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Making the Band Vol. 13 No. 5 - March/April 2013 (Student Magazine 10-Pak). By Bon Jovi and Les Paul. By Claude Bolling, John Jacobson, and Roger Emerson. Arranged by Emily Crocker and John Higgins. Student 10Pk. Music Express. Published by Hal Leonard (HL.9971778). Songs: Making the Band, Livin' on a Prayer, Arirang, Let It Grow (Celebrate the World) (from The Lorax), The Boatman, Musical Planet: Korea, Spotlight on Les Paul's House of Sound, Listening: Baroque and Blue (Claude Bolling). Teacher Magazine includes Lesson Plans correlated to the National Standards plus more songs and activities, and 1 Enhanced Audio CD that includes PDFs of selected material. Digital and Premium Paks include and Interactive Student Magazine on DVD-ROM for projection in the music classroom.
$12.00

Genres: Swing, Metal, Hard Rock, Jazz & Blues, Rock
Something Modal by Ryan Meeboer. For 2 Euphoniums, 2 Tubas. Brass Ensemble - Other; Part(s); Quartet; Score. Eighth Note Publications. Swing. 20 pages. Published by Eighth Note Publications (AP.81-LBE1239). ISBN 1554738296. Swing. "Something Modal" is a laid-back jump swing chart. The melodies and backgrounds are very simple, yet very catchy. Chord changes are simple enough to open up opportunities for players to practice and show off their improvising abilities.
$12.00

Pages: 20
Genres: Swing, Jazz & Blues
Streetcar by Mark Mazur. For guitar ensemble (5 guitars (5th optional), bass and drums). Contemporary, Jazz, Swing, Up Tempo. Score and set of parts. Published by UNC Jazz Press (NC.854). A contemporary, up-tempo swing chart that gets the attention of the listeners immediately. It contains ample solo space with easy to follow changes (a 12-bar blues in C). A solo section composed of two choruses of guitars only (no rhythm section) cooking on some great lines. This chart is for the intermediate to advanced ensemble. Five guitars (5th is optional), bass, drums.
$20.00

Genres: Swing, Jazz & Blues
Holler When You're Ready by Mark Mazur. For guitar ensemble (5 guitars (5th optional), bass and drums). Swing, Up Tempo, Fast, Bebop, Jazz. Score and set of parts. Published by UNC Jazz Press (NC.851). An up-tempo, bebop chart that should be played as fast as possible. A challenging chart for guitar ensemble with solo sections that can be opened up for everyone. Five guitars (5th is optional), bass drums.
$20.00

Genres: Swing, Jazz & Blues
In A Mist by Bix Beiderbecke. Arranged by Tommy Kamp. For jazz combo (solo vibraphone, solo Bb or C clarinet, piano, acoustic bass and drums). Swing. Score and set of parts. Published by UNC Jazz Press (NC.644). This arrangement of Bix Beiderbecke's 1927 classic was written for Eddie Daniels and Gary Burton's recorded tribute to Benny Goodman, Benny Rides Again (GRP, 1992). With its impressionistic harmonies, introspective melodies and contrasting rubato and swing-tempo sections, In a Mist becomes in Leonard Feather's words "a mini-concert" for the two solo instruments. Solo vibraphone, solo Bb or C clarinet, piano, acoustic bass and drums. An optional piano part for quartet without vibraphone is included.
$20.00

Genres: Jazz & Blues, Swing
Road Work by David Glenn. For jazz ensemble (alto saxophone, tenor saxophone, trombone and rhythm section). Swing. Score and set of parts. Published by UNC Jazz Press (NC.540). For alto sax, tenor sax, trombone and a rhythm section. Hard-driving swing tune with easy to hear chord changes. Good for both the experienced and less experienced improvisers. Contrapuntal melody with an ensemble shout chorus. Reminiscent of Art Blakey and the Jazz Messengers.
$20.00

