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Libertango by piazzola. Arranged by Jerome Naulais. Classe d'orchestre - Young band. For Wind Band. Orchestral Music. Tango. Duration 1'26. Published by Editions Robert Martin (RM.3851).
$111.95

Genres: Classical, Tango, Latin
Instantly printable sheet music by Robert Longfield for band of MEDIUM skill level.
$110.99

Genres: Latin, Standards, Jazz & Blues
No Shadow of Turning by David Gillingham. Arranged by Geoffrey Brand. For Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1/2, Bassoon 1/2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, Horn 1/2, Horn 3/4, Trombone 1, Trombone 2, Ba). Band Music. Platinum Band Series. Grade 4. Score and parts. Duration 9:40. Published by C. Alan Publications (CN.10990). No Shadow of Turning was commissioned by a consortium of organizations at The Ohio State University in memory of Lois Brock, beloved secretary of The Ohio State University Bands. The work is based on the hymn tune Great is Thy Faithfulness, by Thomas O. Chisholm (words) and William M. Runyan (music).Great is thy faithfulness, O God my Father;There is no Shadow of turning with thee;Thou changest not, thy compassions, they fail not;As thou hast been, thou forever wilt be.Refrain:Great is thy faithfulness! Great is thy faithfulness!Morning by morning new mercies I see;All I have needed thy hand hath provided;Great is thy faithfulness, Lord, unto thee.Summer and winter and springtime and harvest,Sun, moon, and stars in their courses aboveJoin with all nature in manifold witnessTo thy great faithfulness, mercy and love.Refrain.Pardon for sin and a peace that endureth,Thine own dear presence to cheer and to guide;Strength for today and bright hope for tomorrow,Blessings all mine, with ten thousand beside!Refrain.The title of the work is taken from the second line of the first verse which perhaps sums up the meaning of the hymn and the faith held by Lois Brock. The work also features optional hand bells, as Lois Brock was an avid hand bell player in her local church.The work begins quietly and somewhat mysteriously on a motive using the interval of the falling fourth of the refrain of the hymn. This material grows and gathers texture and then concludes softly on a rolled G major chord in the marimba. A chorale follows, played by the vibraphone and bells and/or the hand bells. I call this chorale the "Lois Brock Chorale" as it exhibits the warmness of her ever-loving spirit. An interlude follows utilizing motives from the hymn and leads to the flute playing the verse of the hymn. Pursuant to this quiet rendition is a rather aggressive section featuring the timpani and percussion that play with the opening motive of the refrain. This leads to a fugue on the same motivic material that grows in intensity and segues with the trombones playing the hymn tune in march-like style against fanfare-like motives in the trumpets. All this subsides and the hymn is now played by the trumpets against the horns playing the Lois Brock Chorale. The full band joins in on the refrain that rises to a glorious pinnacle and then concludes softly by the euphonium. The material from the introduction is then restated and leads to a final statement of the refrain followed by a peaceful and heavenly benediction.
$110.40

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: Latin
Northern Light by David Gillingham. For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon 1/2, Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2, Trumpet in Bb 3, Horn in F 1/2, Horn in F 3/4, Tromb). Band Music. Platinum Band Series. Grade 4. Score and parts. Duration 4:50. Published by C. Alan Publications (CN.11240). "Northern Light" was commissioned by the Walled Lake Northern High School Bands on the occasion of the first graduating class in June of 2005. The work incorporates the school's "Alma Mater" for which I was commissioned to write the music for several years ago.The work uses a sonata-like design. It begins with a slow introduction beginning in Ab major using material from the Alma Mater and modulates to Bb major. An allegro exposition follows with a fanfare-like first theme (trumpets) that is celebratory in nature. A short transition leads to the second theme (Alma Mater) in Gb Major presented in a slower and more stately tempo. A development section follows which using fugal counterpoint as its centerpiece with the subject based on the first theme. Alternating episodes develop both themes and a retransition leads the work to the recapitulation of the first theme, this time in Ab Major. A transition dramatically leads to the final presentation of theme 2 (Alma Mater) in C Major with its rhythm augmented. A coda appropriately brings the work to a rousing conclusion.--DRG.
$110.40

