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Mel by Jim McNeely. For big band. This edition: Trumpet range to D6. Jazz, Swing, Fast, Up Tempo. Level 5. Score and set of parts. Published by UNC Jazz Press (NC.881). (Level V) This piece is constructed around a number of facets of the playing of the late, great drummer Mel Lewis. It begins slowly with a quote from Thad Jones's To You (the last piece Mel ever played with his band). It then turns into a medium, up-tempo romp with a lot of ensemble work. Solo is in tenor 2, moving through a number of keys with a lot of II-V-I's. There is (naturally) a drum solo, featuring an improvised call-and-response section between the drummer and the ensemble. 9 Brass.
$75.00

Genres: Swing, Jazz & Blues
Reflection by Jim McNeely. For big band. This edition: Trumpet range to C6. Ballad, Swing. Level 5. Score and set of parts. Published by UNC Jazz Press (NC.885).
$75.00

Genres: Swing, Jazz & Blues
Sing, Sing, Sing by Jim McNeely. For jazz ensemble. This edition: Trumpet range to F#6. Swing. Level 5. Score and set of parts. Published by UNC Jazz Press (NC.887). 8 brass.
$75.00

Genres: Swing, Jazz & Blues
Skittish by Jim McNeely. For jazz ensemble (guitar, piano and bass solos). This edition: Trumpet range to B6. Swing. Level 5. Score and set of parts. Published by UNC Jazz Press (NC.888). (Level V) This piece is the second movement of East Coast Blow Out, a suite Jim wrote for John Scofield and the West German Radio (W.D.R.) Big Band in 1989. It's currently available on Lipstick Records "*****" -Down Beat). A technically and conceptually challenging piece, it requires strong solos by the guitarist, pianist, and bassist. There are parts for an expanded rhythm section of solo guitar, "section" guitar, synthesizer, piano, bass, and drums. The chart does work, however, without the synth and "section" guitar parts. 9 Brass.
$75.00

Genres: Swing, Jazz & Blues
Sticks by Jim McNeely. For jazz ensemble (trombone solo; woodwind doubles). This edition: Trumpet range to D#6. Up Tempo Fast Swing. Level 5. Score and set of parts. Published by UNC Jazz Press (NC.890). (Level V) This piece was designed to be a mini-concerto for Ed Neumeister. It utilizes the pixie-mute/plunger set up (a la "Tricky Sam" Nanton and Quentin Jackson), in a darker, more dissonant harmonic palette than normal. The solo requires flexibility over a couple of unusual scales and has a free cadenza at the end. For the adventurous director who has an adventurous trombone soloist!! Alto 1 doubles flute and soprano, alto 2 doubles clarinet, tenor 1 and 2 double clarinet. 8 Brass.
$75.00

Genres: Swing, Jazz & Blues
The Swedish Thing by Jim McNeely. For jazz ensemble. This edition: Trumpet range to F6. Swing. Level 5. Score and set of parts. Published by UNC Jazz Press (NC.891). 9 brass.
$75.00

Genres: Scandinavian, Swing, World, Jazz & Blues
Thad by Jim McNeely. For jazz ensemble (solos for piano, trombone and trumpet). This edition: Trumpet range to F#6. Swing. Level 5. Score and set of parts. Published by UNC Jazz Press (NC.892). (Level V) This is a tribute to Thad Jones. The piece captures the feeling of some of his greatest pieces, such as Don't Get Sassy, Mean What You Say, and A-That's Freedom. It begins as a Thadian, 16-bar blues in Ab. There is a large sprinkling of quotes from Thad's music throughout, including a 32-bar, "cut and paste" section of quotes shoe-horned into the form of the tune. Solos are piano, trombone 1 and trumpet 4. 8 Brass.
$75.00

