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Sunday arranged by Bob Martin. For jazz choir (TTBB choir, a cappella). Swing. Level 3. Set of 5 octavos. Published by UNC Jazz Press (NC.VJ789). (Level III) A very happy version inspired by Sinatra's famous recording. The bass leads in with everyone on words right off the bat. There are fun syncopations and falls in the chorus with a half-step modulation and no pivot chord (a sort of key 'slam'). Saturday Night is the Loneliest Night of the Week quoted in the tag. This is a very fun arrangement. TTBB A Cappella.
$25.00

Genres: Swing, Jazz & Blues
Lillette by Bob Martin. For jazz choir (TTBB choir, a cappella). Swing. Level 3. Set of 5 octavos. Published by UNC Jazz Press (NC.VJ788). (Level III) This is a somewhat rare tune performed by the Nat Cole trio in his early days. It starts out with a rubato verse going into a snappy chorus with tons of fun syncopated rhythms that keep things moving. Stop time kicks in the tag send this one off with a bang. TTBB A Cappella.
$25.00

Genres: Swing, Jazz & Blues
Let's Get Away From It All by Bob Martin. For jazz choir (TTBB choir, a cappella). Swing. Level 3. Set of 5 octavos. Published by UNC Jazz Press (NC.VJ787). (Level III) A snappy, toe-tapping rendition. It starts right in on the chorus and cruises along to a big ending. Straight-ahead, very fun to sing, and makes a great show opener. TTBB A Cappella.
$25.00

Genres: Swing, Jazz & Blues
I've Got A Crush On You by Bob Martin. For jazz choir (TTBB choir, a cappella). Swing. Level 3. Set of 5 octavos. Published by UNC Jazz Press (NC.VJ786). (Level III) This starts with a rubato introduction into a slow-ish swing groove for the chorus. The verse is in the middle and is sung rubato with "oo's" behind the lead. Back to tempo second time around with a half-step modulation into the last 'A' with a ritard into the ending. TTBB A Cappella.
$25.00

Genres: Swing, Jazz & Blues
Blue And Sentimental by Basie. Arranged by Bob Martin. For jazz choir (TTBB choir, a cappella). Swing. Level 3. Set of 5 octavos. Published by UNC Jazz Press (NC.VJ784). (Level III) A slow grooving version of this Basie classic. It starts out right on the chorus with everyone on words. "Oo's" on bridge the first time around with a half step modulation into the last 'A'. This is a very tight arrangement with ample opportunity to work on swing feel, by accenting the upbeat on eighth note passages. TTBB A Cappella.
$25.00

Genres: Swing, Jazz & Blues
Fly Me to the Moon by Kerry Marsh. For jazz choir (mixed choir). Swing. Kerry Marsh Series. Level 4. Set of 16 octavos with rhythm parts. Published by UNC Jazz Press (NC.VJ779).
$50.00

Genres: Swing, Jazz & Blues
Shout Blues by Kerry Marsh. For jazz choir (SSATBB choir with rhythm section). This edition: Rhythm Parts Written Out. Jazz, Swing, Slow, Blues. Kerry Marsh Series. Level 3. Set of 16 octavos with rhythm parts. Published by UNC Jazz Press (NC.VJ778). Based on a concept from the John Clayton Big Band, this blues chart is all shout sections, with solo choruses in between. A great teaching tool for the blues, of course, and some pretty aggressive harmonies. This one swings slow and hard, and needs first sopranos that can wail on a few A's above the staff. Works well as a different kind of opener to a show. SSATBB with rhythm section.
$45.00

Genres: Blues, Swing, Jazz & Blues
Cheesehead by Dave Glenn. Arranged by Kerry Marsh. For jazz choir (SSAATTBB choir with rhythm section). This edition: Rhythm Parts Written Out. Contemporary, Swing, Up Tempo, Medium, Jazz. Kerry Marsh Series. Level 4. Set of 16 octavos with rhythm parts. Published by UNC Jazz Press (NC.VJ772). An arrangement of the Dave Glenn composition, played by the Little Big Band on the album Journeys. A contemporary and forward-looking approach to arranging for vocal jazz ensemble, this chart is laid out into two choirs and a rhythm section. The first choir sings mostly the melodic material and the second choir functions mostly as the background. The feel is an up-tempo, New York-style swing and functions very well in a program as an opener. Solo space with backgrounds. SSAATTBB with rhythm section.
$60.00

