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Let's Face The Music And Dance by Ella Fitzgerald. For big band with vocal. Published by Jazz Lines Publications (JL.LL-2296). Let's Face The Music is another priceless Ella chart, transcribed from her Irving Berlin Songbook album. The original arrangement was by Paul Weston , and calls for Flute and Clarinet doubles in the reeds - Alto 1 / Flute, Alto 2 & Tenors / Clarinet, Bari / Bass Clarinet. However, we have printed the reed parts double-sided with a "no double" option on the reverse, making the chart playable with a regular AATTB section. We have also written out the Piano solo which comes after the first vocal chorus, though your player can improvise from the chords provided, if preferred. The vocal key is F.
$65.00

Genres: Jazz & Blues, Standards
Quando, Quando, Quando by Michael Buble. For big band. Published by Jazz Lines Publications (JL.PH-4220). This is an adapted arrangement by Cy Payne of the Michael Buble/Nelly Furtado relaxed number from the 'It's Time' album. This chart keeps to the same key, duet layout, and feel of the original version, but, with carefully added phrased muted brass, sax backings and fills, plus a written out lyrical alto solo as well as optional synth strings. Features alto saxophone. Ranges: Trumpet range: G5 Trombone range: F4 Vocal key: Bb.
$75.00

Genres: Standards, Jazz & Blues
My Gal Sal by Bobby Darin. Arranged by Myles Collins. For big band with vocal. Swing. Medium. Published by Lush Life (JL.LL-2365). Here is Bobby Darin's great take on My Gal Sal, a song normally associated with a more trad / dixie setting. This version is a mid-tempo swinger that features the vocalist all the way. Unusually, the singer has to pitch the first note, (so a cue from your pianist might help out) and what sounds like the intro is actually the first 8 of the chorus. A novel concept which works really well. Although at just over two minutes it's not a long chart, the length is perfect for the arrangement. We have written the vocal part "as sung" by Darin. Lead Alto is written to double flute at the start, and we have cross-cued the piano part in case your alto player doesn't double flute. The vocal key is F. Style: . Swing @ 135 b.p.m.Ranges:Trumpets . 1-4: . D6, A5, G5, D5Trombones . 1-4: . Bb4, G4, E4, C4Vocal key: FVocal Range: A2 - F#4 (13 steps as sung).
$65.00

Genres: Pop, Standards, Swing, Jazz & Blues
Lullaby Of Broadway by Ella Fitzgerald. Edited by Jon Harpin. Arranged by Frank Devol. For big band with vocal. Swing. Medium. Published by Lush Life (JL.LL-2362). Artfully transcribed by Jon Harpin from the original Fank DeVol arrangement, this Ella Fitzgerald chart swings hard from start to finish. Much use is made of unison sax & trombone riffs which add bucket loads of drive and pulse to the chart. The muted trumpet solo is writen out in full, though your player can improvise one from the chords provided. The screaming lead trumpet line (which sounds an octave above the rest of the brass) is as an optional 8va. Alto 1 doubles clarinet. The vocal keys are Bb and Eb.Ranges:Trumpets 1-4: E6, C6, Bb5, Bb5Trombones 1-4: Ab4, Ab4, Ab4, Db4Vocal key: Bb-EbVocal Range: G3 - Eb5 (13 steps as sung).
$65.00

Genres: Broadway, Jazz & Blues, Standards, Swing
Get Me To The Church On Time by Ella Fitzgerald. Edited by Jon Harpin. Arranged by Nelson Riddle. For big band with vocal. Swing. Difficult. Published by Lush Life (JL.LL-2361). We are pleased to offer Rosemary Clooney's hard-swingin', foot-tappin' version of Get Me To The Church On Time. Lovingly transcribed and adapted by Jon Harpin from the Nelson Riddle original, this charts is a belter of a vocal number. The church / tubular bells of the Riddle original (which are pretty key to making the chart convincing) have been scored onto the piano part, and if your pianist uses a keyboard a good bell sound at the appropriate times will sound great. There are a couple of cameo solos - trumpet 2 and alto 2 on flute - both written out, though the alto 2/flute is really only optional, to add a bit of tonal color. The chart is a reasonably tough blow, but fairly straight-ahead. The vocal key is D throughout.Ranges:Trumpets 1-4: F#6, C#6, C#6, G#5 Trombones 1-4 C#5, A4, G4, E4 Vocal key Bb -Eb Vocal F#3 - A4 (10 steps as sung).
$65.00

