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Thou Swell by Natalie Cole. Arranged by Bill Holman. For big band with vocal. Swing. Medium. Published by Jazz Lines Publications (JL.PH-3082). This arrangement comes from the Natalie Cole 'Unforgettable' album. A really lively up-tempo Bill Holman chart with a real 'get up and go' feel right from bar one, with an added optional open chorus for solos. Key C. 5/4/4/4 includes full score. PLEASE NOTE THAT THIS IS A SIMPLIFIED VERSION OF THE RECORDED ARRANGEMENT THAT IS SUITABLE FOR LESS EXPERIENCED BANDS.
$75.00

Genres: Jazz & Blues, Swing, Soul, Urban
I've Got The World On A String by Michael Buble. Arranged by Cy Payne. For studio orchestra with vocal. Swing. Medium Difficult. Published by Jazz Lines Publications (JL.PH-4259). The mid-tempo very popul a r ch a rt from Mich a el Buble's a lbum "C a ll Me Irresp on sible" with b a nd response voc a ls included. Keys D-E a s recorded, m a king it tricky for the brass and saxes.
$95.00

Genres: Classical, Standards, Swing, Jazz & Blues
Bugle Call Rag by Benny Goodman. Arranged by Myles Collins. For big band. Swing. Advanced. Published by Lush Life (JL.LL-1194). This arrangement of Bugle Call Rag, originally scored for the band by Jimmy Mundy, was one of the charts that helped launch the Benny Goodman Orchestra into the swing era that fateful August day at the Palomar Ballroom in 1935. The 1936 studio recording has been transcribed here, and it has been adapted to 8 brass whilst maintaining the feel and flair of the original chart. All of the solos are written out in full - clarinet, trombone, tenor & trumpet - and Gene Krupa's little drum licks behind the solo breaks have been included as well. The reeds are scored for CAATT, and both altos double on clarinet. This is a fast, challenging chart, and highly rewarding to play.
$65.00

Genres: Swing, Jazz & Blues
Shoo Shoo Baby by The Andrews Sisters. Edited by Alan Glasscock. Arranged by Vic Schoen. For big band with female vocal trio [SSA]. Swing. Medium Easy. Published by Lush Life (JL.LL-2214). Here is another Andrews Sisters classic vocal trio chart, and the only change to the original is to augment the band parts up to a full big band line-up. The chart opens with a lovely rubato vocal solo, scored on the second soprano line, before kicking off into the main body of the chart at a steady swing groove. This arrangement is true to the original, and the vocal trio parts are written 'as sung' by the Andrews Sisters. The brass ranges are very moderate. The vocal key is Db throughout, and altos 1 & 2 double clarinets. 2:50 duration. Ranges: Trumpets 1-4: B5, F4, Eb4, Eb4 Trombones 1-4: F4, Eb4, Eb4, Eb4 Vocal Key: Db Female Vocal SSA Trio.
$65.00

Genres: Pop, Swing, Jazz & Blues
Avalon by Natalie Cole. Edited by Myles Collins. Arranged by Bill Holman. For big band with vocal. Swing. Advanced. Published by Lush Life (JL.LL-2232). Written in 1920 by Jolson & DeSylva, this song was a favorite of Nat King Cole, and later featured by Natalie Cole on her 'Unforgettable' album. This is a transcription of her Bill Holman chart. It moves along at a very fast pace, and nimble fingers along with good playing technique are needed for your band to get it right, especially in the middle instrumental chorus. Lead Trumpet is written to high F and lead Trombone to high C. This is a punchy and very powerful arrangement full of interesting tonal color, and makes a rousing feature for any vocalist. It is a tough chart, and we have graded it as advanced. There are no Sax doubles, and the vocal key is C throughout.Ranges:Trumpets 1-4 : F6, D6, C#6, G5 Trombones 1-4 : C5, G4, G4, D4 Vocal Key: C [Female Vocal G3 - D5 (12 steps)].
$65.00

