Sheet music search made easy
Search within results:
Delivery Method
Instruments
Genres
  • Swing
Price
Swing
3593 result(s) found
List results in: Detailed View | Thumbnail View
Sort results by: Price | Release Date | Popularity | Title
Results per page: 10 | 24 | 50
By Joe McCarthy, James Monaco. Arranged by Lorraine Rochefort. Female barbershop choir. Women's voices, a cappella. Suitable for contest. Barbershop, Swing Ballad. Easy/medium. Published by Sweet Adelines International
$2.00

Instruments: A Cappella, Voice, Choir, Vocal
Genres: Barbershop, Swing, Folk, Jazz & Blues
You Know What? by Doug Beach. For jazz ensemble. Standard jazz ensemble. Threshold Series. Swing. Medium. Score and parts. Duration 4 minutes 40 seconds. Published by Kendor Music Inc (KN.42978). This cooking blues chart will fit perfectly in any program. From the opening bar to the final chord, it keeps everyone involved. The solo section is perfect for opening it up to any player as sheets are provided that also include optional written solos. Rhythm section parts are notated with chords cued. Duration 4:40.
$48.00

Genres: Swing, Jazz & Blues
You Heard What I Thought You Said by Dallas Burke. For Jazz Band. Jalen Jazz Band. Blues and Swing. Grade 2 (Easy). Score and set of parts. Published by Jalen Publishing (JN.JJZ064). This tune has a relaxed swing feel and works with limited or non traditional instrumentation. Scored for 2 Altos, 1 Tenor, 1 Bari, 3 Trumpets, 3 Trombones and rhythm section with optional parts included for non traditional jazz band instruments like Flute, Clarinet, French Horn and TC Baritone and Tuba. Includes a written solo for Alto Sax.
$50.00

Genres: Blues, Swing, Jazz & Blues
You Gotta Take Me As I Am arranged by Dan Schwartz. For jazz choir (SATB choir with piano, bass, drums, horns). This edition: Rhythm Parts Written Out. Swing, Jazz, Medium Tempo. Level 2. Set of 16 octavos with rhythm parts. Published by UNC Jazz Press (NC.VJ1201). (Level 2) Guaranteed to bring out the personality of your choir. Written in a laid back, swing style, the arrangement features a solo, two-part section and quickly learned harmony. The comfortable vocal ranges will permit any high school or college choir to perform the arrangement without difficulty. SATB with piano, bass, drums, horns.
$45.00

Genres: Swing, Jazz & Blues
You Go To My Head by Fred Coots. Arranged by Bill Holman. Jazz Ensemble / Jazz Band. The Bill Holman Big Band Series. From The Holman CD "In A Jazz Orbit". Mod Swing. Grade 3-4. Score and set of parts. Published by Sierra Music (S1.SMP-149). A medium tempo, very interesting setting for this well-known standard. Lots of unison lines and superb counterpoint make this a masterful chart. You will NOT be disappointed in this one, or any of Holman's charts, for that matter. (on Demo CD 103).
$47.00

Genres: Swing, Jazz & Blues
You Do Something To Me by Ella Fitzgerald. Edited by Myles Collins. Arranged by Buddy Bregman. For big band with vocal. Swing. Easy. Published by Lush Life (JL.LL-2295). Adapted from Ella Fitzgerald's Cole Porter Songbook recording, this chart is laid back, relaxed and easy to play. It would make a good "change-of-pace chart" for a concert setting or live gig. The arrangement is scored for Miller voiced reeds (CAATT) and the brass is muted throughout. Brass ranges are very moderate, with lead Trumpet only to an A and lead Trombone to G. The vocal is in Ella's original key of Bb throughout. Please note that the audio is Ella's original, and NOT this chart, although the feel and duration of it is the same.Ranges:Trumpets 1-4: A5, G5, E5, C5Trombones 1-4: G4, Eb4, Eb4, Eb4Vocal Key: BbVocal Range: F3 - C5 (12 steps as sung).
$65.00

Genres: Jazz & Blues, Standards, Swing
You Do Something To Me by Frank Sinatra. Edited by Jon Harpin. Arranged by Nelson Riddle. For big band with vocal. Swing. Medium. Published by Lush Life (JL.LL-2335). Here is our interpretation of Nelson Riddle's punchy chart for Frank Sinatra. We have adapted the concept to make the chart playable by a regular 5444 big band line-up, with no strings or tuned percussion. The saxes are scored for a regular AATTB section, with Alto 1 doubling Clarinet. At one and a half minutes in duration this is a short chart, yet full of power, punch and tonal flavour. The vocal key is D throughout. Style: . Swing @188 b.p.m.Ranges:Trumpets . 1-4: . E6, C6, A5, F#5Trombones . 1-4: . B4, A4, F#4, D#4Vocal key: DVocal Range: A2 - D4 (11 steps).
$65.00