Genres: Jazz & Blues, Standards, Swing
Between The Devil And The Deep Blue Sea by Ella Fitzgerald. Edited by Myles Collins. Arranged by Billy May. For big band with vocal. Swing. Medium. Published by Lush Life (JL.LL-2352). This tune was recorded by Ella for her Harold Arlen songbook album, with the original arrangement scored by Billy May. The chart has been adapted to a full 5444 line-up (from the original 5114) though the feel and flavor are true to the original. Billy May chose an innovative set of chord changes for his chart which are significantly different from Harold Arlen's concept. The result is that the chart is cool yet progressive. Whilst the band notes are easy, it will need to be sung very confidently, as the vocal line doesn't immediately sit very naturally against the band backings. It will require a bit of practice. Ella's vocal line is written as-sung, including the scat passage towards the close of the chart. The vocal key is Bb throughout, and there are no sax doubles. The original vibe solo is replaced by Piano ad-lib. Duration: 2 mins 20 secs; Style: Swing @150 b.p.m.Ranges:Trumpets 1-4: C6, Bb5, G5, E5Trombones 1-4: Ab4, F4, E4, Bb3Vocal key: BbVocal Range: F3 - Eb4 (14 steps as sung).
$65.00

Genres: Jazz & Blues, Standards, Swing
Somebody Loves Me by Ella Fitzgerald. Edited by Jon Harpin. Arranged by Nelson Riddle. For big band with vocal. Swing. Medium. Published by Lush Life (JL.LL-2341). Somebody Loves Me has been transcribed by Jon Harpin from the origian Nelson Riddle chart as sung by Ella Fitzgerald on the Gershwin Songbook album. This is a medium tempo swing chart which, aside from a sixteen measure passage in the middle, is an out-and-out vocal feature which will require good discipline and playing accuracy from your band to do it justice. The vocal line is written "as-sung" by Ella, and we have written out the cameo trumpet solo as well as the drum licks and fills. There are no sax doubles and the vocal key is Bb throughout.Ranges:Trumpets 1-4: E6, C6, C6, A4Trombones 1-4: C5, A4, F4, D4Vocal Key: BbVocal Range: F3 - Bb4 (11 steps as sung).
$65.00

Genres: Jazz & Blues, Standards, Swing
Fascinating Rhythm by Ella Fitzgerald. Edited by Jon Harpin. Arranged by Nelson Riddle. For big band with vocal. Swing. Medium. Published by Lush Life (JL.LL-2340). This chart has been transcribed and adapted from the original Nelson Riddle arrangement written for Ella's Gershwin Songbook album of 1959. The string lines and have been written into the chart for a standard 5/4/4/4 band line-up. Ella's vocal lines have been notated as-sung, and the drum licks and fills that add so much flavor to the arrangement have also been included. There are no sax doubles and the vocal key is Ab throughout. Ranges: Vocal Key: AbTrumpet 1: Db6Trombone 1: Ab4.
$65.00

