Classic Duke - Eb Alto Saxophone 2 by Duke Ellington. Arranged by Paul Murtha and Luther Henderson. Concert Band. For Eb Alto Saxophone 2. Concert. Concert Band. 4 pages. Duration 6:00. Published by Hal Leonard - Digital Sheet Music (HX.146173). This item is the replacement part to the concert band set. It is not recommended to purchase this as a solo piece. About Digital Print Sheet Music Digital Print is printable sheet music available anytime, anywhere. Just purchase, print and play! View your online sheet music at home, school, work or anywhere you have a computer connected to the Internet. With Digital Print, you can print your digital sheet music immediately after purchase, or wait until its convenient. And our software installation is easy - we'll guide you through the simple steps to make sure you have Adobe Flash Player, Adobe AIR and the Sheet Music Plus AIR application. Learn more

Classic Duke - Eb Alto Saxophone 1 by Duke Ellington. Arranged by Paul Murtha and Luther Henderson. Concert Band. For Eb Alto Saxophone 1. Concert. Concert Band. 4 pages. Duration 6:00. Published by Hal Leonard - Digital Sheet Music (HX.146172). This item is the replacement part to the concert band set. It is not recommended to purchase this as a solo piece. About Digital Print Sheet Music Digital Print is printable sheet music available anytime, anywhere. Just purchase, print and play! View your online sheet music at home, school, work or anywhere you have a computer connected to the Internet. With Digital Print, you can print your digital sheet music immediately after purchase, or wait until its convenient. And our software installation is easy - we'll guide you through the simple steps to make sure you have Adobe Flash Player, Adobe AIR and the Sheet Music Plus AIR application. Learn more

Classic Duke - Bb Bass Clarinet by Duke Ellington. Arranged by Paul Murtha and Luther Henderson. Concert Band. For Bb Bass Clarinet. Concert. Concert Band. 4 pages. Duration 6:00. Published by Hal Leonard - Digital Sheet Music (HX.146171). This item is the replacement part to the concert band set. It is not recommended to purchase this as a solo piece. About Digital Print Sheet Music Digital Print is printable sheet music available anytime, anywhere. Just purchase, print and play! View your online sheet music at home, school, work or anywhere you have a computer connected to the Internet. With Digital Print, you can print your digital sheet music immediately after purchase, or wait until its convenient. And our software installation is easy - we'll guide you through the simple steps to make sure you have Adobe Flash Player, Adobe AIR and the Sheet Music Plus AIR application. Learn more

Classic Duke - Eb Alto Clarinet by Duke Ellington. Arranged by Paul Murtha and Luther Henderson. Concert Band. For Eb Alto Clarinet. Concert. Concert Band. 4 pages. Duration 6:00. Published by Hal Leonard - Digital Sheet Music (HX.146170). This item is the replacement part to the concert band set. It is not recommended to purchase this as a solo piece. About Digital Print Sheet Music Digital Print is printable sheet music available anytime, anywhere. Just purchase, print and play! View your online sheet music at home, school, work or anywhere you have a computer connected to the Internet. With Digital Print, you can print your digital sheet music immediately after purchase, or wait until its convenient. And our software installation is easy - we'll guide you through the simple steps to make sure you have Adobe Flash Player, Adobe AIR and the Sheet Music Plus AIR application. Learn more

Classic Duke - Bb Clarinet 3 by Duke Ellington. Arranged by Paul Murtha and Luther Henderson. Concert Band. For Bb Clarinet 3. Concert. Concert Band. 3 pages. Duration 6:00. Published by Hal Leonard - Digital Sheet Music (HX.146169). This item is the replacement part to the concert band set. It is not recommended to purchase this as a solo piece. About Digital Print Sheet Music Digital Print is printable sheet music available anytime, anywhere. Just purchase, print and play! View your online sheet music at home, school, work or anywhere you have a computer connected to the Internet. With Digital Print, you can print your digital sheet music immediately after purchase, or wait until its convenient. And our software installation is easy - we'll guide you through the simple steps to make sure you have Adobe Flash Player, Adobe AIR and the Sheet Music Plus AIR application. Learn more

