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Star Eyes by Helen O'Connell. Arranged by Hal Mooney, Rob Duboff. For big band with female vocal. Swing. Medium Easy. Full score and set of parts. Published by Jazz Lines Publications (JL.JLP-9001). This is the first chart in our new Jazz Lines Publications 'Big Band Classics' library! Arranged by Hal Mooney and performed by Helen O'Connell in the late 1970s, this chart is flows nicely and supports the singer well. O'Connell also recorded a version of this song in 1953 (on her Green Eyes album). That version featured strings, celeste, a harp, flute, clarinets, and bass clarinets. We will be offering an adaptation of that chart soon. There aren't any complicated passages nor are there any doubles. The duration of the chart is just over 3 minutes. We will have an actual band recording of this chart soon. VOCAL KEY: Ab modulating to A.
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
I Won't Dance by Frank Sinatra With Count Basie. Arranged by Neal Hefti. For big band with male vocal. Swing. Medium. Full score and set of parts. Published by Jazz Lines Publications (JL.JLP-9002). Jazz Lines Publications presents this classic Neal Hefti big band arrangement from the 1962 Frank Sinatra and Count Basie collaboration 'Sinatra-Basie.' This is vintage Neal Hefti: mellow, but swinging lines and enough space to afford the vocalist some freedom of interpretation. The chart really 'breathes' well. The arrangement calls for alto 1 to double flute (Frank Wess was the flutist on the record). An alternate alto 1 part is included that avoids the flute double in the event that you don't have a flutist available. The chart features a couple of short tenor sax solos, which have been written out. From the All Music Guide review of the album: "The record was criticized by some as a letdown when it came out, probably because Neal Hefti's charts rarely permit the band to roar, concentrating on use of subtlety and space. Yet the record's restraint has worn very well over the long haul it doesn't beat you into submission and it concludes with its best shot, a wonderfully playful treatment of 'I Won't Dance.'" Ranges: Trumpet 1: to high C# Trombone 1: to high G# Vocal Key: C modulating to Db.
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
How About You? by Frank Sinatra. Arranged by Nelson Riddle; Walt Stuart. For big band with male vocal. Swing. Medium. Full score and set of parts. Published by Jazz Lines Publications (JL.JLP-9003). Late in 1955 and early in 1956 Frank Sinatra went into the Capitol Studio with Nelson Riddle and recorded one of the best and most famous albums of all-time: 'Songs for Swingin' Lovers.' We are very proud to offer the closing track of that disc, which swings as heartily as the rest of the cuts on the record, which might be the very best album from the strongest period of Frank's long career. This chart brings one of Sinatra's very best and timeless recordings sparkling to life. This classic version of 'How About You' is a particularly famous arrangement crafted by the brilliant arranger Nelson Riddle. This chart is instantly recognizable from the first few notes and swings like mad. This has been adapted to suit a big band lineup of 5 saxes, 4 trumpets, 4 trombones, guitar, piano, bass, drums, and vocals. Please note that the mp3 sample has an anti-piracy tone every 30 seconds. There are no sax doubles and trumpet 1 gets to a high c. Vocal key is E modulating to F.
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
Who Cares by Helen O'Connell. Arranged by Marion Evans. For big band with female vocal. Fast Swing. Difficult. Full score and set of parts. Published by Jazz Lines Publications (JL.JLP-9004). This is a tremendous chart from master arranger Marion Evans, recorded by Helen O'Connell for her 'Here's Helen' album. This is not a transcription, the original handwritten manuscript was used to produce this arrangement. This arrangement moves at brisk pace of approx. 240 b.p.m (quarter note) and features a lot of beautifully crafted, syncopated unison lines. The drummer can really shine on this chart as crisp accents can help carry the band during the shout sections. The trombones open on plungers. There is a brief interlude that originally featured someone in the band calling out "Just one more once, baby!" We have included this part as a 'band yell' as it is a nice break in the action and can provide a bit of humor. There are no doubles. Trumpet 1 goes to a high E once but doesn't get higher than C# otherwise. Vocal Key: F modulating to Gb. Ranges: Trumpet 1: to high E Trombone 1: to high C Vocal Key: F modulating to Gb.
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
Our Love Is Here To Stay by Frank Sinatra. Arranged by Nelson Riddle. For big band with male vocal. Swing. Medium. Full score and set of parts. Published by Jazz Lines Publications (JL.JLP-9006). Here's another classic Nelson Riddle arrangement from the Frank Sinatra 1956 Capitol Record 'Songs for Swingin' Lovers.' Like the others from this record, this is a masterpiece in big band writing. The arrangement begins with a short piano into (written out, but your pianist can improvise something comparable). The vocals enter at measure 5 with the brass in cup mutes. The string parts have been scored into the band (mostly in the sax section). The ranges are modest. The chart features some nice harmon muted trumpet as solo and backing vocals. These solos have been fully written out for trumpet 2 as well as the chord changes should your player want to improvise something comparable. The vocal key is D throughout. Ranges: Trumpet 1: to high B Trombone 1: to high F sharp Vocal Key: D.
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
When Your Lover Has Gone by Nat "King" Cole. Arranged by Billy May. For big band with male vocal. Swing. Medium. Full score and set of parts. Published by Jazz Lines Publications (JL.JLP-9007). We're pleased to publish a fine Billy May arrangement done for Nat King Cole. 'When Your Lover Has Gone' comes from the 1957 May/Cole collaboration on Capitol Records, 'Just One of Those Things.' This is a classic May chart full of punchy brass sections. There are no doubles. The brass section is on cup mutes briefly and the vocal key is E flat throughout. Ranges: Trumpet 1: to high C Trombone 1: to high B flat Vocal Key: E flat.
$65.00

