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Hey There by George Stone. For jazz ensemble (alto saxophone solo; woodwind doubles). This edition: Trumpet range to E6. Ballad, 3/4 time signature, Swing, Jazz. Level 4. Score and set of parts. Published by UNC Jazz Press (NC.1275). 9 brass, alto saxophone solo, woodwinds double, flute, brass doubles, flugelhorn, shout chorus.
$50.00

Genres: Swing, Jazz & Blues
Christmas in the Rain by Jason Heald. For jazz choir (SATB choir, a cappella). Christmas, Swing. Level 3. Set of 16 octavos. Published by UNC Jazz Press (NC.VJ1786). An original song arranged for a cappella SATB. It's a swinging arrangement that includes a female solo.
$40.00

Genres: Christmas, Swing, Miscellaneous, Jazz & Blues
If I Had You by The Dave Pell Octet. Arranged by Marty Paich. For jazz ensemble (Tenor Saxophone, Baritone Saxophone, Trumpet, Trombone, Piano, Bass, Drums, Guitar). Swing, Jazz. Medium Difficult. Score and parts. Published by Jazz Lines Publications (JL.JLP-8066).
$35.00

Genres: Swing, Jazz & Blues
Is There Life After Bebop? by Kubis. For jazz ensemble. Jazz Summit Series. Bright Swing. Advanced. Score and set of parts. Duration 2 minutes, 45 seconds. Published by Kendor Music Inc (KN.62345). In this tip-of-the-hat tribute to one of the most pivotal eras of jazz, classic bebop vocabulary is set in a bright swing feel for proficient groups. It includes an open solo section and a drum solo. Duration 2:45.
$56.00

Genres: Swing, Jazz & Blues
Just One Of Those Things by Rob McConnell and The Boss Brass. Edited by Rob DuBoff and Jeffrey Sultanof. Arranged by Rob McConnell. For big band. Swing, Jazz. Advanced. Score and parts. Published by Jazz Lines Publications (JL.JLP-7041). Well, what can you say about Rob McConnell's writing that hasn't already been said? His writing is consistently interesting, surprising, and swinging. This arrangement is a perfect example of why he was one of the most important writers of the second half of the 20th Century. He takes the Cole Porter standard Just One of Those Things and turns it on its head. For the first chorus Rob took an improvised solo and harmonized it for the reeds (ala Supersax). The arrangement drops down to half time with some nice swinging figures until it gradually starts to accelerate back to tempo I. This accelerando section (16 bars) will be tricky for any band to pull off but is an amazing effect. This arrangement features solos for trumpet 5 and trombone 5 (those parts were written for Guido Basso and McConnell himself). There is no getting around the fact that this arrangement will require work from even the most experienced bands. There are reed doubles, some meter changes, tempo changes, and high range notes for brass. But, if you have the time and players this would be a standout piece for any festival or concert Ranges: Trumpet 1: to E6, Trumpet 2: to C6, Trombone 1: to Bb4.
$75.00

Genres: Swing, Jazz & Blues
The East Side / The West Side by The Jazz Interactions Orchestra. Edited by Rob DuBoff and Jeffrey Sultanof. Arranged by Oliver Nelson. For big band. Swing, Jazz. Medium. Score and parts. Published by Jazz Lines Publications (JL.JLP-7096). This arrangement by Oliver Nelson was recorded by the Jazz Interactions Orchestra in 1967, an ensemble led by pianist Billy Taylor. Set in a modal 9/8 groove (with two measures of 4/8 thrown in) this chart features a lengthy alto saxophone solo (played by Phil Woods on the recording) with nice backgrounds. Also featured is vibraphone. Oliver wrote this arrangement (and the others from this recording session) for two bass players (played by Ron Carter and George Duvivier). Throughout this particular arrangement one bass player is arco and the other is pizz. There are no instrument doubles. Ranges: Trumpets 1 & 2: to D6; Trombones 1 & 2: to C5.
$48.75

Genres: Swing, Jazz & Blues
The East Side / The West Side by The Jazz Interactions Orchestra. Edited by Rob DuBoff and Jeffrey Sultanof. Arranged by Oliver Nelson. For big band. Swing, Jazz. Medium. Score. Published by Jazz Lines Publications (JL.JLP-7096S). This arrangement by Oliver Nelson was recorded by the Jazz Interactions Orchestra in 1967, an ensemble led by pianist Billy Taylor. Set in a modal 9/8 groove (with two measures of 4/8 thrown in) this chart features a lengthy alto saxophone solo (played by Phil Woods on the recording) with nice backgrounds. Also featured is vibraphone. Oliver wrote this arrangement (and the others from this recording session) for two bass players (played by Ron Carter and George Duvivier). Throughout this particular arrangement one bass player is arco and the other is pizz. There are no instrument doubles. Ranges: Trumpets 1 & 2: to D6; Trombones 1 & 2: to C5.
$20.00