Classic Duke - Bb Clarinet 2 by Duke Ellington. Arranged by Paul Murtha and Luther Henderson. Concert Band. For Bb Clarinet 2. Concert. Concert Band. 3 pages. Duration 6:00. Published by Hal Leonard - Digital Sheet Music (HX.146168). This item is the replacement part to the concert band set. It is not recommended to purchase this as a solo piece. About Digital Print Sheet Music Digital Print is printable sheet music available anytime, anywhere. Just purchase, print and play! View your online sheet music at home, school, work or anywhere you have a computer connected to the Internet. With Digital Print, you can print your digital sheet music immediately after purchase, or wait until its convenient. And our software installation is easy - we'll guide you through the simple steps to make sure you have Adobe Flash Player, Adobe AIR and the Sheet Music Plus AIR application. Learn more

Classic Duke - Bb Clarinet 1 by Duke Ellington. Arranged by Paul Murtha and Luther Henderson. Concert Band. For Bb Clarinet 1. Concert. Concert Band. 3 pages. Duration 6:00. Published by Hal Leonard - Digital Sheet Music (HX.146167). This item is the replacement part to the concert band set. It is not recommended to purchase this as a solo piece. About Digital Print Sheet Music Digital Print is printable sheet music available anytime, anywhere. Just purchase, print and play! View your online sheet music at home, school, work or anywhere you have a computer connected to the Internet. With Digital Print, you can print your digital sheet music immediately after purchase, or wait until its convenient. And our software installation is easy - we'll guide you through the simple steps to make sure you have Adobe Flash Player, Adobe AIR and the Sheet Music Plus AIR application. Learn more

Classic Duke - Flute 2 by Duke Ellington. Arranged by Paul Murtha and Luther Henderson. Concert Band. For Flute 2. Concert. Concert Band. 3 pages. Duration 6:00. Published by Hal Leonard - Digital Sheet Music (HX.146164). This item is the replacement part to the concert band set. It is not recommended to purchase this as a solo piece. About Digital Print Sheet Music Digital Print is printable sheet music available anytime, anywhere. Just purchase, print and play! View your online sheet music at home, school, work or anywhere you have a computer connected to the Internet. With Digital Print, you can print your digital sheet music immediately after purchase, or wait until its convenient. And our software installation is easy - we'll guide you through the simple steps to make sure you have Adobe Flash Player, Adobe AIR and the Sheet Music Plus AIR application. Learn more

Classic Duke - Piccolo by Duke Ellington. Arranged by Paul Murtha and Luther Henderson. Concert Band. For Piccolo. Concert. Concert Band. 3 pages. Duration 6:00. Published by Hal Leonard - Digital Sheet Music (HX.146162). This item is the replacement part to the concert band set. It is not recommended to purchase this as a solo piece. About Digital Print Sheet Music Digital Print is printable sheet music available anytime, anywhere. Just purchase, print and play! View your online sheet music at home, school, work or anywhere you have a computer connected to the Internet. With Digital Print, you can print your digital sheet music immediately after purchase, or wait until its convenient. And our software installation is easy - we'll guide you through the simple steps to make sure you have Adobe Flash Player, Adobe AIR and the Sheet Music Plus AIR application. Learn more

Classic Duke - Full Score by Duke Ellington. Arranged by Paul Murtha and Luther Henderson. Concert Band. Concert. Concert Band. 42 pages. Duration 6:00. Published by Hal Leonard - Digital Sheet Music (HX.146161). About Digital Print Sheet Music Digital Print is printable sheet music available anytime, anywhere. Just purchase, print and play! View your online sheet music at home, school, work or anywhere you have a computer connected to the Internet. With Digital Print, you can print your digital sheet music immediately after purchase, or wait until its convenient. And our software installation is easy - we'll guide you through the simple steps to make sure you have Adobe Flash Player, Adobe AIR and the Sheet Music Plus AIR application. Learn more

The Good King Swings! arranged by Steve Hodges. Concert Band. Concert Band; Score. Young Symphonic. Christmas; Novelty; Secular; Swing; Winter. Grade 2. 16 pages. Published by Alfred Music Publishing (AP.33842S). Here is a great change of pace for a holiday program. "Good King Wenceslas" and "While Shepherds Watched Their Flocks" are treated in an upbeat swing setting with all the nuances found in a jazz ensemble. The arrangement features some "jungle" drums, a smooth jazz section, an exciting contrapuntal section, and a genuine big band ending. The Good King Swings! will be a welcome addition to any holiday music library!

