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Genres
- Swing
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Swing
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Blues Mode by Rich Sigler. Jazz Ensemble. Jazz Ensemble; Score; SmartMusic. Young Jazz Ensemble. Blues; Jazz; Swing. Grade 2. 16 pages. Published by Alfred Music Publishing (AP.33344S).
This medium swing chart from a very creative writer approaches the blues with a 24-bar blues form that really makes it easy to hear and feel the blues chord progression. Features include written solos for tenor sax and trombone, backgrounds behind the soloists, a clever interlude section, and the lead trumpet part range to written F top line. A traditional yet hip-sounding swing chart!
$8.00
Pages: 16
Genres: Blues, Swing, Jazz & Blues
Blues Mode by Rich Sigler. Jazz Ensemble. Jazz Ensemble; Part(s); Score; SmartMusic. Young Jazz Ensemble. Blues; Jazz; Swing. Grade 2. 73 pages. Published by Alfred Music Publishing (AP.33344).
This medium swing chart from a very creative writer approaches the blues with a 24-bar blues form that really makes it easy to hear and feel the blues chord progression. Features include written solos for tenor sax and trombone, backgrounds behind the soloists, a clever interlude section, and the lead trumpet part range to written F top line. A traditional yet hip-sounding swing chart! This title is available through SmartMusic.
$44.00
Pages: 73
Genres: Blues, Swing, Jazz & Blues
Take It To The Top by Doug Beach and George Shutack. For jazz ensemble (4 horns plus rhythm section) with optional flute, clarinet, & F horn. Standard jazz ensemble (playable by 4 horns plus rhythm section) with optional flute, clarinet, & F horn. Doug Beach Jazz Foundations Series. Swing. Very Easy. Score and Set of Parts. Published by Kendor Music Inc (KN.41934).
Inspired by the music of the great Count Basie Orchestra, this is a perfect vehicle for teaching the swing idiom. It features a riff-based tune, lots of full ensemble work, and blues changes. Sample written solos for all instruments are provided so that anyone can step into the spotlight. Rhythm section parts are notated with chords cued. Duration 3:03.
$42.00
Genres: Swing, Jazz & Blues
Duke's Place by Duke Ellington (1899-1974) and Ruth Roberts. Arranged by Russell L. Robinson. Choir Secular. 3-Part Mixed Choir (SAB). Choral Octavo. Pop Choral. Choral Octavo. 12 pages. Published by Alfred Music Publishing (AP.28601).
Sometimes known as “C Jam Blues,” this is the vocal version of Duke Ellington’s signature theme. The lyrics are as hip as can be: “Saxes do their tricks at Duke’s Place.” Perfectly crafted for developing choirs with easy, tight harmonies. Also included are a call and response section and a written-out scat solo. This arrangement has it all.Inst. Parts Available (choral); Recorded Acc. Available.
$1.70
Pages: 12
Instruments: Choir, Vocal
Genres: Jazz & Blues, Standards, Swing
Sounds of Silence by Paul Simon. Arranged by Rich Sigler. Jazz Ensemble. For Jazz Ensemble. Jazz Ensemble. Young Jazz Ensemble. Jazz; Swing. 2 (Medium Easy) (grade 2). Conductor Score. 20 pages. Published by Alfred Music Publishing (AP.29785S).
$8.00
Pages: 20
Genres: Swing, Pop Rock, Jazz & Blues, Rock
Hot House by Tadd Dameron. Arranged by Eric Richards. Jazz Ensemble. Jazz Ensemble. Premier Jazz Series. Swing. Grade 5. Conductor Score & Parts. 98 pages. Published by Alfred Music Publishing (AP.29803).
Here is a hot chart by Eric Richards. A swing-funk groove on a great bebop jazz tune loaded with energy. Features: the lead is played by alto, tenor and trumpet with some tricky lines, lead trumpet range is up to written high D (optional F-sharp), a nice soli for saxes, lead sax is soprano sax with an optional alto part included. Whew, it is a “Hot House.” (4:08).
$55.00
Pages: 98
Genres: Swing, Jazz & Blues
Duke's Place by Duke Ellington (1899-1974) and Ruth Roberts. Arranged by Russell L. Robinson. Choir Secular. Women's Choir. Choral Octavo. Pop Choral. Choral Octavo. 12 pages. Published by Alfred Music Publishing (AP.28602).
Sometimes known as “C Jam Blues,” this is the vocal version of Duke Ellington’s signature theme. The lyrics are as hip as can be: “Saxes do their tricks at Duke’s Place.” Perfectly crafted for developing choirs with easy, tight harmonies. Also included are a call and response section and a written-out scat solo. This arrangement has it all.Inst. Parts Available (choral); Recorded Acc. Available.