Genres: Swing, Jazz & Blues
You Can Have It by Frank Foster. For jazz ensemble (vocal solo). Swing. Frank Foster Series. Level 4. Score, vocal part and set of parts. Published by UNC Jazz Press (NC.1182). (Level 4) Arranged and co-written by Frank Foster. Fast and fun, challenging. In the spirit of It Don't Mean a Thing If It Ain't Got That Swing. Key of Bb.
$55.00

Genres: Swing, Jazz & Blues
You Can Count On It by Paul Lee. For jazz ensemble. Jazz Arrangements Series. Blues, Jazz/Swing. Grade 3. Extra full score. Duration 4 minutes, 21 seconds. Published by SmartChart Music (S3.SCM-1006-01). A nice medium tempo blues in Bb with the shout chorus in Eb . This composition captures some of the "cool school" style that was popular on the West & East coasts in the 50's. Written solos, piano voicings playable by full jazz ens. or smaller 4 saxes, 3 trps., 2 trbs., 3 rhy.
$6.00

Genres: Blues, Swing, Jazz & Blues
You Are My Lucky Star by Louis Armstrong. For piano, voice, and guitar (chords only). Standards. 3 pages. Published by Hal Leonard - Digital Sheet Music (HX.8764). About Digital Print Sheet Music Digital Print is printable sheet music available anytime, anywhere. Just purchase, print and play! View your online sheet music at home, school, work or anywhere you have a computer connected to the Internet. With Digital Print, you can print your digital sheet music immediately after purchase, or wait until its convenient. And our software installation is easy - we'll guide you through the simple steps to make sure you have Adobe Flash Player, Adobe AIR and the Sheet Music Plus AIR application. Learn more
$4.99

Pages: 3
Instruments: Piano, Guitar, Voice, Piano and Keyboard, Vocal
Genres: Jazz & Blues, Standards, Swing
You And I by Meredith Willson (1902-1984). Arranged by Bill Holman. Jazz Ensemble / Jazz Band. The Bill Holman Big Band Series. From the LP "The Fabulous Bill Holman Band". Fast Swing. Grade 4-5. Score and set of parts. Published by Sierra Music (S1.SMP-233). Holman has a wonderful knack of taking just about any tune and making it swing like crazy. This one sure does! Recorded on The Fabulous Bill Holman LP, this chart is amazing in its simplicity and effectiveness. A great "opener" or "closer!!" Features alto, tenor and baritone saxes, trpt. and dms. (on Demo CD 107).
$57.00

Genres: Film & TV, Swing, Jazz & Blues
Yes Indeed by Tommy Dorsey. Arranged by Myles Collins. For big band with male or female vocal. Swing. Medium. Full score and set of parts. Published by Lush Life (JL.LL-2146). A fine Sy Oliver composition for the Tommy Dorsey Orchestra, Yes Indeed is a 'swing spiritual' which Sy Oliver originally sang with the band. Dorsey recorded the chart a few times in a couple of keys, F (earlier) and G (later). This is the G version. Although it is a male/female vocal chart it has been scored to keep it flexible. It can be sung by a single vocalist, or can be played as an instrumental (it has been arranged with trumpet 2 and/or trombone 1 taking solos instead of the vocal lines). There are no sax doubles. This is the same chart as found in the Tommy Dorsey Instrumentals section. Vocal key: G.
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
Yellow Days by Frank Sinatra With Duke Ellington. Arranged by Billy May. For big band with vocal. Swing. Difficult. Full score and set of parts. Published by Jazz Lines Publications (JL.JLP-9059). We are thrilled to present our first offering from the classic meeting between Francis A. and Edward K.
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
Yearnin' by Oliver Nelson. Arranged by Oliver Nelson. Jazz Ensemble / Jazz Band. Oliver Nelson Big Band Series. Medium Swing Blues. Grade 2-3. Score and set of parts. Published by Sierra Music (S1.SMP-394). As recorded on the wonderful LP "Black, Brown and Beautiful", featuring Johnny Hodges, this nifty blues chart has very reasonable brass ranges, no doubles, and Oliver's sort-of "gospel" feel to it. It is a medium-slow blues, playable by most bands and featuring a trumpet solo (and room for anyone else). 5-4-4-4 (on Demo CD 111).
$47.00