Instruments: Voice, Vocal
Genres: Jazz & Blues, Standards, Swing
Get Happy by Helen O'Connell. Arranged by Sammy Nestico. For big band with female vocal. Swing. Medium. Full score and set of parts. Published by Jazz Lines Publications (JL.JLP-9010). Arranged by Sammy Nestico for singer Helen O'Connnell, this swinging arrangement was never recorded to the best of our knowledge. It was, however, performed live on the radio on July 15, 1970 (radio broadcast from the Rainbow Grill in New York City). This is not a transcription, the original manuscript was used. The chart begins with a great swinging figure in the Basie tradition. Alto 1 doubles on clarinet. The vocal key starts in A flat then modulates to B flat and ends up in B. Ranges: Vocal Key: A flat to B flat to B Trumpet 1: High C Trombone 1: High G.
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
Don't Worry 'Bout Me by Frank Sinatra With Count Basie. Arranged by Quincy Jones, Syd Potter. For big band with male vocal. Swing. Medium. Full score and set of parts. Published by Jazz Lines Publications (JL.JLP-9011). Here is another classic Sinatra arrangement, this one from the pen of Quincy Jones. In 1966 Frank Sinatra collaborated with the Count Basie Orchestra to produce a series of shows at the Sands Hotel. 'Sinatra Live at the Sands' was the now-famous recording that was made. Quincy Jones did most of the arrangements with some help from Billy Byers. This arrangement of the Rube Bloom classic tune moves along at approximately 69 bpm - a very laid back swing feel. Towards the end there is a great band shout section - and they really shout and build to a climax before dropping back down for Frank's entrance. The end of the arrangement will require some conducting as there are multiple fermatas. The vocal key is E flat throughout and there are no doubles. Ranges: Trumpet 1: High C Trombone 1: High A Vocal Key: E Flat.
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
It Happened In Monterey by Frank Sinatra. Arranged by Nelson Riddle, Rob Duboff. For big band with male vocal. Swing. Medium. Full score and set of parts. Published by Jazz Lines Publications (JL.JLP-9014). Late in 1955 and early in 1956 Frank Sinatra went into the Capitol Studio with Nelson Riddle and recorded one of the best and most famous albums of all-time: 'Songs for Swingin' Lovers.' We are very proud to offer the classic 'It Happened in Monterey' from this album. This chart brings one of Sinatra's very best and timeless recordings sparkling to life. This definitive vocal version of Monterey is a very well-crafted arrangement by the brilliant arranger Nelson Riddle. From the opening straight-eight melody to the triplets tossed between sections, this chart is instantly recognizable. This has been adapted to suit a big band lineup of 5 saxes (2 altos, 2 tenors, baritone) 4 trumpets, 4 trombones, guitar, piano, bass, drums, and vocals. The vocal key is G. Please note that the mp3 sample has an anti-piracy tone every 30 seconds. Ranges: Trumpet 1: C above staff. Trombone 1: A above staff. Vocal Key: G Male Vocal Range: D below staff to D in staff.
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
They Can't Take That Away From Me by Frank Sinatra. Arranged by Neal Hefti, Syd Potter. For big band with male vocal. Swing. Medium. Full score and set of parts. Published by Jazz Lines Publications (JL.JLP-9016). Here is Neal Hefti's brilliant chart from the Frank Sinatra recording 'Sinatra and Swingin' Brass.' This medium swing chart in the Basie style has that unmistakable Hefti sound. Featured is a short muted trumpet solo. This has been transcribed by Syd Potter. There are no doubles. Vocal Key: Eb.
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
Summer Wind by Frank Sinatra. Arranged by Nelson Riddle, Syd Potter. For big band with male vocal. Swing. Medium Easy. Full score and set of parts. Published by Jazz Lines Publications (JL.JLP-9017). Well, here is another classic, instantly recognizable Frank Sinatra arrangement. This chart comes from the 1996 'Strangers in the Night' record, which, despite the success of the record, proved to be last collaboration between Sinatra and Riddle. An organ is featured on the recording, but a piano will work just fine. If you have access to an organ, all the better. In addition, the ending is scored for alto 1 and tenor 1 to double on flutes. But, we have included alternate parts in the event that you don't have access to flutes. This is a very straight-forward chart with no big suprises. The trick is to get that laid-back, basie-style, swing feel. The tempo is approximately 92 bpm. The ranges are very comfortable, but the vocals go through several modulations: D flat to E flat to F. This is just another great, must-have Sinatra chart that your audience will love! Ranges: Trumpet 1: to high B Trombone 1: to high A Vocal Keys: D flat modulating to E flat modulating to F.
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
I Cried For You by Helen O'Connell. Arranged by Marion Evans. For big band with female vocal. Swing. Medium. Full score and set of parts. Published by Jazz Lines Publications (JL.JLP-9020). Here is Helen O'Connell's original arrangement of 'I Cried for You' from her 1962 'Here's Helen' album. This is not a transcription, the original Marion Evans manuscript has been used. This is just a great chart beginning with a bouncy swing figure in the reeds and drums on brushes. The trumpets come in with a nice syncopated melody behind the vocals with Harmon mutes on. In the middle there is a brass soli followed by a reed soli that leads to an 8-bar trombone solo (trombone 2). The solo has not been written out, but guide notes (per the original manuscript) and chord changes have been supplied. Your piano player gets to play a little bit by supplying fills behind the vocals per the original recording. The ranges for the trumpets are modest; trumpet 1 gets to high D towards the end of arrangement and trombone 1 goes to high B flat. There are no doubles. The vocal key is B flat modulating to B for the last 12 bars. Vocal Key: B flat modulating to B.
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
Too Marvelous For Words by Frank Sinatra. Arranged by Nelson Riddle, Walt Stuart. For big band with male vocal. Swing. Medium Difficult. Full score and set of parts. Published by Jazz Lines Publications (JL.JLP-9030). Late in 1955 and early in 1956 Frank Sinatra went into the Capitol Studio with Nelson Riddle and recorded one of the best and most famous albums of all-time: 'Songs for Swingin' Lovers.' We are very proud to offer the chart 'Too Marvelous for Words' from this classic record. This definitive version is a very famous chart crafted by the brilliant arranger Nelson Riddle. Instantly recognizable from the first few notes. This has been adapted to suit a big band lineup of 5 saxes (see the double info below), 4 trumpets, 4 trombones, guitar, piano, bass, drums, and vocals. The vocal key is F. Doubles: Altos 1 & 2 double on Flute Tenors 1 & 2 double on Clarinet On the reverse side of the above parts we have included alternate parts that do not require doubles. Ranges: Trumpet 1: to high C Trombone 1: to high A Vocal Key: F Please note that the mp3 sample has an anti-piracy tone every 30 seconds.
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
The Best Is Yet To Come by Frank Sinatra. Arranged by Quincy Jones, Walt Stuart. For big band with male vocal. Swing. Difficult. Full score and set of parts. Published by Jazz Lines Publications (JL.JLP-9031). This classic Sinatra arrangement from the pen of Quincy Jones comes from 'It Might As Well Be Swing' album, recorded in 1964 with the Count Basie Orchestra. This song, along with Luck Be a Lady; My Kind of Town; New York, New York; and a few others helped cement Sinatra's unique, memorable, and often imitated style and image. This is a very laid back, swinging arrangement (a la Count Basie) that allows the singer to shine. Trumpet 1 gets to a high E, trumpet 2 to a high C and trombone 1 gets to a high C flat. As a result of those high notes, we have marked this arrangement as difficult. Please note that the mp3 sample has an anti-piracy tone every 30 seconds. Ranges: Trumpet 1: E above staff. Trumpet 2: C above staff. Trombone 1: C flat above staff. Trombone 2: B flat above staff. Vocal Key: A flat to C to D flat to A Vocal Range: A flat below staff (lowest note) to D flat in staff (highest note).
