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Bonehead by Lennie Niehaus. For jazz ensemble. Standard jazz ensemble. Kendor Jazz Archive Series. Swing. Advanced. Score and Set of Parts. Published by Kendor Music Inc (KN.52112). Fashioned after the playing of J.J. Johnson and Kai Winding, this moderate swing original casts the trombone section in a variety of starring roles -- solis, trading 'fours' with the rest of the band, and a short ad lib solo. Some sax soli work and a short trumpet solo give the 'bones a chance to rest their chops before the chart goes out strong. Duration 3:50.
$75.00

Instruments: Trombone, Brass
Genres: Swing, Jazz & Blues
Trumpet Blues And Cantabile by Harry James. Arranged by Myles Collins. For big band. Swing. Difficult. Full score and set of parts. Published by Lush Life (JL.LL-1063). A rip-snorting swing chart from the Harry James book. Trumpet Blues opens with a short band fanfare in half time, and then breaks into a driving swing boogie. The middle half-time Cantabile provides the contrast, but breaks back into swing boogie for the last choruses. A feature for your trumpet section, but be warned that they will need a few minutes to recover afterwards. You will need a good Trumpet section to play this arrangement. It is in the original Key of Bb, and modulates to D for the end choruses. A genuine crowd pleaser. Swing @ 180 - 210 b.p.m. Ranges: Trumpets 1-4 E6, D#6, B5, G#5 Trombones 1-4 Bb4, G4, F#4, F#.
$65.00

Instruments: B-Flat Trumpet, Trumpet, Brass
Genres: Blues, Swing, Jazz & Blues
Trumpet Boogie by Ray Anthony. Arranged by John Ferguson. For big band. Swing. Difficult. Full score and set of parts. Published by Lush Life (JL.LL-1169). Ray Anthony used this chart in much the same way as Harry James used Trumpet Blues - as a rousing sectional feature. It storms from start to end, and plays just as well at a slightly reduced tempo too. The arrangement also features improvised solos from Tenor and Trumpet, a cameo Piano solo in the intro, and some thundering sectional interplay. A great transcription from John Ferguson. Saxes are scored for a regular section and there are no sax doubles. The audio picks up into letter A. Ranges: Trumpets 1-4: Eb6, Db6, Db6, Bb5 Trombones 1-4: Ab4, Ab4, Ab4, Ab4.
$65.00

Instruments: B-Flat Trumpet, Trumpet, Brass
Genres: Swing, Jazz & Blues
In the Land of Oo-bla-dee by Dizzy Gillespie Big Band. Edited by Jeffrey Sultanof. Arranged by Mary Lou Williams. For jazz big band (voice, 2 alto saxophones, 2 tenor saxophones, baritone saxophone, 5 trumpets (tpt 5 featured solo), 3 trombones, piano, bass, drums). Ranges: Trumpet 1 to C6, Trombone 1 to Ab4, Voice: Bb3 to Dd5, key of Eb. Swing. Difficult. Score and parts. Published by Jazz Lines Publications (JL.JLP-8785). Mary Lou Williams co-wrote this novelty song with her arranging and composition teacher Milton Orent. She arranged this for Dizzy Gillespie's band in 1949 and it was recorded with vocalist Joe Carroll. It was written to also feature Dizzy. His solo part is written in trumpet 5. We have also written in the melody into the trumpet 5 part so that it may be played as a trumpet feature throughout without a vocalist.
$65.00

Instruments: Piano, Baritone Voice, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, B-Flat Trumpet, Trombone, Percussion, Drums, Piano and Keyboard, Voice, Vocal, Saxophone, Woodwinds, Trumpet, Brass
Genres: Swing, Jazz & Blues
Joost At The Roost by Miles Davis. Arranged by Gerry Mulligan. For jazz ensemble - nonet [6 horns with rhythm section]. Swing. Medium Difficult. Full score and set of parts. Published by Jazz Lines Publications (JL.JLP-8060). Gil Evans set up shop in his small New York apartment above a Chinese laundry acting as an advisor to a group of jazz musicians. Evans was already well-known as an adventurous arranger who took inspiration from classical composers of the day. Miles Davis was trying to separate himself from the bebop club scene, of which he was a part in Charlie Parker's groups. In 1947 Davis and Evans organized a group of musicians into a working nonet and began to rehearse some new material. The musicians that were in the group included: Miles Davis (trumpet), Mike Zwerin (trombone), Bill Barber (tuba), Junior Collins (French horn), Gerry Mulligan (baritone saxophone), Lee Konitz (alto saxophone), John Lewis (piano), Al McKibbon (bass), and Max Roach (drums). The emphasis of this group was the arrangements and the re-definition of the current jazz scene. They invented what came to be known as the 'cool school.'.
$50.00

