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Two O'Clock Jump by Harry James. Arranged by Myles Collins. For big band. Swing. Medium Difficult. Full score and set of parts. Published by Lush Life (JL.LL-1092). This version of Two O'Clock Jump is from the Harry James band of the 1950s, and has a much more relaxed and laid back feel then the original version. This number is great for swing dancing and grooves from start to finish. The opening Piano and Trumpet solos are written out for you, and the 12 bar Piano solo is from chords. We didn't write in the Piano solo from the earlier version, as it was inappropriate. This chart is graded medium difficult mainly because of the high Trumpet triplet runs which go from high Eb on the 2nd part, with the 8va option written onto the other 3 parts too. There are no sax doubles. Trumpets 1-4 Eb6, Eb6, A5, F#5 Trombones 1-4 Bb4, G4, E4, Db4.
$65.00

Genres: Swing, Jazz & Blues
Two O'Clock Jump by Count Basie and Harry James. By Count Basie, Benny Goodman, and Harry James. For Piano. Jazz; Nostalgia. 3 pages. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0007356). About Digital Print Sheet Music Digital Print is printable sheet music available anytime, anywhere. Just purchase, print and play! View your online sheet music at home, school, work or anywhere you have a computer connected to the Internet. With Digital Print, you can print your digital sheet music immediately after purchase, or wait until its convenient. And our software installation is easy - we'll guide you through the simple steps to make sure you have Adobe Flash Player, Adobe AIR and the Sheet Music Plus AIR application. Learn more
$3.99

Pages: 3
Instruments: Piano, Piano and Keyboard
Genres: Jazz & Blues, Swing
Two In The Dew by Tom Matta. For trombone ensemble (5 trombones and rhythm section). Swing. Score and set of parts. Published by UNC Jazz Press (NC.822). A medium-up swinger with challenging bass trombone figures, lots of independence and a burning soli/shout section. Great for blowing. Five trombones and rhythm.
$25.00

Genres: Swing, Jazz & Blues
Two For Oliver by George Shutack. For jazz ensemble (5 horns plus rhythm section) with optional flute, clarinet & F horn. Jazz Foundations Series. Swing. Very Easy. Score and set of parts. Duration 3 minutes, 29 seconds. Published by Kendor Music Inc (KN.41952). Feature any two players in your band on this chart that pays tribute to the great Oliver Nelson. Parts are provided to allow the choice of virtually any pairing of instruments on the featured duet. Rhythm section parts are notated with chords cued. Duration 3:29. About 2011 Midwest Clinic Performance Pieces This title was performed at the 2011 Midwest Clinic, the largest band and choral educational conference in the United States. Over thirty performances are given each year by diverse ensembles of varying levels - elementary school, high school, college, military and more. Each performance title is carefully selected and represents the very best in educational sheet music. The Midwest Clinic aims to raise the standards of music education while supporting teachers and music educators.
$42.00

Genres: Swing, Jazz & Blues
Two Bass Hit edited by Rob DuBoff and Jeffrey Sultanof. Arranged by Gil Fuller. For jazz band. Swing. Medium Difficult. Score and parts. Published by Jazz Lines Publications (JL.JLP-8695). This arrangement was recorded at one of the last sessions Dizzy Gillespie made for RCA Victor in 1947, before another recording ban took place during most of 1948. In 1949 J.J. Robbins & Sons published a stock arrangement of this tune that was nearly identical to the arrangement from Dizzy's book. The only major difference was that the published version was for 3 trumpets instead of 4. We have recreated the 4th trumpet part. Ranges: Trumpet 1 to D6; Trombone 1 to Bb4.Written for the Dizzy Gillespie Big Band.
$65.00