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
Love Me Or Leave Me by Helen O'Connell. Arranged by Hal Mooney. For big band with female vocal. Swing. Medium Easy. Full score and set of parts. Published by Jazz Lines Publications (JL.JLP-9032). This bluesy chart by Hal Mooney was arranged for Helen O'Connell to be recorded for Capitol Records in 1951. However, we believe this was never recorded. The chart opens with a 2-bar, minor blues vamp featuring a muted trumpet solo. From there the vocals enter in Bb minor (Db major). The middle of the arrangement features an 8-bar piano solo. There are no sax doubles. Ranges: Trumpet 1: to high A Trombone 1: to high Bb Vocal Key: Bb minor.
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
Hey There by Helen O'Connell. Arranged by Hal Mooney. For big band with female vocal. Swing. Medium Easy. Full score and set of parts. Published by Jazz Lines Publications (JL.JLP-9033). Here is a lovely vocal version of the famous standard as arranged by Hal Mooney and performed by Helen O'Connell. There is nothing complicated about this arrangement - it is light and swinging and really is a great showcase for your vocalist. The ranges are very modest - trumpet 1 to high A, and trombone 1 to high A flat. For added interest there are some brief arco bass passages. The vocal key is B flat throughout.
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
Blue Moon by Frank Sinatra. Arranged by Nelson Riddle. For big band with male vocal. Swing. Difficult. Full score and set of parts. Published by Jazz Lines Publications (JL.JLP-9035). This swinging Nelson Riddle arrangement comes from Frank Sinatra's 'Swingin' Session and More' record. In typical Riddle fashion, the chart begins with a memorable introduction and then the vocals enter with great rhythmic figures in the sax section and a familiar baritone sax line. Then the brass enter for the second A section and the chart really gets going. There is a tenor saxophone solo (over the first two A sections) that has been written out in full. The chord changes have been included as well in the event that your player wants to improvise instead. There are no saxophone doubles. The ranges, however, do need to be mentioned: trumpet 1 goes to high E and trombone 1 gets into the extended range and goes up to high D flat on 5 occasions. So, the arrangement has been marked as difficult dues to the high ranges of the brass. The vocal key is D flat throughout. Ranges: Trumpet 1: to high E Trombone 1: to high D flat (extended range) Vocal Key: D flat.
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
I'm Getting Sentimental Over You by Helen O'Connell. Arranged by Hal Mooney. For big band with female vocal. Light Swing. Medium Easy. Full score and set of parts. Published by Jazz Lines Publications (JL.JLP-9037). This is a simple, but lovely light swing chart from master arranger Hal Mooney, recorded by Helen O'Connell for Capitol Records in the early 1950s. This is not a transcription, the original handwritten manuscript was used to produce this arrangement. The chart opens in Bb with the brass on cup mutes and played very straight (without vibrato). Towards the end the arrangement modulates to C. There is nothing complicated about this arrangement. The brass ranges are moderate. This is a great chance to play a classic, swing era vocal arrangement from the pen of a master. Please note that the mp3 sample has an anti-piracy tone every 30 seconds. Ranges: Trumpet 1: to high Bb Trombone 1: to high Bb Vocal Key: Bb modulating to C.
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
Night And Day by Frank Sinatra. Arranged by Nelson Riddle, Walt Stuart. For big band with male vocal. Swing. Medium. Full score and set of parts. Published by Jazz Lines Publications (JL.JLP-9039). In the 1950s Frank Sinatra, along with master arranger Nelson Riddle, recorded a series of hit records for Capitol that arguably captured Ole Blue Eyes at his very best. This arrangement of Night and Day comes from 'A Swingin' Affair', released in 1957. This is an absolute standout treatment of this classic tune. Much like the entire record, this cut is forceful, brassy, and joyous, as Frank leads a standout orchestra playing another of Mr. Riddle's masterpiece interpretations. This chart helps bring to life one of the signature tunes from the strongest period of Sinatra's illustrious career-it was a song that Frank loved and this arrangement brought the song and the singer together in a timeless and magisterial way. The chart begins with a punchy, brass-led sequence that will immediately grab the listeners. The vocals come in with just baritone sax and rhythm section featuring a riff borrowed from the earlier recording of 'I've Got You Under My Skin.' All saxes then go to clarinets (alternate parts have been included that avoid doubles) while trumpets go to harmon mutes. The string parts have been scored into the clarinets. There is a cameo trombone solo in the middle of arrangement that has been fully written out. The vocal key begins in D and modulates to E flat. The hard part of this arrangement is achieving that great punchy sound that Riddle was a master at creating. Ranges: Trumpet 1: to high F Trombone 1: to high B flat Vocal Key: D modulating to E flat.
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
Goody Goody by Frank Sinatra. Arranged by Neal Hefti. For big band with male vocal. Swing. Medium. Full score and set of parts. Published by Jazz Lines Publications (JL.JLP-9042). With its bouncy melody and surprisingly sarcastic lyrics, this 1936 tune represents some of the best of jazzy American pop. Due to its catchy melodic hook, this song has remained a jazz standard and has been interpreted in many different styles, including big band, Dixieland, pop vocal, doo wop, and rock. For Frank Sinatra's 1962 album 'Sinatra and Swingin' Brass' Neal Hefti put together a steamrolling, brisk rendition to play off the song's melodic structure. This arrangement works so well against the melody beginning with a repeated rock-type melodic figure in the reeds. From the first measure you know you're in for a ride. This chart is not technically difficult and the ranges are moderate. Trumpet 1 goes to an optional high F otherwise the part only goes to high C. Trombone 1 goes to high A flat. There are no doubles. The vocal key is A flat.
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
Mele Kalikimaka by Bing Crosby And The Andrews Sisters. Arranged by Vic Schoen, Jonathan Lorentz. For big band with male vocal and female vocal trio [SSA]. Swing. Medium Difficult. Full score and set of parts. Published by Jazz Lines Publications (JL.JLP-9044). Anyone who's seen the Chevy Chase holiday classic movie 'Christmas Vacation' (which is a lot of people) knows this song and the scene that it comes from. Clark W. Griswold is gazing out the kitchen window dreaming of the swimming pool that he wants to install and this song is playing in the background. Mele Kalikimaka was written in 1946 by R. Alex Anderson and became a major hit for the unbeatable combination of Bing Crosby and the Andrews Sisters in 1949. It was originally featured on a Crosby record simply titled 'Merry Christmas' released on Decca. This is not a technically demanding chart for the band. However, your singers need to be able to pull off this WWII-era vocal trio style, which sounds easier than it is. Plus, there is a male vocal part that needs to seamlessly blend in as well. The well-known Hawaiian slide guitar introduction has been scored into the ensemble as very few bands would have access to this instrument (or something that could approximate the sound). The ranges are very moderate with trumpet 1 only getting up to a high A. Trombone 1 gets to a high B flat. The vocal key starts in D for Bing and then modulates to E flat for the Andrews Sisters' entrance. There are no saxophone doubles. The vocal trio part is written up an octave for ease of sight reading. Vocal Key: D modulating to E flat.
$65.00

