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Boogie Woogie Bugle Boy by The Andrews Sisters. Arranged by Alan Glasscock. For big band with female vocal trio [SSA or solo]. Swing. Medium. Full score and set of parts. Published by Lush Life (JL.LL-2077). The Andrews Sisters produced a huge number of hits, and Boogie Woogie Bugle Boy is one of their finest. Alan Glasscock has scored a cracking version here, and has notated the Vocal Trio parts with exceptional skill. There were a couple of key verions of this song. One was the Decca release and the other done for the movie "Buck Pirates". The Decca chart used a small backing band, the move a full big band. Our version fuses the two and takes the best from both. Both of the Trumpet solos are fully written out (intro and in the middle section of the chart), and the Boogie Woogie piano / bass lines are all there. Although this is a Vocal Trio, we have also included a Solo Vocal part, should you wish to perform this chart with just one female vocalist. The Saxes are scored for Clarinet, 2 Altos and 2 Tenors throughout. Trumpets 1-4 B5, A5, E5, E5 Trombones 1-4 A4, F#4, E4, E4 Vocal key: D Vocal Trio 1, 2 & 3 1) A3-C#5 2) A3-D5 3) A3-B4.
$65.00

Instruments: Voice, Vocal
Genres: Pop, Swing, Jazz & Blues
When Johnny Comes Marching Home by Glenn Miller. Arranged by Myles Collins. For big band with female vocal. Swing. Medium. Full score and set of parts. Published by Lush Life (JL.LL-2078). This patriotic wartime tune was originally done by Glenn Miller with Tex Beneke and Marion Hutton and the Modernaires supplying the vocals.This is a medium swing tempo chart that kicks. We have scored the chart for Male & Female vocalist with a 4-piece backing group, though the arrangement works well as a boy girl duet or as a solo vocal (we have included a solo vocal sheet in the pack). The Tenor sax line that would have been missing when Beneke took the vocal is scored back in, thereby keeping your section complete. This chart is true to the Bill Finegan original, and there are no sax doubles. Trumpets 2,3 & 4 need to be able to reach high C for the unison passage before the Tenor solo in the last chorus. Trumpets 1-4: D6, C6, C6, C6 Trombones 1-4: C5, Gb4, Eb4, A3 Vocal key: G [Female Vocal] B3-B4 [Male Vocal] B2-B3.
$65.00

Instruments: Voice, Vocal
Genres: 4th of July, Memorial Day, Patriotic, Swing, Celebrations, Folk, Jazz & Blues
Let Me Off Uptown by Anita O'Day With Gene Krupa. Arranged by Myles Collins. For big band with female vocal. Swing. Difficult. Full score and set of parts. Published by Lush Life (JL.LL-2080). Let Me Off Uptown was a huge hit for the Krupa band, featuring Anita O'Day and Roy Eldridge. The chart is a medium tempo swing duet between the two and has some lovely spoken interplay between them. We realize than not many bands have trumpet players who also sing, so we have written both vocal lines on one part, and cross-cued the male vocal onto the 2nd trumpet part just in case. This chart is also a trumpet feature, with the 2nd trumpet taking a screaming solo when the vocals are over. Eldridge's original version (which we have written out in full) goes up to a super G, though we have provided chords should your player wish to improvise. All 3 other trumpets are written to high Eb during a unison run up to the T2 solo, but 3 & 4 can be dropped an octave if they can't reach the range. This chart would be a medium if the soloist improvises and T3& 4 drop the octave. There are no sax doubles. Trumpets 1-4: Eb6, G6, Eb6, Eb6 Trombones 1-4: Ab4, Gb4, Eb4, C4 Vocal key Db - Female G3-Bb4. Male mostly spoken.