Genres: Jazz & Blues, Standards, Swing
You've Got What Gets Me by Ella Fitzgerald. Arranged by Nelson Riddle. For big band with vocal. Swing. Medium. Published by Lush Life (JL.LL-2339). This tune was written by the Gershwins for the 1932 film "Girl Crazy". Ella Fitzgerald revisited the song on her 1959 Gershwin Songbook album, the arrangement being written by Nelson Riddle. This is a transcription and the vocal line is included as-sung by Ella. The chart is a medium tempo swinger consisting of inro, vocal chorus, instrumental bridge and closing vocal chorus. At just over two minutes it is not a long chart, though it is full of punch and clever writing by Riddle in his prime. There are no sax doubles and the vocal key is C thoughout.Ranges:Trumpets 1-4: D6, A5, F#5, E5Trombones 1-4: B4, G4, E4, C#4Vocal key: CVocal Range: G3 - A4 (9 steps as sung).
$65.00

Genres: Jazz & Blues, Standards, Swing
Soon by Ella Fitzgerald. Edited by Jon Harpin. Arranged by Nelson Riddle. For big band with vocal. Swing. Medium. Published by Lush Life (JL.LL-2338). "soon" has been beautifully transcribed and adapted by jon harpin from the original nelson riddle chart featured on ella fitzgerald's gershwin songbook album.the strings have been removed and rescored into the band, making the chart playable by a standard 5444 line-up. as a consequence, your alto 1 player is required to double on clarinet. the vocal part is written "as sung" by ella, and even all of the little drum licks and fills are written in to help your band recreate an authentic performance. this is a rare chart of an underplayed gershwin melody, and as such should give your singer an opportunity to perform something that's just a little bit different. the vocal key is ab, modulating to a for the final half-chorus.ranges:trumpets . 1-4: . d6, bb5, g5, f5trombones . 1-4: . a4, f#4, eb4, c4vocal key: ab modulating to avocal range: f3 - c#5 (12 steps as sung).
$65.00

Genres: Jazz & Blues, Standards, Swing
It's Only A Paper Moon by Ella Fitzgerald. Arranged by Billy May. For big band with vocal. Swing. Medium. Published by Lush Life (JL.LL-2318). Transcribed from her Harold Arlen songbook album, this fabulous Ella chart was originally arranged by the late, great Billy May and it swings like crazy from start to finish. His use of the unison sax motif makes this chart instantly recognisable, and audiences will love it from the very first note. We have written out the vocal part "as sung" by Ella, though the short Tenor solo is to be improvised from the chords provided. There are no sax doubles, and the vocal key is Bb throughout.
$65.00

Genres: Jazz & Blues, Standards, Swing
Accentuate The Positive by Ella Fitzgerald. Arranged by Billy May. For big band with vocal. Swing. Medium. Published by Lush Life (JL.LL-2317). Transcribed from her Harold Arlen songbook album, this stunning Ella Fitzgerald chart was originally arranged by the late, great Billy May and is an absolute classic. We have simplified the sax lines behind the opening verse to remove the instrument doubles, whilst retaining the flavour of the original concept. and made a small Trumpet voicing change in the second measure of the chart. Aside from this, the arrangement is as per the original. Ella's vocal line is written out "as sung", though your vocalist is free to interpret it in her own style. Aside from the written two measure Piano fill in the verse there are no solos, as it is an out-and-out vocal feature. Lead Alto is required to double Clarinet for the 16 measure instrumental section in the middle of the chart, but a Soprano can also be used here instead. The vocal key is C thoughou.
$65.00

Genres: Jazz & Blues, Standards, Swing
As Time Goes By by Tony Bennett. Arranged by Jon Harpin. For big band with vocal. Swing. Medium Easy. Published by Lush Life (JL.LL-2301). Here is Tony Bennett's great version of As Time Goes By. The chart opens with the rarely heard verse, colla voce, backed by the piano, (though you can start the chart at the chorus if you prefer) and moves smoothly into the swing choruses, with some great band backings that never intrude in the singers' space. There's not much more to say really, other than the tune is always popular, instantly recognizable, and makes a really good late night slow dance chart. the brass ranges are moderate, apart from a high D6 in the Trumpet 1 / 2 parts (Trumpet 2 can drop this down an octave if need be). The vocal key is C throughout, and there are no sax doubles. Duration: 3 minutes 10 secs; Swing @ 84 b.p.m. Ranges: Trumpets 1-4: D6, D6, F#5, Trombones 1-4: A4, G4, Eb4, Eb4 Vocal key: C Vocal A2 - Fb4 (13 steps, as sung) . . .
$65.00