Instruments: Voice, Vocal
Genres: Christmas, Swing, Miscellaneous, Jazz & Blues
And The Angels Sing by Benny Goodman. Arranged by Myles Collins. For big band with male vocal. Swing. Medium/Difficult. Full score and set of parts. Published by Lush Life (JL.LL-2004). Another classic from the Benny Goodman Orchestra, written by trumpeter Ziggy Elman. In the original arrangement the vocal chorus led to a typical Goodman 'Yiddish' trumpet chorus. In our arrangement this is replaced by a more conventional trumpet solo chorus and 'middle 8', with the vocal returning to close the chorus. The ending is as per the original, with a trumpet solo feature leading the band to a rousing finale. The vocal range is A below to Bb above middle C.
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
Orange Colored Sky by Natalie Cole. Arranged by Jon Harpin. For big band with female vocal. Swing. Medium. Full score and set of parts. Published by Lush Life (JL.LL-2005). Orange Coloured Sky was covered well by Natalie Cole several years back, and our version sticks to the structure of this version, though in the key of F, making it more singer-friendly. It opens with an 8 bar band intro followed by the vocal chorus, with all of the expected powerful band hits behind the "Flash, Bam, Alakazam" vocal. A band interlude follows the chorus, with the vocalist returning for the middle 8 and final vocal half chorus. Jon Harpin has done a masterly job of arranging so that the band fully supports the vocalist, without overpowering at any time. His choice of harmony and instrumental voicing gives this chart a refreshing contemporary kick. Thearrangement is so new we do not yet have a recording to offer you, but rest assured that you can be confident that this chart oozes quality and is worthy of a place in any library. No sax doubles. Trumpets 1-4 D6, B5, B5, G5 Trombones 1-4 A4, F4, E4, C4 Vocal Key: F (Female Vocal F3-C5).
$65.00

