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Swing
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I Thought About You by Matt Falker. For jazz choir (SSATB choir with rhythm section). Medium Swing, Jazz. Level 4. Set of 16 octavos with rhythm parts. Published by UNC Jazz Press (NC.VJ1768). A medium swing chart with a catchy double-time intro and a Singers Unlimited-style a cappella section in the middle. This chart features a female soloist, and modulates into Ab for open improvisation. An intermediate to advanced rhythm section is recommended and the highest soprano note is a G, while the lowest bass note is a Gb. Demo recording by the Fullerton College Vocal Jazz Ensemble from Fullerton, CA. SSATB with rhythm section (with optional 6-part at the end).
$45.00

Genres: Swing, Jazz & Blues
Softly, As in a Morning Sunrise arranged by Mark Denis. For jazz choir (SATB choir with rhythm section). Swing. Level 4. Set of 16 octavos with rhythm parts. Published by UNC Jazz Press (NC.VJ1802). This SATBB arrangements begins with a rhythm section intro which is followed by a mixture of unison and tight harmonic vocal writing. Vocalists are challenged with a soli followed by some room for the pianist to solo. This song finishes up with energy, with a transition from swing into straight-eighths. SATB with rhythm section.
$45.00

Genres: Swing, Jazz & Blues
I've Never Been in Love Before by Jennifer Barnes. For jazz choir (SSATBB choir with rhythm section). Swing. Level 4. Set of 16 octavos with rhythm parts. Published by UNC Jazz Press (NC.VJ2031). This is a swinger that starts simply and builds in excitement and complexity throughout the chart! Improvisation section is followed by a half-chorus soli style vocal with additional lyrics by Jennifer Barnes. This will take some "shedding", but lots of fun to sing and the upbeat lyric and mood make it a nice tune for an opener, closer or anywhere in between! SSATBB with rhythm Section.
$50.00

Genres: Swing, Jazz & Blues
I Can't Give You Anything But Love by Jed Scott. For jazz choir (S(S)ATB choir with scat solo). Swing. Level 3. Set of 16 octavos. Published by UNC Jazz Press (NC.VJ2249). This is a straight-ahead swing treatment of this jazz standard for mixed jazz choir. Scat soli, shout chorus, half-time feels and idiomatic swing rhythms will give your group a taste for the jazz tradition. Can be performed with rhythm section or just piano. Piano accompaniment is written out but includes chord changes for the more advanced jazz pianist. Written with the high school jazz vocal group in mind. S(S)ATB with scat solo.
$45.00

Genres: Swing, Jazz & Blues
Beautiful Friendship arranged by Jerry Tolson. For jazz choir (SATB choir with rhythm section). Swing. Level 3. Set of 16 octavos with rhythm parts. Published by UNC Jazz Press (NC.VJ2321). (Level III) Are you ready to Swing? This S(S)ATB arrangement of this great jazz standard is a hard swinging number that will start toes tapping for both performers and listeners alike. From the introduction to the coda, this is a dynamic arrangement with full rhythm section accompaniment that features a solo for either male of female voice. No library should be without this chart! (Solo, SATB w/ Rhythm Section).
$45.00

Genres: Swing, Jazz & Blues
I Was Doing All Right by Marion Linton. For jazz choir (SSAAT choir, a cappella). Swing, Jazz, Up Tempo. Level 4. Set of 16 octavos. Published by UNC Jazz Press (NC.VJ716). This romantic Gershwin tune is furnished throughout with lyricized bop lines. It contains a whole section in which high voices sing animated be-bop melodies over a tenor bass line. The piece builds to a harmonic climax and the subdued ending provides a satisfying denouement. SSAAT a cappella.
$50.00

Genres: Swing, Jazz & Blues
Have Yourself A Merry Little Christmas by Marion Linton. For jazz choir (SSAATB choir, a cappella). Christmas, Swing, Slow, Jazz. Level 3. Set of 16 octavos. Published by UNC Jazz Press (NC.VJ726). This Martin/Blane tune has a light and happy feel. Bass pedals, soprano descant, bass lines and rhythmic shots occur throughout. A modulation in the last A section is delightfully unexpected. It's a great chart to end the Christmas show. SSAATB a cappella.
$45.00

Genres: Christmas, Swing, Miscellaneous, Jazz & Blues
Blue And Sentimental by Basie. Arranged by Bob Martin. For jazz choir (TTBB choir, a cappella). Swing. Level 3. Set of 5 octavos. Published by UNC Jazz Press (NC.VJ784). (Level III) A slow grooving version of this Basie classic. It starts out right on the chorus with everyone on words. "Oo's" on bridge the first time around with a half step modulation into the last 'A'. This is a very tight arrangement with ample opportunity to work on swing feel, by accenting the upbeat on eighth note passages. TTBB A Cappella.
$25.00

Genres: Swing, Jazz & Blues
Ida, Sweet As Apple Cider by The Dave Pell Octet. Edited by Jeffrey Sultanof and Rob Duboff. Arranged by Marty Paich. For octet (Tenor Saxophone , Baritone Saxophone , Trumpet , Trombone , Piano , Bass , Drums , Guitar). Swing. Medium. Published by Jazz Lines Publications (JL.JLP-8757). Here is a great Marty Paich arrangement for the Dave Pell Octet. This has been fully edited and engraved from the original parts and includes a full score.
$40.00

Genres: Swing, Jazz & Blues
I Cannot Believe It's True by The Phil Collins Big Band. Arranged by Sammy Nestico. For big band. Swing. Medium-difficult. Published by Jazz Lines Publications (JL.PH-3019). A real flag waving up tempo Nestico arrangement. At 244 b.p.m. this number really shifts. However if your band can manage The Kid From Red Bank then they should have no problem with this chart! Alto 1 mainly on soprano. 5/4/4/4 includes full score. This is the original arrangement and not a transcription.
$75.00

Genres: Swing, Jazz & Blues
Do Nothin' Til You Hear From Me by Robbie Williams. Arranged by Jerry Sheppard. For big band with vocal. Swing. Medium. Published by Jazz Lines Publications (JL.PH-3032). Big Band Vocal. Moderate Swing. As recorded by Robbie Williams. Key G. 5/4/4/4 includes full score.
$75.00

Genres: Swing, Jazz & Blues
Sumpin' Special by John Labarbera Series. Arranged by John LaBarbera. Swing. Published by Jazz Lines Publications (JL.PH-3072).
$40.00

Genres: Swing, Jazz & Blues
I Got Sun In The Morning arranged by Cy Payne. For big band with vocal. Swing. Medium Easy. Published by Jazz Lines Publications (JL.PH-4217). The Irving Berlin standard in a bright straight ahead arrangement by Cy Payne. A full band intro gives a firm lead for the vocalist. Usual big band line up, plus optional 3 Flutes, 3 Bb Clarinets and Horn in F. This title is ideal for bands with very limited brass as the flutes and clarinets double up on the trumpets and trombones. Trombone range: Eb3Vocal Key: EbVocal range: Bb-CTrumpet range: F5.
$75.00

Genres: Swing, Jazz & Blues
Beautiful Love arranged by Paul Mckee. For jazz ensemble (trombone feature). This edition: Trumpet range to D6. Swing, Jazz. Paul McKee Series. Level 4. Score and set of parts. Published by UNC Jazz Press (NC.2463). (Level IV) Paul's very popular arrangement of the great standard tune is finally available for purchase! Although originally conceived as a trombone feature, the arrangement can feature any soloist. A sax soli and an unconventional ending contribute to this an engaging chart that's fun to play for all. 8 Brass.
$55.00

Genres: Swing, Jazz & Blues
It Don't Mean a Thing by Duke Ellington (1899-1974). Arranged by D. Ravenal. For Fanfare Band. Foxtrot / Pop / Real Big Band Sound / Arrangements of Modern Light Music. Real Big Band Sound. Grade 3. Score. Duration 2 minutes, 29 seconds. Published by Molenaar Edition (ML.022157050-S). This successful tune composed by Mills and Ellington belonged to the repertoire of the Duke Ellington Band, the complete title being 'It don't mean a thing if you ain't got that swing'. All jazz fans certainly remember the legendary version on the record 'The Great Reunion', recorded in New-York in April 1961 by Duke Ellington (1899-1974) with the Louis Armstrong Band.
$24.95

Genres: Jazz & Blues, Standards, Swing
No Name Jive by Glen Gray. Arranged by Myles Collins. For big band. Swing. Medium. Full score and set of parts. Published by Lush Life (JL.LL-1032). This is simply a great jump jive number, made famous by the Glen Gray Orchestra, and to the best of out knowledge has never been published before, anywhere. If your band plays to a dance crowd then this arrangement is an absolute must have. No Name Jive is a huge six and a half minutes long, and drives from beginning to end. Technically it's not difficult, though the band needs to be tight and crisp in order to achieve the relaxed feel that makes the number work so well. There are some instrument doubles. Saxes 1,2 and 3 all double Clarinet, and the Baritone doubles Alto. Lead Alto also needs a Soprano if your Alto 2 can't hit high F# anf A. All solos are written out as exact transcriptions of the original, though players may improvise if they wish. The second trumpet takes two solos and both are cross cued on the lead part. The score sample is the first 6 pages of a 35 page score, which we have ring-bound for ease of use.
$65.00

Genres: Swing, Jazz & Blues
Rose Of The Rio Grande edited by Jeffrey Sultanof and Rob DuBoff. Arranged by Gerry Mulligan. For big band. Recorded by the Claude Thornhill Orchestra. Swing. Medium Difficult. Score and parts. Published by Jazz Lines Publications (JL.JLP-8455). Rose of the Rio Grande was probably written in 1948, but could have been written a little later. Frankly, it is an amazing score, certainly one of the greatest arrangements Mulligan ever wrote, but also reflective of his maturity as a writer. The introduction alone sounds like it was written twenty years later; it is so unique for its time that the rest of the arrangement almost sounds like an anti-climax, except that Mulligan also wrote one of the great out-choruses in big band history for this setting. He knew how good it was, since he reused it for his own composition Swing House written for Stan Kenton in 1952. This arrangement would not be recorded by Thornhill until 1953 for Albert Marx's Trend label. Alto sax 1 doubles on clarinet. The brass instrumentation is: 3 trumpets, 2 horns in F, 2 trombones, and tuba. We have included optional alternate parts for the horns in F and tuba (see below). Ranges: Trumpet 1: to A6; Trombone 1: to Ab4.
$65.00

