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Libertango by Astor Piazzolla (1921-1992). Arranged by Uwe Rassler. For Piano Trio (optional Parts for 2nd Violin, Bass, Flute and Clarinet). Tango. Full score & parts. Published by Uetz Music (UZ.BU-9044). ISBN M-50146-345-9. Tango.
Instruments: Piano, Flute, Clarinet, Violin, Cello, Piano and Keyboard, Woodwinds, Strings
Genres: Classical, Argentinian, Latin, Tango
(Flute, violin and piano). By Nino Rota (1911-1979). Ensemble. 56 pages. Ricordi #R133178. Published by Ricordi
Instruments: Piano, Flute, Violin, Piano and Keyboard, Woodwinds, Strings
Genres: 20th Century, Film & TV, Classical
3. Alphorn Concerto by Jean Daetwyler. For alphorn in Gb, flute and orchestra. Swiss import. Grade 6. Score and parts. Published by Editions Marc Reift (MA.EMR-1164).
Instruments: Flute, Alphorn, Woodwinds, Folk
Radetzky March (Full Score and Parts). By Johann Strauss, Jr. (1825-1899). Arranged by Andrew Balent. Concert Band. For Flute, Oboe, Flute II, Clarinet I, Clarinet II, Bass Clarinet, Bassoon, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Trumpet I, Trumpet II, Horn, Tenor, Euphonium, Tuba, Bells, Timpani, Snare Drum, Bass Drum, Triangle. Carl Fischer Young Performance Series. Grade 2-2.5. Score and Set of Parts. Standard notation. 16 pages. Duration 2 minutes, 50 seconds. Published by Carl Fischer (CF.YPS40). ISBN 0825855551. With Standard notation. A true classic for orchestra is now available in an easy-to-play version by this first-class arranger. Andrew Balent is noted for capturing the essence of original works within the technical limitations of younger students. This arrangement is a superb alternative to play as a contest/festival warm-up march.
Instruments: Flute, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Euphonium, Percussion, Timpani, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Concierto Pastoral (1977). (Flute and Piano). By Joaquin Rodrigo (1901-1999). Schott. Piano Reduction with Solo Part. 93 pages. Schott Music #ED11489. Published by Schott Music (HL.49002841). Contents: Allegro • Adagio • Rondó.
Instruments: Piano, Flute, Piano and Keyboard, Woodwinds
Genres: 20th Century, Spanish, Classical, World
Selections form Tim Burton's Corpse Bride (Featuring According to Plan, Remains of the Day and The Wedding Song). By Danny Elfman. Arranged by Douglas E. Wagner. Orchestra. For string or full orchestra (2 - flute, 2 - oboe, 1 - 1st clarinet, 1 - 2nd clarinet, 1 - bass clarinet, 2 - bassoon, 4 - horn in F, 1 - 1st trumpet, 1 - 2nd trumpet, 3 - trombone, 1 - tuba, 2 - mallet percussion, 3 - percussion, 1 - harpsichord, 8 - 1st vio. Full Orchestra. Belwin Orchestra Intermediate Level. Movies. Grade 3. Conductor's score and set of performance parts. 242 pages. Published by Belwin Publishing (AP.25027). From the fertile creative genius of film composer Danny Elfman comes his imaginative score and songs for Tim Burton's Academy Awards nominee for Best Animated Feature. There are no major technical impediments for players in this arrangement that should easily come together in rehearsal. The medley may be performed with string or full orchestra. Great fun for all!
Instruments: Flute, Bass Clarinet, Oboe, Bassoon, Horn, Trumpet, Trombone, Percussion, Harpsichord, Tuba, Woodwinds, Clarinet, Brass, Piano and Keyboard
Genres: Classical, Film & TV, Wedding, Celebrations
Ne'giorni tuoi felici by Ludwig van Beethoven (1770-1827). Edited by Ernst Hess. For 2 Flute, 2 Oboes, Bassoon, 2 Horn. Orchestral. Set of wind parts. Published by Edition Peters (PE.P04833-W).