Genres: Swing, Jazz & Blues
Closer To The Sun by Rex Cadwallader. For jazz combo (alto saxophone, synthesizer I and II, bass, and drums). Up Tempo, Swing, Contemporary, Jazz. Score and set of parts. Published by UNC Jazz Press (NC.191). Up-tempo swing in a contemporary format, this chart provides challenges for every member of the combo. Parallel (not unison) lines for alto sax, bass and synthesizer in the head, and powerful synthesizer and drum parts give drive to this exciting piece. Solos for drums, alto sax and synthesizer. Alto sax, synthesizer I and II, bass, and drums.
$20.00

Genres: Swing, Jazz & Blues
Relaxin' At The Casa Del Rio by Tim Walters. For jazz combo (alto saxophone, trumpet and rhythm section). Swing, Jazz. Score and set of parts. Published by UNC Jazz Press (NC.1521). Alto sax, trumpet and rhythm section is the instrumentation of this medium to difficult swing chart. Sounds easy, but the chords are tricky.
$20.00

Genres: Swing, Jazz & Blues
Uptick by John Salerno. For jazz combo (soprano saxophone and flute with rhythm section). Swing. Score and set of parts. Published by UNC Jazz Press (NC.1169). An original by John written with the "ticker tape" in mind. This up-tempo, multi-metered tune features intricate weaving lines between the flute and soprano sax. It is a very intense and exciting chart. Recorded by Open Interest. Soprano sax and flute with rhythm section.
$20.00

Genres: Swing, Jazz & Blues
Softly, As A Morning Sunrise arranged by John Salerno. For jazz combo (tenor saxophone, trombone and rhythm section). Swing, Contemporary, Standard, Jazz, Up Tempo. Score and set of parts. Published by UNC Jazz Press (NC.1168). A contemporary arrangement of this great standard tune. Featuring contrapuntal tenor sax and trombone lines, this chart is a refreshing learning tool which is sure to be a crowd pleaser. Written for tenor saxophone, trombone and rhythm section.
$20.00

Genres: Swing, Jazz & Blues
My Blue Heaven by The Jimmie Lunceford Orchestra. Edited by Jeffrey Sultanof and Rob DuBoff. Arranged by Sy Oliver. For big band with vocal trio. Swing, Jazz. Medium. Score. Published by Jazz Lines Publications (JL.JLP-9283S). Sy Oliver was the chief arranger for the Jimmie Lunceford band from 1934 though 1939. Many of Sy’s compositions and arrangements are classics, which he wrote and copied for the princely sum of $2.50! In December of 1935, the Lunceford organization recorded one of the great hits of the swing era, My Blue Heaven, which had been popular several years earlier. Oliver was a master at taking older songs and reinvigorating them for Lunceford, and later the Tommy Dorsey Orchestra. My Blue Heaven stayed in the Lunceford band book until the band broke up in the early fifties. Sometime in the late 1940s, several Lunceford classics were recopied, no doubt because the original parts were worn out, torn up, or simply marked up and unreadable. This edition of My Blue Heaven derives from these new parts, indicating how the band played this classic years after the original recording. Jeff Sultanof transcribed parts that were missing, as well as changing some things back to the way the band originally played this in 1935. The vocal parts were originally sung by members of the band. 3 separate vocal parts have been provided (lead vocal accompanied by a vocal duet). This is a classic arrangement from the Swing Era.
$20.00

Genres: Swing, Jazz & Blues
Please Don't Talk About Me When I'm Gone (Score) edited by Rob DuBoff and Jeffrey Sultanof. Arranged by Nelson Riddle. For jazz studio orchestra. Recorded by Dean Martin. Swing. Medium Difficult. Score. Published by Jazz Lines Publications (JL.JLP-9197S). In 1960 Dean Martin recorded the album 'This Time I'm Swingin' with studio orchestra arrangements supplied by Nelson Riddle. Here is the arrangement of Please Don't Talk About Me When I'm Gone as recorded by Dean on that album. This has been published directly from the original score and parts. This arrangement features a full big band with a string section. We have included an optional synth part so that it may be played without the strings. Ranges: Trumpet 1: to Db6; Trombone 1: Cb5.
$15.00