Genres: Swing, Jazz & Blues
Twisted Blues by Wes Montgomery Big Band. Edited by Jeffrey Sultanof. Arranged by Oliver Nelson. For jazz big band (2 alto saxophones, 2 tenor saxophones, baritone saxophone, 4 trumpets, 4 trombones, guitar, piano, bass, drums). Ranges: Trumpet 1 to Ab6, Trumpet 2 to E6, Trombone 1 to A4. Swing. Difficult. Score and parts. Published by Jazz Lines Publications (JL.JLP-8863). This Oliver Nelson arrangement was written for Wes Montgomery's 'Goin' Out of My Head' album of 1965. This is a great guitar showcase and features some very nice supporting ensemble passages. Trumpet 1 gets very high throughout (see the range below). There is an open guitar solo section.
$65.00

Genres: Blues, Swing, Jazz & Blues
Twisted Blues by Wes Montgomery. Arranged by Chip Henderson. For guitar ensemble (4 guitars, rhythm guitar, piano (optional), bass and drums). Swing. Level 2. Score and set of parts. Published by UNC Jazz Press (NC.2241). (Level II) This up-tempo arrangement is based on the classic Wes Montgomery altered blues. Guitars 1 and 2 play in octaves (ala Wes), with guitars 3 and 4 providing accompaniment. Solo section can be opened up for all ensemble members. Written for 4 guitars, rhythm guitar, piano (optional), bass, and drums. An alternate 5th guitar part is provided with basic voicings written out. Jazz Guitar Ensemble.
$40.00

Genres: Blues, Jazz & Blues, Swing
Twelve by Jack Cooper. For big band. This edition: Trumpet range to Eb6. Swing. Level 5. Score and set of parts. Published by UNC Jazz Press (NC.1933). (Level V) This is an interesting tune drummer Peter Erskine wrote over the chord changes to Cole Porter's famous popular standard Easy to Love\. Peter used the "twelve tone row" composition technique to compose this interesting melody. Jack's arrangement of this title is exciting, challenging and fun to play. Recorded on the critically acclaimed CD, Big Band Reflections of Cole Porter featuring Jack Cooper, Marvin Stamm, Sandra Dudley and the Jazz Orchestra of the Delta (Summit Records DCD 362). 9 Brass.
$55.00

Genres: Swing, Jazz & Blues
Tuxedo Junction by The Glenn Miller Orchestra. Arranged by Myles Collins. For big band. Swing. Medium Easy. Full score and set of parts. Published by Lush Life (JL.LL-1064). This is the true Glenn Miller version, complete with written out trumpet solos for 2nd and 3rd trumpets. The solos are cross-cued to the 1st and 4th parts too, giving your other players the chance to play them too. The transcription is accurate, right down to the little cameo piano & drum solo breaks. All dynamics are clearly marked, so your band can achieve the authentic Miller sound. We've included a complete mp3 too and the the sample score is the first 3 pages out of 10. A straightforward chart to play. Tuxedo Junction sounds best if the band is relaxed and doesn't rush the tempo!
$65.00

Genres: Swing, Jazz & Blues
Tuxedo Junction by Gene Krupa. Arranged by Myles Collins. For big band. Swing. Medium Easy. Full score and set of parts. Published by Lush Life (JL.LL-1113). More 'Bluesey' than the Miller version, this arrangement from the Gene Krupa orchestra makes a refreshing addition to any library. The chart features some lovely Guitar and Alto solo cameos and a solo spot for Clarinet (1st Tenor), plus some flowing brass choruses. Whilst the Miller-style Trombone plunger figures are nowhere to be found, the brass sections do have the chance to wave their rubber near the end of the chart, and the Trombones round the piece off with pedal note doo-wops. The saxes are scored for 3 Altos & 2 Tenors, and 1st Tenor doubles Clarinet. The Guitar solos are cued onto the Piano part should you lack a Guitarist. The brass ranges are very moderate and we have graded the piece as Easy / Medium, as the Clarinet solo (as written) gets a bit busy in one bar, though your player can always improvise over the chords instead. Swing @ 105 b.p.m. Ranges: Trumpets 1-4: C6, G4, F4, Eb4 Trombones 1-4: Bb4, Gb4, Eb4, C4.
$65.00

