Sheet music search made easy
Search within results:
Delivery Method
Instruments
Genres
Price
Rock
2529 result(s) found
List results in: Detailed View | Thumbnail View
Sort results by: Price | Release Date | Popularity | Title
Results per page: 10 | 24 | 50
James by Pete Hankinson. For guitar ensemble (6 guitars, bass and drums). Jazz Rock. Score and set of parts. Published by UNC Jazz Press (NC.589). This Pat Metheny jazz/rock composition has a great melody and very interesting and unique harmony. Ad-lib solo (with background) in 2nd guitar part and lots of ensemble playing. Written for six guitars, bass and drums.
$25.00

Genres: Jazz & Blues, Jazz Rock, Rock
Weasel Dust by Kim Gast. For jazz ensemble (tenor saxophone solo). This edition: Trumpet range to F6. Rock. Level 3. Score and set of parts. Published by UNC Jazz Press (NC.531). (8 Brass) After an explosive introduction by the entire ensemble, this half-time rock shuffle settles into a funky groove everyone can enjoy. The lead tenor will sink his teeth into the simple but effective chord changes during the solo section. A modulation then propels the tune to an exciting close which spotlights the entire band.
$45.00

Genres: Rock
Pavillon by Clare Fischer. For big band. This edition: Trumpet range to G6. Rock. Level 5. Score and set of parts. Published by UNC Jazz Press (NC.460). (9 Brass) - (pronounced Pah-vee-yone) A sixteenth note rock version for big band of the Latin tune from Fischer's Crazy Bird album. This one has a great workout for soprano sax in it. Recorded on UNC's Alive XI CD.
$65.00

Genres: Rock
Canonic Passacaglia, Blues And Vamp 'til Ready by Clare Fischer. For jazz ensemble. This edition: Trumpet range to F#6. Rock. Level 5. Score and set of parts. Published by UNC Jazz Press (NC.452). (9 Brass) Three pieces in one. Starts out with free counterpoint originally improvised by Fischer and then later written out for band, then an original jazz blues, and finally a straight eighths rock groove.
$75.00

Genres: Blues, Rock, Jazz & Blues
House In The Country by Don Ellis. For jazz ensemble (woodwind doubles). This edition: Trumpet range to F6. Rock. Level 4. Score and set of parts. Published by UNC Jazz Press (NC.406). (Level IV) An Al Kooper/Blood, Sweat, and Tears tune given the Don Ellis treatment. A hard-driving 4/4 rock feel with exciting ensemble writing. Recorded on the Underground album. WW Doubles, Drums and Percussion. 10 Brass (Optional Tuba).
$40.00

Genres: Rock
Goood Feelin' by Don Ellis. For jazz ensemble (woodwind doubles). This edition: Trumpet range to E6. Rock. Level 3. Score and set of parts. Published by UNC Jazz Press (NC.404). (Level IV) A funky 4/4 rock number recorded on the Underground album. Shifts styles frequently, often with amusing results. Has everything from baroque to Guy Lombardo to James Brown. WW Doubles, Drums 1 & 2, and Congas. 8 Brass plus Tuba.
$45.00

Genres: Rock
Go Back Home by Sam Falzone. Arranged by Don Ellis. For jazz ensemble. This edition: Trumpet range to Eb6. Rock. Level 3. Score and set of parts. Published by UNC Jazz Press (NC.403). (Level IV) This Sam Falzone tune was one of the most popular encore numbers of the Don Ellis Band. A straightforward, 4/4 rock arrangement played by many high school and junior high school bands that always gets the audience dancing in the aisles! Recorded on the Soaring album. 7 brass plus tuba (4 trumpets, 3 bones). 8 Brass.
$40.00

Genres: Rock
Shadows from the Past by Socrates Garcia. For big band (5 saxophones, 4 trumpets, 4 trombones and rhythm section; no doubles). This edition: Trumpet range to C6. Fusion, Heavy Rock, Contemporary Jazz, Fusion-Rock. Level 4. Score and set of parts. Published by UNC Jazz Press (NC.2472). (Level IV) Exciting heavy rock piece orchestrated for the traditional big band format (5 saxes, 4 trumpets, 4 trombones, and rhythm section; no doubles). Full of the expected power chords and some unexpected twists and turns that allow the piece to blend into the harmonic world of fusion-rock. Requires electric bass and distorted guitar. Features the guitar but soloing opportunities are open for alto sax 1, tenor sax 1, baritone sax, and/or trumpet 2. 8 Brass.
$55.00