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: Latin
Sankt-Bach-Passion by Mauricio Kagel (1931-). Contemporary Large Ensemble/Orchestra. For Mezzo-Soprano, Tenor, Baritone Soli, Speaker, SATB Singing/Speaking Choruses I+II (min. 80 voices), Boys' Chorus (c. 40 voices), [3.3.English Horn.3.Bass clarinet.3(Contrabassoon)-4.3.3.1], Timpani, 3 Percussion, 2 Harp, Celeste, Piano, (2 players), Harps. (Text Language: German). Modern, Choral. Sheet Music. Composed Composed: 1981-85. Duration circa 100 minutes. Published by Edition Peters (PE.P08600).
$110.00

Instruments: Choir, Piano, Baritone Voice, Bass Clarinet, Bassoon, English Horn, Harp, Percussion, Timpani, Mezzo Soprano Voice, Vocal, Piano and Keyboard, Voice, Clarinet, Woodwinds, Strings
Genres: 20th Century, Argentinian, Classical, Latin
String Quartet No. 3 by Mauricio Kagel (1931-). For 2 Violins, Viola, Cello. Modern. Set of parts. Duration circa 37 minutes. Published by Edition Peters (PE.P08672).
$110.00

Instruments: Violin, Cello, Viola, Strings
Genres: 20th Century, Argentinian, Classical, Latin
Zwei Akte (Two Nudes) by Mauricio Kagel (1931-). For 2 Actors (1 male, 1 female), Sopranino Saxophone (doubling Alto saxophone, Baritone saxophone), Harp. Modern, Ballet, Opera. Sheet Music. Composed Composed: 1988-89. Duration circa 29 minutes. Published by Edition Peters (PE.P08717). The music can be live or prerecorded. The players remain invisible. 1 stage set.
$110.00

Instruments: Alto Saxophone, Baritone Saxophone, Harp, Saxophone, Woodwinds, Strings
Genres: 20th Century, Argentinian, Opera, Classical, Latin, Miscellaneous
Chorbuch (Choirbook), Fifty-three chorales to be performed in any combination by Mauricio Kagel (1931-). Contemporary Large Ensemble/Orchestra. For SATB choir (minimum 40 voices), Piano, Harmonium/Electric Organ. (Text Language: German). Modern, Choral. Sheet Music. Composed Composed: 1975-78. Duration 1-3 minutes per number. Published by Edition Peters (PE.P08753).
$110.00

Instruments: Choir, Medium Voice, Piano Accompaniment, Organ, Harmonium, Vocal, Voice, Piano, Piano and Keyboard
Genres: 20th Century, Argentinian, Classical, Latin
Die Stucke der Windrose: Sudwesten by Mauricio Kagel (1931-). Contemporary Medium Ensemble. For Clarinet, percussion, piano, harmonium (2 players), 2 violin, viola, cello, doublebass. Modern. Score. Composed Composed: 1993. Duration 17 minutes. Published by Edition Peters (PE.P08778).
$110.00

Instruments: Piano, Clarinet, Violin, Cello, Viola, Double Bass, Percussion, Harmonium, Piano and Keyboard, Woodwinds, Strings
Genres: 20th Century, Argentinian, Classical, Latin
Die Stucke der Windrose: Westen by Mauricio Kagel (1931-). Contemporary Medium Ensemble. For Clarinet, percussion, piano, harmonium (2 players), 2 violin, viola, cello, doublebass. Modern. Score. Composed Composed: 1994. Duration 20 minutes. Published by Edition Peters (PE.P08868).
$110.00

Instruments: Piano, Clarinet, Violin, Cello, Viola, Double Bass, Percussion, Harmonium, Piano and Keyboard, Woodwinds, Strings
Genres: 20th Century, Argentinian, Classical, Latin
Die Stucke der Windrose: Norden by Mauricio Kagel (1931-). Contemporary Medium Ensemble. For Clarinet, percussion, piano, harmonium (2 players), 2 violin, viola, cello, doublebass. Modern. Score. Composed Composed: 1994. Duration 20 minutes. Published by Edition Peters (PE.P08871).
$110.00

Instruments: Piano, Clarinet, Violin, Cello, Viola, Double Bass, Percussion, Harmonium, Piano and Keyboard, Woodwinds, Strings
Genres: 20th Century, Argentinian, Classical, Latin
Amaryllis Samba by Gunter Noris. For Big Band. Swiss import. Grade 4. Published by Editions Marc Reift (MA.EMR-13716).
$109.72

Genres: Samba, Latin
Instantly downloadable sheet music by Antonio Carlos Jobim for jazz band of MEDIUM skill level.
$108.99