Genres: Blues, Swing, Jazz & Blues
Yearnin' (Individual Arrangement from The Blues And The Abstract Truth). Edited by Rob Duboff and Jeffrey Sultanof. Arranged by Oliver Nelson. For jazz combo (alto sax, tenor sax, baritone sax, trumpet, piano, bass, and drums). Swing. Medium. Score and parts. Published by Jazz Lines Publications (JL.JLP-8855). This is one title out of 6 arrangements from the Oliver Nelson 1961 album The Blues and the Abstract Truth. In February of 1961, the sessions that later constituted the album Blues and the Abstract Truth were recorded for a new jazz label distributed by ABC-Paramount, Impulse Records. The sessions were produced by Creed Taylor, who would go on to produce classic recordings on the Verve label, and his own CTI label. Oliver Nelson had a career full of highlights by 1961. Originally from St Louis, Missouri, he had played in the bands of Louis Jordan, Louis Bellson, Erskine Hawkins, Wild Bill Davis and Quincy Jones. He had also been a house arranger at the legendary Apollo Theatre in Harlem in New York City. Nelson had made some albums under his own name as well. But it was this album that became his first masterpiece. An all-star ensemble was assembled: with Nelson were Freddie Hubbard, Eric Dolphy, George Barrow, Bill Evans, Paul Chambers, and Roy Haynes. One of the compositions on the album became a standard: Stolen Moments. The album received ecstatic reviews from the jazz press and has rarely been out of print since it’s original release. Nelson went from success to success, making big band and small group albums in a variety of settings under his own name and accompanying jazz and pop artists. He composed symphonic music as well, and toured extensively even after he moved to Los Angeles in 1967 and became established in the film and television world. He also gave workshops and seminars. He was only 43 when he died in 1975. Thanks to an agreement with Oliver Nelson, Jr, this item is now available, edited using Nelson’s original manuscripts. Nelson now joins the legendary names whose music is now available from Jazz Lines Publications. This item is arranged for alto, tenor, and baritone saxophones, trumpet, piano, bass, and drums.
$50.00

Genres: Swing, Jazz & Blues
Yardbird Suite (Score) edited by Rob DuBoff and Jeffrey Sultanof. Arranged by Med Flory. For saxophone quintet with rhythm section. Recorded by Supersax. Swing. Advanced. Score. Published by Jazz Lines Publications (JL.JLP-8094S). Here is the Supersax version of Yardbird Suite as recorded on the 1974 Salt Peanuts record. Like the other Supersax arrangements that we publish this is not a transcription. The original, hand-written manuscript has been used to produce this arrangement. This has been published with the authorization of Med Flory. An open solo section is included.
$20.00

Genres: Swing, Jazz & Blues
Yardbird Suite by Claude Thornhill. Arranged by Gil Evans. For big band. Swing. Difficult. Full score and set of parts. Published by Jazz Lines Publications (JL.JLP-8124). In 1941 Gil Evans went to New York to write for the Claude Thornhill orchestra, which won two successive Billboard polls in the "sweet band" category. Evans, who was a fan of bebop and modern classical music was the first jazz composer/arranger to combine elements of both into his groundbreaking arrangements. This arrangement of Charlie Parker's Yardbird Suite (known at the time as 'What Price Love') is stunning. Evans employs dissonance throughout (often through minor seconds within sections) as well as subtle color and timbre shifts. Arranging for this same Thornhill band was Gerry Mulligan with whom Gil Evans would later break away and form the famous Miles Davis Nonet and record 'The Birth of the Cool.' This arrangement helped establish Gil Evans as a trend-setting, modern jazz composer. This arrangement has been published from the original autograph score and is authorized by the Estate of Gil Evans. This is not a transcription. The original score was arranged for Thornhill's band that included 5 saxophones, 3 trumpets, 2 French horns, 2 trombones, tuba, guitar, piano, bass, and drums. We have modified the original arrangement to make it playable by a standard big band (8 brass) though parts for the original instrumentation are also included allowing for the option of playing it as it was intended. This is a fairly complex arrangement that calls for solos for piano, alto saxophone, and guitar. There are no saxophone doubles. This arrangement was recently recorded by the Dutch Jazz Orchestra on their 2008 CD titled 'Moon Dreams: Rediscovered Music of Gil Evans and Gerry Mulligan.' Ranges: # Trumpet 1: D6 # Trombone 1: B4.
$65.00

Genres: Jazz & Blues, Swing
Yardbird Suite edited by Rob DuBoff and Jeffrey Sultanof. Arranged by Med Flory. For saxophone quintet with rhythm section. Recorded by Supersax. Swing. Advanced. Score and parts. Published by Jazz Lines Publications (JL.JLP-8094). Here is the Supersax version of Yardbird Suite as recorded on the 1974 Salt Peanuts record. Like the other Supersax arrangements that we publish this is not a transcription. The original, hand-written manuscript has been used to produce this arrangement. This has been published with the authorization of Med Flory. An open solo section is included.
$50.00

