Chihuahua Cha Cha by Gunter Noris. For Concert Band. Swiss import. Grade 4. Score and parts. Published by Editions Marc Reift (MA.EMR-11314).

Amazon Samba by Gunter Noris. For Big Band. Swiss import. Grade 4. Score and parts. Published by Editions Marc Reift (MA.EMR-14236).

Trumpet Tango by Norman Tailor. For 2 Solo Cornets & Brass Band. Swiss import. Grade 3.5. Score and parts. Published by Editions Marc Reift (MA.EMR-3499).

Metro Tuner Live 3in1, Flamenco & Classic. For Guitar (Classical). Miscellaneous Product. Flamenco. Accessory. Published by RGB Arte Visual (MB.8432155000017). ISBN 8432155000017. Flamenco. 2.5" x 5.75" inches. The Metro Tuner is three devices in one: a chromatic, frequency (Hz) based tuner, a standard metronome and a flamenco-specific metronome. It has a quarter-inch input jack so you can plug your instrument in, as well as an internal mic and speaker with volume control. Both the standard and flamenco metronomes have 11 patterns and rhythms to practice with. The beats-per-minute ranges from 40 to 300. A mini jack allows you to plug your headphones in. Comes with a 9-volt battery.

Interpretations by Roger Cichy. For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3, Bb Bass Clarinet, Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2, Trumpet in Bb 3, Horn in F 1, Horn in F 2, Tro). Band Music. Platinum Band Series. Grade 4. Score and parts. Duration 9:30. Published by C. Alan Publications (CN.10440). "Interpretations" was conceived as a collaborative arts project by composer Roger Cichy for the Mount St. Charles Academy in Woonsocket, Rhode Island. This commission was designed to encompass several of the arts by drawing on the fine arts, music, and dance within the academy. Mr. Cichy's composition, therefore, is a musical 'interpretation' based on four selected student art pieces, hence the title. Following the completion of the musical 'interpretations,' the academy's dance department choreographed dances based on the newly composed music. "Interpretations" was premiered by projecting the original student artwork on a large screen as the wind ensemble and dance ensembles performed the work live.The opening movement, 'Mask,' based on a three-dimensional black and white mask, reflects the bipolar elements incorporated in its design. Here Cichy uses the brass and percussion in angular melodies, dramatic rhythms, and vertical harmonies to illustrate one aspect of the mask. A lyrical and subdued texture is created by the woodwind section along with subtle percussion to act as the opposing pole.The indicated style for 'Shrouded Figure,' "Sinister yet mysterious," easily describes the character of this movement. Cichy draws on several compositional techniques to enhance the mystery of the unidentified figure in the art piece.The movement titled 'Popped Corn' depicts a single kernel of popcorn as it lies with its energy spent on the burst, now in a motionless state. The music for this movement incorporates a lazy blues style to imitate the lifeless dimensions of the still-life art piece.'Self Portrait' (of the artist, not the composer) contains an array of colors and geometric patterns culminating in an image of a face. In this movement, Cichy's use of irregular meters and quick tempos transposes the energy and impulse created by the artwork.The artwork upon which this composition is based was created by the following student artists:David Corner, MaskElizabeth Zeibig, Shrouded FigureGreer Monaghan, Popped CornMarassa Streniste, Self Portrait.

Okaoka by Christopher Marshall. For Concert Band (Piccolo, Flute 1, 2, 3, Oboe, Bassoon, Clarinet in Bb 1, 2, 3, Bass Clarinet, Alto Saxophone 1, 2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, 2, 3, Horn in F 1, 2, Trombone 1, 2, Bass Trombone, Euphonium, Tuba, String Bass, Timpani, Percussion ). Band Music. Platinum Band Series. Grade 4. Score and parts. Duration 5:30. Published by C. Alan Publications (CN.10970). This music is inspired by my memories of the unique sights and sounds of the Pacific Islands of Samoa, where I lived and worked for three years (1989-1992).Okaoka! (pronounced 'awkaAWka') is a Samoan exclamation of surprise -- something like "Wow!" in English. Most Samoan dance is accompanied by song and this one is built on the light-hearted song "Okaoka La'u Honey" where the singer compares his lover to some of the most sought-after and exotic foods availble in Samoa at the turn of the 20th century.The music starts in a reflective mood, as if the singer is trying to recall the words of the song. Then flowing lines suggest a single dancer performing the graceful, dignified movements of the 'siva sa'o', or formal dance. Gradually more and more dancers join in, excitement builds, and the music becomes an expression of unrestrained exuberance.Then, as in a dream, the sounds and images of the dancers dissolve in the fragrant calm of the night.