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
Why Don't You Do Right by Peggy Lee With Benny Goodman. Arranged by Myles Collins. For big band with female vocal. Swing. Medium Easy. Full score and set of parts. Published by Lush Life (JL.LL-2081). This version of Why Don't You Do Right was recorded in 1942 by Peggy Lee during her stay with the Benny Goodman band and Peggy made this song her own. Goodman's chart has been faithfully transcribed here, including all of the Clarinet licks and solos, but the brass has been expanded from the original 6 up to 8. The sax parts are written for Solo Clarinet, Alto, 2 Tenors & Baritone though an an extra Alto sax part (the Tenor 1 part, written for Alto) is included to give you a bit more flexibility in the section. The brass ranges are very moderate, and aside from the Clarinet solos there are no surprises, so the chart is very playable. Ranges: Trumpets 1-4: C6, Bb5, G5, E5 Trombones 1-4: Bb4, F4, D4, D4 Vocal key: F - Female Vocal A3 - D5 (10 steps).
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
Fly Me To The Moon by Frank Sinatra With Count Basie. Arranged by Quincy Jones, Jon Harpin. For big band with male vocal. Swing. Medium Easy. Full score and set of parts. Published by Lush Life (JL.LL-2084). Transcribed by Jon Harpin from the original Quincy Jones arrangement featured on the Sinatra at the Sands album, Fly Me to the Moon is a classic Frank Sinatra chart, and a "must have" for any band's repertoire. A short piano & bass solo has been added as an intro to help your singer pitch the first note, and the brass has been augmented up to 8 voices. The solo flute passages are written on alto 2 and cued onto alto 1 and tenor 2 to give you some flexibility as to who takes the lines. The trumpet 2 solo fills have been written out, and to add even more authenticity to the performance the vocal sheet is written "as sung" by Sinatra. The lead trumpet range is up to high D, with the option to scream to high F#. Aside from the flute passages there are no other sax doubles. Vocal key: C Male Vocal G2 - G4 (2 octaves) "as performed".
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
I Get A Kick Out Of You by Frank Sinatra. Arranged by Neal Hefti, Jon Harpin. For big band with male vocal. Swing. Medium. Full score and set of parts. Published by Lush Life (JL.LL-2085). Taken down from Sinatra's 1962 Reprise recording 'Sinatra and Swingin' Brass,' I Get a Kick Out of You has become a Sinatra classic and a much requested tune. The original arrangement was done by Neal Hefti (a familiar name to Count Basie fans) and his style is clearly apparent throughout the chart. Jon Harpin has produced a superb recreation of the original, and it swings from start to finish. We have written out Sinatra's vocal line, for those of you who wish to emulate the master. The chart is technically not that difficult, but needs crispness and precision to make it come alive. The Trombones are scored for 3 Tenors and Bass, and there are no Sax doubles. Swing @ 175 b.p.m. Ranges: Trumpets 1-4: C#6, Bb5, Bb5, Bb5 Trombones 1-4: B4, G4, F4, D4 Vocal key: Db,D; Male Bb2 - E4 (10 steps).
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
Amapola by Helen Forrest With Benny Goodman. Arranged by As Myles Collins. For big band with female vocal. Swing. Medium. Full score and set of parts. Published by Lush Life (JL.LL-2086). This is the Benny Goodman version of Amapola, with Helen Forrest taking the vocal. A delightful tune, well delivered, and of course with a Clarinet solo from the great man himself. This chart is as per the original version, and we have scored the Saxes AATT plus a Clarinet Solo part. The trick with this chart is not to play it too fast. It just chugs along and swings all the way. If you would like to have an instrumental-only version of the chart please contact us and, if the demand is high enough, we'll do it for you. Trumpets 1-4 A5, G5, G5, G5 Trombones 1-4 G4, G4, F4, F4 Vocals Female A3 - Bb4.
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
My Old Man arranged by Myles Collins. For big band with female vocal. Swing. Medium. Full score and set of parts. Published by Lush Life (JL.LL-2087). My Old Man is a traditional Cockney song from the east end of London which we have taken and turned into a big swinging vocal chart. This number is fun and makes a great set-closer, or a sing-along for the crowd. Whilst it won't win any prizes for musical sophistication, it will win the hearts and minds of your listeners! Although quite short, at a fraction over two minutes, we have written an option al D.C. into the chart, should the crowd want more. The vocal here is sung humourously by Nou Nou in her best Cockney chant! Brass ranges are moderate and there are no Sax doubles. Enjoy!Swing @ 190 b.p.m. Ranges: Trumpets 1-4: C#6, A5, A5, A5 Trombones 1-4: Bb4, G4, E4, E4 Vocals: Female A3 - C5.