Genres: Jazz & Blues, Swing, Soul, Urban
What Is This Thing Called Love by Ella Fitzgerald. Arranged by Myles Collins. For big band with vocal. Swing. Medium Easy. Published by Lush Life (JL.LL-2294). We think that the trombone section in most big bands rarely gets a chance to shine and show off their collective talents, so we have taken Ella Fitzgerald's version of this fine Cole Porter tune and scored the chart for just vocal, trombones and a rhythm section. The chart is in Ella's key of G and the vocal part is written "as sung" by Ella. We also recognize that many bands only use 3 trombones, and as this chart needs 4 brass voices in order to work properly we have included an extra trumpet part in the pack (a double of the trombone 1 part), making the chart playable by just about all bands. As well as featuring the vocalist there is a fine 8 measure Trombone soli, and an 8 measure trombone solo (written on the 2nd part). Style: Swing @ 145 b.p.m.Ranges:Trumpets 1-4: TacetTrombones 1-4: A4, G4, G4, C4Vocal key: GVocal Range: A#3 - C5 (9 steps as sung).
$65.00

Genres: Jazz & Blues, Standards, Swing
Walkin' My Baby Back Home by Natalie Cole. Edited by Myles Collins. Arranged by Bill Holman. For big band with vocal duet. Swing. Difficult. Published by Lush Life (JL.LL-2322). Transcribed from Natalie Cole's "Still Unforgettable" album, this chart is a really clever fusion of old and new, as it combines elements of Nat King Cole's original recording along with his daughters' fresher interpretation. The chart is scored for reeds to double Flutes and Clarinets in the intro (F, F, C, C, BC) though we have cued alternate sax lines here, eliminating the need for the doubles. The vocal is scored for a boy / girl duet, as per the record version. We have rated it Medium / Advanced only because the Trumpet lines are high in their range, with lead to top E and 2nd & 3rd to top C#. Aside from this it is a fairly easy chart to play down. The vocal keys are A, modulating to Db and D. Ranges:Trumpets 1-4: E6, C#6, C#6, B5Trombones 1-4: Bb4, F#4, E4, D4Vocal Key: A to Db to DVocal Range: Ab3 - C5, Nat C3 - E4.
$65.00

Genres: Jazz & Blues, Swing, Soul, Urban
By Duke Ellington. Arranged by Paul Murtha. Score and full set of parts.. Young Band (Concert Band). Grade 3. Book only. Published by Hal Leonard
$60.00

Genres: Jazz & Blues, Standards, Swing
It Don't Mean a Thing (If It Ain't Got That Swing) by Duke Ellington (1899-1974) and Irving Mills (1894-1985). Arranged by Mac Huff. Choir Secular. 3-Part Mixed Choir (SAB). Choral Octavo. Pop Choral Series. Choral Octavo. 16 pages. Published by Alfred Music Publishing (AP.6684IC3X). Mac Huff keeps things movin' with this swingin' arrangement of Duke Ellington's masterpiece.Recorded Acc. Available.
$1.70

Pages: 16
Instruments: Choir, Vocal
Genres: Jazz & Blues, Standards, Swing
Leaning on the Everlasting Arms arranged by Joel Raney. For rhythm section. Blues/Gospel/Spirituals/Hymntune. Sacred, Comfort, Confidence, Encouragement, Faithfulness, Jazz/SwingStyle, Promise, Blues, Gospel, Spirituals, Hymntune. Rhythm parts. Published by Hope Publishing Company (HP.C5546R). Set in a blues-gospel style, Joel Raney provides an exciting rhythmic, yet surprisingly accessible, treatment to this time-honored, 19th century hymn. The setting begins with a fresh change to 3/4 time and a dramatic use of rests and silence for the singers -- creating a rousing effect. From there this powerful arrangement builds throughout, and culminates in a soul-stirring ending. The Rhythm packet contains parts for: B-3 Organ/Synth, Electric Bass and Drums.
$24.95