$1.70
Pages: 12
Instruments: Choir, Vocal
Genres: Jazz & Blues, Standards, Swing
Duke's Place by Duke Ellington (1899-1974) and Ruth Roberts. Arranged by Russell L. Robinson. Choir Secular. 2-Part Choir. Choral Octavo. Pop Choral. Choral Octavo. 12 pages. Published by Alfred Music Publishing (AP.28603).
Sometimes known as “C Jam Blues,” this is the vocal version of Duke Ellington’s signature theme. The lyrics are as hip as can be: “Saxes do their tricks at Duke’s Place.” Perfectly crafted for developing choirs with easy, tight harmonies. Also included are a call and response section and a written-out scat solo. This arrangement has it all.Inst. Parts Available (choral); Recorded Acc. Available.
$1.70
Pages: 12
Instruments: Choir, Vocal
Genres: Jazz & Blues, Standards, Swing
A Tribute to Tommy Dorsey (Featuring: Song of India / I'm Getting Sentimental Over You). Arranged by Jeff Hest. Jazz Ensemble. Jazz Ensemble. Premier Jazz Series. Form: Ballade. Swing. Grade 4. Conductor Score & Parts. 140 pages. Published by Alfred Music Publishing (AP.29805).
This tribute by arranger Jeff Hest brings two classics to you with Dorsey’s famous hits, “Song of India” and “I’m Getting Sentimental Over You.” If you have a lead ’bone with range and a sweet sound, then this will be the perfect showcase. Includes standard sax parts plus optional parts for saxes with clarinet doubles. This is the real deal for Tommy Dorsey. (8:33).
$55.00
Pages: 140
Genres: Swing, Jazz & Blues
What a wonderful world by Louis Armstrong (1901-1971). Arranged by Bart Picqueur. For Euphonium/Tuba (C & B-flat). Grade 3-4. Playing score. Published by Kameleon Editions (BT.KME0508-030-KAM-26).
$19.95
Instruments: Euphonium, Tuba, Brass
Genres: Jazz & Blues, Standards, Swing
What a wonderful world by Louis Armstrong (1901-1971). Arranged by Bart Picqueur. For Trombone (C & B-flat). Grade 3-4. Playing score. Published by Kameleon Editions (BT.KME0508-030-KAM-25).
$19.95
Instruments: Trombone, Brass
Genres: Jazz & Blues, Standards, Swing
What a wonderful world by Louis Armstrong (1901-1971). Arranged by Bart Picqueur. For Trumpet/Flugelhorn/Cornet. Grade 3-4. Playing score. Published by Kameleon Editions (BT.KME0508-030-KAM-24).
$19.95
Instruments: B-Flat Trumpet, Cornet, Flugelhorn, Trumpet, Brass
Genres: Jazz & Blues, Standards, Swing
What a wonderful world by Louis Armstrong (1901-1971). Arranged by Bart Picqueur. For Trumpet/Flugelhorn/Cornet. Grade 3-4. Playing score. Published by Kameleon Editions (BT.KME0508-030-KAM-22).
$19.95
Instruments: B-Flat Trumpet, Cornet, Flugelhorn, Trumpet, Brass
Genres: Jazz & Blues, Standards, Swing
What a wonderful world by Louis Armstrong (1901-1971). Arranged by Bart Picqueur. For Baritone Saxophone. Grade 3-4. Playing score. Published by Kameleon Editions (BT.KME0508-030-KAM-19).
$19.95
Instruments: Baritone Saxophone, Saxophone, Woodwinds
Genres: Jazz & Blues, Standards, Swing
What a wonderful world by Louis Armstrong (1901-1971). Arranged by Bart Picqueur. For Tenor Saxophone. Grade 3-4. Playing score. Published by Kameleon Editions (BT.KME0508-030-KAM-18).
$19.95
Instruments: Tenor Saxophone, Saxophone, Woodwinds
Genres: Jazz & Blues, Standards, Swing
What a wonderful world by Louis Armstrong (1901-1971). Arranged by Bart Picqueur. For Alto Saxophone. Grade 3-4. Playing score. Published by Kameleon Editions (BT.KME0508-030-KAM-17).
$19.95
Instruments: Alto Saxophone, Saxophone, Woodwinds
Genres: Jazz & Blues, Standards, Swing
What a wonderful world by Louis Armstrong (1901-1971). Arranged by Bart Picqueur. For Soprano Saxophone. Grade 3-4. Playing score. Published by Kameleon Editions (BT.KME0508-030-KAM-16).
$19.95
Instruments: Soprano Saxophone, Saxophone, Woodwinds
Genres: Jazz & Blues, Standards, Swing
What a wonderful world by Louis Armstrong (1901-1971). Arranged by Bart Picqueur. For Clarinet (B-flat). Grade 3-4. Playing score. Published by Kameleon Editions (BT.KME0508-030-KAM-13).