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
My Kind Of Town by Frank Sinatra. Arranged by Billy May, Jon Harpin. For big band with male vocal. Swing. Medium Difficult. Full score and set of parts. Published by Lush Life (JL.LL-2092). This Jimmy Van Heusen / Sammy Cahn tune was originally written for the Rat-Packesque film 'Robin and the Seven Hoods'. Wonderfully melodic and visually exciting in concert, it was Sinatra's theme tune for some 15 years, his show-stopper and frequent show-ender. This version is transcribed from Billy May's version from Sinatra at the Sands with the Basie Band. It's all here - the creamy opening verse with the lush brass voicings leading into the punchy swing of the main vocal, with the successive modulations from F to G to Ab and the powerhouse modal riffs to finish. Guaranteed to be a winner in any concert or gig. The lead Alto doubles Flute, but other than this there are no Sax doubles.Swing @ 100, 80 & 180 b.p.m. Ranges: Trumpets 1-4: F6, E6, Bb5, G5 Trombones 1-4: C5, A4, A4, A4 Vocal keys: F/G/Ab Male Vocal G2 - F4 (13 steps).
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
My Heart Belongs To Daddy by Julie London. Arranged by Myles Collins. For big band with female vocal. Swing. Medium Easy. Full score and set of parts. Published by Lush Life (JL.LL-2094). Cole Porter penned some fabulous songs. My Heart Belongs to Daddy was written for the 1938 musical, Leave it to Me, and has a wonderfully naughty lyric where 'daddy' means 'sugar daddy'. Our arrangement is based on that recorded by Julie London, where her smoky-voiced style perfectly suits the tune. The chart is scored for 5,4,4,4 and is not too demanding on the brass, plus there are no sax doubles either. If your singer has a low Alto range, then this number would suit her perfectly. The vocal key is F minor. Trumpets 1-4: D6, B5, Ab5, Ab5 Trombones 1-4: Bb4, F4, Db4, C4 Vocal key: Fm Female Vocal: F3 - A4 (11 steps).
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
Hard Hearted Hannah arranged by Jon Harpin. For big band with female vocal. Swing. Medium. Full score and set of parts. Published by Lush Life (JL.LL-2095). Hard Hearted Hannah is a showstopper of a female vocal. Big, brassy and with real punch, this chart has been exquisitely transcribed and adapted by Jon Harpin from the Julie London original. Although not long, at two minutes, it is as long as it needs to be. The brass ranges are reasonable, though the lead trumpet does hit a high E, but this is an octave double from the rest of the section and could be taken down. The string lines are re-scored into the saxes, with Alto 1 doubling Clarinet. The vocal key is F.   Trumpets 1-4: E6, B5, A5, E5 Trombones 1-4: A4, F4, Eb4, C4 Vocal key: F; Female F3-C5 (12 steps).
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
Always True To You Darling In My Fashion arranged by Myles Collins. For big band with female vocal. Swing. Easy. Full score and set of parts. Published by Lush Life (JL.LL-2097). This song was written by Cole Porter for the musical Kiss Me Kate. Our arrangement is similar to that perfomed by the great Julie London. This chart moves along nicely, with a mix of two and four beat feel and is elegant in its simplicity. The band parts are very straightforward, there are no sax doubles and the brass ranges are moderate, making it playable by bands of all levels of ability.The vocal is a comfortable female alto key of F. If your singer likes songs that tell a story, Always True To You will be a winner. Ranges: Trumpets 1-4: A5, G5, G5, G5 Trombones 1-4: A4, F4, C4, Bb3 Vocal key: F Female Vocal Range: F3 - G4 (9 steps).