Genres: Jazz & Blues, Rock
Normal People by Kevin Brunkhorst. For guitar ensemble (5 guitars, bass and drums). Jazz, Funk, Rock. Level 4. Score and set of parts. Published by UNC Jazz Press (NC.2456). (Level IV) Normal People uses simple diatonic harmonies in a funky 6/4 or 3/2 rhythm. It's intended to give the players opportunity to solo well in a rock/funk context. The melody is scored partly as a twin-lead, so a bit of practice is necessary to get a truly unified sound. Bass players that can play funk rhythms with their thumb can get a lot of mileage out of this chart. 5 Guitars, Bass & Drums.
$35.00

Genres: Jazz & Blues, Rock
Without Joan by Don Ellis. For big band (tenor saxophone, conga and keyboard solos). This edition: Trumpet range to Eb6. Samba, Rock, Jazz. Don Ellis Critical Edition. Level 4. Score and set of parts. Published by UNC Jazz Press (NC.2453). (Level IV) Don't let the title fool you! This Sam Falzone chart is a full-on, raucous, riotous, dance-in-the-aisles- party in Rio! A combination of samba and rock, it features solos for tenor, congas, and keyboard--plus some screaming trumpets! This isn't one for the judges, but your audience will love it! A Don Ellis Critical Edition. 8 Brass.
$50.00

Genres: Jazz & Blues, Rock, Samba, Latin
Night Shift by Zach Demos. For jazz ensemble. This edition: Trumpet range to D6. Jazz, Rock. Level 4. Score and set of parts. Published by UNC Jazz Press (NC.2451). (Level IV) Night Shift is an aggressive medium rock chart that pays tribute to the styles of James Bond and Peter Gunn. This chart features solos by trumpet and either alto sax or guitar, with additional solo space for piano and drums. All brass need plungers, and trumpets additionally require harmon mutes. The guitarist has the opportunity to experiment with distortion and pedal effects. 8 Brass.
$50.00

Genres: Jazz & Blues, Rock
Weird Beard by Jeff Coffin. Arranged by David Deacon-Joyner. For jazz ensemble. This edition: Trumpet range to C#6. Rock. Level 4. Score and set of parts. Published by UNC Jazz Press (NC.2214). Weird Beard. arr. David Deacon-Joyner. One of the stranger pieces from Jeff's catalog. Arranged by David Deacon-Joyner, Weird Beard is a rock/funk/uptempo tune that has some of its influences in Frank Zappa's music and Jeff Coffin's beard! A more difficult piece which has some mixed meter going on in places. A very fun and challenging tune to play! Weird Beard can be heard in small group form on Jeff Coffin's "Bloom" CD on Compass Records.
$65.00

Genres: Rock
East St. Louis Whipping Post by Kevin Brunkhorst. For jazz ensemble. Rock. Level 5. Score and set of parts. Published by UNC Jazz Press (NC.2195). This chart takes elements from Duke Ellington's East St. Louis Toodle-Oo and the Allman Brothers' Whipping Post and creates the written-out effect of the modern "mash-up". There are direct metric juxtapositions (not modulations), but the overall pulse remains consistent. Consistent with Southern Rock style, there are two open sections in which two guitars solo simultaneously; rhythm sections are encouraged to change their approaches to each section. There are extremes of range in most parts--the lead guitar part goes to double high D at the 22nd fret. This chart is difficult but is a proven crowd dazzler.
$35.00

Genres: Rock
My Dancing Day by Rex Cadwallader. For jazz ensemble (flugelhorn feature, piano solo; woodwind doubles). This edition: Trumpet range to B6. Ballad, Latin, Rock, Jazz. Level 3. Score and set of parts. Published by UNC Jazz Press (NC.183). (10 Brass) A flugelhorn feature, this beautiful ballad also features the pianist in your band. Written in a gently Latin/rock style, the tune has a timeless beauty that you will appreciate for years. Doubles in saxes.
$45.00

Genres: Jazz & Blues, Latin, Rock
Look at Me Now arranged by Judy Ashley. For jazz ensemble (with vocal solo). Latin, Rock, Jazz. Score, vocal part and set of parts. Published by UNC Jazz Press (NC.1796). A light Latin rock arrangement alternating between 2 and 4 feels. Both male and female vocalists have opportunities to improvise independently and in call and response fashion as well as the guitar. Instrumentation includes trumpet, tenor sax doubling on flute, alto sax, bass drums guitar and congas. Unpredictable!
$35.00

Genres: Jazz & Blues, Latin, Rock
Sundance by Bruce Wermuth. For jazz ensemble (woodwind doubles). This edition: Trumpet range to D6. Latin, Rock, Waltz, Jazz. Level 4. Score and set of parts. Published by UNC Jazz Press (NC.1771). (Level IV) A light, but quick moving Latin-rock waltz with driving 4/4 interludes and a "happy" chord progression, including woodwind doubles for the sax section. (Saxes with doubles are: alto1/soprano sax; alto 2/flute; tenor1/flute; tenor 2/clarinet; bari/flute). Initial melodic statement in soprano sax and flugelhorn. Pleasant contrapuntal lines throughout make this a melodically interesting piece for everyone. Ensemble work surrounds an extended centerpiece solo section for piano, though any instrument could solo here. A sax soli with soprano lead follows the solo section. 8 Brass.
$65.00