Genres: Swing, Jazz & Blues
Don't Get Sassy in Bb by Thad Jones. Arranged by Mike Carubia. For jazz ensemble. Thad Jones Series. Jazz/Swing. Grade 4. Extra full score. Duration 3 minutes, 14 seconds. Published by SmartChart Music (S3.SCM-1005-01). The second and more difficult of the two "Sassy's". This one mirrors Thad's original in form and style. Slightly richer voicings than SCM-1001 but not an overly high lead trumpet part.
$6.00

Genres: Swing, Jazz & Blues
Swingin' at the Club by Mike Carubia. For jazz ensemble. Jazz Arrangements Series. Jazz/Swing. Grade 3.5. Score and parts. Duration 3 minutes. Published by SmartChart Music (S3.SCM-1052-00). Medium fast modern swing chart with lots of unison and ensemble passages making this very playable.
$47.00

Genres: Swing, Jazz & Blues
Swingdom by Carl Strommen. For jazz ensemble. Jazz Arrangements Series. Jazz/Swing. Grade 3. Score and parts. Duration 2 minutes, 48 seconds. Published by SmartChart Music (S3.SCM-1056-00). An easy Basie/Nestico style swinger at a Med Fast tempo. Brass ranges are very comfortable with lots of unisons and full ensemble sections.
$47.00

Genres: Swing, Jazz & Blues
Sweet Lucy Brown by Mike Carubia. For jazz ensemble. Jazz Arrangements Series. Jazz/Swing. Grade 4.5. Score and parts. Duration 2 minutes, 34 seconds. Published by SmartChart Music (S3.SCM-1066-00). For band directors who have a good rhythm section and at least one soloist capable of handling a fast tempo, this one makes a great vehicle to show off your strong soloist(s). Based on the changes to "Sweet Georgia Brown". A written solo is provided for all instruments in case you want to motivate your players to earn a solo feature for one or more of them. The accompaniment parts are quite easy if your rhythm section is swinging.
$47.00

Genres: Swing, Jazz & Blues
Darn That Dream by Keith Bishop. For jazz combo (trumpet, alto saxophone, tenor saxophone and trombone with rhythm section). Swing, Up Tempo. Score and set of parts. Published by UNC Jazz Press (NC.103). Starts as a ballad, goes into double-time for the balance of the chart. Trumpet, alto, tenor and trombone with rhythm section. Features trombone.
$25.00

Genres: Swing, Jazz & Blues
Have You Met Miss Jones? by Keith Bishop. For jazz combo (trumpet, alto saxophone, tenor saxophone, trombone and rhythm section). Swing. Score and set of parts. Published by UNC Jazz Press (NC.104). Medium tempo swing version of this great standard scored for trumpet, alto, tenor, trombone, and rhythm section.
$25.00

Genres: Swing, Jazz & Blues
In The Tradition by Steve Owen. For jazz ensemble. This edition: Trumpet range to F6. Swing. Level 4. Score and set of parts. Published by UNC Jazz Press (NC.1044). (8 Brass) (Level 4) All the elements of progressive mainstream jazz combine in this fiery composition honoring Mr. Leon Breeden and his many years of service to the jazz community. Wasting no time, this swinger goes immediately for the throat. An aggressive head gives way to wide open solo changes and a wild interchange between the wind and drums before pulling out all stops. Recorded on NTSU's Lab 88 and UNC's Alive VIII CD. No doubles.
$55.00

Genres: Swing, Jazz & Blues
Just Friends by Roger Pemberton. For jazz ensemble. This edition: Trumpet range to F#6. Swing. Level 3. Score and set of parts. Published by UNC Jazz Press (NC.1055). (8 Brass) (Level 3) A medium-up tempo swinger that features the sax section. There are open solos and some straight-ahead shout choruses.
$50.00

Genres: Swing, Jazz & Blues
Something For Thad by Scott Reeves. For jazz ensemble. This edition: Trumpet range to D6. Jazz, Swing, Medium Tempo, Medium Swing. Level 4. Score and set of parts. Published by UNC Jazz Press (NC.1087). (10 Brass) (Level 4) An exciting, extensive chart on rhythm changes with two choruses of sax soli, a tutti shout chorus and solo space for piano and trumpet done in a Thad Jones style. Winner of the 1987 C.A.J. Composition/Arrangement Award, University of Northern Colorado.
$45.00

Genres: Swing, Jazz & Blues
Alice In Wonderland by Eric Richards. For jazz ensemble. This edition: Trumpet range to F#6. Swing. Eric Richards Series. Level 4. Score and set of parts. Published by UNC Jazz Press (NC.1099). (9 Brass) (Level 4) This concert piece was originally written for MSG Bobby Smith of the Army Blues in Washington, D.C. It has since been performed by the USAF Airmen of Note, the Army Jazz Ambassadors, the University of North Florida and other professional and university level ensembles. It opens with a rubato solo piano statement of the melody which progresses into a post-bop swing feel. After two choruses of solo piano, the brass section plays an a cappella soli in the style of Rob McConnell.
$55.00