Genres: Jazz & Blues, Latin
Finale mit Kammerensemble by Mauricio Kagel (1931-). Contemporary Large Ensemble/Orchestra. For Flute (Piccolo), Oboe, Clarinet, Bass clarinet, Bassoon, Horn, Trumpet, Trombone, Tuba, Percussion, Piano, Violin, Viola, Cello, Double bass. Modern. Score. Composed Composed: 1981. Duration 22 minutes. Published by Edition Peters (PE.P08599).
$108.00

Instruments: Piano, Piccolo, Bass Clarinet, Oboe, Bassoon, Horn, Violin, Cello, Viola, Double Bass, B-Flat Trumpet, Trombone, Percussion, Tuba, Piano and Keyboard, Flute, Woodwinds, Clarinet, Brass, Strings, Trumpet
Genres: 20th Century, Argentinian, Classical, Latin
L'art bruit by Mauricio Kagel (1931-). For Solo Percussion (+ assistant). Modern. Sheet Music. Composed Composed: 1995. Duration 23 minutes. Published by Edition Peters (PE.P08889).
$108.00

Instruments: Percussion
Genres: 20th Century, Argentinian, Classical, Latin
Missa Solemnis by Serge Lancen. For Concert Band. Sacred Music / Classical Songs and Oratoria / Latin Songs. Classic Arrangement. Grade 5. Choir Set. Published by Molenaar Edition (ML.011964110-CH). This Mass has been dedicated to His Holyness Pope John Paul II, to witness Lancens deep and respectful admiration for the Holy Father. The work was composed in 1986 and written for two solo voices: a soprano and a baryton-Martin (high baritone), mixed choir, harp (ad libitum) and symphonic band or organ. It has ten parts: INTROIT - KYRIE - GLORIA - OFFERTORIUM - SANCTUS - PATER NOSTER - AGNUS DEI - COMMUNIO - DEO GRATIAS - and as final part an ALLELUIA. Lancen expressed his views about this Mass as follows: 'The most important aspect of the Mass is the praising of God and the sacrificing to God; that is why I thought it suitable to use both the themes of the Sanctus and the Offertorium in writing the Introitus. It seemed to me also quite logical that the initial themes of the Kyrie and the Agnus Dei would be rather similar as these are two moments where the priest and the worshippers invoke God. The composition ends with a brilliant Alleluia in which I also briefly quote the theme of the Sanctus.' This Mass was premiered on 27 may 1989 at 'Our Lady's Church' in Maastricht, The Netherlands, as part of the celebrations of the fiftieth anniversary of the Roman Catholic Band Federation of the Limburg County. The Bishop Castermans celebrated the Mass, whereas Jan Cober conducted this first performance. The Missa Solemnis is an alternation of meditating, though often impressive, orchestral passages with angelical choral sounds and the pious singing of both soloists. This may not be the type of music we usually expect from Serge Lancen, but nevertheless the composer remains faithful to his own typical style of composition. You can call this work romantic, though it surely is 'contemporary' or, why not, 'from all times'. The instrumentation is varied and extremely rich, mostly due to Lancen's typical use of 'wind band colours'. This Latin Mass suits perfectly well in the tradition of Roman-Catholic Masses that have been written by several great composers.
$107.95

Genres: Classical, 20th Century, Latin
Missa Solemnis by Serge Lancen. For Fanfare Band. Sacred Music / Classical Songs and Oratoria / Latin Songs. Classic Arrangement. Grade 5. Choir Set. Published by Molenaar Edition (ML.021964110-CH). This Mass has been dedicated to His Holyness Pope John Paul II, to witness Lancens deep and respectful admiration for the Holy Father. The work was composed in 1986 and written for two solo voices: a soprano and a baryton-Martin (high baritone), mixed choir, harp (ad libitum) and symphonic band or organ. It has ten parts: INTROIT - KYRIE - GLORIA - OFFERTORIUM - SANCTUS - PATER NOSTER - AGNUS DEI - COMMUNIO - DEO GRATIAS - and as final part an ALLELUIA. Lancen expressed his views about this Mass as follows: 'The most important aspect of the Mass is the praising of God and the sacrificing to God; that is why I thought it suitable to use both the themes of the Sanctus and the Offertorium in writing the Introitus. It seemed to me also quite logical that the initial themes of the Kyrie and the Agnus Dei would be rather similar as these are two moments where the priest and the worshippers invoke God. The composition ends with a brilliant Alleluia in which I also briefly quote the theme of the Sanctus.' This Mass was premiered on 27 may 1989 at 'Our Lady's Church' in Maastricht, The Netherlands, as part of the celebrations of the fiftieth anniversary of the Roman Catholic Band Federation of the Limburg County. The Bishop Castermans celebrated the Mass, whereas Jan Cober conducted this first performance. The Missa Solemnis is an alternation of meditating, though often impressive, orchestral passages with angelical choral sounds and the pious singing of both soloists. This may not be the type of music we usually expect from Serge Lancen, but nevertheless the composer remains faithful to his own typical style of composition. You can call this work romantic, though it surely is 'contemporary' or, why not, 'from all times'. The instrumentation is varied and extremely rich, mostly due to Lancen's typical use of 'wind band colours'. This Latin Mass suits perfectly well in the tradition of Roman-Catholic Masses that have been written by several great composers.
$107.95