Pandemonium by Roger Cichy. Arranged by M. McDermott. For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon 1/2, Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3, Bass Clarinet in Bb, Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2, Trumpet in Bb 3, Horn in F 1/2). Band Music. Platinum Band Series. Grade 4. Score and parts. Duration 6:40. Published by C. Alan Publications (CN.11070). The word 'pandemonium,' invented by 17th Century English author John Milton, first appeared in his literary work Paradise Lost. Little would Milton have known that his word creation would be used so commonly in the 21st Century. With significant events occurring in contemporary times such as 9/11, the Pacific tsunami, and hurricane Katrina, the word pandemonium has been commonly attached to the state of riotous uproar, chaos and mass confusion.With an array of meanings, the word can be defined as: wild lawlessness, utter chaos, a place or scene of uproar or chaos, and more astringently as: the abode of all the demons or even, the capitol of hell. (Note the word 'demon' in the center of the word.)Beyond these definitions, the word can be used in a more personal context and describe a state of being that occurs in our individual lives upon being presented with tragic or startling news--a feeling of confusion and uncertainly. At other times, individuals may feel pandemonium when referring to their busy and overwhelming lifestyles. In yet a different and starker perspective, some individuals believe that demons can possess our lives at times and create a state of pandemonium within one's being.Commissioned by the Western/Northwestern divisions of the College Band Directors National Association, Roger Cichy's composition Pandemonium attempts to paint a wide array of meanings of the term. At times, the music may suggest catastrophic events that that have turned into pandemonium; other times the music may reflect a more subtle disposition and imply pandemonium on an individual level. Sometimes the music is intended to sound confusing and unsettling or eerie and uncertain. Moments also exist when the music sounds riotous or even martial. During one segment of the piece, Cichy has composed a sort of "march of the demons." In another segment, Cichy refers to it as "the dance of the evil spirits."The interpretation of what one hears is purely up to the listener. This is not meant to be programmatic music, Cichy states. "You are given certain qualities of sound, melody and musical impressions during each segment and you must choose your own definition.".

Instantly downloadable sheet music by Chuck Rio for jazz band of MEDIUM skill level.

Instantly downloadable sheet music by Antonio Carlos Jobim for marching band of MEDIUM skill level.

Instantly downloadable sheet music by Cannonball Adderley for jazz band of MEDIUM skill level.

Interview avec D. - pour Monsieur Croche et Orchestre Text: Claude Debussy by Mauricio Kagel (1931-). Contemporary Large Ensemble/Orchestra. For Speaker, [3.3.4.2-4.2.2.0], Percussion, Harp, Piano (Celeste), Strings. Modern. Score. Composed Composed: 1993-94. Duration circa 26 minutes. Published by Edition Peters (PE.P08842).

String Quartet No. 5 by Mauricio Kagel (1931-). For 2 Violins, Viola, Cello. Modern. Set of parts. Duration circa 22 minutes. Published by Edition Peters (PE.P11073). Set of parts (for the score, see EP11073A).

(Windependence Artist Level). By Michael Gandolfi. Score & Parts. Boosey & Hawkes Concert Band. Grade 5. Boosey & Hawkes #M051661091. Published by Boosey & Hawkes

Flamenco Guitar in 48 Lessons. (Four DVD Set). By Jose Manuel Montoya. For Guitar (Fingerpicking). Methods. RGB Arte Visual. Flamenco. Multiple Levels. DVD. Duration 480 minutes. Published by RGB Arte Visual (MB.8493445294). ISBN 9788493445294. Flamenco. 5.25" x 7.5" inches. The Four DVD set of progressive Flamenco Guitar in 48 Lessons for all levels including those who have no notion of the guitar or musical theory yet. The methodology that is being used is the same as used by Jose Manuel Montoya (teacher) in his private classes. The basic techniques that are being studied are applied from the beginning to the most attractive flamenco forms palos; Tangos, Solea, Bulerias and Fandango de Huelva, making the study more enjoyable. The learning methodology is designed to study one lesson per week, and practicing half an hour daily at the beginning of the course and from the third month, one hour a day. Jose Manuel Montoya, leads to apply this same course for years and it is GUARANTEED that by the end of this course, students will reach the level of Flamenco guitar as shown in the following audios, plus a full mastery of the technique. This DVD Set offers tracks in four languages: Spanish, English, Italian, and Japanese.

