Tango (version hautbois et piano) by Andre Isoir. Arranged by Marc Badin. For oboe and piano. This edition: folded, stapled. E minor. Modern. (4/8) moderate. Conductor's score and part. 4 (score) + 4 (1 part.). Duration 3 minutes. Published by Editions Delatour France (D2.DLT0664). ISBN 979-0-56017-358-0. Modern. 21 x 29.7 cm inches.

Tango (version clarinette et piano) by Andre Isoir. Edited by Jean-Marc Fessard. For clarinet in B-flat and piano. This edition: folded, stapled. Collection J.M Fessard. C minor. Modern. (4/8) moderate. Conductor's score and part. 4 (score) + 4 (1 part.). Duration 3 minutes. Published by Editions Delatour France (D2.DLT0627). ISBN 979-0-56017-377-1. Modern. 21 x 29.7 cm inches.

Tango (version clarinette et piano) by Emile Lelouch. For clarinet in B-flat and piano. This edition: folded, stapled. Modern. (6/8) moderately difficult. Conductor's score and part. 20 (score) + 8 (1 part.). Published by Editions Delatour France (D2.DLT1561). ISBN 979-2321-00054-8. Modern. 21 x 29.7 cm inches.

Piazo Tango by Olivier Calmel. Arranged by Nathalie Duong. For mezzo-soprano voice , flute and accordion. This edition: folded, stapled. D minor. Contemporary. (4/8) moderate. Conductor's score and parts. Text language: French. 8 (score) + 4 (1 part.). Duration 6 minutes 32 seconds. Published by Editions Delatour France (D2.DLT0245). ISBN 979-0-56017-182-1. With Text language: French. Contemporary. 21 x 29.7 cm inches.

Marceltango by Sergio Fidemraizer. For piano. This edition: folded, stapled. Contemporary. (7/8) difficult. Score. 12 pages. Published by Editions Delatour France (D2.DLT0826). ISBN 979-0-56017-598-0. Contemporary. 21 x 29.7 cm inches.

Hommage au tango (version violoncelle et guitare) by Jean-Christophe Rosaz. For guitar and cello. This edition: folded, stapled. D Major. Contemporary. (6/8) moderately difficult. Conductor's score and part. 16 (score) + 16 (1 part.). Duration 10 minutes 45 seconds. Published by Editions Delatour France (D2.DLT0547). ISBN 979-0-56017-202-6. Contemporary. 21 x 29.7 cm inches. Hommage au tango auquel le violoncelle ou l'alto pretent leur voix chaleureuse et la guitare sa nostalgie: comme un pont lance par-dessus l'ocean, cette composition est dediee a ma grand-mere nee en Argentine ainsi qu'a toute ma famille qui vit dans ce pays. Mais avec la distance, nous n'entendons que des bribes de cette musique legendaire.Tribute to the tango in which the cello or the viola lend their warm voices and the guitar his nostalgia: as a bridge thrown over the ocean, this composition is dedicated to my grandmother who was born in Argentina and my family living in this country. But with the distance, we hear only snatches of this legendary music.

Hommage au tango (version alto et guitare) by Jean-Christophe Rosaz. For viola and guitar. This edition: folded, stapled. D Major. Contemporary. (6/8) moderately difficult. Conductor's score and part. 16 (score) + 16 (1 part.). Duration 10 minutes 45 seconds. Published by Editions Delatour France (D2.DLT0548). ISBN 979-0-56017-203-3. Contemporary. 21 x 29.7 cm inches. Hommage au tango auquel le violoncelle ou l'alto pretent leur voix chaleureuse et la guitare sa nostalgie: comme un pont lance par-dessus l'ocean, cette composition est dediee a ma grand-mere nee en Argentine ainsi qu'a toute ma famille qui vit dans ce pays. Mais avec la distance, nous n'entendons que des bribes de cette musique legendaire.Tribute to the tango in which the cello or the viola lend their warm voices and the guitar his nostalgia: as a bridge thrown over the ocean, this composition is dedicated to my grandmother who was born in Argentina and my family living in this country. But with the distance, we hear only snatches of this legendary music.

En forme de tango (3 quintettes). (3 quintettes (Rever volver, Pour L., Tango nostalgie)). By Claire Vazart. For piano, bandoneon/accordion, viola, guitar and contrabass. This edition: folded, stapled. Chamber music. Modern. (5 to 6/8) moderately hard to moderately difficult. Conductor's score, parts and audio CD. 22 + 88 (5 part.). Duration 15 minutes 20 seconds. Published by Editions Delatour France (D2.DLT0545). ISBN 979-2321-00408-9. Modern. 21 x 29.7 cm inches. Cette oeuvre est la poursuite de la collaboration entre la compositrice Claire VAZART et le quintette Hora Cero de Toulouse. Ele renouvelle le langage du tango argentin sans en renier son balancement et son cote melodique tres chante, souvent empreint de nostalgie. This piece is the pursuit of the collaboration between composer Claire VAZART and the Hora Cero quintet from Toulouse. It renews with the language of argentinian tango without denying its swing and its melodious specificity, often tainted by nostalgia.

3 pieces pour alto et piano. (Tango, Ungarescha, Complainte, Valse). By Andre Isoir. For viola and piano. This edition: folded, stapled. Modern. (5/8) moderately hard. Conductor's score and part. 12 (score) + 8 (1 part.). Published by Editions Delatour France (D2.DLT0696). ISBN 979-2321-00043-2. Modern. 21 x 29.7 cm inches.