Genres: Standards, Swing, Jazz & Blues
Cheek To Cheek by Ella Fitzgerald. Edited by Myles Collins. Arranged by Paul Weston. For big band with vocal. Swing. Medium. Published by Lush Life (JL.LL-2300). Cheek to Cheek is a transcription of the original Paul Westo n chart, as recorded on Ella's " Irving Berlin Songbook " album. The pace is easy, and Ella's vocal interpretation is sublime. The vocal part is written "as sung" by her. The band backings are relaxed, yet punchy, and support the vocalist perfectly. We have written the delightful muted Trumpet solo for the second part and recommend that your player plays it "as written", rather than faking a jazz solo, as the original is totally in keeping with the feel of the chart. There are no sax doubles and the vocal key is F throughout. Style: . Swing @145 b.p.m.Ranges:Trumpets . 1-4 . D6, C6, C6, C6 Trombones . 1-4 . C5, A4, Ab4, D4 Vocal key F . . Female vocal E3 - C5 (12 steps as sung).
$65.00

Genres: Jazz & Blues, Standards, Swing
Top Hat, White Tie, and Tails by Ella Fitzgerald. Edited by Myles Collins. Arranged by Paul Weston. For big band with vocal. Swing. Medium. Published by Lush Life (JL.LL-2299). "top hat" is a transcription of the original paul weston chart, as recorded on ella's " irving berlin songbook " album, and it is a really cool, swingin' chart. we have scored the vocal "as sung" by ella, and whilst there are no solos in the band, the chart features your pianist playing rhythmic fill lines high on the keyboard. unusually, the opening verse of berlin's tune is featured in the middle of the chart in the sort of place that one might expect to hear a tutti band chorus, and this concept works very well. there are no sax doubles and the vocal key is ab , modilating to eb for the central verse, reverting to ab for the final chorus. style: . swing @150 b.p.m.ranges:trumpets . 1-4 . d6, bb5, bb5, bb5 trombones . 1-4 . bb4, g4, gb4, gb4 vocal key ab,eb,ab . . female vocal g3 - c5 (10 steps as sung).
$65.00

Genres: Jazz & Blues, Standards, Swing
Let Yourself Go by Ella Fitzgerald. Edited by Myles Collins. Arranged by Paul Weston. For big band with vocal. Swing. Medium. Published by Lush Life (JL.LL-2297). Let Yourself Go is a transcription of the original Paul Weston chart, as recorded on Ella's " Irving Berlin Songbook " album. The pace is a relaxed swing at 160 beats per minute, and Weston's original is a really cool swinger. The vocal part is written "as sung" by her. The band backings are relaxed, yet punchy, and support the vocalist perfectly. We have written the muted Trumpet solo for the second part and have cued it on all other Trumpet parts, giving you the option of having another player take it. The vocal key is Eb throughout and there are no sax doubles. Style: . Swing @160 b.p.m.Ranges: Trumpets . 1-4 . D6, A5, G5, E5 Trombones . 1-4 . Ab4, Gb4, Eb4, C4 Vocal key Eb . . Female vocal G2 - B4 (9 steps as sung).
$65.00