Instruments: Flute, Oboe, Bassoon, Horn, Woodwinds, Brass
Genres: Classical, Classical Period
(Concert March). By Edwin Franko Goldman (1878-1956). Edited by Edward S. Lisk. Concert Band. For Flute I, Flute II, Flute III, Oboe I, Oboe II, Clarinet (in Eb), Clarinet I, Clarinet II, Clarinet III, Alto Clarinet, Bass Clarinet, Bassoon I, Bassoon II, Alto Saxophone I, Alto Saxophone II, Tenor Saxophone, Baritone Saxophone, Cornet I, Cornet III, Co. Carl Fischer Classic Band Editions. Classical. Full Score. Standard notation. 24 pages. Published by Carl Fischer
Instruments: Flute, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Cornet, Woodwinds, Clarinet, Saxophone, Trumpet, Brass
Genres: Classical, 20th Century
Woodwind Quintet by Nenad First (1964-). For woodwind quintet. Published by Pizzicato Verlag (PZ.PVH-1032).
Instruments: Flute, Clarinet, Oboe, Bassoon, Horn, Woodwinds, Brass
Genres: 20th Century, 21st Century, Classical
Comedy Overture by John Ireland (1879-1962). For Concert Band (Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet*, Bb Bass Clarinet, 1st Bassoon, 2nd Bassoon*, 1st Eb Alto Saxophone, 2nd Eb Alto Saxophone, Bb Tenor Saxophone, Eb Baritone Saxophone*). Band Music. Grade 5. Score and parts. Duration 10:30. Published by C. Alan Publications (CN.R10004). Originally composed for Brass Band in 1934 "Comedy Overture" is, despite its name, a serious piece of writing. The term Overture does not imply that there is anything else to follow; it is used in the 19th century sense of Concert Overture (like Mendelssohn's "Fingal's Cave" - in other words, a miniature Tone Poem).The 1930's was a period of Ireland's mature writing - yielding the Piano Concerto (1930), the Legend for piano and orchestra (1933), and the choral work "These Things Shall Be" (1936-1937). We are fortunate therefore to have both "Comedy Overture" and "A Downland Suite" (1932) written for band medium at this time.As with "Maritime Overture" (written in 1944 for military band) Ireland approaches his material symphonically. The opening three notes state immediately the two seminal intervals of a semitone and a third. These are brooding and dark in Bb minor. It is these intervals which make up much of the thematic content of "Comedy," sometimes appearing in inverted form, and sometimes in major forms as well.The concept that some musical intervals are consonant , some dissonant, and some perfect is perhaps useful in understanding the nature of the tension and resolution of this work. The third is inherently unstable, and by bar 4, the interval is expanded to a fourth - with an ascending sem-quaver triplet - and then expanded to a fifth. The instability of the third pushes it towards a "perfect" resolution in the fourth or the fifth.The slow introduction is built entirely around these intervals in Bb minor and leads through an oboe cadenza, to an Allegro moderato brillante in Bb major.Once again, the semi-tone (inverted) and a third (major) comprise the main, chirpy, theme-inspired by a London bus-conductor's cry of "Piccadilly." (Much of the material in "Comedy" was re-conceived by Ireland for orchestra and published two years later under the title "A London Overture.")The expansion of the interval of a third through a fourth, fifth, sixth, and seventh now takes place quickly before our very ears at the outset of this quicker section.Immediately the theme is developed, inverted, and accents displaced across the bar line to give a 3/2 feel against the written meter. But this restlessness leads to a tranquillo built around an arpeggio figure and presented by flute and clarinet. Ireland weaves his flowing counterpoint around this melody until the original slow introduction returns leading to a stretto effect as the rising bass motifs become more urgent, requesting a resolution of the tension of that original semitone and minor third.Yet resolution is withheld at this point as the music becomes almost becalmed in a further, unrelated tranquillo section marked pianissimo. It is almost as if another side of Ireland's nature is briefly allowed to shine through the stern counterpoint and disciplined structure.This leads to virtually a full recapitulation of the chirpy "brilliante," with small additional touches of counterpoint, followed by the first tranquillo section-this time in the tonic of Bb major. But the instability of the third re-asserts itself, this time demanding a resolution. And a triumphant resolution it receives, for it finally becomes fully fledged and reiterates the octave in a closing vivace. The opening tension has at last resolved itself into the most perfect interval of all.
Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Woodwinds, Clarinet, Saxophone
Genres: 20th Century, Comedy, Classical, Miscellaneous