Genres: Swing, Jazz & Blues
Epistrophy by Woody Herman. Edited by Rob Duboff and Jeffrey Sultanof. Arranged by John Fedchock. For big band (2 Alto Saxophones, 2 Tenor Saxophones, Baritone Saxophone, 5 Trumpets, 4 Trombones, Guitar, Piano, Bass, Drums). Swing. Difficult. Published by Jazz Lines Publications (JL.JLP-7123). Featured on Woody Herman's 1986 GRAMMY Nominated album, '50th Anniversary Tour,' this John Fedchock arrangement captures the unique elements of Thelonious Monk's composition and couples it with the exciting signature sound associated with the best of Herman's 'Herds.' Solos are featured in 4th trumpet, 1st tenor and 1st alto parts (originally played by Woody on soprano sax). The band gets a workout in dynamic ensemble interludes as well as the culminating shout chorus. An optional open solo section is also included. This would make a great band showcase for a festival or competition. Ranges: Trumpet 1: to F6; Trombone 1: to A4.
$75.00

Genres: Swing, Jazz & Blues
Julie's Bugle by Terry Gibbs. Edited by Jeffrey Sultanof and Rob Duboff. Arranged by Al Cohn. For big band (2 Alto Saxophones, 2 Tenor Saxophones, Baritone Saxophone, 4 Trumpets, 4 Trombones, Vibraphone, Guitar, Piano, Bass, Drums). Swing. Difficult. Published by Jazz Lines Publications (JL.JLP-8257). This Al Cohn arrangement was written for Terry Gibbs's 1956 EmArcy record titled 'Swingin' with the Terry Gibbs Orchestra.' Featured are solos for vibraphone, tenor saxophone, and piano. Classic Al Cohn writing! Ranges: Trumpet 1: to G 6 (optional B6); Trumpet 2: to E6; All Trombones: to Bb5.
$75.00

Genres: Swing, Jazz & Blues
Just Friends [Big Band] by Supersax With Big Band. Arranged by Med Flory. For big band (2 Alto Saxophones, 2 Tenor Saxophones, Baritone Saxophone, 4 Trumpets, 3 Trombones (3rd is Bass Trombone), Piano, Bass, Drums). Swing. Advanced. Published by Jazz Lines Publications (JL.JLP-8272). Here is Med Flory's arrangement of 'Just Friends' as recorded by Supersax on 'Supersax Plays Bird,' (from 1971) and later recorded live in Japan in 1975 on 'Japanese Tour Vol. 1.' This is an expanded version of the original arrangement [JLP-8070] that Med put together to include 4 trumpets and 3 trombones along with the Supersax line-up of 2 altos, 2 tenors, baritone plus rhythm section. This has been performed live on many occasions but never officially recorded. This is not a transcription. The original, hand-written manuscript has been used to produce this arrangement. This has been published with the authorization of Med Flory.
$75.00

Genres: Swing, Jazz & Blues
Limerick Waltz by The Terry Gibbs Dream Band. Edited by Jeffrey Sultanof and Rob Duboff. Arranged by Bill Holman. For big band (2 Alto Saxophones, 2 Tenor Saxophones, Baritone Saxophone, 4 Trumpets, 3 Trombones, Vibraphone, Piano, Bass, Drums, Optional Eb Soloist, Optional Bb Soloist). Swing. Difficult. Published by Jazz Lines Publications (JL.JLP-8275). This Bill Holman waltz arrangement was written for the Terry Gibbs Dream Band in 1961. In addition to vibes, this chart features solos for trombone and alto saxophone. Included are solo parts in Eb and Bb so that this arrangement may be played with any featured soloist. Ranges: Trumpet 1: to D6; Trombone 1: to C5.
$75.00