3 pieces pour 2 guitares et orgue (Tango, Ungarescha, Valse en La Majeur). By Andre Isoir. Edited by Frederic Denis. For 2 guitars and organ. This edition: folded, stapled. Organ Prestige Series. Contemporary. (5/8) moderately hard. Conductor's score and parts. Text language: German, English and French. 28 (score) + 16 (2 part.). Published by Editions Delatour France (D2.DLT0697). ISBN 979-2321-00220-8. With Text language: German, English and French. Contemporary. 21 x 29.7 cm inches. Combinaison rare dans le repertoire musical, ces trois danses pour orgue et deux guitares furent ecrites par Andre Isoir pour le Trio Alborada afin d'enrichir leur repertoire de concert, essentiellement constitue de transcriptions. Le tango, en forme de lied en trois parties, adopte la rythmique dehanchee typique de cette danse originaire d'Argentine. La Valse quant a elle n'est pas sans rappeler le charme et l'elegance de la musique viennoise, la melodie passant tour a tour d'un instrument a l'autre. L'Ungarescha, directement inspiree de la musique tzigane de Hongrie, utilise ici la polytonalite mettant constamment l'oreille en porte-a-faux et se developpe sur une rythmique implacable. These three dances for organ and two guitars were written for the unusual combination of instruments that comprise the Trio Alborada in order to expand their concert repertoire that up to this point consisted mainly of transcriptions. The Tango, written in the tripartite form of a lied, adopts the rhythmic gait typical of this Argentine dance. The Waltz doesn't fail to recall the charm and elegance of Viennese music as it passes the melody from one instrument to the others. The Ungarescha is inspired by the gypsy music of Hungary and utilizes a polytonality that constantly keeps the ear off balance as it develops its implacable rhythm.

Dance with Me, por Tangos. For Guitar (Classical). Methods. Flamenco. Beginning-Intermediate. Compact Disc. Published by RGB Arte Visual (MB.8353801310). ISBN 8428353801310. Flamenco. 5.5" x 5" inches. Dance method for the beginner level, which facilitates the study and understanding of flamenco dance leading to professional level.

Dark Ice And Flames Of Tango by Valentin Hude. For String Quartet. Score and parts. Published by Advance Music (AV.6411). Extreme styles converge in this refreshing original for string quartet -- cool and passionate, sorrowful and gleeful, calm and impulsive. Technical requirements are not excessively demanding.

Tango by Isaac Albeniz (1860-1909). Arranged by Roland Dyens. For solo guitar. Level 4. 8 pages. Published by Les Productions d'OZ (DZ.DZ-1469). ISBN 978-2-89655-368-6.

Stangata (fuga-tango). (Piano version). By Giuliano Belotti. For piano solo. Score. 16 pages. Duration 4 minutes. Published by Brotons & Mercadal (BK.100-327). ISBN 979-069220225-7. Stangata is a fugue of three voices in tango rhythm. In English, "stangata” can be translated with "blow”.

Tango Meets Jazz (10 Favorite Classical Tangos). Arranged by Uwe Korn. For Piano. Schott. Book with CD. 80 pages. Schott Music #ED20878. Published by Schott Music (HL.49018387). ISBN 379575254X. 9x12 inches. Tango is not just a 'classical' dance form but a philosophy of life. This volume contains popular pieces such as 'Jalousie', 'El Choclo', 'Por una Cabeza' and more recent classics such as 'Adiós Nonino' by Astor Piazzolla. Each arrangement is paired with another piece, which is either a jazzy reinterpretation of the original, or a brand new composition. Intermediate Level.

Fantango No.2 by David Ward-steinman. For Bb Clarinet, Piano. Duration 6 minutes. Published by Edward B. Marks Music (PR.494028950).

Tango Variations by Evan Haus. For Symphonic Band. 42 pages. Duration 9 minutes. Published by Edward B. Marks Music (PR.495000040).

Tango for Bells by Merle Petersen. For handbell choir (3-5 octaves). Level 4. Published by Jeffers Handbell Supply (JF.MFLHB396). Resonant chords and syncopated rhythms are present as expected in this elegant Latin dance. Patterns of dotted eighth/sixteenth notes are constant, but easily done at the relatively slow tempo.

Bolero (Tango Bolero). By Paul Durand. Arranged by Oskar Seifert. For bandoneon. Accordion. 4 pages. Published by Apollo Verlag (M7.AV-1874).

Italienische Tango Serenade by Gustav Kanter / Curt Mahr. For accordion. Accordion. Level 3. 3 pages. Published by Apollo Verlag (M7.AV-1720).

Tango of the World Band 1 (A collection of famous Tango melodies). Arranged by Curt Mahr. For accordion with 2nd voice ad lib.. This edition: saddle-stitch. Accordion. Level 3. 32 pages. Published by Apollo Verlag (M7.AV-1675).

La Paloma (Lied und Tango). By Sebastian de Yradier. Edited by Joe Edwards. For accordion. Accordion. Level 3. 3 pages. Published by Apollo Verlag (M7.AV-1257).

Tango invernal by Pietro Montani. For 2 oboes, 2 clarinets, 2 horns, 2 bassoons & double bass. Score and parts. Published by Amadeus Verlag (M7.BP-1093).

Tango Suite No. 1 by Hauke Piper. For Violin with Piano Accompaniment. Score and parts. Published by Advance Music (AV.6001). Each of the four movements in this suite has its own profile and poses different challenges to the musicians. The first movement is rubato; the second one is bound to a fixed meter and set up as a multi-faceted tale. The third movement can be improvised over an accompanying ostinato; an optional written part is provided. The fourth movement completes the suite with an overview of what has been played in the other movements.