Genres: Classical, Swing, Jazz & Blues
Come Rain Or Come Shine (Score) edited by Rob DuBoff and Jeffrey Sultanof. Arranged by Frank DeVol. For jazz studio orchestra with vocal. Recorded by Peggy Lee. Swing. Medium. Score. Published by Jazz Lines Publications (JL.JLP-9099S). This Frank DeVol arrangement was written for Peggy Lee's 1946 Capitol recording session in Hollywood, CA. Featured along with the vocal is alto saxophone. What sounds like the alto saxophonist (Skeets Herfert) soloing was actually entirely written out by DeVol. We have included the chord changes in the event that your alto player would like to improvise instead. Originally, this arrangement was written for 2 trombones. Sometime later on, DeVol revised the arrangement for a performance by Helen O'Connell (whom he was married to) and added a 3rd trombone part. We have retained this modification of the arrangement. Trumpets and trombones need plunger mutes. This arrangement is based on the original score and parts. Ranges: Trumpet 1: to C#6; Trombone 1 & 2: to A4; Vocal Key: B flat.
$15.00

Genres: Classical, Swing, Jazz & Blues
Bernie's Tune (Score) edited by Ted Hogarth, Rob DuBoff and Jeffrey Sultanof. Arranged by Bill Holman. For big band. Written for the Gerry Mulligan Concert Jazz Band. Swing. Medium Difficult. Score. Published by Jazz Lines Publications (JL.JLP-8891S). In 1960, Bill Holman was flown to New York from California to help build up the book for Gerry Mulligan's Concert Jazz Band. Bernie's Tune was probably written during this period. From all accounts, this arrangement was rarely if ever played. Mulligan's concept of the Concert Jazz Band was a 'large' small group. He wanted the enlarged sound of several musicians with the looseness of the rhythm section found in small groups, particularly his own quartet and sextet. Bernie's Tune in particular is an opportunity for improvisation for baritone sax (Mulligan), tenor sax (perhaps Zoot Sims), trumpet (Conte Candoli?) and trombone (Bob Brookmeyer). This is a straightforward version of the well-known tune, with classic Holman counterpoint. There is a gag at the end when the band launches into an old-timey version of Julius Fucik's Entry of the Gladiators. Ranges: Trumpet 1: to C6; Trombone 1: to Ab4; Trombone 2: to A4.
$15.00

Genres: Swing, Jazz & Blues
The One I Love Belongs To Somebody Else by The Jimmie Lunceford Big Band. Arranged by Tadd Dameron. For big band. Swing, Jazz. Medium Difficult. Score. Published by Jazz Lines Publications (JL.JLP-8883S). Tadd Dameron was one of the most influential composer/arrangers in American music. Born in 1917, he wrote for bands led by Jimmie Lunceford, Count Basie, Billy Eckstine (many original compositions later performed by the Dizzy Gillespie Orchestra were originally written for Eckstine), Ted Heath and Tommy Dorsey. He also arranged for Sarah Vaughan, Pearl Bailey and the underrated Kay Penton. Dameron led various groups for live gigs and recordings, and the musicians he played with constituted a who’s who of jazz. At one time or another his ensembles included Fats Navarro, Freddie Webster, Charlie Rouse, Kenny Clarke, Kai Winding, Wardell Gray, J.J. Johnson, Dexter Gordon, Miles Davis, Kenny Dorham, John Coltrane and Clifford Brown. This arrangement of the Isham Jones/Gus Kahn standard was most likely written in 1942 as at that time Tadd Dameron was writing for the Jimmie Lunceford Orchestra. The arrangement was never recorded, but, due to the wear on the parts, it was clearly performed live on numerous occasions. It is not entirely clear as to why the arrangement wasn't recorded, though it is possible that the reason is that it was written during the recording ban. The next time the Lunceford ensemble would be in the studio for a recording date wasn't until February 1944 - almost two years after this arrangement was most likely written. Dameron crafted a swinging, interesting take on the standard. The trombone section states the melody for the first chorus with nice ensemble hits and backgrounds. The arrangement moves through three key centers: G, Eb, and Gb. While there are no lengthy solos (tenor sax has a 4-bar cameo solo), there is a great 1/2 chorus saxophone soli. This arrangement should appeal to medium level groups as the ranges are modest. Ranges: Trumpet 1: to C6; Trombone 1: to Bb4.
$20.00