Genres: Blues, Gospel, Spirituals, Swing, Jazz & Blues, Christian, Religious
Fast Forward by Les Hooper. Arranged by Les Hooper. Jazz Ensemble / Jazz Band. Les Hooper Big Band Series. Fast Swing. Grade 4-5. Score and set of parts. Published by Sierra Music (S1.SMP-151). An up-tempo be-bop type chart, with the clever, interesting writing we have come to expect from Les Hooper. (on Demo CD 104) (condensed score).
$47.00

Genres: Swing, Jazz & Blues
3-2-1-0 by Oliver Nelson. Arranged by Oliver Nelson. Jazz Ensemble / Jazz Band. Oliver Nelson Big Band Series. Fast Swing. Grade 5. Score and set of parts. Published by Sierra Music (S1.SMP-393). As recorded on the brilliant recording "A Dream Deferred" (Flying Dutchman CYL2-1449), by the Oliver Nelson Orchestra. It opens with the "countdown to launch" and proceeds to a bright swinging tempo in an extended blues harmonic scheme. It features a trumpet solo, lots of sax section unison blowing and exciting, challenging music throughout. This is one of Oliver's most exciting, energetic pieces! Go for it! 5-4-4-4 (on Demo CD 111).
$47.00

Genres: Swing, Jazz & Blues
Early Morning (African Sunrise) by Oliver Nelson. Arranged by Oliver Nelson. Jazz Ensemble / Jazz Band. Oliver Nelson Big Band Series. Easy Swing. Grade 3. Score and set of parts. Published by Sierra Music (S1.SMP-385). As recorded on the brilliant CD "Afrique", by the Count Basie Orchestra, this lovely piece features piano and/or tenor sax (or whomever) in a medium-slow, lilting 12/8 feel. It also features a nice sax section soli. Limited ranges make this piece accessible to almost any band. A great melody and great chart! 5-4-4-4 (on Demo CD 111).
$47.00

Genres: Swing, Jazz & Blues
Aces And Faces by Count Basie. Arranged by Myles Collins. For big band. Swing. Medium. Full score and set of parts. Published by Lush Life (JL.LL-1053). As part of our expanding Basie series, we are delighted to offer you the very rarely heard Aces & Faces, a medium swing tempo chart from the Basie band of 1945, featuring the Trumpet section. There are ad-lib solos for Piano, Clarinet, Tenor 1 (cued on 2), Trumpet 2 (cued on 1,3& 4) and Trombone 1 (cued on 2) too. This chart will make a refreshing addition to any library, and it is very playable, provided you have soloists who can improvise! Lead Alto doubles Clarinet.Swing @ 175 b.p.m. Ranges: Trumpets 1-4: D6, D6, D6, D6 Trombones 1-4: A4, GF4, E4, C#4.
$65.00

Genres: Swing, Jazz & Blues
Lincolnshire Poacher by Ted Heath. Arranged by Jon Harpin. For big band. Swing. Medium. Full score and set of parts. Published by Lush Life (JL.LL-1157). The Lincolnshire Poacher is a traditional English song, given the full swing treatment by the Ted Heath band. This chart is up, bouncy and always a crowd pleaser. The chart itself is very straight ahead, though the lead Trombone does go up to high C briefly. There is a solo spot for Tenor sax (chords also cued on the Tenor 2 part), and there are no sax doubles. Ranges: Trumpets 1-4: C6, A5, F5, E5 Trombones 1-4: C5, A4, G4, E4.
$65.00

Genres: Swing, Jazz & Blues
Perdido by Duke Ellington. Arranged by Klauss Lessmann. For big band. Swing. Easy. Full score and set of parts. Published by Lush Life (JL.LL-1158). Perdido was one of Duke Ellington's early big hits. Many arrangements have been made of this chart over the years - lots of them at a flat out tempo. The Duke's version is a very laid-back swinger that chugs along in a steady groove. The chart opens with a cameo Piano solo, the Bari Sax picks up the tune and improvises on the repeat, with the brass plunger figures pulsing away behind it. The middle 8 is taken as a Trumpet solo (written out) and on it goes! This chart is a solo feature for Tenor 2 and Trumpet, as both have improvised solos, and there is a lovely example in the last chorus of the sort of instrumental voicings for which the Ellington band was later so famous. Tenor 1 doubles Clarinet and there are no other sax doubles. Another excellent arrangement by Klauss Lessmann. Swing @ 132 b.p.m. Ranges: Trumpets 1-4: G5, C6, E5, B4 Trombones 1-4: G4, F4, D4, Bb3.
$65.00