$19.95
Instruments: Clarinet, Woodwinds
Genres: Jazz & Blues, Standards, Swing
What a wonderful world by Louis Armstrong (1901-1971). Arranged by Bart Picqueur. For Oboe. Grade 3-4. Playing score. Published by Kameleon Editions (BT.KME0508-030-KAM-08).
$19.95
Instruments: Oboe, Woodwinds
Genres: Jazz & Blues, Standards, Swing
What a wonderful world by Louis Armstrong (1901-1971). Arranged by Bart Picqueur. For Flute. Grade 3-4. Playing score. Published by Kameleon Editions (BT.KME0508-030-KAM-06).
$19.95
Instruments: Flute, Woodwinds
Genres: Jazz & Blues, Standards, Swing
Holiday Gift Bachs arranged by Michael Story, Mike Story, and Mike Story. Jazz Ensemble. Jazz Ensemble. First Year Charts for Jazz Ensemble. Form: Waltz. Christmas; Swing; Winter. Grade 1. Conductor Score & Parts. 82 pages. Published by Alfred Music Publishing (AP.29771).
Clever title! Only arranger Mike Story can take the Bach holiday classic “Jesu, Joy of Man’s Desiring” and adapt it for young players. Written-out solos for 1st trumpet and 1st alto sax, easy brass ranges, an easy jazz waltz swing feel, and it all will assemble immediately. Make your holidays happy with this chart! (2:47).
$38.00
Pages: 82
Genres: Christmas, Swing, Miscellaneous, Jazz & Blues
The Duke's Finest by Duke Ellington (1899-1974). Arranged by Stef Minnebo. Fanfare. Grade 3. Full score. Duration 0:07:02. Published by Beriato Music (BT.0201-6-114).
Duke Ellington (1889- 1974) was a very successful American pianist, conductor, composer and arranger. His orchestra existed for decades and was able to survive thanks to the enormous hits that he and his collaborators wrote. Many of those songs now belong to the standard repertoire of jazz musicians. Billy Strayhorn (1915-1967) was arranger and composer with the orchestra from 1939, and also wrote Take the A-Train, which became the bands favourite song from 1941. Many recordings were made of it. Juan Tizol (1900-1984, valve trombone) played with Duke Ellington almost his entire career and composed Latin songs for the orchestra. He is co-composer of Caravan and Perdido. Just like in the original Duke Ellington concerts, the medley begins with Take the A-Train, followed by a number of classics from the repertoire of the legendary orchestra. In some songs there are soloists, notable a solo on kettledrums in C- Jam Blues. This solo can also be improvised. When rehearsing a lot of attention has to be paid to the drum and bass, which together form the rhythm section and drive the orchestra on. The other sections have to be tight and create a coherent swing effect. The swing shouldnt be too stiff, and can vary per song. For example in In a Sentimental Mood, the melody can be played almost straight (classically), while the rhythm section continues swinging.
$33.95
Genres: Jazz & Blues, Standards, Swing
The Duke's Finest by Duke Ellington (1899-1974). Arranged by Stef Minnebo. For Concert band. Grade 3. Full score. Duration 0:07:02. Published by Beriato Music (BT.0201-5-114).
$33.95
Genres: Jazz & Blues, Standards, Swing
The Duke's Finest by Duke Ellington (1899-1974). Arranged by Stef Minnebo. For Marching Band. Pop Collection. Grade 3. Score and set of parts. Duration 0:07:02. Published by Beriato Music (BT.0201-2-114).
Duke Ellington (1889- 1974) was a very successful American pianist, conductor, composer and arranger. His orchestra existed for decades and was able to survive thanks to the enormous hits that he and his collaborators wrote. Many of those songs now belong to the standard repertoire of jazz musicians. Billy Strayhorn (1915-1967) was arranger and composer with the orchestra from 1939, and also wrote Take the A-Train, which became the bands favourite song from 1941. Many recordings were made of it. Juan Tizol (1900-1984, valve trombone) played with Duke Ellington almost his entire career and composed Latin songs for the orchestra. He is co-composer of Caravan and Perdido. Just like in the original Duke Ellington concerts, the medley begins with Take the A-Train, followed by a number of classics from the repertoire of the legendary orchestra. In some songs there are soloists, notable a solo on kettledrums in C- Jam Blues. This solo can also be improvised. When rehearsing a lot of attention has to be paid to the drum and bass, which together form the rhythm section and drive the orchestra on. The other sections have to be tight and create a coherent swing effect. The swing shouldnt be too stiff, and can vary per song. For example in In a Sentimental Mood, the melody can be played almost straight (classically), while the rhythm section continues swinging.
$160.95
Genres: Jazz & Blues, Pop, Standards, Swing