Genres: Swing, Jazz & Blues
Dark City by Keith Bishop. For jazz combo (trumpet, alto saxophone, tenor saxophone, trombone, piano, bass and drums). Swing, Medium Tempo, Shuffle, Blues, Jazz. Score and set of parts. Published by UNC Jazz Press (NC.111). Original medium-tempo shuffle blues featuring alto and trombone with written backgrounds and ensemble "out chorus." Scored for trumpet, alto sax, tenor sax, trombone, piano, bass and drums.
$25.00

Genres: Blues, Swing, Jazz & Blues
Paradigm Shift by Eric Richards. For jazz ensemble. This edition: Trumpet range to G6. Contemporary, Jazz, Funk, Swing. Eric Richards Series. Level 4. Score and set of parts. Published by UNC Jazz Press (NC.1110). (9 Brass) (Level 4) This piece was inspired by the innovative and exciting playing of Steve Fidyk, drummer, with the U.S. Army Blues and Todd Harrison, drummer, with the U. S. Army Jazz Ambassadors. Paradigm Shift is a challenging, contemporary chart set in a Yellowjackets "swing/funk" feel which features high energy overdrive guitar (opt. tenor saxophone) in addition to drums. For mature bands only. Paradigm Shift is an exciting way to end a festival or concert appearance. No woodwind doubles other than soprano saxophone on Reed 1.
$60.00

Genres: Swing, Jazz & Blues
Moondance arranged by Eric Richards. For jazz ensemble (with vocal solo). This edition: Trumpet range to F#6. Swing. Eric Richards Series. Level 4. Score, vocal part and set of parts. Published by UNC Jazz Press (NC.1118). (9 Brass) (Level 4) An adaptation and expansion of the famous Van Morrison tune, based on a recording by Bobby McFerrin. This arrangement begins in an ethereal "floating" swing style and evolves into a hard swinging modal feel. It features a saxophone soli, and a powerful ensemble soli reminiscent of McCoy Tyner. Key of C.
$50.00

Genres: Swing, Jazz & Blues
Minor Surgery by Bert Seager. Arranged by Marty Robinson. For jazz ensemble (trumpet and tenor saxophone solos). This edition: Trumpet range to D6. Medium Tempo, Swing, Jazz. Level 4. Score and set of parts. Published by UNC Jazz Press (NC.1137). (8 Brass) (Level 4) Medium swing arrangement of Bert Seager's tune recorded on Because They Can by the Bert Seager Quintet. Winner of the 1992 downbeat Magazine Award for "Best Student Arrangement." Features trumpet and tenor sax solos along with a sax soli transcription of trumpeter, Tim Hagan's, original solo. Difficult chord changes and tricky ensemble passages.
$50.00

Genres: Swing, Jazz & Blues
Santiago Side Step by Les Sabina. For jazz ensemble (soprano saxophone (optional alto saxophone) and tenor saxophone solos). This edition: Trumpet range to E6. Up Tempo, Contemporary, Afro Latin, Swing, Jazz, Latin. Level 4. Score and set of parts. Published by UNC Jazz Press (NC.1155). (8 Brass) (Level 4) An up-tempo, contemporary tune alternating between Afro-Latin and swing grooves. Interesting changes and shout section. Solos for soprano (opt. Alto I) and tenor. This piece was an award winner in the 1989 IAJE Composition Contest.
$50.00

Genres: Latin, Swing, Jazz & Blues
Summertime by Ken Schaphorst. For jazz choir and big band (SSAA choir with large jazz ensemble). This edition: Trumpet range to C6. Jazz, Swing, Slow. Level 3. Score and set of parts. Published by UNC Jazz Press (NC.1173). (9 Brass) (Level 3) This reharmonization of Gershwin's lullaby for voices and big band features a vocal solo with improvised responses by trumpet. Clarinet lead. Optional marimba part. SSAA choir with large jazz ensemble.
$65.00

Genres: Swing, Jazz & Blues
Bats by Ken Schaphorst. For big band (trumpet and tenor saxophone solos). This edition: Trumpet range to C6. Up Tempo, Jazz, Swing. Level 3. Score and set of parts. Published by UNC Jazz Press (NC.1175). (7 Brass) (Level 3) This angular, Giant Steps-influenced, up tempo composition requires a strong rhythm section as well as strong trumpet and tenor soloists. Recorded on Ken Scahphorst Big Band: Purple, featuring Andy Gravish on trumpet and Donny McCaslin on tenor. Optional organ part.
$55.00

Genres: Swing, Jazz & Blues