Genres: Swing, Jazz & Blues
The Big Crunch by Kerry Marsh. For jazz choir (mixed choir, a cappella). Swing. Kerry Marsh Series. Level 3. Set of 16 octavos. Published by UNC Jazz Press (NC.VJ771).
$55.00

Genres: Swing, Jazz & Blues
Three Little Words arranged by Kirk Marcy. For jazz choir (SSATBB choir with rhythm section). Swing. Level 3. Set of 16 octavos with rhythm parts. Published by UNC Jazz Press (NC.VJ764). This fun arrangement will feature the members of your trio with several two-bar 'step-out' solos. The vocals alternate between unison and 4-part, with several 5 and 6-part chords. Open solo section will provide opportunities for your students. SSATBB with rhythm section.
$50.00

Genres: Swing, Jazz & Blues
On Green Dolphin Street by Kirk Marcy. For jazz choir (SATB choir with rhythm section). This edition: Rhythm Parts Written Out. Swing, Medium. Level 3. Set of 16 octavos with rhythm parts. Published by UNC Jazz Press (NC.VJ759). The standard jazz tune arranged with easy-to-sing voice leading. Good introduction into a classic jazz tune. SATB with rhythm section.
$40.00

Genres: Swing, Jazz & Blues
Night And Day arranged by Kirk Marcy. For jazz choir (SSATB choir with rhythm section). Swing, Latin. Level 4. Set of 16 octavos with rhythm parts. Published by UNC Jazz Press (NC.VJ758). Alternating between Latin and swing, this exciting arrangement provides opportunities for vocal or instrumental improvisation. The highlight of the piece is a 32-bar unison scat solo for the entire ensemble and bassist, followed by a powerful shout chorus. SSATB with rhythm section.
$50.00

Genres: Latin, Swing, Jazz & Blues
I'm Gonna Sit Right Down arranged by Kirk Marcy. For jazz choir (SATB choir with rhythm section). Swing, Duets, Medium. Level 3. Set of 16 octavos with rhythm parts. Published by UNC Jazz Press (NC.VJ754). Written for the Frank DeMiero Jazz Camp, this arrangement is sure to capture the heart of each listener. There is a great lyrical solo section that can very easily be done as a guy/gal duet. The developmental section is a unison scat line that leads into a key change and a big ending! A guaranteed crowd pleaser! SATB with rhythm section.
$45.00

Genres: Swing, Jazz & Blues
Candy arranged by Kirk Marcy. For jazz choir (SATB choir with string bass). Swing. Level 3. Set of 16 octavos with rhythm parts. Published by UNC Jazz Press (NC.VJ752). This sophisticated, yet easy-to-prepare arrangement is written as a quieter, middle of the concert, change of pace. Smooth vocal harmonies, accompanied by string bass only make this unique arrangement something special for your group. If you have a SATB with string bass.
$45.00

Genres: Swing, Jazz & Blues
As Long As I Live by Kirk Marcy. For jazz choir (SATB choir with rhythm section). This edition: Rhythm Parts Written Out. Jazz, Swing, Up Tempo. Level 3. Set of 16 octavos with rhythm parts. Published by UNC Jazz Press (NC.VJ751). Based upon an obscure recording by Mark Murphy, this driving swinger written by Jerome Kern provides opportunities for both lyrical and improvisational solos. With an exciting 6-part shout chorus, groups will sound like a vocal big band. SATB with rhythm section.
$40.00

Genres: Swing, Jazz & Blues
Carol Of The Bells by Rich Manners. For jazz choir (SATB choir, a cappella). Christmas, Jazz, Waltz, Straight 8th, ECM, Swing. Level 4. Set of 16 octavos. Published by UNC Jazz Press (NC.VJ745). A knockout amalgam of jazz waltz/traditional carol moves this little gem along at a rocket pace with phrases alternating between straight 8th and swing, and harmonic content between jazz and traditional. The middle section of the piece offers a brief slowdown before returning to the fast-paced crescendo to the climax. SATB a cappella.
$40.00