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
(I've Got A Gal In) Kalamazoo by Glenn Miller. Arranged by Myles Collins And Alan Glasscock. For big band with male vocal. Swing. Difficult. Full score and set of parts. Published by Lush Life (JL.LL-2100). Here is the extended version of I've Got a Gal in Kalamazoo, made famous by the Glenn Miller Orchestra in the film Orchestra Wives. This chart differs significantly from the studio recorded version, and has a full chorus band intro, an interlude leading to the vocals, an extra band bridge into a vocal reprise, plus an added 24 bar band section to close. At five and a half minutes long, it's a showstopper. The arrangement is scored for male vocalist plus a backing group of 5 - ideally girl, 3 tenors and baritone, and in the Saxes Alto 2 and Tenor 1 both double Clarinets. The Tenor solo is written on the 2nd Tenor part and also cross-cued on the male vocal part. The vocal whistling in the interlude is cued on the Piano part, and we have written out the opening Trumpet solo in full. Trumpets 1-4 Eb6, Bb5, Bb5, Bb5 Trombones 1-4 Bb4, Ab4, Ab4, F4 Male Vocal Db3 - Db4 (8 steps) Vocal key Db & Gb.
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
Hey Ba Ba Re Bop by Tex Beneke. Arranged by John Ferguson. For big band with male vocal. Swing. Medium. Full score and set of parts. Published by Lush Life (JL.LL-2102). Hey! Ba Ba Re Bop! was performed by Tex Beneke, both while fronting the post-war Miller band, and with his own outfit. In many ways this chart was a portent of things to come, and bridges the gap between Swing and Rock'n' Roll. The main feature of the arrangement is the answerback between vocalist and band, and there is also solo space for Trumpet 2, and well as some great sectional interplay. All in all this chart really moves along and is perfect for dance gigs. There are no sax doubles, and the vocal key is Db. An excellent transcription from the legendary Australian arranger, John Ferguson. Trumpets 1-4: Eb6, B5, C5, G5 Trombones 1-4: Bb4, Ab4, F4, E4 Vocal key Db Male Ab3 - F4 (6 steps).
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
Birmingham Bounce by Charlie Shavers With Tommy Dorsey. Arranged by Myles Collins. For big band with male or female vocal. Swing. Difficult. Full score and set of parts. Published by Lush Life (JL.LL-2103). Birmingham Bounce is a postwar chart from the Tommy Dorsey Orchestra, featuring the singing and fiery Trumpet of Charlie Shavers. This is a very good dance chart and it has a lot of nice features in the arrangement - Vocal stops, hand claps, powerful ensemble passages, a solo spot for Tenor and some screaming Trumpet licks too. As the name suggests, this chart really bounces along. We have rated it Medium / Advanced, as the Trumpet soloist has a written high F and the Trombones need to reach Bb. Birmingham Bounce is a refreshing change to the usual vocal fare. The key is Eb and would suit a high Baritone or an Alto. Trumpets 1-4: Eb6, Eb6 (F6 opt), Bb5, A55 Trombones 1-4: Bb4, Bb4, Bb4, Gb4 Vocal key Eb Male or Female Eb3 - Gb4 (10 steps).
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
Alright, Okay, You Win by Joe Williams With Count Basie. Arranged by Myles Collins. For big band with male vocal. Swing Blues. Medium. Full score and set of parts. Published by Lush Life (JL.LL-2104). This version of Alright, Okay was done by Joe Williams with the Count Basie Orchestra and it is a very dancable bouncy shuffle that has a solid pulse. There is nothing complicated about the chart and it is a fine example of how to score an arrangement to feature your vocalist. There is also a great 8 bar bridge between the vocal choruses which gives a real kick to the middle of the arrangement. The Trombones are written for 3 Tenors and a Bass, though the Bass bone is in Tenor range. The vocal key is Ab and we have scored the vocal chart to reflect Joe Williams' performance. No sax doubles. Swing Shuffle @ 145 b.p.m. Ranges: Trumpets 1-4: E6, C#6, Bb5, Bb5 Trombones 1-4: B4, Ab4, Eb4, C4 Vocal key: Ab; Vocal Bb2 - F4 (12 steps).
