Love Came Down At Christmas by composed Richard Lloyd for SATB divisi chorus unaccompanied. With words by Christina Rossetti.

This offering from Mack Wilberg is a joyful yet graceful arrangement of the well-known hymn tune by Conrad Kocher. Featuring a lyrical accompaniment and variations in choral textures, this piece is ideal for Harvest or Thanksgiving celebrations, but can also be used all year round.

The Oxford Book of Descants is a definitive collection of 102 descants to well-known hymns, carols, and worship songs.It features descants by a wide range of composers, including contemporary names such as David Willcocks, John Rutter, Malcolm Archer, and Paul Leddington Wright, as well as celebrated twentieth-century church composers such as Alan Gray, Edward Bairstow, Sydney Nicholson, and John Wilson. Published in both full music and melody editions, this is a fully practical collection, with selected descants presented in different keys and with alternative words to match most popular hymnals. The With a superb range of descants, ably written and sympathetic to the style and harmony of the original tune, this is an excellent resource that will be welcomed by all choirs and church musicians and will enhance hymn singing at church services.

Wherever You Will Go is the uplifting and heartfelt hit song about love and dedication by The Calling and famously covered by singer-songwriter Charlene Soraia. This sumptuous choral arrangement for SSA chorus with piano accompaniment is even more engrossing and affecting – an ideal piece to add some emotive power to any ensemble's repertoire.

Sunrise Mass is a spiritual, extended work by Ola Gjeilo which uses the liturgical Latin text. The four movements bring us on a metaphysical journey from the heavens to earth, from the echo of The Spheres (Kyrie) to Identity & The Ground (Sanctus) with its earthly themes. Neither expressly sacred nor secular, this is an exquisite work for advanced high school level and beyond. Duration: ca. 32:00.

Requiem for my Friend by Zbigniew Preisner was first performed on 1st October 1998, at the Teatr Wielki, Warsaw. The Lacrimosa from Requiem for my Friend is here presented in a separate vocal score for solo Soprano, SATB choir and Organ accompaniment.

The Peace Of God from the series 'Hymns for a Changing World'. Optional harmony part in the chorus. Dedicated to St. Cairell. The Irish missionary, St Cairell, is thought to have left Iona c.600 AD. Along the route of his journey through the Highlands, he established several centres of Christianity, one such holy place being Cille Choirill in Brae Lochaber, east of Roy Bridge.The highest knoll on this site is Tom Angeal (the Hill of the Angels), an ancient burial ground, the final resting place of laity, priests and bishops of Lochaber. According to local tradition, the first recorded church on the site was built or restored by Ailean nan Creach, a fifteenth century Cameron chief, in atonement for his violent life. Over the centuries, the chapel fell into disrepair but in 1932, and again in 1991, it was restored and repaired, thanks to the generous funding provided by the descendants of Lochaber people who emigrated to Nova Scotia at the end of the nineteenth century.

The Lord Is In His Holy Temple, an anthem composed by Edward Henry Thorne for SATB choir with Organ Accompaniment.

Ave Verum Corpus by Paul Mealor for SATB divisi chorus unaccompanied.

Lullay My Liking by Gustav Holst for SATB chorus unaccompanied.

The Swallow And The Bells, composed by Mykola Leontovich, was originally featured in Noël! 2. Translated into English by Carol Barratt.

The 14th century carol, Gaudete! has here been arranged by David Hill for SATB chorus and percussion. Originally published in Noël! 2.

Of The Father's Love Begotten, arranged by Richard Lloyd for SATB chorus and organ. Originally published in Noel!.

The Christmas carol, See, Amid The Winter's Snow has here been arranged for SATB choir with Organ accompaniment by Richard Lloyd. Originally published in Noel!.