Genres: Classical, 20th Century, Latin
Brazil by A. Barosso. Arranged by P Scheffer. For Fanfare Band. Arrangements of Modern Light Music / Samba / Real Big Band Sound. Real Big Band Sound. Grade 4. Score and Parts. Published by Molenaar Edition (ML.020987040).
$107.95

Genres: Samba, Latin
Blue Tango by L. Anderson. For Fanfare Band. Arrangements of Modern Light Music / Light Pieces / Tango / Novelties. Light Concert Pieces. Grade 3. Score and Parts. Duration 2 minutes, 49 seconds. Published by Molenaar Edition (ML.020994040). Leroy Anderson was the son of Swedish immigrants. He studied music and foreign languages at the famous Harvard University before starting a brilliant musical career. He was a great church organ player, a fine conductor a great composer and mostly the successful arranger for the famous 'Boston Pops Orchestra' conducted by Arthur Fiedler. He turned into one of the very big champions of the musical 'novelty' with hits such as 'Belle of the Ball', 'Bugler's Holiday', 'Sandpaper Ballet', 'The Syncopated Clock' and 'The Typewriter' (all these items have also been published by Molenaar Edition). In was in 1947/48 that Anderson was obsessed by a tune which was to become his world famous 'Blue Tango'. He choose 'tango azul' as title, but this did not sound very commercial. (Usually Anderson first chose a title and then composed a piece, but in this case he did the opposite). The Decca label released this piece on the second Anderson long playing record in october 1951. Unexpectedly Blue Tango became the big success and made its way into the Top ten. Between January and June 1952 one million records with this tune were sold. It was the very first instrumental piece to reach the top of the hit parade: it was number one for seven weeks and remained fifteen weeks in the top of the charts.
$107.95

Genres: Tango, Latin
Samba Crazy by Terry Kenny. For Fanfare Band. Countries. Real Big Band Sound. Grade 3. Score and Parts. Published by Molenaar Edition (ML.022422040). This is based on the famous tango 'El Choclo' by Angel Villoldo. The tango is the national dance of Argentina, but Terry has turned it into a samba, which is the national dance of Brazil, thereby running the risk of antagonising half the population of South America. The arrangement is lively and up-beat, so we hope they will approve and enjoy it.
$107.95

Genres: Samba, Latin
Adios Nonino by Astor Piazzolla (1921-1992). Arranged by Peter Kleine Schaars. For Fanfare Band. Tango / Arrangements of Modern Light Music. Grade 2. Score and Parts. Duration 5 minutes, 16 seconds. Published by Molenaar Edition (ML.022666040). It was the Argentinean composer Astor Piazzolla (1921-1992) who was at the origin of the so-called symphonic tango in the forties. Those tangos were performed by large orchestras and thus broke with the tradition of the small 'orquesta tipica' Adius Nonino is a typical example.
$107.95

Genres: Classical, Argentinian, Latin, Tango
Samba Tricks by Gunter Noris. For Big Band. Swiss import. Grade 4. Score and parts. Published by Editions Marc Reift (MA.EMR-14230).
$107.45

Genres: Samba, Latin
Butterfly Samba by Gunter Noris. For Big Band. Swiss import. Grade 4. Score and parts. Published by Editions Marc Reift (MA.EMR-14455).
$107.45

Genres: Samba, Latin
Brazil by A. Barosso. Arranged by P Scheffer. For Concert Band. Real Big Band Sound / Arrangements of Modern Light Music / Samba. Real Big Band Sound. Grade 4. Score and Parts. Published by Molenaar Edition (ML.010987040).
$106.95

Genres: Samba, Latin