$65.00

Instruments: Voice, Vocal
Genres: Blues, Swing, Jazz & Blues
Apple Blossom Time by The Andrews Sisters. Arranged by Vic Schoen, Alan Glasscock. For big band with female vocal trio [SSA]. Swing. Medium. Full score and set of parts. Published by Lush Life (JL.LL-2106). This arrangement of the Andrews Sisters version of Apple Blossom Time shows a more sentimental side of the trio's repertoire. Unusually, the chart is only scored for 3 voices, 4 Trombones and 4 Rhythm. There are no parts for Trumpets or Saxes, so it can be used as a showcase for your bone section and singers. Faithfully transcribed by Alan Glasscock by referencing a number of recordings that the Sisters made, in order to get complete authenticity and accuracy. This number will sit well in any set, particularly as a late-night closer. Ranges: Trumpets 1-4: Not playing in this chart Trombones 1-4: B4, B4, E4, D4 Vocal key G/Eb/G [Female Trio vocal SSA].
$65.00

Instruments: Voice, Vocal
Genres: Pop, Swing, Jazz & Blues
Don' Cha Go Way Mad by Harry James And The Skylarks. Arranged by Alan Glasscock. For big band with vocal group [SATB]. Swing. Medium. Full score and set of parts. Published by Lush Life (JL.LL-2107). Harry James and The Skylarks vocal group briefly joined forces in 1949-50, and came up with this gem of a chart. Don' cha Go 'Way Mad is all about a guy begging forgiveness for cheating on his girlfriend - quite a risky choice of a song for the times. The band and singers gel really well in this song, and the chart itself is not too demanding. Whilst the Skylarks were a 5-piece vocal outfit, we have modified the vocals to make it suitable for a more regular 4-piece (SATB) group. There are no Sax doubles in this chart. Another fine work from the pen of Alan Glasscock. Ranges: Trumpets 1-4: D6, Bb5, Bb5, Bb5 Trombones 1-4: A4, Ab4, Ab4, F4 Vocal key: Ab Lowest vocal Db3. Highest vocal Eb5.
$65.00

Instruments: Choir, Voice, Vocal
Genres: Swing, Jazz & Blues
Pennies From Heaven by Frank Sinatra With Count Basie. Arranged by Neal Hefti, Jon Harpin. For big band with male vocal. Swing. Medium. Full score and set of parts. Published by Lush Life (JL.LL-2109). Frank Sinatra and Count Basie combined brilliantly on their 1962 album "Sinatra-Basie", of which this chart was the title track, arranged by Neal Hefti. From Basie's opening intro right to the last note this chart was and still is a classic. It has been transcribed here for you by Jon Harpin, and adapted from the original 5 Trumpet 3 Trombone studio line-up, to a more regular 4 4 section, with the Bass Trombone on 3rd and an optional 4th Trombone part. The vocal key is Ab and there are no Sax doubles. Ranges: Trumpets 1-4: D6, Bb5, G5, G5 Trombones 1-4: C5, Ab4, F4, F4 Vocal key: Ab Male Ab2 - F4 (12 steps).
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
Time After Time by Ella Fitzgerald. Arranged by Marty Paich, Jon Harpin. For big band with female vocal. Swing. Easy. Full score and set of parts. Published by Lush Life (JL.LL-2110). Another swinging tune from the writing partnership of Sammy Cahn & Jule Styne. This version was originally arranged by Marty Paich and recorded by Ella Fitzgerald on her Whisper Not album. Our version is a transcription of this version, including the short verse intro and Ella's vocal line in full. The chart is an easy yet rewarding one for the band to play, and a chance to show off your girl vocalist's skills. The brass ranges are very moderate, with lead tumpet only getting to top line F, though your pianist will need to improvise some fills behind the vocal. The middle chorus Tenor solo is improvised, and we have written in the melody lead line and chords onto the part. The vocal keys are G and Ab. No sax doubles. The 4th Trombone is Bass. Ranges: Trumpets 1-4: F5, Eb5, Db5, Db5 Trombones 1-4: Gb4, Eb4, Bb3, G3 Vocal key: G/Ab Female Vocal F3 -F5 (15 steps).