Instruments: Voice, Vocal
Genres: Jazz & Blues, Swing
Clementine by Bobby Darin. Arranged by Myles Collins. For big band with male vocal. Swing. Medium. Full score and set of parts. Published by Lush Life (JL.LL-2006). Calling all male vocalists! Clementine is simply great fun. This Bobby Darin version is in a similar style to his more well known Mack the Knife, with successive half-step modulations, and a band backing that builds and builds to a huge finish. We have accurately notated Bobby's vocal line and phrasing, and written the rhythm parts as-played, where they are most important to the feel of the chart. No sax doubles. Trumpets 1-4 C6 (F6 opt), Ab5 (C6 opt), G5 (Ab5 opt), F5 Trombones 1-4 Bb4, F4, Eb4, C4 Vocals Male Eb3 - F4 - Vocal key Eb to Ab.
$65.00

Instruments: Voice, Vocal
Genres: Pop, Standards, Swing, Jazz & Blues
Bei Mir Bist Du Schoen by Benny Goodman With Martha Tilton. Arranged by Myles Collins. For big band with female vocal. Swing. Medium Easy. Full score and set of parts. Published by Lush Life (JL.LL-2007). The Goodman orchestra performed a similar version of this chart at the Carnegie Hall concert, with Martha Tilton the featured vocalist. This is an easy but effective arrangement, opening after a short intro, with the band taking the first chorus (a sax soli middle 8) into a key change for the vocal chorus. The pick-up is a wailing clarinet (or Soprano) solo, with the vocal coming back before a tutti last shout. A great swing vehicle for your vocalist. The range is A below, to B above middle C. The vocal key is E minor then A minor. Lead alto doubles clarinet.
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
Chattanooga Choo Choo by Glenn Miller. Arranged by Myles Collins. For big band with vocal quartet. Swing. Difficult. Full score and set of parts. Published by Lush Life (JL.LL-2009). Here is Glenn Miller's Chattanooga Choo Choo in all its glory. This is the extended version from the film Sun Valley Serenade scored for Boy & Girl vocal with 4-piece backing group and it is four and a half minutes long! This version is a significant development from Miller's first version. In transcribing this chart the audio soundtrack from the film and the film itself were used in order to be able to see what the band were actually doing and playing. There are parts of the audio recording in which the band "disappears", particularly the trombones behind the vocal chorus and the saxes behind the brass in the final shout chorus. By studying the players' fingering and slide movements on the film we have recreated what we think is the most authentic version of this chart you'll ever find. It has been a labour of love. The chart is also singable by a Boy / Girl combination without the backing group - an extra vocal part has been included to cover this eventuality. Regarding Sax doubles, Alto 2 & Tenor 1 double Clarinets, Baritone doubles Alto. An instrumental only version is also available - see our Instrumental Glenn Miller section. Vocal key C.
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
Here Comes Santa Claus/Santa Claus Is Coming To Town by Linda Eder. Arranged by Alan Glasscock. For big band with female vocal. Swing. Advanced. Full score and set of parts. Published by Lush Life (JL.LL-2011). Wow. This is a tough, storming swing chart from the talented Linda Eder, and is not just for Christmas. The arrangement is a two-tune medley of Here Comes Santa Claus and Santa Claus is Coming to Town, and swings for all of its five minutes. The opening is memorable, there is a solo spot for lead Alto, a surprise change of feel in the middle taken from Sing Sing Sing and Oh Tannenbaum which leads into the second half of the medley. This is a huge chart and not for the faint hearted. If your band can pull it off it will be a showstopper. Both Altos double Flutes, both Tenors double Clarinets and the Baritone doubles Bass Clarinet, though we have also cued this passage with notes for the Bari in case a Bass Clarinet is unavailable. This transcription has been a labour of love for Alan Glasscock and he has done it with aplomb. Vocal keys: Db/Bb/C Swing @ 170 b.p.m. Ranges: Trumpets 1-4: G6, C6, A5, G5 Trombones 1-4: Bb4, Ab4, Eb4, C4 Female Vocal: Ab3 - E5.
$65.00

Instruments: Voice, Vocal
Genres: Adult Contemporary, Broadway, Christmas, Swing, Miscellaneous, Jazz & Blues
Zing! Went The Strings Of My Heart by Frank Sinatra. Arranged by Johnny Mandel, Jon Harpin. For big band with male vocal. Swing. Medium. Full score and set of parts. Published by Lush Life (JL.LL-2012). Zing Went the Strings of My Heart was recorded by Frank Sinatra in December 1960 for the Ring-a-Ding album, but remained unreleased until 1990 when the master tapes of the original recording were rediscovered. This chart is a Sinatra gem, and even includes the rarely-heard opening verse. Beautifully transcribed and adapted by Jon Harpin from the original Johhny Mandel arrangement, to incorporate the strings back into a regular big band line-up, this chart is unique and deserves a place in everyones library. Lead Alto doubles Clarinet briefly. Swing @ 112 & 172 b.p.m. Ranges: Trumpets 1-4: Eb6, D6, Bb5, F5 Trombones 1-4: Bb4, Ab4, F4, Db4 Vocal key: Db [Male Vocal] Bb2 - Eb4 (10 steps).
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
I've Got You Under My Skin by Frank Sinatra With The Count Basie Orchestra. Arranged by Quincy Jones, Myles Collins. For big band with male vocal. Swing. Medium. Full score and set of parts. Published by Lush Life (JL.LL-2014). Under My Skin is classic Frank Sinatra. This chart is a transcription of Sinatra with the Count Basie Band, taken from Sinatra at the Sands, and is a must for all male vocalists. Everything has been included, from the rumbling Baritone sax line, the big Trombone build after the first vocal chorus ("Run for cover, run and hide!"), the wailing Trombone solo and even the little Piano fills and tinkles. We have re-scored the Saxes to a regular AATTB section and have removed the Clarinet & Bass Clarinet doubles from the original, as we recognise that not all bands have a Bass Clarinet to hand. All dynamics are clearly written, and the vocal part replicates Sinatra's performance. The brass ranges are moderate other than the Trombone solo which is up to hight Db, though your player can always improvise on the chords provided. A fine addition to any library. Key of D flat. Swing @ 130b.p.m. Ranges: Trumpets 1-4: C6, Ab5, F5, Eb5 Trombones 1-4: Db5, G4, Eb4, C4 Vocals: Male Vocal Ab2 - F4 (12 steps).
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
Santa Baby by Eartha Kitt. Arranged by Alan Glasscock. For big band with female vocal. Swing. Easy. Full score and set of parts. Published by Lush Life (JL.LL-2015). A cheeky and fun vocal number, originally by Eartha Kitt, though later covered by Madonna. Our arrangement draws inspiration from both, without losing any of the essence. Whilst predominantly used as a Christmas song, this chart is good in any set, any time of the year! There are some Sax doubles. Altos 1& 2 and the Baritone are on Clarinets throughout, with both Tenors staying on Tenor. We realise that Bari players are not famous for Clarinet skills, so we have included an extra Sax 4 part (turning the Bari into the 2nd Tenor part) so that one of your Tenor players can take the Clarinet part instead. Swing @ 100 b.p.m. Ranges: Trumpets 1-4 Bb5, G5, Eb5, C5 Trombones: 1-4 Bb4, Eb4, Eb4, Db4 Vocals: Female Ab3 - Ab4.
$65.00

Instruments: Voice, Vocal
Genres: Christmas, Swing, Miscellaneous, Jazz & Blues
Jingle Bells by The Andrews Sisters. Arranged by Alan Glasscock. For big band with male vocal and female vocal trio [SSA]. Swing. Medium Easy. Full score and set of parts. Published by Lush Life (JL.LL-2016). Here's a bit of Christmas cheer, courtesy of Bing Crosby and the inimitable Andrews Sisters. This chart is just happy and fun from start to finish. Written for a male vocal and female vocal trio, it is equaly well suited to a male / female duo. Full of quirky little fills and backings from the band which compliment rather than outshine the vocalists, plus a cameo Baritone sax solo, this chart is perfect for injecting a little festive cheer. Both Altos are on Clarinets, the brass ranges are very moderate (lead Trumpet only up to an A) and the vocal ranges are not challenging. The only tricky little bit is the Piano intro, so all eyes on him!Swing @ 200 b.p.m. Ranges: Trumpets 1-4: A5 F5, D5, D5 Trombones 1-4: Ab4, F4, Eb4, C4 Male vocal: Ab up to Eb, 12 steps Vocal Trio 1, 2 & 3: 1) C4-C5. 2) C4-C5. 3)Ab3-G4.
$65.00