Genres: Swing, Jazz & Blues
Stratosphere (Score) edited by Jeffrey Sultanof and Rob DuBoff. Arranged by Eddie Wilcox. For big band. Recorded by Jimmie Lunceford. Swing. Difficult. Score. Published by Jazz Lines Publications (JL.JLP-8732S). Here is one of the most famous and groundbreaking big band arrangements from the early swing era. Written in 1934 by pianist Eddie Wilcox, this arrangement was a novelty number for the band showcasing the reeds and trumpets. The syncopation will require special attention, especially by trumpets 1 and 2 who play against each other. Alto 1 doubles on clarinet. If you're looking for a fast showcase for your band, this is it! Ranges: Trumpet 1: to C6; Trombones 1 and 2: to Bb4.
$20.00

Genres: Swing, Jazz & Blues
Jazz Goes To Siwash (Score) edited by Jeffrey Sultanof. Arranged by Bill Holman. For jazz octet. Recorded by the Dave Pell Octet. Swing. Medium Difficult. Score. Published by Jazz Lines Publications (JL.JLP-8586S). Here is the Bill Holman swing arrangement for the Dave Pell Octet recorded on the Pell of a Time album in 1957. This chart features solos for tenor, trumpet, trombone, baritone, and guitar. This has been fully edited and engraved from the original parts and includes a full score. This is not the facsimile edition that was previously offered.
$15.00

Genres: Swing, Jazz & Blues
East Of The Sun (Score) edited by Rob DuBoff and Jeffrey Sultanof. Arranged by Jack Montrose. For jazz octet (4 Horns with Rhythm Section). Recorded by the Dave Pell Octet. Swing. Medium. Score. Published by Jazz Lines Publications (JL.JLP-8552S). Here is the Jack Montrose arrangement for the Dave Pell Octet recorded on the Jazz Goes Dancing album in 1956. This has been fully edited and engraved from the original parts and includes a full score. This is not the facsimile edition that was previously offered.
$15.00

Genres: Swing, Jazz & Blues
Bop Bounce [Aka Harlequin Bounce] by Benny Carter. Arranged by Benny Carter. For big band. Swing, Jazz. Advanced. Score. Published by Jazz Lines Publications (JL.JLP-8496S). This brilliant bebop arrangement was written by Benny in 1948 for a broadcast on Armed Forces Radio. The big band featured tenor saxophonist Dexter Gordon. This arrangement is much in the syle of the charts that were recorded by the bebop big bands of Dizzy Gillespie and Billy Eckstine. Sometime after it was recorded Benny changed the title to Harlequin Bounce. It was then recorded in part for a video short, put together with Carter's arrangement of Congero. The reeds are featured playing the melody with the brass providing punching accents. This chart showcases some intricate unison lines in both reeds and brass. These sections will take a considerable amount of work to get it right. If your band can put it together this would make a great festival or concert piece. Solos are for piano, trombone, tenor saxophone, and the solo alto. Ranges: Trumpets 1-3: Eb6; All Trombones: Bb4.
$20.00