Crunch Time by Jon Phelps. For jazz ensemble (10-17 players) with optional flute, clarinet, F horn, tuba & vibes. Standard jazz ensemble (playable by 10-17 players) with optional flute, clarinet, F horn, tuba & vibes. Jazz Gateway Series. Swing. Easy. Score and parts. Duration 3 minutes, 25 seconds. Published by Kendor Music Inc (KN.60110). This piece utilizes a variety of rhythmic figures commonly seen in swing charts, and employs a tuneful melody supported by a simple, yet effective chord progression and solid orchestration. Designed to make developing groups sound their best, it features flexible instrumentation, very accessible brass ranges, completely notated rhythm parts, and a nice sax soli for a piece that is great fun to play and hear. Written or ad lib solos are provided for 1st Alto and 1st Trumpet. A guitar chord chart by Jim Greeson is included in each set. Duration 3:25.

Kaomah by Noor. For jazz ensemble plus optional 5th Trumpet & tuba. Standard jazz ensemble plus optional 5th Trumpet & tuba. Doug Beach Jazz Ensemble Series. Swing. Medium Advanced. Score and parts. Duration 4 minutes, 50 seconds. Published by Kendor Music Inc (KN.43255). Commissioned by the Jazz Division of the Illinois Music Educator's Association, this Basie-style swing chart is based on the chord changes to the jazz standard Sunday. Rich voicings and solid swing figures combine to create outstanding ensemble work for the entire band. Though chord changes for the solo section are provided for alto, tenor, trumpet and trombone, guitar or piano may also substitute for any of the horn solos. Rhythm section parts are notated with chords cued. Duration 4:50.

The Call by Doug Beach, George Shutack. For jazz ensemble (5 horns plus rhythm section) with optional flute, clarinet, & F horn. Standard jazz ensemble (playable by 5 horns plus rhythm section) with optional flute, clarinet, & F horn. Doug Beach Jazz Foundations Series. Swing. Very Easy. Score and parts. Duration 3:04. Published by Kendor Music Inc (KN.41815). Any member of your group can be featured in this medium swing chart from Doug Beach and George Shutack; solo parts with written lines and chord changes are provided for any instrument. The title is inspired by one of the most fundamental traditions in jazz known as call and response -- the soloist makes a statement and the band responds. Rhythm section parts are notated with chords cued. Duration 3:04.

Blues For Pablo by Miles Davis with The Gil Evans Orchestra. Edited by Jeffrey Sultanof. Arranged by Gil Evans. For jazz ensemble (jazz orchestra). Swing. Difficult. Full score and set of parts. Published by Jazz Lines Publications (JL.JLP-8109). [From this edition's notes by Jeffrey Sultanof] Blues for Pablo was originally written for Hal McKusick for inclusion on his Jazz Workshop LP recorded in 1956 for RCA Victor Records (this album also included Jambangle, which was later re-orchestrated and expanded for Evans' Big Stuff LP for Prestige Records). Evans mixes an idea in minor that has two influences (a theme from de Falla's ballet El Sombrero de Tres Picos and a Mexican folk song) with a blues in major, and the effect is pure Gil Evans. His treatment of this piece for Davis' album is identical in form to the McKusick version, but is in a different key, and of course is set for a larger ensemble. Despite a large brass ensemble of five trumpets, four trombones (including a bass trombone) and tuba, he used four reeds, of which only one was a saxophone. The other reeds are flutes and bass clarinet. Please note that there is no piano part for this arrangement, and none should be added. This edition hues closely to what Evans originally wrote as we have used the original score as the basis; the only changes are corrections of wrong notes. Don't let anyone tell you that maestro Evans did not make mistakes in his manuscripts; he most certainly did. So an editor must look carefully to make sure that what is finally published is in fact what the composer wanted. This is made easier because Evans' voicings are based on instrumental doublings, so checking say, the bass clarinet and bass trombone against each other usually solves any note questions, as well as listening to the recording. Obviously, consultation of the original parts would be helpful to aid in this pursuit. However, the original parts are currently unavailable.