Instruments: Voice, Vocal
Genres: Christmas, Pop, Swing, Miscellaneous, Jazz & Blues
Just A Little Bit South Of North Carolina by Gene Krupa And Anita O'Day. Arranged by Myles Collins. For big band with female vocal. Swing. Medium Easy. Full score and set of parts. Published by Lush Life (JL.LL-2021). A bouncy vocal from Anita O'Day and the Gene Krupa band, with an unreasonably long title! This chart was one of the most requested of O'Day's repertoire, and we have faithfully recreated it for you here, complete with the opening Guitar solo (cued onto the piano part) and Roy Eldridge's cameo Trumpet solos and the little Clarinet solo (on 1st Alto) near the end. The ranges are very moderate and the chart is not over complicated. All dynamics and articulatoins are clearly marked, enabling your band to perform the arrangement with confidence. A good chart for concert work or dancing. Swing @ 150 b.p.m. Ranges: Trumpets 1-4: C#6, Bb5, G5, E5 Trombones 1-4: A4, G4, E4, C4 Vocals (key of C): Female A3 - B4.
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
Come Fly With Me by Frank Sinatra With Count Basie. Arranged by Quincy Jones, Jon Harpin. For big band with male vocal. Swing. Difficult. Full score and set of parts. Published by Lush Life (JL.LL-2023). This is Frank Sinatra at his best. This chart is a transcription of Sinatra with the Count Basie Band, taken from Sinatra at the Sands. It features the original band into - big, punchy and nearly a minute long - giving you time for a big introduction to your vocalist. The chart is also marked with an optional start point, just before the vocal, should you wish to shorten things. We have removed a couple of muted trumpet fills here and there, to keep things cleaner. There are some sax doubles. Altos go to Clarinets and Tenors to Flutes. These doubles add colour to the voicings though are not vital to the chart. So if your Tenor players are fluteless don't worry too much. The vocal is in Bb, with a range from Bb to D (one octave and 3 tones) and has been written out to give your vocalist a good feel of Sinatra's phrasing. All in all this chart is exceptional. Trumpets 1-4 G6, E6, C6, Ab5 Trombones 1-4 Bb4, G4, F4, Db4 Vocal Baritone Bb2 to D4 (one octave and 3 tones).
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
Luck Be A Lady by Frank Sinatra. Arranged by Billy May, Jon Harpin. For big band with male vocal. Swing. Medium Difficult. Full score and set of parts. Published by Lush Life (JL.LL-2025). Adapted from the original Billy May arrangement of Sinatra's Reprise recording, Luck Be A Lady kicks off with the slow, almost Colla Voce intro, which picks up into a thumping swing chart. Jon Harpin has done a remarkable job in transcribing this Sinatra classic. Everything is here - dynamics, articulations, phrasing, modulations, the works. Strings were used in the original recording, which we have re-scored into the band, to make the chart suitable for a 5,4,4,4 line-up. At 5 minutes 15 seconds this is a long chart, and makes for a great vocal feature. Lead Alto doubles Clarinet. A must for all Sinatra fans. Trumpets 1-4: E6, C6, Bb5, Bb5 Trombones 1-4: B4, A4, F4, C#4 Vocal Keys: Db/D/Eb Male Vocal: Db3 - F4.
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
That's Life by Frank Sinatra. Arranged by Jon Harpin. For big band with male vocal. Swing. Medium Easy. Full score and set of parts. Published by Lush Life (JL.LL-2026). Another great tune from Frank Sinatra's Reprise days. The original version of this chart featured female backing vocals and a Leslie-style organ. We appreciate that this limits the playability of such an arrangement, so Jon Harpin has creatively transcribed and re-scored for a standard big band line-up. The B.V.'s are shared between a quartet of 2 Saxes, Trumpet & Trombone, and the opening Organ solo has also been scored into the Sax parts should your Pianist not have the appropriate bag of tricks to make a nice Organ noise. There are no Sax doubles and the brass ranges are moderate to low. We have graded this as an Medium Easy piece, but boy, it's a real crowd pleaser! Swing (12:8 feel) @ 76 b.p.m. Ranges: Trumpets 1-4: C6, C6, F5, E5 Trombones 1-4: Ab4, Gb4, D4, C4 Male Vocal: Eb3 - F4.
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
Night And Day by Ella Fitzgerald. Arranged by Myles Collins. For big band with female vocal. Swing. Easy. Full score and set of parts. Published by Lush Life (JL.LL-2030). A classic Cole Porter song from 1932, Night and Day was a 'must-have' number for the great Big Bands of the era. Our version is based on that used by Ella Fitzgerald, and is a good example how to score the band to best support the vocalist. The arrangement includes the vocal verse, backed by a solo tom-tom, leading into the tutti chorus. A very easy to play chart, and very effective in performance. Please note that the vocal key of this chart is A flat.
$65.00

Instruments: Voice, Vocal
Genres: Jazz & Blues, Standards, Swing
I've Got My Love To Keep Me Warm by Ella Fitzgerald. Arranged by Alan Glasscock. For big band with female vocal. Swing. Difficult. Full score and set of parts. Published by Lush Life (JL.LL-2031). A classic from Ella Fitzgerald, this chart is a faithful transcription of her version, and is nothing at all like the Les Brown / Skippy Martin instrumental version. We have even written out Ella's vocal line so your singer can reproduce the timing and phrasing if she wants. This chart is also a Trumpet feature, and the original solo is fully notated on the 2nd part. There are no sax doubles. The transcription by Alan Glasscock. Trumpets 1-4 E6, C6, A5, E5 Trombones 1-4 Bb4, G4, E4, Db4 Vocal Key: B flat; Range: Female F3 - Eb5.
$65.00