Genres: Swing, Jazz & Blues
Writer's Cramp by Bob Curnow. Arranged by Bob Curnow. Jazz Ensemble / Jazz Band. The Bob Curnow Big Band Series. Swing Trombone Section Feature. Grade 4. Score and set of parts. Published by Sierra Music (S1.SMP-102). This is a new edition (Finale computer notation) of this feature for the trombone section. It is available with a full score for the first time. It has also been edited to allow for performance by 8 brass as well as 10. There is solo space for trumpet, and the rhythm section starts things off. This is a happy, swinging chart with lots of full ensemble passages that really roar. You'll enjoy having a full score. 5.5.5.3 (can be played with only 8 brass) (on demo CD 116).
$39.00

Genres: Swing, Jazz & Blues
Write Soon by The Jazztet. Arranged by Art Farmer. For Jazz Sextet Combo [tenor saxophone, trumpet, trombone, piano, bass, and drums]. Swing. Medium. Score and parts. Published by Jazz Lines Publications (JL.JLP-8956). This Art Farmer sextet arrangement was recorded by The Jazztet on their 1986 album Back to the City. It is arranged for tenor saxophone, trumpet, trombone, piano, bass, and drums in a medium-swing setting.
$30.00

Genres: Swing, Jazz & Blues
Wrappin' It Up by Benny Goodman. Arranged by Fletcher Henderson. For big band. Swing. Difficult. Full score and set of parts. Published by Lush Life (JL.LL-1279). Wrappin' It Up is a very rare chart from the Benny Goodman book. Like many of his earlier hits, is a Fletcher Henderson composition, and is up-tempo and delightfully bouncy. Great for the dancers. Goodman re-recorded this chart in 1951, and this later version has been transcribed for this publication. The beat is infectious, the riffs are tight, and all of the solos are written out in full, though your players can improvise from the chords provided if you prefer. The reeds are scored for CAATT, with all saxes written to double clarinets for a short 8 measure passage, though the tenors can avoid the double and play 8va if need be. The tenor solo is scored on both tenor parts. Whilst the trombone ranges are not too demanding (lead to Ab4), both trumpets 1 & 2 need to be able to hit Eb6. Swing @ 185 b.p.m.
$65.00

Genres: Swing, Jazz & Blues
Works by Bill Holman. Arranged by Bill Holman. Jazz Ensemble / Jazz Band. The Stan Kenton Orchestra Library Series. Swing. Grade 4-5. Score and set of parts. Published by Sierra Music (S1.SMP-564). Here is a terrific medium swing chart, also written for Stan Kenton in the 50s. Although it was never recorded commercially by the band, it was played a great deal in live performances throughout the country and is on a number of "transcription" recordings. It "cooks" from beginning to end, and features solo space for trumpet and tenor sax, and one of those "patented" Holman ensemble shout choruses that just swings like crazy! 5-5-5-3.
$52.00

Genres: Swing, Jazz & Blues
Work Song by Nat Adderley. Arranged by Geoff Keezer. Jazz Ensemble / Jazz Band. Geoff Keezer Series. Swing. Grade 3-4. Score and set of parts. Published by Sierra Music (S1.SMP-127). Geoff has taken this well-known Nat Adderley tune and given it a breath of fresh thinking, interesting voicings, and very playable phrases. This excellent chart features any soloists you want (chord sheets included for all players), a nifty trombone/bass soli and reasonable ranges for all. (8 brass) Full Score (on Demo CD 104).
$37.00

Genres: Swing, Jazz & Blues
Woodchopper's Ball by Woody Herman. Arranged by Myles Collins. For big band. Swing. Medium Easy. Full score and set of parts. Published by Lush Life (JL.LL-1160). Here is the great Woodchoppers Ball. Co-written and first performed by Woody Herman, this chart became a mainstay in the repertoire of all Herman's bands. Our version is based on Woody's, though rescored for regualar sections (Saxes AATTB, 8 brass). This arrangement features solo space for Clarinet (on 1st Alto part), Tenor, Trumpet and Trombone, and has that characteristic chromatic set of key changes at the end that gives the whole chart a thumping climax. A superb swing chart. Ranges: Trumpets 1-4: A5, F5, D5, C5 Trombones 1-4: Bb4, Bb4, Bb4, Bb4.
$65.00

Genres: Swing, Jazz & Blues