Genres: Swing, Jazz & Blues
Tuxedo Junction (Discovery Level 2). By Glenn Miller and Manhattan Transfer. Arranged by Mac Huff. 3-Part Mixed. Discovery Choral. 12 pages. Published by Hal Leonard (HL.8552327). From Glenn Miller to The Manhattan Transfer, this Discovery Series arrangement gives you an authentic setting for your younger choirs! Featuring the jazzy lead line supported by the “ba-bop” chorus and a written scat section, your singers will groove to this accessible chart! Available separately: 3-Part Mixed, 2-Part, VoiceTrax CD. Duration: ca. 2:50.
$1.75

Pages: 12
Instruments: Choir, Vocal
Genres: Adult Contemporary, Swing, Miscellaneous, Jazz & Blues
Tuxedo Junction (Discovery Level 2). By Glenn Miller and Manhattan Transfer. Arranged by Mac Huff. For Choral (VoiceTrax CD). Discovery Choral. CD only. Published by Hal Leonard (HL.8552329). From Glenn Miller to The Manhattan Transfer, this Discovery Series arrangement gives you an authentic setting for your younger choirs! Featuring the jazzy lead line supported by the “ba-bop” chorus and a written scat section, your singers will groove to this accessible chart! Available separately: 3-Part Mixed, 2-Part, VoiceTrax CD. Duration: ca. 2:50.
$26.99

Genres: Adult Contemporary, Swing, Miscellaneous, Jazz & Blues
By Manhattan Transfer. Arranged by Jerry Nowak. For SATB chorus, piano, guitar, bass and drums (SATB). Hal Leonard Choral. Choral. Adult Contemporary and Swing. Difficulty: medium. Octavo. Chord names. 12 pages. Published by Hal Leonard
$1.80

Pages: 12
Instruments: Choir, Piano, Guitar, Percussion, Drums, Vocal, Piano and Keyboard
Genres: Adult Contemporary, Swing, Miscellaneous, Jazz & Blues
Tune Town Shuffle by Count Basie. Arranged by Myles Collins. For big band. Swing. Medium. Full score and set of parts. Published by Lush Life (JL.LL-1134). Here is a fabulous swing dance chart from the Count Basie orchestra of 1941, and if you play to a dance crowd, then this chart is a must-have number. After a punchy opening, the tune itself is just so bouncy that it makes your feet tap without you realising. The chart also features a wonderful bridge, leading ito an ad-lib piano solo, then some great brass passages which give ample opportunity for plenty of fan-hat waving. The chart is then lifted higher by two chromatic key changes, an ad-lib Tenor solo and the final short shout chorus to finish. A rare jewel from the Count Basie book. There are no Sax doubles. Swing @ 160 b.p.m. Ranges: Trumpets 1-4: B5, B5, B5, B5 Trombones 1-4: Bb4, Bb4, Bb4, Db4.
$65.00

Genres: Swing, Jazz & Blues
Tschaikovsky's Piano Concerto by Glenn Miller. Arranged by Myles Collins. For big band. Swing. Medium. Full score and set of parts. Published by Lush Life (JL.LL-1174). A rare and beautiful chart from the Glenn Miller Orchestra, this chart was originally scored by Bill Finegan and is his iterpretation of Tschaikovsky's Piano Concerto No. 1. The arrangement is full of tonal and dynamic contrast, with a mix of raw brass energy and muted sectional playing, with some lush scoring in all the sections and of course the famous Miller reed sound with plunger brass figures behind the reed section. The piano has a couple of solo spots, but the chart is not a piano feature. The brass ranges are not too demanding, the second alto doubles clarinet, and baritone doubles alto. As with all Miller charts, precision and sectional discipline is required.
$65.00

Instruments: Piano, Piano and Keyboard
Genres: Classical, Swing, Jazz & Blues
Trumpet Boogie by Ray Anthony. Arranged by John Ferguson. For big band. Swing. Difficult. Full score and set of parts. Published by Lush Life (JL.LL-1169). Ray Anthony used this chart in much the same way as Harry James used Trumpet Blues - as a rousing sectional feature. It storms from start to end, and plays just as well at a slightly reduced tempo too. The arrangement also features improvised solos from Tenor and Trumpet, a cameo Piano solo in the intro, and some thundering sectional interplay. A great transcription from John Ferguson. Saxes are scored for a regular section and there are no sax doubles. The audio picks up into letter A. Ranges: Trumpets 1-4: Eb6, Db6, Db6, Bb5 Trombones 1-4: Ab4, Ab4, Ab4, Ab4.
$65.00

