Tango La Invitacion by Mike Curtis. Full Orchestra. Published by Advance Music (AV.40024).

Instantly downloadable sheet music by Miles Davis for jazz band of MEDIUM skill level.

Instantly downloadable sheet music by Buddy Bernier for jazz band of MEDIUM skill level.

Tango by Isaac Albeniz (1860-1909). Arranged by Osaer. For concert band. Transcriptions. Grade 3. Score and set of parts. Published by Edition Andel (ND.TRNS1-SET).

Musik fur Tasteninstrumente und Orchester (Music for Keyboard Instruments and Orchestra) by Mauricio Kagel (1931-). Contemporary Large Ensemble/Orchestra. For [2.0.2.2-2.2.2.0], 4 Timpani, 2 Percussion, 4 Piano (III+IV possible other keyboard instruments), Strings. Modern. Score. Composed Composed: 1987-88. Duration circa 26 minutes. Published by Edition Peters (PE.P08745).

Paso Flamenco. (Suite). By Kees Vlak. For Brass Band. Fantasy Suites. Grade 3. Score and Parts. Published by Molenaar Edition (ML.040068070).

Latin Suite by Rita Defoort. For concert band. Recording available on CD #130602. Cha cha cha / Samba. Grade 4-5. Score and set of parts. Duration 07:27. Published by Tierolff Muziekcentrale (TF.151850-SET).

Praia Do Brasil by Giuseppe Calvino. Concert band. Latin Music. Grade 3. Score and set of parts. Duration 5 minutes. Published by Scomegna Edizioni Musical srl (S4.ESB1101). A Brazilian beach with white sand, a festive atmosphere, and the scent of the sea. The dances begin with the samba rhythm… Praia do Brasil wants to offer all, or nearly all wind players of the band the possibility to perform on a percussion instrument, regardless of the technical level of the ensemble. For almost all the percussion instruments inserted in the "Rhythm Chart", in fact, there is a choice of rhythms at various levels of difficulty. This experience, in addition to being particularly engaging, offers a playful chance to develop one's own rhythmic skills.

Instantly downloadable sheet music by Norman Gimbel for jazz band of MEDIUM skill level.

Instantly downloadable sheet music by Alphonsus Cassell for marching band of MEDIUM skill level.

Instantly downloadable sheet music by Michael Brown for marching band of MEDIUM skill level.

Instantly downloadable sheet music by Norman Gimbel for marching band of MEDIUM skill level.

Instantly downloadable sheet music by Norman Gimbel for jazz band of MEDIUM skill level.

Instantly downloadable sheet music by Mongo Santamaria for marching band of MEDIUM skill level.

Die Stucke der Windrose: Suden by Mauricio Kagel (1931-). Contemporary Medium Ensemble. For Clarinet, percussion, piano, harmonium (2 players), 2 violin, viola, cello, doublebass. Modern. Score. Composed Composed: 1989. Duration 12 minutes. Published by Edition Peters (PE.P08749).

In A Samba Mode arranged by Bob Florence. For Big Band. Difficult. Score and parts. Published by Walrus Music Publishing (WA.50312). Another great Samba from Bob. Features Tenor saxophone and Piano solos.

Tango Seduction by Gunter Noris. For Big Band. Swiss import. Grade 3.5. Score and parts. Published by Editions Marc Reift (MA.EMR-14551).

Sway by Pablo Beltran Ruiz. Arranged by Andrea Ravizza. Concert band. As performed by Michael Buble. Latin Music. Grade 3. Score and set of parts. Duration 3:30. Published by Scomegna Edizioni Musical srl (S4.ESB877). Sway is a Spanish song from 1953: Quien Sera, written by Pablo Beltran Ruiz. In 1954 Norman Gimbel wrote the English lyrics and the result was immediately an international success. This arrangement is inspired by the recent version by Michael Buble, who has had a series of successes with some famous jazz and pop standards. The artist's flair for interpreting the great hits of the past dates back to when he was a child and his father filled his ears with music by the masters of swing. Thus it was The Mills Brothers, Ella Fitzgerald and Frank Sinatra who triggered his love of singing and this kind of music in particular.

Granada by Agustin Lara. Arranged by Donato Semeraro. For concert band. Evergeen, Vocal. Grade 3.5. Score and full set of parts. Duration 4 minutes, 10 seconds. Published by Scomegna Edizioni Musical srl (S4.ESB1128).

Libertango by piazzola. Arranged by Jerome Naulais. Classe d'orchestre - Young band. For Wind Band. Orchestral Music. Tango. Duration 1'26. Published by Editions Robert Martin (RM.3851).