Crucifixus by Paul Mealor is here presented in a version for Baritone solo, SATB choir and Piano accompaniment. Crucifixus was commissioned by the sound Festival, and premiered by the National Youth Choir of Scotland, the National Youth Orchestra of Scotland Futures Ensemble with baritone soloist Jeremy Huw Williams, conducted by Christopher Bell at St Machar Cathedral, Aberdeen on 11 November 2012. Also available for solo baritone, SATB chorus and organ (NOV293425).

C.F. Peters Voces 8 A Cappella Songbook: Eight songs for eight-part vocal groups (2 Sopranos, 2 Altos, 2 Tenors and 2 Basses), With piano accompaniment, Score, Contents: Feeling Good (Bricusse & Newley) arr.Jim Clements, Fever (Davenport & Cooley) arr.Jim Clements, Folksong Medley (Traditional) arr.VOCES8, Erlk

Rosa Mystica (There Is No Rose) by Benjamin Dale for Tenor solo and SATB choir.

Sancta Trinitas, motet for unaccompanied SATB choir by Antoine De Fevin. Edited by Stanley Boorman.

The 14th-century German carol Good Christian Men, Rejoice has here been arranged by Philip Ledger for SATB choir with Organ accompaniment. As sung by Cambridge King's College Choir on Christmas Eve, 2012.

There is no rose of such virtue is an anonymous mediaeval text, already well known through beautiful settings by Britten (in his Ceremony of Carols), John Joubert and others. The poem is ‘macaronic’ (it presents a verse in English, followed by a varying Latin refrain). This new version follows the illustrious examples above by remaining strophic and presenting broadly the same music in a succession of slightly different guises. The first verse is a straightforward four-part setting, the second gives the melody to the tenors and surrounds them with hushed, wordless writing for the other parts, and the third explores a freely canonic relationship between the tenor and soprano lines before carrying the previous verse-endings to a higher, more exalted pitch and mood. The fourth verse then expands its texture in a free climactic passage evoking the songs of praise sung by the angels. This subsides towards the final verse, where the texture of the music attenuates again to four parts, and canonic writing (based on the first four notes of the original melody) permeates all of them. This slightly extended statement leads to a hushed final cadence. Francis Pott (b. 1957) began musical life as a chorister at New College, Oxford. He held open music scholarships at Winchester College and at Magdalene College, Cambridge, where he studied composition with Robin Holloway and Hugh Wood while pursuing piano studies privately in London with the distinguished British artist, Hamish Milne. Throughout the 1990s Francis was John Bennett Lecturer in Music at St Hilda’s College, Oxford, and a lay clerk in the Choir of Winchester Cathedral. In 2001 he became Head of London College of Music, University of West London, later leading research across the University’s Faculty of Arts and acceding in 2007 to its first Chair in Composition. Francis Pott has become recognised particularly for his sacred choral and organ music. This has been performed in concert and on radio in over three dozen countries worldwide, published by four major UK houses and released extensively on CD. Winner of four national composition awards, in 1997 he received first prize in the piano solo section of the S. S. Prokofiev Composing Competition, Moscow. In 2006 and 2011 he was a nominated finalist in the BASCA/BBC Annual Composer Awards. In summer 2012 he was winner of the international composing competition of the Cheltenham Festival, which sought new piano variations on the arioso song Bist du bei mir, well known in the arrangement by J. S. Bach. Francis lives with his wife and two children on the outskirts of Winchester. An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles.

Lead Us, O Father by Michael Doswell, an anthem for unaccompanied SATB choir with words by W.H Burleigh.

The finest pairing of melodies we've heard in years: The First Noel and Pachelbel's famous Canon in D. It works! In fact, the intertwining of these two timeless works is absolutely beautiful. A first-rate choral masterpiece, destined to become a classic. Features a three-hand piano or organ accompaniment.

You'll set the perfect festive mood with this fresh pairing of two Christmas classics, arranged by Mark Brymer! Easily learned, it makes a jubilant holiday opener and includes: Christmas Is, Wonderful Christmastime.

Originally composed as the second of a set of three Latin motets, Paul Mealor's Ave maris stella is now available separately, set for SATB divisi chorus unaccompanied.