Instruments: B-Flat Trumpet, Trumpet, Brass
Genres: Swing, Jazz & Blues
Trumpet Blues And Cantabile by Harry James. Arranged by Myles Collins. For big band. Swing. Difficult. Full score and set of parts. Published by Lush Life (JL.LL-1063). A rip-snorting swing chart from the Harry James book. Trumpet Blues opens with a short band fanfare in half time, and then breaks into a driving swing boogie. The middle half-time Cantabile provides the contrast, but breaks back into swing boogie for the last choruses. A feature for your trumpet section, but be warned that they will need a few minutes to recover afterwards. You will need a good Trumpet section to play this arrangement. It is in the original Key of Bb, and modulates to D for the end choruses. A genuine crowd pleaser. Swing @ 180 - 210 b.p.m. Ranges: Trumpets 1-4 E6, D#6, B5, G#5 Trombones 1-4 Bb4, G4, F#4, F#.
$65.00

Instruments: B-Flat Trumpet, Trumpet, Brass
Genres: Blues, Swing, Jazz & Blues
True [Small Band Arrangement] by Paul Anka. Arranged by Cy Payne. For small jazz group with vocal. Swing. Medium Difficult. Published by Jazz Lines Publications (JL.PH-4175). True, by Gary Kemp, was the title track on Spandau Ballet's 1980s album of the same name and was a worldwide hit. To just say that this arrangement is 'Basie Style' does not do it justice. It is quite simply a perfect creation - right from the delicately phrased piano intro, followed by 9 bars of relaxed full ensemble with a walking bass line and Freddie Green style understated guitar before the vocal starts. The music then very gradually builds to a powerful ending. Brilliant! Also available for Small Band (4175). Vocal Key: . FVocal range: . D - ATrumpet range: . D#6Trombone range: . F#4.
$50.00

Genres: Swing, Jazz & Blues
True Love edited by Rob DuBoff. Arranged by Nelson Riddle. For jazz band with vocal soloist. Swing. Medium. Score and parts. Published by Jazz Lines Publications (JL.JLP-9198). In 1957 Dean Martin recorded the album 'This Time I'm Swingin' with studio orchestra arrangements supplied by Nelson Riddle. Here is the arrangement of True Love as recorded by Dean on that album. This has been published directly from the original score and parts. This arrangement features a full big band with a string section. We have included an optional synth part so that it may be played without the strings. Ranges: Trumpet 1: to C#6; Trombone 1: to B4.Recorded by Dean Martin.
$65.00