Genres: Jazz & Blues, Standards, Swing
On The Sunny Side Of The Street by Tommy Dorsey. Arranged by Myles Collins. For big band with female vocal. Swing. Medium Easy. Full score and set of parts. Published by Lush Life (JL.LL-2073). Made famous by the Tommy Dorsey Orchestra, our version of Sunny Side of theStreet is taken from the version done by the late great Syd Lawrence. The form and structure is based on the original Dorsey version, including the unique intro, where we have wrtten out the bass 'solo' and piano fills too. This chart is scored for a vocal quartet of either 2 female and 2 male voices, though works well with 1 girl and 3 boys. The lead Trumpet range in the last bar goes to a high F, but we've cued alternative notes which keep the range here to top C#. The audio sample is not a real recording, but will give you the essence of the chart. No sax doubles, and the brass ranges are moderate. Ranges: Trumpets 1-4: C#6, C#6, Ab5, Gb5 Trombones 1-4: B4, E4, Eb4, C4 Vocal Key: Eb SATB C4, Ab3, Ab3, Eb3.
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
My Kind Of Town by Frank Sinatra. Arranged by Billy May, Jon Harpin. For big band with male vocal. Swing. Medium Difficult. Full score and set of parts. Published by Lush Life (JL.LL-2092). This Jimmy Van Heusen / Sammy Cahn tune was originally written for the Rat-Packesque film 'Robin and the Seven Hoods'. Wonderfully melodic and visually exciting in concert, it was Sinatra's theme tune for some 15 years, his show-stopper and frequent show-ender. This version is transcribed from Billy May's version from Sinatra at the Sands with the Basie Band. It's all here - the creamy opening verse with the lush brass voicings leading into the punchy swing of the main vocal, with the successive modulations from F to G to Ab and the powerhouse modal riffs to finish. Guaranteed to be a winner in any concert or gig. The lead Alto doubles Flute, but other than this there are no Sax doubles.Swing @ 100, 80 & 180 b.p.m. Ranges: Trumpets 1-4: F6, E6, Bb5, G5 Trombones 1-4: C5, A4, A4, A4 Vocal keys: F/G/Ab Male Vocal G2 - F4 (13 steps).
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
(I've Got A Gal In) Kalamazoo by Glenn Miller. Arranged by Myles Collins And Alan Glasscock. For big band with male vocal. Swing. Difficult. Full score and set of parts. Published by Lush Life (JL.LL-2100). Here is the extended version of I've Got a Gal in Kalamazoo, made famous by the Glenn Miller Orchestra in the film Orchestra Wives. This chart differs significantly from the studio recorded version, and has a full chorus band intro, an interlude leading to the vocals, an extra band bridge into a vocal reprise, plus an added 24 bar band section to close. At five and a half minutes long, it's a showstopper. The arrangement is scored for male vocalist plus a backing group of 5 - ideally girl, 3 tenors and baritone, and in the Saxes Alto 2 and Tenor 1 both double Clarinets. The Tenor solo is written on the 2nd Tenor part and also cross-cued on the male vocal part. The vocal whistling in the interlude is cued on the Piano part, and we have written out the opening Trumpet solo in full. Trumpets 1-4 Eb6, Bb5, Bb5, Bb5 Trombones 1-4 Bb4, Ab4, Ab4, F4 Male Vocal Db3 - Db4 (8 steps) Vocal key Db & Gb.
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
Saturday Night (Is The Loneliest Night Of The Week) by Frank Sinatra. Arranged by Billy May, John Ferguson. For big band with male vocal. Swing. Difficult. Full score and set of parts. Published by Lush Life (JL.LL-2114). Sinatra recorded this song a number of times during his career, but the most swinging version was the Billy May arrangement that John Ferguson has transcribed here. In typical May style, it is punchy, crisp and offers a great balance between the vocal passages and some fine ensemble work. Not too long, at a shade over 2 minutes, this is a memorable chart and a must for all Sinatra lovers. There are no sax doubles in this chart and the vocal key is C. Trumpets 1-4: D6, D6, B5, G5 Trombones 1-4: A4, A4, E4, Eb4 Vocal key: C.
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
Call Me Irresponsible by Bobby Darin. Arranged by Alan Glasscock. For big band with male vocal. Swing. Medium Easy. Full score and set of parts. Published by Lush Life (JL.LL-2139). Here is Bobby Darin's famous version of this Cahn & Van Heusen classic tune, transcribed in full. It swings gently at around 120 beats per minute and is instantly recognizable. The brass ranges are moderate and there are no sax doubles. The vocal line has been written out 'as sung' by Bobby Darin. This is a sure crowd pleaser. The vocal key is G throughout. Trumpets 1-4: B5, A5, A5, A5 Trombones 1-4: A4, F#4, E4, E4 Vocal key: G [Male Vocal B2 - E4 (11 steps as sung)]
$65.00