Instruments: Voice, Vocal
Genres: Jazz & Blues, Standards, Swing
A Tisket, A Tasket by Ella Fitzgerald. Arranged by Klaus Lessmann. For big band with female vocal. Swing. Easy. Full score and set of parts. Published by Lush Life (JL.LL-2032). A Tisket A Tasket was a hit for Ella Fitzgerald during her time with the Chick Webb band, and remains one of her most memorable charts. Klaus Lessmann has produced a classy transcription of this chart and had adapted it for a full band line-up. Everything is here, including the band answer-back vocals. Both the sax and the brass sections get to have a go! All articulations are clearly marked and the vocal sheet is as per Ella's performance. Key of A flat. Swing @ 165 b.p.m. Ranges: Trumpets 1-4: D6, Bb5, G5, Eb5 Trombones 1-4: Ab4, F4, Eb4, C4 Female Vocal: Ab3-Eb5 (12 steps).
$65.00

Instruments: Voice, Vocal
Genres: Jazz & Blues, Standards, Swing
Opus 1 (One) by Gene Krupa With Anita O'Day. Arranged by Myles Collins. For big band with female vocal. Swing. Difficult. Full score and set of parts. Published by Lush Life (JL.LL-2034). A classic from the pen of Sy Oliver, this is the vocal version that Anita O'Day recorded with Gene Krupa, and is a mix of powerhouse swing that you would expect from Krupa's band, and a laid-back, slightly humourous vocal chorus from O'Day. It features a blasting Trumpet solo near the end, and a wonderfully conceived modulation into the vocal chorus. We have written out the Trumpet solo, and the little Piano fill-in solo in the intro too. This is a medium to advanced chart in terms of difficulty, because the Trumpet solo screams up to a high E, and 1st and 2nd Trombones have to pick a top D out of the air at one point. Other than that, it is pretty straight ahead, and there are no sax doubles. Trumpets 1-4: D6, E6, B5, B5 Trombones 1-4: D5, D5, A4, Ab4 Vocal key D (Female A3 - B4).
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
Route 66 arranged by Myles Collins. For big band with male vocal. Swing. Medium Easy. Full score and set of parts. Published by Lush Life (JL.LL-2038). Mention the words Route 66 and many people think 'Johnny B-Goode', Rock and Roll, guitar bands etc. Well, think again. Our version is written as a bouncy, but not fast, swing-shuffle that has a laid-back yet driving feel to it. We've included solo space for Tenor, Trumpet and Baritone, all backed by brass riffs that build as the solos progress. Fun and straightforward to play and good to dance to. The vocal range is Bb below middle C to D one octave above middle C. Vocal key is Eb to F. Swing 140 b.p.m. Ranges: Trumpets 1-4: B5, G5, E5, E5 Trombones 1-4: G4, E4, D4.
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
Sentimental Journey by Doris Day With Les Brown. Arranged by Bob Martin. For big band with female vocal. Swing. Easy. Full score and set of parts. Published by Lush Life (JL.LL-2039). Co-written by Les Brown for his own Orchestra, Sentimental Journey was a great hit for Doris Day, and this version remains as the definative standard for the tune. It has to be played bluesy, laid back, softly and not too fast! The brass lines at the end of the first chorus emphasise the 'drag' and the tenor solo behind the vocal re-enforces the lazy feel. Vocally in the key of A, the range is from A below, to B above middle C. Lead alto doubles clarinet. The mp3 is courtesy of The Strayhorns, with vocalist Nou Nou, taken from a live gig. Ranges: Trumpets 1-4: B5, G5, E5, D5 Trombones 1-4: G#4, F4, D4, B3 Vocal key A (A3 - B4).
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
Straighten Up And Fly Right by Nat King Cole And Natalie Cole. Arranged by Myles Collins. For big band with female vocal. Swing. Easy. Full score and set of parts. Published by Lush Life (JL.LL-2049). One of the many great songs written by Nat 'King' Cole, it has found its place as a stock tune in the repertoire of many female singers, including Linda Rondstat and Natalie Cole. This version borrows a little from the style of each. A short intro followed by the first vocal chorus, discreetly backed by the band, leads to a Nat style piano solo. The sax soli re-introduces the second vocal chorus. A muted trumpet solo continues the very laid-back feel, and the whole thing is rounded off by the vocalist. The vocal range is Middle C to C above middle C. Vocal key is F. The mp3 is courtesy of the Blue Moon Big Band. Ranges: Trumpets 1-4 B5,G5,E5,E5 Trombones 1-4 G4, F4, C4, C4 Vocal C4 - C5.
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
Stuff Like That There by Bette Midler. Arranged by Billy May, Myles Collins. For big band with female vocal. Swing. Medium. Full score and set of parts. Published by Lush Life (JL.LL-2051). Adapted from the original Billy May arrangement used in the Bette Midler film 'For The Boys' where she is performing in front of a hanger full of USAAF personnel during an air raid. Stuff Like That There is an up, bouncy vocal chart that really moves along. The short intro and lovely vocal and piano Colla Voce duet gives no clue to what is to come, until the vocalist picks up the tempo into the main swing boogie part of the chart. The secret to success with this number is to play it with a really relaxed feel, and it will really swing. The sound file here for you to download is the whole arrangement which we hope will be of great help to vocalists, to hear the feel and tempo changes. Vocal key: Ab/F Range: A3 - C5.
$65.00

Instruments: Voice, Vocal
Genres: Adult Contemporary, Swing, Miscellaneous, Jazz & Blues
White Cliffs Of Dover arranged by Myles Collins. For big band with female vocal. Swing. Easy. Full score and set of parts. Published by Lush Life (JL.LL-2070). Immortalised by Vera Lynn in the 1940s, this tune came to symbolize hope in troubled times, though it is also a lovely melody in its own right. This arrangement is a smooth, flowing ballad in the '40s style, making full use of dynamic expression, muted and open brass, plus some Miller-voiced sax passages. Slightly nostalgic perhaps, but always popular. In the key of Ab, the vocal range is from Ab below, to C above middle C. Lead Alto doubles Clarinet, Baritone doubles Alto. The complete mp3, taken from a live gig, is courtesy of The Strayhorns, with Nou Nou on vocal. Ranges: Trumpets 1-4: Bb5, G5, F5, D5 Trombones 1-4: Ab4, F4, Eb4, C4 Vocal ke: Ab (Ab3-C5).
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
Till You Come Back To Me by Linda Eder. Arranged by Myles Collins. For big band with female vocal. Swing. Medium. Full score and set of parts. Published by Lush Life (JL.LL-2071). Originally written in 1994 for Linda Eder by Frank Wildhorn, this song is a great swinger. Starting with just vocal and rhythm section it builds and builds as more instruments are overlaid behind the vocal. Lead Alto is featured heavily, both with a 32 bar solo, and with solo fill in phrases to accompany the vocalist in the second half of the song. This tune is a good set opener and really deserves to become a standard repetoire chart. Trumpets are written high in a couple of bars, but can be played down an octave without spoiling the tune, making the ranges playable by all. Swing @ 185-190 b.p.m. Ranges: Trumpets 1-4 F#6, D6, B5, G5 Trombones 1-4 A4, F4, D4, C4 Vocal A3-Bb4.
$65.00