Instruments: Horn, Brass
Genres: Jazz & Blues, Swing
They Didn't Believe Me by Charlie Parker. Arranged by Jimmy Carroll. For small jazz ensemble with strings [alternate horn parts included]. Swing. Medium. Full score and set of parts. Published by Jazz Lines Publications (JL.JLP-8044). We're all familiar with the famous Charlie Parker with Strings recordings that were made in 1949 and the early 1950s. Parker recorded these in the studio and did many live concerts. At first the reception from the critics wasn't so great. But, over time there recordings have been cherished by jazz fans all over the world. In fact, Parker's recording of Just Friends with strings became his best-selling single. Well, it may surprise you to know that there were several arrangements that were rehearsed for Parker's 1949 'With Strings' session that were either not recorded or were scrapped. This chart of They Didn't Believe Me was arranged by Jimmy Carroll for this date but was not recorded. We don't know the specific reason it wasn't recorded. But, due to markups on the original manuscript score and parts we do know that it was heavily rehearsed.
$50.00

Instruments: Horn, Brass
Genres: Swing, Bebop, Jazz & Blues, Jazz
Rocker [AKA Rock Salt] by Miles Davis. Arranged by Gerry Mulligan. For jazz ensemble - nonet [6 horns with rhythm]. Swing. Medium. Full score and set of parts. Published by Jazz Lines Publications (JL.JLP-8050). Gil Evans set up shop in his small New York apartment above a Chinese laundry acting as an advisor to a group of jazz musicians. Evans was already well-known as an adventurous arranger who took inspiration from classical composers of the day. Miles Davis was trying to separate himself from the bebop club scene, of which he was a part in Charlie Parker's groups. In 1947 Davis and Evans organized a group of musicians into a working nonet and began to rehearse some new material. The musicians that were in the group included: Miles Davis (trumpet), Mike Zwerin (trombone), Bill Barber (tuba), Junior Collins (French horn), Gerry Mulligan (baritone saxophone), Lee Konitz (alto saxophone), John Lewis (piano), Al McKibbon (bass), and Max Roach (drums). The emphasis of this group was the arrangements and the re-definition of the current jazz scene. They invented what came to be known as the 'cool school.'.
$50.00

Instruments: Horn, Brass
Genres: Jazz & Blues, Swing
Boplicity by Miles Davis. Arranged by Gil Evans. For jazz ensemble - nonet [6 horns with rhythm section]. Swing. Medium. Full score and set of parts. Published by Jazz Lines Publications (JL.JLP-8052). Gil Evans set up shop in his small New York apartment above a Chinese laundry acting as an advisor to a group of jazz musicians. Evans was already well-known as an adventurous arranger who took inspiration from classical composers of the day. Miles Davis was trying to separate himself from the bebop club scene, of which he was a part in Charlie Parker's groups. In 1947 Davis and Evans organized a group of musicians into a working nonet and began to rehearse some new material. The musicians that were in the group included: Miles Davis (trumpet), Mike Zwerin (trombone), Bill Barber (tuba), Junior Collins (French horn), Gerry Mulligan (baritone saxophone), Lee Konitz (alto saxophone), John Lewis (piano), Al McKibbon (bass), and Max Roach (drums). The emphasis of this group was the arrangements and the re-definition of the current jazz scene. They invented what came to be known as the 'cool school.'.
$50.00

Instruments: Horn, Brass
Genres: Jazz & Blues, Swing
Move by Miles Davis. Arranged by John Lewis. For jazz ensemble - nonet [6 horns with rhythm section]. Swing. Medium Difficult. Full score and set of parts. Published by Jazz Lines Publications (JL.JLP-8054). Gil Evans set up shop in his small New York apartment above a Chinese laundry acting as an advisor to a group of jazz musicians. Evans was already well-known as an adventurous arranger who took inspiration from classical composers of the day. Miles Davis was trying to separate himself from the bebop club scene, of which he was a part in Charlie Parker's groups. In 1947 Davis and Evans organized a group of musicians into a working nonet and began to rehearse some new material. The musicians that were in the group included: Miles Davis (trumpet), Mike Zwerin (trombone), Bill Barber (tuba), Junior Collins (French horn), Gerry Mulligan (baritone saxophone), Lee Konitz (alto saxophone), John Lewis (piano), Al McKibbon (bass), and Max Roach (drums). The emphasis of this group was the arrangements and the re-definition of the current jazz scene. They invented what came to be known as the 'cool school.'.
$50.00

Instruments: Horn, Brass
Genres: Jazz & Blues, Swing
Ah-Leu Cha by Supersax. Arranged by Med Flory. For jazz ensemble - nonet [6 horns with rhythm section]. Swing. Advanced. Full score and set of parts. Published by Jazz Lines Publications (JL.JLP-8068). Supersax was a Charlie Parker tribute band formed by Med Flory and Buddy Clark that debuted in 1972. Their music consisted of harmonized arrangements of Charlie Parkers music played by a saxophone section (2 altos, 2 tenors, and a baritone), rhythm section, and frequently a brass instrument (trombone or trumpet). Notable brass soloists that recorded with the group included Conte Candoli (trumpet), Frank Rosolino (trombone) and Carl Fontana (trombone).
$50.00

Instruments: Horn, Brass
Genres: Swing, Jazz & Blues