Genres: Jazz & Blues, Standards, Swing
You Do Something To Me by Ella Fitzgerald. Edited by Myles Collins. Arranged by Buddy Bregman. For big band with vocal. Swing. Easy. Published by Lush Life (JL.LL-2295). Adapted from Ella Fitzgerald's Cole Porter Songbook recording, this chart is laid back, relaxed and easy to play. It would make a good "change-of-pace chart" for a concert setting or live gig. The arrangement is scored for Miller voiced reeds (CAATT) and the brass is muted throughout. Brass ranges are very moderate, with lead Trumpet only to an A and lead Trombone to G. The vocal is in Ella's original key of Bb throughout. Please note that the audio is Ella's original, and NOT this chart, although the feel and duration of it is the same.Ranges:Trumpets 1-4: A5, G5, E5, C5Trombones 1-4: G4, Eb4, Eb4, Eb4Vocal Key: BbVocal Range: F3 - C5 (12 steps as sung).
$65.00

Genres: Jazz & Blues, Standards, Swing
What Is This Thing Called Love by Ella Fitzgerald. Arranged by Myles Collins. For big band with vocal. Swing. Medium Easy. Published by Lush Life (JL.LL-2294). We think that the trombone section in most big bands rarely gets a chance to shine and show off their collective talents, so we have taken Ella Fitzgerald's version of this fine Cole Porter tune and scored the chart for just vocal, trombones and a rhythm section. The chart is in Ella's key of G and the vocal part is written "as sung" by Ella. We also recognize that many bands only use 3 trombones, and as this chart needs 4 brass voices in order to work properly we have included an extra trumpet part in the pack (a double of the trombone 1 part), making the chart playable by just about all bands. As well as featuring the vocalist there is a fine 8 measure Trombone soli, and an 8 measure trombone solo (written on the 2nd part). Style: Swing @ 145 b.p.m.Ranges:Trumpets 1-4: TacetTrombones 1-4: A4, G4, G4, C4Vocal key: GVocal Range: A#3 - C5 (9 steps as sung).
$65.00

Genres: Jazz & Blues, Standards, Swing
Too Darn Hot by Ella Fitzgerald. Edited by Myles Collins. Arranged by Buddy Bregman. For big band with vocal. Swing. Difficult. Published by Lush Life (JL.LL-2293). Too Darn Hot was written by Cole Porter for the 1948 musical "Kiss Me Kate" and was featured by Ella Fitzgerald on her Cole Porter Songbook album, with the original arrangement by Buddy Bregman. This publication stays true to the original, allowing you to give an authentic Ella performance. The vocal part is notated "as sung by Ella", the band backings are tight and punchy, the articulations and dynamics accurately marked and we have even included the little drum fills and licks that make such a difference in performance. The muted trumpet solos are scored on the 2nd part and there are no sax doubles.Ranges:Trumpets 1-4: D6, D6, A5, F#5Trombones 1-4: Bb4, G4, G4, D4Vocal key: Cm/CVocal Range: G3 - C5 (11 steps as sung).
$65.00

Genres: Jazz & Blues, Standards, Swing
It's All Right With Me by Ella Fitzgerald. Edited by Myles Collins. Arranged by Buddy Bregman. For big band with vocal. Swing. Difficult. Published by Lush Life (JL.LL-2288). Written by Cole Porter for his 1953 musical "Can-Can", this Ella Fitzgerald chart is an up-tempo, hard swinging version (originally scored by Buddy Bregman for her Cole Porter Songbook album) with a cool groove feel. The chart backs the vocalist brilliantly, with the supporting lines being strong & rhythmic without ever getting in the way of the singer. The cameo muted trumpet solos are taken by the second chair and can be played as written or faked from the chords provided. There are no sax doubles.Ranges:Trumpets . 1-4: C#6, Bb5, G5, E5Trombones . 1-4: . Bb4, G4, F4, E4Vocal key: BbVocal Range: G3 - C5 (11 steps as sung).
$65.00