No Shadow of Turning by David Gillingham. Arranged by Geoffrey Brand. For Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1/2, Bassoon 1/2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, Horn 1/2, Horn 3/4, Trombone 1, Trombone 2, Ba). Band Music. Platinum Band Series. Grade 4. Score and parts. Duration 9:40. Published by C. Alan Publications (CN.10990). No Shadow of Turning was commissioned by a consortium of organizations at The Ohio State University in memory of Lois Brock, beloved secretary of The Ohio State University Bands. The work is based on the hymn tune Great is Thy Faithfulness, by Thomas O. Chisholm (words) and William M. Runyan (music).Great is thy faithfulness, O God my Father;There is no Shadow of turning with thee;Thou changest not, thy compassions, they fail not;As thou hast been, thou forever wilt be.Refrain:Great is thy faithfulness! Great is thy faithfulness!Morning by morning new mercies I see;All I have needed thy hand hath provided;Great is thy faithfulness, Lord, unto thee.Summer and winter and springtime and harvest,Sun, moon, and stars in their courses aboveJoin with all nature in manifold witnessTo thy great faithfulness, mercy and love.Refrain.Pardon for sin and a peace that endureth,Thine own dear presence to cheer and to guide;Strength for today and bright hope for tomorrow,Blessings all mine, with ten thousand beside!Refrain.The title of the work is taken from the second line of the first verse which perhaps sums up the meaning of the hymn and the faith held by Lois Brock. The work also features optional hand bells, as Lois Brock was an avid hand bell player in her local church.The work begins quietly and somewhat mysteriously on a motive using the interval of the falling fourth of the refrain of the hymn. This material grows and gathers texture and then concludes softly on a rolled G major chord in the marimba. A chorale follows, played by the vibraphone and bells and/or the hand bells. I call this chorale the "Lois Brock Chorale" as it exhibits the warmness of her ever-loving spirit. An interlude follows utilizing motives from the hymn and leads to the flute playing the verse of the hymn. Pursuant to this quiet rendition is a rather aggressive section featuring the timpani and percussion that play with the opening motive of the refrain. This leads to a fugue on the same motivic material that grows in intensity and segues with the trombones playing the hymn tune in march-like style against fanfare-like motives in the trumpets. All this subsides and the hymn is now played by the trumpets against the horns playing the Lois Brock Chorale. The full band joins in on the refrain that rises to a glorious pinnacle and then concludes softly by the euphonium. The material from the introduction is then restated and leads to a final statement of the refrain followed by a peaceful and heavenly benediction.

Northern Light by David Gillingham. For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon 1/2, Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2, Trumpet in Bb 3, Horn in F 1/2, Horn in F 3/4, Tromb). Band Music. Platinum Band Series. Grade 4. Score and parts. Duration 4:50. Published by C. Alan Publications (CN.11240). "Northern Light" was commissioned by the Walled Lake Northern High School Bands on the occasion of the first graduating class in June of 2005. The work incorporates the school's "Alma Mater" for which I was commissioned to write the music for several years ago.The work uses a sonata-like design. It begins with a slow introduction beginning in Ab major using material from the Alma Mater and modulates to Bb major. An allegro exposition follows with a fanfare-like first theme (trumpets) that is celebratory in nature. A short transition leads to the second theme (Alma Mater) in Gb Major presented in a slower and more stately tempo. A development section follows which using fugal counterpoint as its centerpiece with the subject based on the first theme. Alternating episodes develop both themes and a retransition leads the work to the recapitulation of the first theme, this time in Ab Major. A transition dramatically leads to the final presentation of theme 2 (Alma Mater) in C Major with its rhythm augmented. A coda appropriately brings the work to a rousing conclusion.--DRG.

Sankt-Bach-Passion by Mauricio Kagel (1931-). Contemporary Large Ensemble/Orchestra. For Mezzo-Soprano, Tenor, Baritone Soli, Speaker, SATB Singing/Speaking Choruses I+II (min. 80 voices), Boys' Chorus (c. 40 voices), [3.3.English Horn.3.Bass clarinet.3(Contrabassoon)-4.3.3.1], Timpani, 3 Percussion, 2 Harp, Celeste, Piano, (2 players), Harps. (Text Language: German). Modern, Choral. Sheet Music. Composed Composed: 1981-85. Duration circa 100 minutes. Published by Edition Peters (PE.P08600).

String Quartet No. 3 by Mauricio Kagel (1931-). For 2 Violins, Viola, Cello. Modern. Set of parts. Duration circa 37 minutes. Published by Edition Peters (PE.P08672).