$65.00

Instruments: Voice, Vocal
Genres: Jazz & Blues, Standards, Swing
New York, New York by Frank Sinatra. Arranged by Don Costa, Jon Harpin. For big band with male vocal. Swing. Medium Difficult. Full score and set of parts. Published by Lush Life (JL.LL-2111). One of Sinatra's most enduring hits, the theme from New York, New York is also one of his most memorable, and will be immediately familiar to all audiences from the moment that the band kicks off the signature opening. Transcribed beautifully by Jon Harpin from the original Don Costa chart, this arrangement has all the elements - the slick key change, the shifts in tempo and Sinatra's vocal line in full - making this chart an absolute must-have tune. The Vocal keys are D to Eb and there are no sax doubles. Ranges: Trumpets 1-4: F6, Db6, B5, G5 Trombones 1-4: B4, G4, E4, C4 Vocal Key: D,Eb - Male Range A2 - F4 (12 steps).
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
Roll 'Em Pete by Joe Williams With Count Basie. Arranged by Myles Collins. For big band with male vocal. Swing. Medium. Full score and set of parts. Published by Lush Life (JL.LL-2113). The Joe Williams / Count Basie partnership was a rich one indeed, and together they produced many fine recordings. Roll 'Em Pete, from the early 70's, is one of the best, with JW improvising around the original blues line with consumate ease. The band backings support the vocalist all the way, and there is also a 2 chorus solo spot for Tenor 1. We have written out the Trombone solo fill-ins behind the first two choruses, and the Tenor fills after the solo too. The vocal sheet is written out as sung by JW, and there are no sax doubles. Although the band had 5 Trumpets during the recording session, this chart has been adapted to 4. Ranges: Trumpets 1-4: C6, C6, C6, C6 Trombones 1-4: Bb4, G4, F4, D4 Vocal key: Bb / Male Vocal Bb2 - F4 (12 steps).
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
Saturday Night (Is The Loneliest Night Of The Week) by Frank Sinatra. Arranged by Billy May, John Ferguson. For big band with male vocal. Swing. Difficult. Full score and set of parts. Published by Lush Life (JL.LL-2114). Sinatra recorded this song a number of times during his career, but the most swinging version was the Billy May arrangement that John Ferguson has transcribed here. In typical May style, it is punchy, crisp and offers a great balance between the vocal passages and some fine ensemble work. Not too long, at a shade over 2 minutes, this is a memorable chart and a must for all Sinatra lovers. There are no sax doubles in this chart and the vocal key is C. Trumpets 1-4: D6, D6, B5, G5 Trombones 1-4: A4, A4, E4, Eb4 Vocal key: C.
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
Home For The Holidays arranged by Alan Glasscock. For big band with male/female vocal duet. Swing. Medium. Full score and set of parts. Published by Lush Life (JL.LL-2117). Home for the Holidays is a seasonal vocal chart, written for a Boy/Girl duet, though equally suitable as a solo vocal feature. This classy arrangement from Alan Glasscock moves along with a punchy swing feel, and modulates up chromatically from concert Bb to C. At 2 minutes 20 secs it is not a long chart, but is as long as it needs to be. A fun and festive chart which everyone will enjoy. The vocal keys are Bb, B & C, and there are no sax doubles. The 4th trombone is Bass. The audio is courtesy of the Blue Moon Big Band. Ranges: Trumpets 1-4: D6, A5, G5, G5 Trombones 1-4: A#4, E4, C#4, G3 (Bass) Vocal Range (Boy/Girl Duet): A3/2 - E5/G4 (11 steps) Vocal key: Bb-B-C.
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues