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Keep Your Dragon on a Leash by Socrates Garcia. For big band (extended solo for tenor saxophone 1 and a shorter solo for flugelhorn; woodwind doubles). This edition: Trumpet range to Eb6. Swing, Medium Up Tempo, Contemporary Jazz. Level 4. Score and set of parts. Published by UNC Jazz Press (NC.2469). (Level IV) Medium up-tempo piece written for jazz orchestra (Doubles: Altos 1 Soprano/Flute; Alto 2-Flute; Tenor 1- Flute/Bb Clarinet; Baritone-Bass Clarinet; Trumpets - Flugelhorns). Swing-oriented piece based on a dodecaphonic row that develops into a multi-sectional form based on a handful of motives. Orchestral textures and contrapuntal treatments abound throughout this piece. Features an extended solo for Tenor 1 and a shorter second solo for flugelhorn (trumpet 4). It is a challenging piece but you will be rewarded by the results once it is ready to be performed. 8 Brass.
$55.00

Genres: Swing, Jazz & Blues
Begin, Began, Begun (The Beguine) by Russell Miller. For jazz ensemble (flute, solo clarinet, 2 tenor saxophones, baritone saxophone, 4 trumpets, 4 trombones, piano, bass, drums). This edition: Trumpet range to Bb5. Contemporary, Afro-Cuban 6/8, Medium Swing, Double-Time Swing. Level 4. Score and set of parts. Published by UNC Jazz Press (NC.2492). (Level IV) Flute. Clarinet, 2 Tenor, Bari Sax, 4 trumpets, 4 Trombones, Piano, Bass, Drums. A Clarinet feature with a nod to Artie Shaw and Eddie Daniels. The Style undergoes changes from a groove with 16th pattern on hi-hat to afro-cuban 6/8 to medium swing to double-time swing and back. Challenging woodwind and trumpet parts.
$55.00

Genres: Swing, Jazz & Blues
Another Day, Another Chance by Bret Zvacek. For jazz ensemble. This edition: Trumpet range to E6. Up Tempo, Swing, Jazz. Level 4. Score and set of parts. Published by UNC Jazz Press (NC.1650). (Level IV) Multi-sectioned composition recorded on University of North Texas Lab '87. Rubato piano introduction gives way to flowing theme stated by tenors in a light, up-tempo swing feel, contrasted by a traditional, hard-driving bridge, followed by an alto solo. Slow middle section showcases piano over sparse, new age changes, culminated by a dramatic lead trumpet line up to optional G#. Final section of chart is straight-ahead jazz featuring tenor with a strong ending. Very melodic and uplifting chart. 10 Brass.
$50.00

Genres: Swing, Jazz & Blues
Thought Trains by Mike Holober. For jazz ensemble (horn and 3 trombones or 4 trombones; woodwind doubles). This edition: Trumpet range to F#6. Modern, Swing, Jazz. Level 5. Score and set of parts. Published by UNC Jazz Press (NC.1848). (8 Brass) Features tenor and piano with optional guitar and percussion included. Written for horn and 3 trombones, trombone sub for horn included (4 trombones). Extended form with some counterpoint. Modern and swinging! Doubles: Alto I/Soprano/Flute(also 2 bars of Piccolo-optional), Alto II/Flute, Tenor II/Clarinet, Bari/Bass Clarinet (Reed V Bari sub for Bari/Bass Clarinet included). Recorded by the Gotham Jazz Orchestra on Thought Trains.
$60.00

Genres: Swing, Jazz & Blues
Straighten Up and Fly Right by Jed Scott. For jazz choir and jazz ensemble (SATB choir with 8 brass, 5 saxophones; 4/3/2/4/Violin I/Violin II/Viola/Cello). Swing, Jazz. Level 3. Score and set of parts. Published by UNC Jazz Press (NC.1861). SATB and Jazz Orchestra (8 Brass, 5 Saxes) (4/3/2/4/Vln I/Vln II/Vla/Vcl) This classic Nat King Cole song is given a straight-ahead approach with sweet four-part vocals that call to mind the great vocal groups of the swing era. The vocals are accessible, as are the band parts, providing a good opportunity for collaboration between younger ensembles. Male and female vocal solos as well as a scat solo.
$85.00

Genres: Swing, Jazz & Blues
Have You Met Miss Jones? by Rodgers and Hart. Arranged by Michael Sczerba. For saxophone ensemble (alto saxophone I, alto saxophone II, tenor saxophone I, tenor saxophone II and baritone saxophone with rhythm section including electric guitar). Swing. Level 3. Score and set of parts. Published by UNC Jazz Press (NC.1880). This swinging take on the popular Rodgers and Hart standard is certain to make any sax ensemble shine! Parts are in a range that allows the performer to sound the best, the first tenor saxophone has the improvised solo with backgrounds and the chart is replete with contrapuntal and unison writing. Electric guitar is an integral part of the arrangement. Alto I, Alto II, Tenor I, Tenor II and Bari Saxophones with rhythm section including guitar.
$30.00

Genres: Swing, Jazz & Blues
I'm Not Alone For Long by Rex Cadwallader. For jazz ensemble (with vocal solo). This edition: Trumpet range to E6. Swing. Level 4. Score, vocal part and set of parts. Published by UNC Jazz Press (NC.190). (10 Brass+horn) A wonderful chart based on an original tune with lyrics that you'll remember for years. Key of Bb.
$45.00

Genres: Swing, Jazz & Blues
Stop the Time, I Want to Get Off by Jon Grier. For jazz ensemble. Swing. Score and set of parts. Published by UNC Jazz Press (NC.563). A quick bop throughout with frequent interruptions of the meter. The lines are generally busy and legato with "be-bop" endings. There are good parts for all and the scoring is varied: Some unison playing, some in harmony, some in a polyphonic mix. The drummer keeps the hat going during some of the stopped measures and, in others, adds fills. Each solo improv begins with blues changes in stop time then continues in an uninterrupted Eb blues. This section may be repeated as often as desired for each soloist, and can be varied in any way the group sees fit with different players soloing and covering the changes.
$25.00

Genres: Swing, Jazz & Blues
That's Mr. Blakey, to You! by Rick Helzer. For jazz ensemble (trumpet (or alto saxophone), alto saxophone (or tenor saxophone), trombone (baritone saxophone), piano, bass and drums). Swing. Score and set of parts. Published by UNC Jazz Press (NC.609). An exciting up-tempo piece that blends three different rhythmic styles in the theme and the solo sections. The chord changes are very challenging and require a working knowledge of altered modes and chromatic modal harmony concepts. The solo section of the arrangement closes with an ostinato section that features the drums accompanied by the rest of the sextet. Programmatically, this piece would work well as a set or performance closer. Trumpet (or Alto Sax), Alto Sax (or Tenor Sax) Trombone (Baritone Sax) with Piano, Bass and Drums.
$25.00

Genres: Swing, Jazz & Blues
A Tentative Tangling Of Sinookas by Rolf Johnson. For big band. This edition: Trumpet range to E6. Jazz, Odd Meter, Swing, Fast, Up Tempo. Level 5. Score and set of parts. Published by UNC Jazz Press (NC.629). (Level V) Fast 7/8 and 6/8 alternate. Flute and flugel doublings. Tenor and flugel jazz. 9 Brass.
$55.00

Genres: Swing, Jazz & Blues
Come All Ye Fair And Tender Girls arranged by Rolf Johnson. For big band. This edition: Trumpet range to B5. Jazz, Swing, Medium. Level 4. Score and set of parts. Published by UNC Jazz Press (NC.633). (Level IV) A relaxed 4/4 setting of this Appalachian folk theme, highlighted by intriguing textures. Flute, clarinet, bass clarinet and flugel doublings. Tenor and flugel jazz. 9 Brass.
$60.00

Genres: Swing, Jazz & Blues
Red With Blue Accents by Bert Ligon. For jazz ensemble (solos for trombone and trumpet). This edition: Trumpet range to D6. Blues, Waltz, Latin, Jazz, Swing, Medium. Level 5. Score and set of parts. Published by UNC Jazz Press (NC.700). (Level V) This is what you get when you mix blues with a Latin feel. The fast waltz begins and ends in 4/4, yet feels just right. Trombone and trumpet play the line in octaves. Two choruses of ensemble build to a rhythmically exciting kick off to the trombone solo. The ensemble returns as a transition to the trumpet solo. The band metrically modulates to a slower 4/4 as a change of pace from the fast 3/4 and shifts back to the fast waltz in the middle of the trumpet solo. Then, the band overlaps the last trumpet solo and returns to the original theme. The two soloists trade eights at the end before a climax in 4/4. A final chord is like an afterglow, hangover heat remaining after the burning chart. 8 Brass.
$55.00

Genres: Blues, Latin, Swing, Jazz & Blues
Have You Met Miss Jones? by Mundell Lowe. For guitar ensemble. Swing. Score and set of parts. Published by UNC Jazz Press (NC.731). A swinger all the way! Written to be played as a tight guitar ensemble. The ad-lib solos should be completely original. A happy mood all the way.
$25.00

Genres: Swing, Jazz & Blues
Do It Right by Rich Matteson. For jazz ensemble. This edition: Trumpet range to A5. Ideal For Young Bands/Choirs, Straight-Ahead, Swing, Jazz, Medium. Level 2. Score and set of parts. Published by UNC Jazz Press (NC.825). A great new straight ahead tune that alternates between a (2) and (4) feel at a quarter note = 88.
$35.00

Genres: Swing, Jazz & Blues
To Be Or Not To Be by Vince Mendoza. For big band. This edition: Trumpet range to F#6. Swing. Level 4. Score and set of parts. Published by UNC Jazz Press (NC.927). (Level IV) Fast swing. Middle section has sax soli. 9 Brass.
$60.00

Genres: Swing, Jazz & Blues
Introduction and Riffs - Introduction/Movement I by Vince Mendoza. For big band. This edition: Trumpet range to D6. Swing, Latin. Level 4. Score and set of parts. Published by UNC Jazz Press (NC.929). (Level IV) Commissioned by the Jazz Baltica Festival, this piece in 8 movements concentrates on improvisation. Each movement plays on different "riffs", taking the band through a lot of diverse grooves i.e.. swing, Latin, free, etc. There is a lot of solo space as well as band shout and interludes. Great for concert or festival settings. Introduction and Movement I sold together. 10 Brass.
$55.00

Genres: Latin, Swing, Jazz & Blues
Introduction and Riffs - Movement III by Vince Mendoza. For big band. This edition: Trumpet range to Eb6. Latin, Swing, Latin. Level 4. Score and set of parts. Published by UNC Jazz Press (NC.931). (Level IV) Commissioned by the Jazz Baltica Festival, this piece in 8 movements concentrates on improvisation. Each movement plays on different "riffs", taking the band through a lot of diverse grooves i.e.. swing, Latin, free, etc. There is a lot of solo space as well as band shout and interludes. Great for concert or festival settings. 10 Brass.
$55.00

Genres: Latin, Swing, Jazz & Blues
Introduction and Riffs - Movement VI by Vince Mendoza. For big band. This edition: Trumpet range to D6. Latin, Swing, Latin. Level 4. Score and set of parts. Published by UNC Jazz Press (NC.934). (Level IV) Commissioned by the Jazz Baltica Festival, this piece in 8 movements concentrates on improvisation. Each movement plays on different "riffs", taking the band through a lot of diverse grooves i.e.. swing, Latin, free, etc. There is a lot of solo space as well as band shout and interludes. Great for concert or festival settings. 10 Brass.
$55.00

Genres: Latin, Swing, Jazz & Blues
Do Nothin' Till You Here From Me by Keith Bishop. For big band (trumpet feature; optional horn, baritone saxophone, and vibes). This edition: Trumpet range to D6. Swing. Level 4. Score and set of parts. Published by UNC Jazz Press (NC.95). (Level IV) Plunger trumpet feature throughout on this Duke Ellington classic. Optional parts for horn (or trombone), bari sax, and vibes. 4 Brass, 2 or 3 Sax.
$40.00

Genres: Swing, Jazz & Blues
Time After Time by Christine Salerno. For jazz choir (SATB choir with rhythm section). Jazz, Swing, Medium Tempo. Level 4. Set of 16 octavos. Published by UNC Jazz Press (NC.VJ1160). (Level 4) This beautiful standard begins with a Singers Unlimited-style a cappella introduction. After a subtle key change in the solo section, this arrangement closes with a ritard which builds into beautiful harmonies. SATB with rhythm section.
$45.00

Genres: Swing, Jazz & Blues
I Can't Give You Anything But Love arranged by Christine Salerno. For jazz choir (SSA choir with rhythm section). Swing, Standard, Medium Tempo, Swing, Jazz. Level 3. Set of 16 octavos with rhythm parts. Published by UNC Jazz Press (NC.VJ1161). (Level 3) Music lovers everywhere will remember this favorite standard. A cute medium swing arrangement which incorporates plenty of room for solos, this will make a great addition to any women's choral repertoire. SSA with rhythm section.
$45.00

Genres: Swing, Jazz & Blues
Christmas Will Be Here Any Day by Dan Schwartz. For jazz choir (SATB choir with rhythm section). Christmas, Jazz, Swing, Medium Tempo. Level 2. Set of 16 octavos with rhythm parts. Published by UNC Jazz Press (NC.VJ1205). (Level 2) Colorful lyrics describe the sights, sounds and scents in anticipation of the Christmas season. The easy, jazzy piano solo provides a good contrast to the solid choral sound. Just perfect for your winter and pre-holiday programs. SATB with written out parts for piano, bass and drums.
$40.00

Genres: Christmas, Swing, Miscellaneous, Jazz & Blues
Harold's House Of Jazz by Richie Cole. Arranged by Todd Buffa. For jazz choir (SATB choir with rhythm section). Swing, Jazz, Swing, Up Tempo. Level 4. Set of 16 octavos with rhythm parts. Published by UNC Jazz Press (NC.VJ160). (Level 4) This Richie Cole song employs the harmonic structure of Cherokee. The two songs come together in the middle of the arrangement while a soloist improvises through the entire section in double time. SATB with rhythm section.
$45.00

Genres: Swing, Jazz & Blues
Toccata And Fugue In D Minor by Howard Burke. For jazz choir (SSATBB choir, a cappella). Swing. Level 4. Set of 16 octavos. Published by UNC Jazz Press (NC.VJ172). (Level 4) This unique six-voice a cappella orchestration is used in order to fully capture the thick chord voicings of this piece. The swing section contains original melodies based on the already established Toccata theme and crescendos into a tenor and bass (vocal-drum) solo. The work concludes with the original finale of the classical fugue. A show stopper! SSATBB a cappella.
$50.00

Genres: Swing, Jazz & Blues