Grey Flannel by The Dave Pell Octet. Arranged by Marty Paich. For jazz ensemble - octet. Swing. Medium. Full score and set of parts. Published by Jazz Lines Publications (JL.JLP-8561). Marty Paich, a regular contributor to the Dave Pell Octet, arranged this original composition for the 1957 record 'A Pell of a Time.' This arrangement is not difficult and features solos for everyone except bass and drums. This newly engraved and edited Dave Pell Octet arrangement has been published from the original parts and comes with a complete conductor's score. This is not the facsimile edition that was previously offered.

Shaw 'Nuff by Art Pepper. Arranged by Marty Paich. For Little Big Band (8 horns with rhythm section). Swing. Difficult. Full score and set of parts. Published by Jazz Lines Publications (JL.JLP-8408). In 1959 Art Pepper recorded 12 tunes backed by an 11-piece 'little big band.' The Marty Paich charts focused on 'Modern Jazz Classics' including this arrangement of the Charlie Parker/Dizzy Gillespie composition 'Shaw 'Nuff.' This tour de force arrangement features alto and trumpet playing the head in unison with backing from the ensemble. Solos are for alto saxophone and trumpet. An alternate part for the Horn in F (trombone 3) is included.

Jambangle by Gil Evans. Edited by Jeffrey Sultanof. Arranged by Gil Evans. For Little Big Band (8 horns with rhythm section). Swing. Difficult. Full score and set of parts. Published by Jazz Lines Publications (JL.JLP-8096). Jambangle was one of the earliest compositions by Evans after several years of arranging the music of others. He originally wrote the piece for the previously mentioned Jazz Workshop, led by Hal McKusick, and this version was recorded on April 6, 1956. Evans new version was recorded by Rudy Van Gelder on October 11, 1957. This Jazz Lines edition of Jambangle has been extensively re-edited using a photocopy of the original score in Evans hand. Please note that for this publication, the French horn part has a key signature on the score and part; Evans did not use one. Also please note that the piano part has been transcribed; it does not appear on the score. Bars 59-64 were missing chord names. Jambangle is an excellent example of Evans reworking a piece hed written some time before. This version uses many of the same ideas as the arrangement for McKusick, but is improved in every way here. As was usual with Evans, he took the opportunity to experiment, create problems for himself and then solve them as creatively as possible. According to Howard Johnson and Anita Evans, tubist Bill Barber was not available for this album, so Evans chose a bass trombone. He also used a bassoon instead of a baritone saxophone as a bass instrument (although here again, he also exploits the high range of the instrument; shades of Stravinskys Rite of Spring). At this point in his life, he was no longer using a five-person saxophone section anyway; the only saxophone on Miles Ahead, and Porgy and Bess was an alto sax; the rest of the reed section were three players who doubled on clarinets and flutes of various sizes. In a way, the instrumentation on Gil Evans & 10 is an elaboration of the one used for the Miles Davis Nonet. He used a similar instrumentation on his two World Pacific albums, and also the band he led at the Jazz Gallery in 1960. A concern is the blend of the group. The conductor must resist the temptation of making the bassoon play louder to fill up the bottom of the ensemble. It is clear that Evans wanted the bottom to be felt more than heard. Even though the alto sax is barely audible on the original tape, this part needs to be equal to the other two reeds. Please do not replace the soprano sax part with a clarinet. The five brass should balance well with a bit of practice. The out-chorus at Letter P is particularly challenging, as no one instrument should stick out over the trumpets who are quite low at some points. This piece can be opened up for more solos, and backgrounds reused at the conductors discretion. Also, we have included a tenor saxophone part as an alternate for the horn and a baritone saxophone part as an alternate for the bassoon. Jeffrey Sultanof -February 2010.

Anthropology by Art Pepper. Arranged by Marty Paich. For Little Big Band (8 horns with rhythm section). Swing. Difficult. Full score and set of parts. Published by Jazz Lines Publications (JL.JLP-8402). In 1959 Art Pepper recorded 12 tunes backed by an 11-piece 'little big band.' The Marty Paich charts focused on 'Modern Jazz Classics' including this arrangement of the Charlie Parker/Dizzy Gillespie composition 'Anthropology.' This arrangement featured Art Pepper playing clarinet throughout with backing from the ensemble. We have included a third trombone part as an alternate for the horn in F.