Genres: Swing, Jazz & Blues
Portrait Of Edward Kennedy Ellington by Charlie Barnet. Edited by Jeffrey Sultanof and Rob Duboff. Arranged by Dave Matthews. For big band (Solo Alto Saxophone (Doubles Soprano Sax.), 2 Alto Saxophones (Alto 2 doubles Clarinet), 2 Tenor Saxophones, Baritone Saxophone, 5 Trumpets, 4 Trombones, Piano, Bass, Drums). Ballad/Swing. Advanced. Published by Jazz Lines Publications (JL.JLP-8465). The Charlie Barnet band took inspiration from Duke Ellington's band. It was only natural that arranger Dave Matthews would compose a piece in hommage to Ellington and his music. Portait of Edward Kennedy Ellington was written and recorded in 1949. This multi-section work features brass on plungers. Soloists include trombone, alto sax, and soprano sax (the alto sax soloist doubles soprano). The brass ranges are very high; after all, this was a band that had in its trumpet section both Maynard Ferguson and Doc Severinsen! There were several cuts that were made to the music in the recording studio. Some of these cuts may be been made for time reasons due to the overall length of the composition. We have restored the piece to its original length. This is a monumental work that would make a fantastic band showcase for any festival or competition! Ranges: Trumpet 1 & 4: to G6; Trumpet 2: to D6; Trombone 1 & 2: to D5; Trombones 2: to Bb4.
$75.00

Genres: Swing, Jazz & Blues
Rose Room [Studio Orchestra] by Artie Shaw. Edited by Jeffrey Sultanof and Rob Duboff. Arranged by Lennie Hayton. For studio orchestra (Solo Clarinet, 2 Alto Saxophones, 2 Tenor Saxophones, Baritone Saxophone, 4 Trumpets (4th Trumpet Optional), 4 Trombones (4th Trombone Optional), 3 Violins, Viola, Cello, Guitar, Piano, Bass, Drums). Swing. Medium. Published by Jazz Lines Publications (JL.JLP-8306). Artie Shaw had enough of the music business in 1939, so he simply walked out on his band and went to Mexico for a rest. In 1940 he was living in Hollywood after returning from a vacation in Mexico. In need of some money and to fulfill his RCA Victor recording contract, he made some recordings with a studio orchestra (big band and strings). One of those recordings, 'Frenesi,' became a smash hit, and Shaw became a bandleader again. With the power of a hit record, he figured that if he was back in the band business, he would do it his way, with 3 violins, viola and cello added to his big band. He accepted an offer to lead the house band on the Burns & Allen Radio Show during the summer of 1940. During this time, Shaw's new band was playing in San Francisco and he traveled to Hollywood once a week to do the radio show. His studio orchestra book was made up of new arrangements plus adaptations of his past hits. He hired Lennie Hayton to become one of his staff arrangers. One of the projects was the modification of Shaw's 1939 arrangement of 'Rose Room' to fit this ensemble. Shaw served in WWII, and in 1944 he put together a new band without the strings. At this time Harry Rogers added baritone saxophone, trumpet 4 and trombone 4 parts (considered optional). All of these modifications have been put together for this publication of Rose Room. We feel certain that Shaw would approve. Ranges: Trumpet 1: to C6; Trombone 1: to Bb4.
$75.00

Genres: Classical, Swing, Jazz & Blues
Summit Blues by The Terry Gibbs Dream Band. Edited by Rob Duboff and Jeffrey Sultanof. Arranged by Terry Gibbs and Shorty Rogers. For big band (2 Alto Saxophones, 2 Tenor Saxophones, Baritone Saxophone, 4 Trumpets, 3 Trombones, Vibraphone, Piano, Bass, Drums). Swing. Difficult. Published by Jazz Lines Publications (JL.JLP-8917). This Terry Gibbs/Shorty Rogers collaboration was first recorded live in 1961 and released on the Dream Band album titled Main Stem. Unlike other titles in the Dream Band library this is a straight forward big band arrangement with no vibraphone part other than a solo section. So, this is playable by a standard big band. Your piano player can take the solo (or any other added soloist). This chart moves between straight-ahead swing and a gospel rock feel. Ranges: Trumpets: G6,E6,D6,Bb5; Trombones 1 & 2: D5,C5.
$75.00

Genres: Blues, Swing, Jazz & Blues
Invisible Touch by The Phil Collins Big Band. Arranged by Sammy Nestico. For big band. Swing. Medium. Published by Jazz Lines Publications (JL.PH-3003). Sammy Nestico, who wrote many fine scores for the Count Basie Band, has provided this laid-back Basie-style arrangement, starting with the piano and rhythm section, and then gradually building right through to a powerful ending. 5/4/4/4 includes full score. This is the original arrangement and not a transcription.
$75.00