Genres: Jazz & Blues, Standards, Swing
Ace In The Hole by Ella Fitzgerald. Edited by Myles Collins. Arranged by Buddy Bregman. For big band with vocal. Swing. Difficult. Published by Lush Life (JL.LL-2281). This song was written by Cole Porter for his 1941 musical "Let's Face It" and featured in Ella's Cole Porter Songbook album. It is an up-tempo swinger with a predominantly minor feel, and we have stayed true to the original Bregman concept by retaining the delicate Flute lines over muted Brass. The vocal line is scored "as sung" by Ella. Both Altos are written to double Flute, though we have included an additional Alto 2 part which is scored to double Clarinet instead. At two minutes this is not a long chart, though the length is perfect for the arrangement concept. A good chart for either a concert or working gig.Ranges:Trumpets 1-4: C#6, B5, G5, E5Trombones 1-4: B4, G4, E4, C4Vocal key: GVocal Range: F3 - D5 (13 steps as sung).
$65.00

Genres: Jazz & Blues, Standards, Swing
Mean To Me by Ella Fitzgerald. Arranged by Nelson Riddle. For big band with vocal. Swing. Medium. Published by Lush Life (JL.LL-2237). Another first rate chart from the Ella Fitzgerald / Nelson Riddle team, transcribed from the Ella Swings Brightly With Nelson album, and full of lush harmonic structure. Whilst it is a real vocal feature, the big, fat instrumental passages also features a couple of improvised Tenor solo spots. The vocal line has been written out as-sung by Ella, including her beautifully crafted final chorus vocal line. The vocal keys are C modulating to Db, and there are no sax doubles. Duration: 2 mins 50 secs; Style: Swing @ 112 b.p.m. Ranges: Trumpets . 1-4: E6, B5, G#5, F5 Trombones . 1-4: A4, F#4, D#4, C4 Female Vocal key: C-Db G3 - E5 (13 steps, as sung).
$65.00

Genres: Jazz & Blues, Standards, Swing
Me And Mrs. Jones by Michael Buble. Arranged by Alan Glasscock. For big band with vocal. Ballad. Medium. Published by Lush Life (JL.LL-2215). Here is a very classy adaptation of the Michael Bublé version of Me and Mrs Jones. In terms of style, structure and range it is the same as the Bublé version. All that has been done is the removal of the string lines: they have been incorporated, where appropriate, into the band figures. Also, a definite ending has been added (as opposed to the original studio fade out). The vocal line is written out "as sung." The vocal key is C, modulating to Db and there are no sax doubles. If your singer is a classy crooner this chart is going to be really well received any time it is played. Please note that there is no audio sample for this chart. Please refer to the version available on line from sites such as iTunes.Ranges:Trumpets 1-4: C6, G5, F#5, F#5Trombones 1-4: Ab4, F4, Eb4, Eb4Vocal Key: C-DbVocal Range: C3 - Ab4 (13 steps as sung).
$65.00

Genres: Standards, Jazz & Blues
Get Happy by Ella Fitzgerald. Edited by Myles Collins. Arranged by Billy May. For big band with vocal. Swing. Difficult. Published by Lush Life (JL.LL-2108). Taken from Ella's "Harold Arlen Songbook" album, this transcription of Billy May's original arrangement is a snarling swing chart, balancing punch and up-tempo power with soulful gospel interludes. The tempo alternates between 200 and 70 beats per minute in the opening 32 measures before settling on 200 for the remainder of the chart, and we have scored the sax solo onto the Alto 1 part. The original solo is written out, though your player can improvise from the chords provided, if preferred. The brass ranges are quite high, with lead Trumpet to Eb and lead Bone to C, and there is a lot of unison work in both Trumpet and Sax sections, so good intonation and nimble fingers are needed. There are no sax doubles and the vocal part is written "as sung" by Ella. The vocal key is Bb throughout.Style: . Swing @200 b.p.m.Ranges: Trumpets . 1-4 . Eb6, C6, C6, G5 Trombones . 1-4 . C5, Ab4, F4, D4 Vocal key Bb . . Female vocal G3 - E5 (12 steps as sung).
$65.00

Genres: Jazz & Blues, Standards, Swing