Genres: Christmas, Swing, Miscellaneous, Jazz & Blues
Beep-bop by Bill 'Orange' Lyons. For jazz choir (SATBB choir). Swing. Level 3. Set of 16 octavos. Published by UNC Jazz Press (NC.VJ736). (Level III) This original composition was designed to feature the bass man. He gets to scat the final two choruses, joined the last time by a soprano performing a jazz descant. The top of the chart features a tenor on the melody. Add all that to the up-tempo, swing-feel and it makes for a very fun, boppin', jazz-time tune. SATBB.
$40.00

Genres: Swing, Jazz & Blues
Have Yourself A Merry Little Christmas by Marion Linton. For jazz choir (SSAATB choir, a cappella). Christmas, Swing, Slow, Jazz. Level 3. Set of 16 octavos. Published by UNC Jazz Press (NC.VJ726). This Martin/Blane tune has a light and happy feel. Bass pedals, soprano descant, bass lines and rhythmic shots occur throughout. A modulation in the last A section is delightfully unexpected. It's a great chart to end the Christmas show. SSAATB a cappella.
$45.00

Genres: Christmas, Swing, Miscellaneous, Jazz & Blues
Shuffle Off To Buffalo by Warren & Dubin. Arranged by Marion Linton. For jazz choir (SSAAA choir, a cappella). Swing. Level 4. Set of 16 octavos. Published by UNC Jazz Press (NC.VJ724). This arrangement takes the listener on a captivating journey by train from a Buffalo of the 40's to one of the 90's. Equipped with train sounds and humorous quotes, this Warren/Dubin tune is lively and fun to sing. Each chorus is introduced with a rubato verse which creates a pleasing contrast. SSAAA a cappella.
$45.00

Genres: Swing, Jazz & Blues
What Is This Thing Called Love? by Marion Linton. For jazz choir (SSATB choir, a cappella). Swing, Medium, Jazz. Level 4. Set of 16 octavos. Published by UNC Jazz Press (NC.VJ723). A vamp is used throughout this up-beat Cole Porter tune as an introduction, interlude, ending and even as accompaniment for a be-bop chorus where high women's voices bemoan the pain of love gone wrong. Soprano, as solo or section, is featured on melody throughout this chart. SSATB a cappella.
$50.00

Genres: Swing, Jazz & Blues
Let's Do It by Marion Linton. For jazz choir (SSATBB choir, a cappella). Swing. Level 4. Set of 16 octavos. Published by UNC Jazz Press (NC.VJ719). This Cole Porter chart is impossible to sing without a smile. Humor, wit, quotes as well as insect and animal sounds thrive throughout its four verses. It's a challenge but well worth the work--and talk about a crowd please! SSATBB a cappella.
$50.00

Genres: Swing, Jazz & Blues
The Lamp Is Low by Marion Linton. For jazz choir (SATB choir, a cappella). Swing. Level 4. Set of 16 octavos. Published by UNC Jazz Press (NC.VJ718). An alto solo is the feature of this piece by Ravel. Just bass and alto sing the first 8 bars creating a nice contrast with the lush accompaniment that follows the middle section with a be-bop line for bass and baritone is also a highlight. It's a short piece that flows with a dreamy quality. SATB a cappella.
$50.00

Genres: Swing, Jazz & Blues
It Ain't Necessarily So by Marion Linton. For jazz choir (SSAATB choir, a cappella). Swing. Level 4. Set of 16 octavos. Published by UNC Jazz Press (NC.VJ717). This classic for Porgy and Bess is sure to be a crowd pleaser. Solos (or should we say, "sermons" are passed from voice to voice while the bass line makes comical interjections about the lyrics. Recorded on UNC's Hot XIII. SSAATB a cappella.
$50.00

Genres: Swing, Jazz & Blues
I Was Doing All Right by Marion Linton. For jazz choir (SSAAT choir, a cappella). Swing, Jazz, Up Tempo. Level 4. Set of 16 octavos. Published by UNC Jazz Press (NC.VJ716). This romantic Gershwin tune is furnished throughout with lyricized bop lines. It contains a whole section in which high voices sing animated be-bop melodies over a tenor bass line. The piece builds to a harmonic climax and the subdued ending provides a satisfying denouement. SSAAT a cappella.
$50.00

Genres: Swing, Jazz & Blues