This unprecedented songbook is a reggae lover's dream come true! Over 40 of the greatest off-beat hits are featured, all expertly arranged in Piano, Vocal and Guitar notation. Indulge your appetite for classics such as No Woman No Cry, The Tide is High, Rivers of Babylon and Red, Red Wine plus many more!

Hildegard Knef, the legendary German actress, TV and show star, singer and author lived from 1925-2002. This beautiful songbook comprises 16 of her most famous songs arranged for piano, vocal and guitar. Amongst these are Für mich soll’s rote Rosen regnen, Von nun an ging’s bergab, So oder so ist das Leben, Ich brauch Tapetenwechsel and more. In addition the book offers rare pictures, biographical facts and figures and some private notes by the artist.

This unique collection features 100+ folk favourites from countries around the globe arranged for Piano, Voice and Guitar.

Edward Bunting (1773–1843), the first systematic collector of Irish folksongs, was educated as an organ and piano player in Belfast. His life's work fell upon him at nineteen years old, when he was commissioned as a scribe to notate performances at a gathering of traditional harp players in Belfast in July 1792. He was so inspired by the music that, aided by some of the harpers, he embarked immediately upon travels around northwest Ireland to collect some of the old songs already close to disappearing. He published his first collection of Irish music four years later. In that volume and two later ones, he published almost 300 airs—some of them, according to tradition, dating as far back as the tenth century—and practically single-handedly rescued his country's ancient music from oblivion. The present collection, the last of Bunting's three such gatherings, contains 151 Irish airs arranged for piano, with the Irish names of the airs, their authors, and (where known) their dates of composition. Hard to find elsewhere, this is an indispensable book not only for students or lovers of Irish music, but also for students of general music history. Reprint of the Hodges and Smith, Dublin, 1840 edition.

Sonata da camera a tre d-moll. (2 Violins (cello ad lib), Guitar Continuo: Werner Kammerling). By Arcangelo Corelli (1653-1713). Chamber Music (Guitar). For 2 violins and guitar (cello ad libitum). 3. Op.2/2. 9 pages. Published by Doblinger Music Publishers (DB.GKM-00048). Die einfache und selbstverstandliche Gro!e, die Corellis klassischen Stil bestimmt, wirkt auch in den drei Satzen dieser Triosonate ...Die drei besonders schonen Werke sind in Suiten-Form gehalten. (Musikerziehung).

Ungarische Kinderwelt / Hungarian Children'S World. (12 Lebensbilder / 12 Conversation Pieces). By Mihaly Mosonyi. Piano. For piano. 2-3. 39 pages. Published by Doblinger Music Publishers (DB.DM-01267). ISBN M-012-18606-9.

Winterreigen. (10 Bagatellen). By Ernst Von Dohnanyi (1877-1960). Piano. For piano. 4-5. Op. 13. 39 pages. Published by Doblinger Music Publishers (DB.01-00510).

Dubbio affetto il cor mi strugge by Tomaso Giovanni Albinoni (1671-1751). Edited by Michael Talbot. For Soprano and basso continuo. Full score and parts. 37 pages. Duration 8 minutes. Published by Edition HH Music Publishers (HH.HH146-FSP). ISBN 978-1-904229-76-6. This cantata, from an important manuscript in Berlin containing 18 Albinoni cantatas for soprano and continuo, is on the ever-popular subject of a timid lover who, in the course of three arias and two recitatives, eventually plucks up the courage to declare his love openly. His progress from confusion via self-pity to a growing confidence is charted in the well-contrasted arias, which show Albinoni's lyrical gift at its best.

Sovre molle origliere by Tomaso Giovanni Albinoni (1671-1751). Edited by Michael Talbot. For Soprano and basso continuo. Full score and parts. 34 pages. Duration 7 minutes. Published by Edition HH Music Publishers (HH.HH145-FSP). ISBN 1-904229-75-1. This cantata, from an important manuscript in Berlin containing 18 Albinoni cantatas for soprano and continuo, is on a more serious subject than most. Standing at the deathbed of Lidio, who has undeviatingly loved her without reciprocation all his life, Clori is stricken by remorse at her ingratitude and enjoins others to surrender to Cupid. As usual, Albinoni does not wallow in the lachrymose, but there is an affecting tenderness that suffuses the whole cantata.

Fileno, caro amico by Tomaso Giovanni Albinoni (1671-1751). Edited by Michael Talbot. For Soprano and basso continuo. Full score and parts. 37 pages. Duration 7 minutes. Published by Edition HH Music Publishers (HH.HH144-FSP). ISBN 1-904229-74-3. This cantata, from an important manuscript in Berlin containing 18 Albinoni cantatas for soprano and continuo, belongs in spirit to the subgenre known as the lezione amorosa, or 'lesson in love'. The singer represents a lover who, in a homily addressed to his friend Fileno, reproaches his beloved for her doubts about his fidelity, a quality that he then proceeds to extol. As usual, Albinoni does not allow the mood to grow too intense: this is, after all, civilised conversation, not moral philosophy!