (PR.466000090). With Standard notation.
Instruments: Piccolo, B-Flat Clarinet, Bass Clarinet, Oboe, Bassoon, English Horn, Violin, Cello, Viola, Double Bass, B-Flat Trumpet, Percussion, Timpani, Tuba, Flute, Woodwinds, Clarinet, Strings, Trumpet, Brass
Genres: Classical, 20th Century
(Concert March). By Edwin Franko Goldman (1878-1956). Edited by Edward S. Lisk. Concert Band. For Flute I, Flute II, Flute III, Oboe I, Oboe II, Clarinet (in Eb), Clarinet I, Clarinet II, Clarinet III, Alto Clarinet, Bass Clarinet, Bassoon I, Bassoon II, Alto Saxophone I, Alto Saxophone II, Tenor Saxophone, Baritone Saxophone, Cornet I, Cornet III, Co. Carl Fischer Classic Band Editions. Classical. Full Score. Standard notation. 24 pages. Published by Carl Fischer
Instruments: Flute, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Cornet, Woodwinds, Clarinet, Saxophone, Trumpet, Brass
Genres: Classical, 20th Century
Woodwind Quintet by Nenad First (1964-). For woodwind quintet. Published by Pizzicato Verlag (PZ.PVH-1032).
Instruments: Flute, Clarinet, Oboe, Bassoon, Horn, Woodwinds, Brass
Genres: 20th Century, 21st Century, Classical
Comedy Overture by John Ireland (1879-1962). For Concert Band (Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet*, Bb Bass Clarinet, 1st Bassoon, 2nd Bassoon*, 1st Eb Alto Saxophone, 2nd Eb Alto Saxophone, Bb Tenor Saxophone, Eb Baritone Saxophone*). Band Music. Grade 5. Score and parts. Duration 10:30. Published by C. Alan Publications (CN.R10004). Originally composed for Brass Band in 1934 "Comedy Overture" is, despite its name, a serious piece of writing. The term Overture does not imply that there is anything else to follow; it is used in the 19th century sense of Concert Overture (like Mendelssohn's "Fingal's Cave" - in other words, a miniature Tone Poem).The 1930's was a period of Ireland's mature writing - yielding the Piano Concerto (1930), the Legend for piano and orchestra (1933), and the choral work "These Things Shall Be" (1936-1937). We are fortunate therefore to have both "Comedy Overture" and "A Downland Suite" (1932) written for band medium at this time.As with "Maritime Overture" (written in 1944 for military band) Ireland approaches his material symphonically. The opening three notes state immediately the two seminal intervals of a semitone and a third. These are brooding and dark in Bb minor. It is these intervals which make up much of the thematic content of "Comedy," sometimes appearing in inverted form, and sometimes in major forms as well.The concept that some musical intervals are consonant , some dissonant, and some perfect is perhaps useful in understanding the nature of the tension and resolution of this work. The third is inherently unstable, and by bar 4, the interval is expanded to a fourth - with an ascending sem-quaver triplet - and then expanded to a fifth. The instability of the third pushes it towards a "perfect" resolution in the fourth or the fifth.The slow introduction is built entirely around these intervals in Bb minor and leads through an oboe cadenza, to an Allegro moderato brillante in Bb major.Once again, the semi-tone (inverted) and a third (major) comprise the main, chirpy, theme-inspired by a London bus-conductor's cry of "Piccadilly." (Much of the material in "Comedy" was re-conceived by Ireland for orchestra and published two years later under the title "A London Overture.")The expansion of the interval of a third through a fourth, fifth, sixth, and seventh now takes place quickly before our very ears at the outset of this quicker section.Immediately the theme is developed, inverted, and accents displaced across the bar line to give a 3/2 feel against the written meter. But this restlessness leads to a tranquillo built around an arpeggio figure and presented by flute and clarinet. Ireland weaves his flowing counterpoint around this melody until the original slow introduction returns leading to a stretto effect as the rising bass motifs become more urgent, requesting a resolution of the tension of that original semitone and minor third.Yet resolution is withheld at this point as the music becomes almost becalmed in a further, unrelated tranquillo section marked pianissimo. It is almost as if another side of Ireland's nature is briefly allowed to shine through the stern counterpoint and disciplined structure.This leads to virtually a full recapitulation of the chirpy "brilliante," with small additional touches of counterpoint, followed by the first tranquillo section-this time in the tonic of Bb major. But the instability of the third re-asserts itself, this time demanding a resolution. And a triumphant resolution it receives, for it finally becomes fully fledged and reiterates the octave in a closing vivace. The opening tension has at last resolved itself into the most perfect interval of all.
Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Woodwinds, Clarinet, Saxophone
Genres: 20th Century, Comedy, Classical, Miscellaneous
Histoire Du Tango by Astor Piazzolla (1921-1992). For flute and guitar. Classical: 20th Century (Contemporary). Grade 4. Score. 19 + 12 pages. Published by Editions Henry Lemoine (LM.24810).
Instruments: Flute, Acoustic Guitar, Classical Guitar, Woodwinds, Guitar
Genres: Classical, 20th Century, Argentinian, Latin, Tango
Pavane (Flote, Tuba, Cello, Klavier) by Gabriel Faure (1845-1924). For flute, tuba, cello, and piano. Swiss import. Grade 4+. Score and parts. Published by Editions Marc Reift (MA.EMR-282).
Instruments: Piano Accompaniment, Flute, Cello, Tuba, Piano, Piano and Keyboard, Woodwinds, Strings, Brass
Genres: 20th Century, Classical
Irish Tune from County Derry & Shepherd's Hey (Set for Military Band). By Percy Aldridge Grainger (1882-1961). Arranged by Cecil J. Sharp. Concert Band. For Piano, Piccolo, Flute I, Flute II, Oboe I, Oboe II, Clarinet I, Clarinet II, Clarinet III, Clarinet IV, Alto Clarinet, Bass Clarinet, Bassoon I, Bassoon II, Alto Saxophone I, Alto Saxophone II, Tenor Saxophone, Baritone Saxophone, Bass Saxophone, Trumpet . This edition: The only modern edition approved by the composer. Carl Fischer Classic Band Editions. Score and Set of Parts. Standard notation. 13 pages. Published by Carl Fischer (CF.J240). ISBN 0825834155. With Standard notation.
Instruments: Piano, Piccolo, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, B-Flat Trumpet, Piano and Keyboard, Flute, Woodwinds, Clarinet, Saxophone, Trumpet, Brass
Genres: 20th Century, Irish, St. Patrick's Day, Classical, World, Celebrations