Instruments: Voice, Vocal
Genres: Adult Contemporary, Broadway, Swing, Miscellaneous, Jazz & Blues
On The Sunny Side Of The Street by Tommy Dorsey. Arranged by Myles Collins. For big band with female vocal. Swing. Medium Easy. Full score and set of parts. Published by Lush Life (JL.LL-2073). Made famous by the Tommy Dorsey Orchestra, our version of Sunny Side of theStreet is taken from the version done by the late great Syd Lawrence. The form and structure is based on the original Dorsey version, including the unique intro, where we have wrtten out the bass 'solo' and piano fills too. This chart is scored for a vocal quartet of either 2 female and 2 male voices, though works well with 1 girl and 3 boys. The lead Trumpet range in the last bar goes to a high F, but we've cued alternative notes which keep the range here to top C#. The audio sample is not a real recording, but will give you the essence of the chart. No sax doubles, and the brass ranges are moderate. Ranges: Trumpets 1-4: C#6, C#6, Ab5, Gb5 Trombones 1-4: B4, E4, Eb4, C4 Vocal Key: Eb SATB C4, Ab3, Ab3, Eb3.
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
Baby, It's Cold Outside by Margaret Whiting And Johnny Mercer. Arranged by Myles Collins. For big band with male/female vocal duet. Swing. Easy. Full score and set of parts. Published by Lush Life (JL.LL-2075). Ours is the great Johnny Mercer & Margaret Whiting version of this classic vocal duet. He want's her to stay, she want's to play hard to get. The chart itself relies on the interplay and chemistry between your two vocalists. The band backings are easy and add just the right amount of punch when needed. In this arrangement the Saxes are all written to play Clarinets, but recognising that not all sax players double Clarinets we have double-sided all of the sax parts, so that one side is as written and the reverse side is scored for a regular sax section.This way you will have more flexibility. The brass ranges are moderate and the chart is very playable and makes a great vocal feature. Trumpets 1-4 C6, G5, F5, F5 Trombones 1-4 Ab4, F4, Eb4, Eb4 Vocals Female Ab3 - Bb4, Male Ab2 - Eb4.
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
That's My Style by Peggy Lee. Arranged by Jon Harpin. For big band with female vocal. Swing. Medium. Full score and set of parts. Published by Lush Life (JL.LL-2076). That's My Style is the late, great Peggy Lee at her laid back best. This tune is so relaxed it is almost horizontal, yet the band's support of the vocalist is just perfect. Loud and snappy where it needs to be, yet in places as laconic as the vocal itself. The tempo is moderate and the brass ranges not overly demanding, though the band needs to be tight to do the chart justice. No sax doubles. Ranges: Trumpets 1-4 Db6, Bb5, B5, G5 Trombones 1-4 A4, F4, D4, C4 Vocals Female G3 - A4.
$65.00

Instruments: Voice, Vocal
Genres: Pop, Swing, Jazz & Blues
Boogie Woogie Bugle Boy by The Andrews Sisters. Arranged by Alan Glasscock. For big band with female vocal trio [SSA or solo]. Swing. Medium. Full score and set of parts. Published by Lush Life (JL.LL-2077). The Andrews Sisters produced a huge number of hits, and Boogie Woogie Bugle Boy is one of their finest. Alan Glasscock has scored a cracking version here, and has notated the Vocal Trio parts with exceptional skill. There were a couple of key verions of this song. One was the Decca release and the other done for the movie "Buck Pirates". The Decca chart used a small backing band, the move a full big band. Our version fuses the two and takes the best from both. Both of the Trumpet solos are fully written out (intro and in the middle section of the chart), and the Boogie Woogie piano / bass lines are all there. Although this is a Vocal Trio, we have also included a Solo Vocal part, should you wish to perform this chart with just one female vocalist. The Saxes are scored for Clarinet, 2 Altos and 2 Tenors throughout. Trumpets 1-4 B5, A5, E5, E5 Trombones 1-4 A4, F#4, E4, E4 Vocal key: D Vocal Trio 1, 2 & 3 1) A3-C#5 2) A3-D5 3) A3-B4.
$65.00

Instruments: Voice, Vocal
Genres: Pop, Swing, Jazz & Blues
When Johnny Comes Marching Home by Glenn Miller. Arranged by Myles Collins. For big band with female vocal. Swing. Medium. Full score and set of parts. Published by Lush Life (JL.LL-2078). This patriotic wartime tune was originally done by Glenn Miller with Tex Beneke and Marion Hutton and the Modernaires supplying the vocals.This is a medium swing tempo chart that kicks. We have scored the chart for Male & Female vocalist with a 4-piece backing group, though the arrangement works well as a boy girl duet or as a solo vocal (we have included a solo vocal sheet in the pack). The Tenor sax line that would have been missing when Beneke took the vocal is scored back in, thereby keeping your section complete. This chart is true to the Bill Finegan original, and there are no sax doubles. Trumpets 2,3 & 4 need to be able to reach high C for the unison passage before the Tenor solo in the last chorus. Trumpets 1-4: D6, C6, C6, C6 Trombones 1-4: C5, Gb4, Eb4, A3 Vocal key: G [Female Vocal] B3-B4 [Male Vocal] B2-B3.
$65.00

Instruments: Voice, Vocal
Genres: 4th of July, Memorial Day, Patriotic, Swing, Celebrations, Folk, Jazz & Blues