Genres: Swing, Jazz & Blues
Trinkle-Tinkle by The Thelonious Monk Big Band. Edited by Jeffrey Sultanof. Arranged by Oliver Nelson. For Big Band. Swing. Difficult. Full score and set of parts. Published by Jazz Lines Publications (JL.JLP-8368). Background: Thelonious Monk had gone from a quirky pianist/composer to international star, in many ways thanks to a Columbia Records recording contract that began in 1962. Like fellow jazz artists on the label such as Dave Brubeck and Miles Davis, worldwide distribution of his recordings resulted in important engagements and tours all over the globe. By 1968 however, Columbia Records was changing its focus with regard to jazz and popular music. The home of Tony Bennett, Andy Williams and Johnny Mathis as well as Brubeck and Davis was now the home of Janis Joplin, Simon and Garfunkel, The Byrds and Paul Revere and the Raiders, so Bennett, Mathis and company were now encouraged to modernize. Miles Davis was going in that direction anyway, so he would have little problem at the label in the years to come. Mathis and Williams went pop/rock by choosing their songs carefully and were quite successful. Bennett refused to be something he wasn't, and finished out his contract with no support from the label (one of the albums he made during this period was one of his finest, arranged and conducted by Robert Farnon; it was barely released in the U.S.). Brubeck just left the label. Thelonious Monk was in an unusual position at that time. He'd completed a problematic but successful international tour with an all-star octet/nonet, which was inexcusably not recorded by Columbia (some recordings from this tour are available on unauthorized CDs). He wasn't composing much new material, and Columbia wanted him to record songs written by the Beatles. His days were clearly numbered, but Columbia ended his contract with a bang: he made an album of his songs with big band. If anyone was a good fit to arrange the music of Thelonious Monk, (besides Hall Overton, arranger for Monk's appearances at Town Hall and Philharmonic Hall), it was Oliver Nelson. By 1968, Nelson was a resident of Los Angeles after spending many years as part of the New York jazz scene. A saxophonist who had a very wide musical range, from rhythm and blues to hard bop and concert music for chamber groups and symphonic orchestra, he continued to write for singers, tour with his own small and large ensembles, and was now writing for television and motion pictures. He must have been delighted to work with Monk, but it was clear that this album was to be done quickly. Nelson's arrangements are very straightforward (theme, solos, out-chorus), written for four reeds, six brass, guitar, bass, drums, and Monk. The album was recorded in three three-hour sessions, two of which were done in one day. The album itself received little publicity, and did not last long in the catalog. Notes to the Conductor: As stated above, these arrangements are not complex and can be easily prepared for concerts and competitions. They can be opened up for any and all soloists, not just piano, trumpet and tenor sax. We have chosen to leave the instrumentation the way Nelson had it (4 reeds, 3 trumpets, 3 trombones, guitar, piano, bass, drums); no optional parts have been added. When Nelson arranged these pieces, there were no lead sheets, so Monk played them for the arranger, who took them down. Several years ago, publisher Don Sickler prepared a folio of Monk lead sheets published by Thelonious Music and distributed by Hal Leonard; I was one of the editors who worked with Don. All melodies in these big band settings conform to the authorized versions of the compositions as published in the Monk fakebook. This arrangement is based on Oliver Nelson's original autograph score - this is not a transcription. Jeffrey Sultanof -February 2010.
$65.00

Genres: Swing, Jazz & Blues
Tricky Chris by Rich Matteson. For jazz ensemble (solos for alto saxophone, tenor saxophone and trumpet). This edition: Trumpet range to G5. Medium, Swing, Ideal For Young Bands/Choirs. Level 2. Score and set of parts. Published by UNC Jazz Press (NC.832). Medium tempo swing. Written solos for alto, tenor and trumpet.
$35.00

Genres: Swing, Jazz & Blues
Tribute to Duke Ellington by Barenboim; Reeves; Byron; Colnot. By Duke Ellington (1899-1974). Listening CD. Published by Teldec Classics (NX.3984252522). Release date: 2/5/99. About Listening CDs Listening CDs are traditional music recordings. Listening CDs make a great educational supplement - hear exceptional professionals play the music you're learning! Or, just enjoy listening to the music you love.
$16.99

Genres: Jazz & Blues, Standards, Swing
By Count Basie. Arranged by John Moss. Score and full set of parts.. Young Band (Concert Band). Grade 3. Published by Hal Leonard
$60.00

Genres: Swing, Jazz & Blues
Tribute by Bob Mintzer. For jazz ensemble; tenor saxes have optional flute doubles. Standard jazz ensemble; tenor saxes have optional flute doubles. Kendor Archive Editions. Basie Style Swing. Medium Advanced. Score and parts. Published by Kendor Music Inc (KN.52940). Recorded by the Bob Mintzer Big Band on the album Incredible Journey, this laidback Basie excursion starts with a 32-bar (expandable) piano solo backed by bass and drums before the ensemble joins in. Trumpet and trombone carry additional solos, the full-group writing is exceptional, and the ending has a big, full sound. Duration 10:30.
$75.00

Genres: Swing, Jazz & Blues