Donna Lee by Art Pepper. Arranged by Marty Paich. For Little Big Band. Swing. Difficult. Full score and set of parts. Published by Jazz Lines Publications (JL.JLP-8404). In 1959 Art Pepper recorded 12 tunes backed by an 11-piece 'little big band.' The Marty Paich charts focused on 'Modern Jazz Classics' including this arrangement of the Charlie Parker composition 'Donna Lee.' This arrangement features both altos and trumpet 2 playing the first half of the head in unison with just rhythm. The rest of the ensemble joins in for the second half of the head. Solos are for the lead alto saxophone and tenor saxophone. An alternate part for the Horn in F (trombone 3) is included.

Shaw 'Nuff by Supersax. Arranged by Med Flory. For jazz ensemble - dectet [7 horns with rhythm section]. Swing. Advanced. Full score and set of parts. Published by Jazz Lines Publications (JL.JLP-8091). Recorded on the 1977 record 'Chasing the Bird' here is Supersax's incredible arrangement of 'Shaw 'Nuff.' This piece is very difficult to play due to the tempo - moving along at 150 beats per half note. The arrangement features trumpet and trombone on the introduction but they drop out when the head comes in. There is an open solo section in the middle before a return to the head and then the intro is used as an outro. This is a very difficult arrangement but well worth the effort - guaranteed to turn heads and ears!

Ko Ko by Supersax. Arranged by Med Flory. For jazz ensemble - dectet [7 horns with rhythm section]. Swing. Advanced. Full score and set of parts. Published by Jazz Lines Publications (JL.JLP-8086). This may just be the most difficult Supersax arrangement. Recorded at a blistering 150 per half note (and even faster live in Japan), this chart is extremely difficult to pull off as-recorded. Part of the melody is shared with optional trumpet and trombone. In addition, the saxes are featured with just drums (no piano or bass) for a section of the arrangement. Included is an open solo section (this tune is based on the chord changes to 'Cherokee'). Good luck! This is not a transcription. The original, hand-written manuscript has been used to produce this arrangement. This has been published with the authorization of Med Flory.

Lover, Come Back To Me by As Written For Frank Sinatra with Count Basie. Arranged by Billy Byers. For Big Band with Male Vocal. Swing. Difficult. Full score and set of parts. Published by Jazz Lines Publications (JL.JLP-9082). Here is a Billy Byers chart that was arranged for the 'Sinatra Live at the Sands' performance and recording with the Count Basie Orchestra. However, this arrangement was not used for that performance. We know it was written for that show as the date written on the manuscript is June 21, 1965, which corresponds to dates on other manuscripts that were used (Where Or When is marked June 20, 1965). And, Byers indicated that is was for 'Basie-Sinatra.' This arrangement has been produced directly from the original manuscript. This bluesy chart set in a medium swing tempo features some very nice triplet figures throughout. Trombones open with plungers and go back to them at the end of the arrangement. Similar to the other Sands arrangements there was an optional 5th trumpet part written for Harry 'Sweets' Edison that just included chord changes for background fills behind the vocal. There are no saxophone doubles or solos. The vocal key is F throughout. Ranges: Trumpet 1 to D6; Trombone 1 to C5 (optional) or A4; Vocal Key: F.

Unit 7 arranged by Duke Pearson. For Big Band. Swing/Latin. Difficult. Full score and set of parts. Published by Jazz Lines Publications (JL.JLP-8156). In addition to the two full-length records that the Duke Pearson Big Band recorded in the late 1960s, there were numerous other arrangements that didn't get recorded. This arrangement of Sam Jones' standard 'Unit 7' is one of those tunes that was performed live by the band but never recorded. This arrangement alternates between swing (for A sections) and Latin (for bridge) and features a trumpet solo (written for trumpet 4) and alto saxophone solo. Both solos have Duke's typical great backgrounds happening. Trumpet 1 goes to F6 and trombones 1 & 2 get to C5. There are no saxophone doubles. In addition, a guitar part is included. Ranges: Trumpet 1 to F6; Trombones 1 and 2 to C5.