Genres: Swing, Jazz & Blues
I Don't Care Anymore by The Phil Collins Big Band. Arranged by John Clayton. For big band. Swing. Medium. Published by Jazz Lines Publications (JL.PH-3004). A powerful mid-tempo hard-driving number with sections for open solos. Right from bar 1 this chart really shows what excitement can be generated by the sound of the contemporary big band. From the album "A Hot Night in Paris". Key: Eb. Trumpet 1 to D6.
$75.00

Genres: Swing, Jazz & Blues
That's All by The Phil Collins Big Band. Arranged by John Clayton. For big band. Swing. Difficult. Published by Jazz Lines Publications (JL.PH-3005). This is a great straight ahead swing arrangement of this Genesis title by John Clayton. with an open section for solos. This is the Genesis song, NOT the standard of the same name.
$75.00

Genres: Swing, Jazz & Blues
Milestones by The Phil Collins Big Band. Arranged by John Clayton. For big band. Swing. Medium Difficult. Published by Jazz Lines Publications (JL.PH-3009). Blow the cobwebs away with this great up-tempo jazz number with open section for solos, plus plenty of action for the whole band. From the album "A Hot Night in Paris". Key: F. Trumpet 1 to B5.
$75.00

Genres: Swing, Jazz & Blues
Don't Lose My Number by The Phil Collins Big Band. Arranged by Sammy Nestico. For big band. Swing. Medium-difficult. Published by Jazz Lines Publications (JL.PH-3014). Sammy Nestico created this chart of the Phil Collins hit title. A mid tempo number in the classic relaxed Basie style. 5/4/4/4 includes full score. This is the original arrangement and not a transcription.
$75.00

Genres: Swing, Jazz & Blues
Rad Dudeski by The Phil Collins Big Band. Arranged by John Clayton. For big band. Swing. Medium Difficult. Published by Jazz Lines Publications (JL.PH-3016). A John Clayton arrangement in a hard driving "shuffle" style which really moves right from bar 1. Key: D to F. Trumpet 1 to C6.
$75.00

Genres: Swing, Jazz & Blues
This Must Be Love by The Phil Collins Big Band. Arranged by Sammy Nestico. For big band. Swing. Medium. Published by Jazz Lines Publications (JL.PH-3018). A steady rock ballad Sammy Nestico arrangement with altos and tenors on flutes for the introduction section. 5/4/4/4 includes full score. This is the original arrangement and not a transcription.
$75.00

Genres: Swing, Jazz & Blues
I Cannot Believe It's True by The Phil Collins Big Band. Arranged by Sammy Nestico. For big band. Swing. Medium-difficult. Published by Jazz Lines Publications (JL.PH-3019). A real flag waving up tempo Nestico arrangement. At 244 b.p.m. this number really shifts. However if your band can manage The Kid From Red Bank then they should have no problem with this chart! Alto 1 mainly on soprano. 5/4/4/4 includes full score. This is the original arrangement and not a transcription.
$75.00

Genres: Swing, Jazz & Blues
Better Get Hit In Yo' [Your] Soul by Woody Herman. Arranged by Shaun Byrne. For big band. Swing. Medium. Published by Jazz Lines Publications (JL.PH-3020). Big Band Instrumental. A hard driving 6/8 Gospel Blues style chart, as recorded by Woody Herman. Key F. This tremendous arrangement has all the gutsy feel of the original Charlie Mingus version on "Mingus Mingus Mingus." 5/4/4/4 includes full score.
$75.00

Genres: Swing, Jazz & Blues
Revenge Of Ashley by The Phil Collins Big Band. Arranged by Harry Kim. For big band. Swing. Medium Difficult. Published by Jazz Lines Publications (JL.PH-3021). A newly published mid tempo chart, especially arranged for the Phil Collins Big Band by Harry Kim. Trumpet 1 to C6.
$75.00

Genres: Swing, Jazz & Blues