Genres: Swing, Jazz & Blues
Rose Of The Rio Grande (Score) edited by Jeffrey Sultanof and Rob DuBoff. Arranged by Gerry Mulligan. For big band. Recorded by the Claude Thornhill Orchestra. Swing. Medium Difficult. Score. Published by Jazz Lines Publications (JL.JLP-8455S). Rose of the Rio Grande was probably written in 1948, but could have been written a little later. Frankly, it is an amazing score, certainly one of the greatest arrangements Mulligan ever wrote, but also reflective of his maturity as a writer. The introduction alone sounds like it was written twenty years later; it is so unique for its time that the rest of the arrangement almost sounds like an anti-climax, except that Mulligan also wrote one of the great out-choruses in big band history for this setting. He knew how good it was, since he reused it for his own composition Swing House written for Stan Kenton in 1952. This arrangement would not be recorded by Thornhill until 1953 for Albert Marx's Trend label. Alto sax 1 doubles on clarinet. The brass instrumentation is: 3 trumpets, 2 horns in F, 2 trombones, and tuba. We have included optional alternate parts for the horns in F and tuba (see below). Ranges: Trumpet 1: to A6; Trombone 1: to Ab4.
$20.00

Genres: Swing, Jazz & Blues
Walkin' Shoes by Art Pepper. Arranged by Marty Paich. For little big band. Swing, Jazz. Medium. Score. Published by Jazz Lines Publications (JL.JLP-8410S). In 1959 Art Pepper recorded 12 tunes backed by an 11-piece 'little big band.' The Marty Paich charts focused on 'Modern Jazz Classics' including this arrangement of the Gene Ammons composition 'Gravy' [AKA Walkin']. This arrangement featured Art Pepper on tenor sax. We have included third trumpet and trombone parts as alternates for the horn in F. This has been edited and engraved from the original score and parts as supplied to us by Laurie Pepper.
$20.00

Genres: Swing, Jazz & Blues
I'm Getting Sentimental Over You by The Terry Gibbs Dream Band. Arranged by Marty Paich. For big band. Swing, Jazz. Medium. Score. Published by Jazz Lines Publications (JL.JLP-8393S). Here is Marty Paich's arrangement as written for the Terry Gibbs Dream band and recorded in 1959 live in Hollywood, CA (released on Vol. 3, Flying Home). This ballad arrangement by Paich is only one chorus. It may be opened up for any number of choruses in front of the arrangement. The vibraphone is the only featured instrument in this chart.Ranges: Trumpet 1: D6; Trombone 1: to Ab4.
$20.00

Genres: Swing, Jazz & Blues
Day In, Day Out by The Terry Gibbs Dream Band. Edited by Jeffrey Sultanof and Rob DuBoff. Arranged by Bill Holman. For big band. Swing, Jazz. Difficult. Score. Published by Jazz Lines Publications (JL.JLP-8391S). Here is Bill Holman's arrangement as written for the Terry Gibbs Dream band and recorded in 1961 live at the Summit Club (released on Vol. 4, Main Stem. This is a brilliant and exciting arrangement by Holman featuring a lot of counterpoint and band interplay. This would make a great festival or competition piece!
$20.00

Genres: Swing, Jazz & Blues
Chicago (Score) edited by Rob DuBoff and Jeffrey Sultanof. Arranged by Fletcher Henderson. For big band. Recorded by Benny Goodman. Swing. Difficult. Score. Published by Jazz Lines Publications (JL.JLP-8338S). This Fletcher Henderson arrangement of the Fred Fisher standard Chicago, was performed live by Benny Goodman in 1935. This is a great arrangement by Henderson that features clarinet, as well as solo spots for tenor saxophone and trumpet. Since there was no baritone saxophone part for this arrangement we have decided to put the solo clarinet part on reed 5. All reeds double on clarinet during a 'choir' soli section. Ranges: Trumpet 1: to D6; Trombone 1: Bb4.
$15.00

Genres: Swing, Jazz & Blues