Genres: Jazz & Blues, Latin, Rock
The Ballad is Mightier Than the Sword - Miami Suite Movement III by Christopher Jentsch. For jazz ensemble (with vocal solo). This edition: Trumpet range to Db6. Rock, Ballad, Jazz. Level 4. Score, vocal part and set of parts. Published by UNC Jazz Press (NC.1732). (8 Brass) Movement III is a feature for piano, trombone and guitar. The harmonic language is contemporary but quite pretty. The rhythmic groove is a rock ballad feel. Soprano voice provides wordless vocal textures. Precise rhythm section writing, some double-timing, important dynamics and one tough trombone passage make this a IV/V. Thematic material from other movements serve as backgrounds and counter themes. Like all the movements in the Miami Suite, The Ballad...; is doubly designed to be a stand-alone piece or to serve as the third movement. Reed II plays soprano sax throughout. No other doubles. Recorded by the University of Miami's Concert Jazz Band on Jentsch's Miami Suite CD.
$45.00

Genres: Jazz & Blues, Rock
Evil Eye by Neil Yorke-Slader. For jazz ensemble. This edition: Trumpet range to Eb6. Rock. Level 3. Score and set of parts. Published by UNC Jazz Press (NC.1643). (8 Brass) (Level 3) This powerful and dynamic rock chart was commissioned by the North Dundas High School Jazz Ensemble (Chesterville, Ontario, Canada) under the direction of Greg Prest. Exciting syncopated lines interweave with a punch rhythmic foundation. Effective at a variety of tempos. It's a real crowd pleaser!
$50.00

Genres: Rock
Reverend Jack by Bob Washut. For jazz ensemble (alto saxophone solo; no woodwind doubles). This edition: Trumpet range to E6. Gospel, Rock, Jazz. Bob Washut Series. Level 3. Score and set of parts. Published by UNC Jazz Press (NC.1534). (Level III) A Keith Jarrett-influenced gospel rock tune that opens with a wind chorale. Following an alto sax solo, the band breaks into a rousing a cappella "get-down" section, followed by an appended version of the opening chorale. No woodwind doubles. A fun and challenging chart to play. Commissioned in 1982 by Chaffey College. 8 Brass.
$40.00

Genres: Gospel, Jazz & Blues, Rock, Christian, Religious
No Surprises by Tim Walters. For jazz combo (alto saxophone and rhythm section). Straight 8th (ECM), Ballad, Rock, Gospel, Jazz. Score and set of parts. Published by UNC Jazz Press (NC.1520). A contemporary ballad for alto sax and rhythm section. Rock with gospel-influenced changes. Two keyboard players recommended.
$20.00

Genres: Gospel, Jazz & Blues, Rock, Christian, Religious
J's Piece by Tim Walters. For jazz ensemble (solos for alto saxophone and piano). This edition: Trumpet range to E6. Rock, Jazz. Level 3. Score and set of parts. Published by UNC Jazz Press (NC.1512). (8 Brass) (Level 3) A beautiful rock ballad for alto sax and piano. Good solo changes. The piece builds to a climax toward the end with a well-known tutti section.
$40.00

Genres: Jazz & Blues, Rock
To You by Sharon Broadley. For jazz choir (SATB choir with rhythm section). Jazz, Rock. Level 3. Set of 16 octavos with rhythm parts. Published by UNC Jazz Press (NC.145). (Level 3) This chart lies closer to the pop side of music. Sounding very much like an Anita Baker crossover tune, it is meant to feature a male or female solo vocalist with three-and four-part vocal backgrounds. SATB with rhythm section.
$40.00

Genres: Jazz & Blues, Rock
E. & H. by Les Sabina. For jazz ensemble (tenor saxophone feature). This edition: Trumpet range to D6. Ballad, Funk, Rock, Jazz. Level 3. Score and set of parts. Published by UNC Jazz Press (NC.1153). (8 Brass) (Level 3) Nice ballad with challenging changes for the featured tenor saxophonist. also includes some groove blowing over contrasting sections of funk/rock.
$45.00

Genres: Jazz & Blues, Rock
Hamburger Helper by Scott Reeves. For jazz combo (trumpet, alto saxophone, trombone and optional tenor saxophone plus rhythm section). Jazz Fusion, Jazz Rock. Score and set of parts. Published by UNC Jazz Press (NC.1092). A jazz, rock tune in the fusion idiom of Miles Davis and John McLaughlin. It makes use of some unusual scales not often found in other tunes. Trumpet, alto sax, trombone and optional tenor sax plus rhythm section.
$20.00

Genres: Jazz & Blues, Jazz Rock, Rock