Christmas Calypso (Concert Band). By Peter Graham. Arranged by Jerry B. Bensman. Concert Band. Concert Band series. Christmas. Grade 3. Score and parts. Duration 3:00. Published by Gobelin Music Publications (GO.570).

Oblivion by Astor Piazzolla (1921-1992). Arranged by Steven Verhaert. For Concert band. Light music. Tango. Grade 2-3. Score and set of parts. Duration 0:03:13. Published by Beriato Music (BT.0310-1-193). Astor Piazzolla with his bandoneon is not only the undisputed master of the Argentine tango but also an exceptional exponent of southern music in general. He is the inspiration of many artists and composers and has performed with world-music formations as well as stars from the world of classical music. Oblivion is a slow and melancholic piece that can be played with or without the accordion, depending on your requirements. We recommend this arrangement if you are looking for something different.

Oblivion by Astor Piazzolla (1921-1992). Arranged by Steven Verhaert. For Marching Band. Light music. Tango. Grade 2-3. Score and set of parts. Duration 0:03:13. Published by Beriato Music (BT.0310-2-193). Astor Piazzolla with his bandoneon is not only the undisputed master of the Argentine tango but also an exceptional exponent of southern music in general. He is the inspiration of many artists and composers and has performed with world-music formations as well as stars from the world of classical music. Oblivion is a slow and melancholic piece that can be played with or without the accordion, depending on your requirements. We recommend this arrangement if you are looking for something different.

A touch of salsa by Koen Pletinckx. For Concert band. Light music. Grade 2-3. Score and set of parts. Duration 0:03:24. Published by Beriato Music (BT.0401-1-211). This colourful and light piece is a great starter to warm up your audience. As the title suggests, A Touch of Salsa is not pure salsa; the salsa rhythm simply forms the foundation of this fantasy composition. A light musical snack to get your audience in that Mediterranean mood. Suitable for all orchestras and composed with the necessary doublings.

A touch of salsa by Koen Pletinckx. For Marching Band. Light music. Grade 2-3. Score and set of parts. Duration 0:03:24. Published by Beriato Music (BT.0401-2-211). This colourful and light piece is a great starter to warm up your audience. As the title suggests, A Touch of Salsa is not pure salsa; the salsa rhythm simply forms the foundation of this fantasy composition. A light musical snack to get your audience in that Mediterranean mood. Suitable for all orchestras and composed with the necessary doublings.

Libertango by Astor Piazzolla (1921-1992). Arranged by Bart Picqueur. For Concert band. Light music. Tango. Grade 2-3. Score and set of parts. Duration 0:02:46. Published by Beriato Music (BT.0411-1-249). Astor Piazzolla (1921-1992) is the extraordinary grandmaster of the Argentinean Tango. This LIBERTANGO is probably one of the most famous of the more than 330 tangos he has composed. With this arrangement, we have the pleasure to present you the composer-arranger Bart Picqueur for the first time.

Libertango by Astor Piazzolla (1921-1992). Arranged by Bart Picqueur. For Marching Band. Light music. Tango. Grade 2-3. Score and set of parts. Duration 0:02:46. Published by Beriato Music (BT.0411-2-249). Astor Piazzolla (1921-1992) is the extraordinary grandmaster of the Argentinean Tango. This LIBERTANGO is probably one of the most famous of the more than 330 tangos he has composed. With this arrangement, we have the pleasure to present you the composer-arranger Bart Picqueur for the first time.

Poco de salsa, pero no demasiado (un) by Julien Roh. For Brass Band. Medium-Difficult. Duration 4'. Published by Woodbrass Music SA (W1.P14016).

Libertango by Astor Piazzolla (1921-1992). Arranged by Marco Somadossi. Concert band. One of the most celebrated tangos in the world. Pop Music, Latin, Evergreen. Grade 3. Score and set of parts. Duration 4:25. Published by Scomegna Edizioni Musical srl (S4.ESB771). This excellent arrangement by Marco Somadossi of the most famous piece by Astor Piazzola has ensured that this publication has become a true best-seller.

Latin Mood (A medley including: El Bimbo, El Cumbanchero and Brasilia Carnaval). Arranged by Doppel. Concert band. Latin Music. Grade 2.5. Score and set of parts. Duration 4:20. Published by Scomegna Edizioni Musical srl (S4.ESB846). This simple medley contains three famous Latin music excerpts. The arrangement by Doppel has been appropriately conceived to achieve a striking effect, including with smaller formations: the use of the "Casual Band" system makes it possible to perform this piece with just two trombones or two horns.