Genres: Swing, Jazz & Blues
Song For Shelby by Scott Reeves. For jazz ensemble. This edition: Trumpet range to C#6. Up Tempo, Latin/Jazz, Dorian/Phrygian Modes, Swing. Level 4. Score and set of parts. Published by UNC Jazz Press (NC.1088). (8 Brass) (Level 4) An infectious, up-tempo Latin/jazz composition based on dorian and phrygian modes. Solo space for soprano sax, trombone and drums. Scored for soprano, alto, flute.
$40.00

Genres: Latin, Swing, Jazz & Blues
Santiago Side Step by Les Sabina. For jazz ensemble (soprano saxophone (optional alto saxophone) and tenor saxophone solos). This edition: Trumpet range to E6. Up Tempo, Contemporary, Afro Latin, Swing, Jazz, Latin. Level 4. Score and set of parts. Published by UNC Jazz Press (NC.1155). (8 Brass) (Level 4) An up-tempo, contemporary tune alternating between Afro-Latin and swing grooves. Interesting changes and shout section. Solos for soprano (opt. Alto I) and tenor. This piece was an award winner in the 1989 IAJE Composition Contest.
$50.00

Genres: Latin, Swing, Jazz & Blues
Arabic Shepherds Praying by Joey Sellers. For jazz ensemble (trombone solo). This edition: Trumpet range to Gb6. Modal, Jazz, Swing, Up Tempo. Level 5. Score and set of parts. Published by UNC Jazz Press (NC.1663). (8 Brass) (Level 5) Advanced modal feature for trombone (or other) soloist. Independence of parts. Mature rhythm sections only. Commissioned by Nat Wickham and the University of Northern Colorado Jazz Ensemble I. Premiered at the 2000 IAJE Convention in New Orleans.
$85.00

Genres: Swing, Jazz & Blues
The Newcomer by Ed Xiques. For jazz ensemble (piano, trumpet and drum solos). This edition: Trumpet range to Db6. Up Tempo, Swing, Jazz. Level 4. Score and set of parts. Published by UNC Jazz Press (NC.1696). (8 Brass) (Level 4) A medium, up-swing tempo. Quarter note = 200-240. Solos for piano, trumpet and drums with background. No saxophone doubles.
$60.00

Genres: Swing, Jazz & Blues
Mono Lake by Ed Xiques. For jazz ensemble (alto saxophone and bass solos; woodwind doubles). Up Tempo, Contemporary, Swing, Jazz. Level 4. Score and set of parts. Published by UNC Jazz Press (NC.1697). (8 Brass) (Level 4) Alto sax solo early in the piece and bass solo at the end. Medium, up-tempo composition using contemporary techniques. Swing four throughout. Sometimes with a loose, free feel. Reed I: Soprano and Alto Saxes; Reed II: Flute and Alto; Reed III: Clarinet (Opt.) and Tenor Sax; Reed IV: Tenor Sax; and Reed V: Baritone Sax.
$65.00

Genres: Swing, Jazz & Blues
The Fabulous Flying Gambini Brothers by Rex Cadwallader. For jazz ensemble (solos for tenor saxophone and trumpet). This edition: Trumpet range to F#6. Swing. Level 4. Score and set of parts. Published by UNC Jazz Press (NC.176). (10 Brass) Acrobatics and jazz for two tenor saxes and trumpet. This chart cooks from beginning to end, and gets audiences on their feet. A featured concert closer at the Montreux Jazz Festival in the summer of 1995, this pyrotechnical musical circus is SENSATIONAL!!! Great soli lines for trumpets and trombones, and high-flyin' ensemble shout makes this "rhythm changes" screamer a WINNER!!!!
$55.00

Genres: Swing, Jazz & Blues
The Holy Hound of Heaven by Scott Cowan. For jazz ensemble (solos for trumpet, alto saxophone and piano). This edition: Trumpet range to F6. Shuffle, Swing, Jazz. Level 4. Score and set of parts. Published by UNC Jazz Press (NC.1814). (8 Brass) This composition features a down-home shuffle with some adventurous interludes. The chart also includes a traditional swinging sax soli, an untraditional trombone soli and an ensemble shout that takes an unexpected turn. An exciting doubletime feel bridge gives an alto saxophonist and a trumpeter a work out. An assortment of key changes winds up the chart. Trumpet, alto and piano solos are featured. This composition was premiered at the New England Conservatory of Music, Jordan Hall (the composer's NEC faculty recital). The professional ensemble featured musicians that were alumni of The Woody Herman, Jimmy and Tommy Dorsey and Artie Shaw Big Bands.
$55.00

Genres: Swing, Jazz & Blues