Instruments: Voice, Vocal
Genres: Pop, Standards, Swing, Jazz & Blues
You're Driving Me Crazy by Billy May. Arranged by Billy May, Jon Harpin. For big band. Swing. Difficult. Full score and set of parts. Published by Lush Life (JL.LL-2413). Here is the quirky Billy May version of You're Driving Me Crazy from 1950, full of wonderfully humourous musical invention. The arrangement seems to be moving along at a nice steady 2-in-the-bar pace, when all of a sudden something completely different crops up, blasts away for a bar or two, and then normality is restored. Whether it be the Saxes bending their notes, the Trumpets coming in with phrases that could be taken from a Looney Tunes cartoon, or dissonant Trombones playing off the beat, this chart is certainly unusual, and NOT for the dancers! If you want a special arrangement for a special occasion, this is it. There are no Sax doubles, and we have rated it as Medium / Advanced as the Brass ranges are quite high. Trumpets 1-4: E6, C#6, C6, C6 Trombones 1-4: C5, A4, G4, G4.
$65.00

Genres: Swing, Jazz & Blues
Double Play by Carl Strommen. For jazz ensemble (Kendor Konvertible for 9-17 players) with optional flute, clarinet, F horn, tuba & vibes. Standard jazz ensemble (Kendor Konvertible for 9-17 players) with optional flute, clarinet, F horn, tuba & vibes. Jazz Gateway Series. Bright Swing. Easy. Score and Set of Parts. Duration 2 minutes, 50 seconds. Published by Kendor Music Inc (KN.60155). Professional composer Carl Strommen has followed up his bestselling Line Drive with another great chart sporting a baseball title; this one refers to alternating two and four feels. As the chart repeatedly switches between a buoyant half-note pulse and a driving swing feel, the result is reminiscent of the music of Art Blakey and the Jazz Messengers. Written or ad lib solos for trumpet and tenor create a combo-like setting within the big band context that's well within the grasp of developing groups. Each set includes a guitar chord chart by Jim Greeson. Duration 2:50.
$45.00

Genres: Swing, Jazz & Blues
There Will Never Be Another You by Harry Warren. Arranged by Bill Holman. For jazz ensemble. The Stan Kenton Orchestra Library Series. Swing. Grade 5. Score and set of parts. Published by Sierra Music (S1.SMP-1022). This is one of the great "unrecorded" (or "missing") solo features written for the Stan Kenton Orchestra. It features trumpet throughout and is loaded with lots of solo space and terrific Holmanesque ensemble writing. In other words, it swings like crazy! Your trumpet soloist will love playing this one, and your audiences will love hearing it.
$62.00

Genres: Swing, Jazz & Blues