Victor Monge 'Serranito' in Concert by Victor Monge 'Serranto'. For Guitar (Classical). Solos. RGB Arte Visual. Flamenco. DVD. Duration 40 minutes. Published by RGB Arte Visual (MB.8353522031). ISBN 8428353522031. Flamenco. 5.25" x 7.5" inches. Victor Monge "Serranito" is a legend in the history of Spanish music. His virtuoso technique combined with his supreme musicality has confirmed the fact, well known in musical circles, that he is one of the greats in flamenco guitar. As a composer he takes the greatest care in the form and foundation of his compositions, something which has taken him to an astonishing level of perfection in his music. In this video, he performs six of his compositions, accompanied by a second guitar, acoustic bass guitar, and percussion. A booklet of program notes is included in Spanish, English, French, and Japanese. A book with the music in notation and tablature is available separately.

Victor Monge Serranito in Concert by Victor Monge. For Guitar (Classical). Solos. RGB Arte Visual. Flamenco. Intermediate-Advanced. Book. 132 pages. Published by RGB Arte Visual (MB.901311237). ISBN 9790901311237. Flamenco. 8.25" x 11.5" inches. Victor Monge "Serranito" is a legend in the history of Spanish music. His virtuoso technique combined with his supreme musicality has confirmed the fact, well known in musical circles, that he is one of the greats in flamenco guitar. As a composer he takes the greatest care in the form and foundation of his compositions, something which has taken him to an astonishing level of perfection in his music. This book gives notation and tablature for six of his compositions, as performed on the video of the same title. A biography and performance notes are included in Spanish, English, French, and Japanese.

Jose Jimenez - El Viejin, Volume 1 by Jose Jimenez. For Guitar (Classical). Solos. The Great Flamenco Guitars of Today Library. Flamenco. Intermediate. Book. 224 pages. Published by VG Ediciones (MB.801224194). ISBN 9790801224194. Flamenco. 8" x 11.75" inches. The transcription of Jose Jimenez El Viejin's album "Algo que decir" is the first work published by the founder of the sophisticated and mysterious "Cano Roto" style of guitar. This musically and technically complex style is unique to the gypsy neighborhood Cano Roto in Madrid, where the highest concentration of flamenco guitarists in the world can be found. This album was awarded the "Discovery of the Year 1.999" prize by the Spanish Press Association. The album features such artists as guitar maestro Paco de Lucia, Montse Cortes, Carles Benavent, Antonio Canales, Ramon el Portugues, Bernardo Parrilla and Luki Losada. The work is divided into three volumes due to the magnitude of the musical text, and due to the number of explanations of the palos and falsetas that go with the sheet music for each piece. --For the first time, the guitar accompaniment to the singing has been transcribed completely, --As have the parts where there is more than one guitar. --In the "Comments and Suggestions" chapters, the tunings used in each piece are explained in detail, as are the flamenco scales and chord progressions found in each tonality. In addition, the clapping and foot-tapping patterns are described in detail. These aspects, not often explored in the flamenco literature, are essential to correctly keeping the compas. --In the "Analysis" part, El Viejin's techniques and his interpretation of each palo are explained falseta by falseta.

Flamenco Guitar in 48 Lessons, Vol. 3 Lessons 26-37. (Guitarra Flamenca en 48 Clases, VOL. 3 Clases 26-37). By Jose Manuel Montoya. For Guitar (Fingerpicking). Methods. RGB Arte Visual. Flamenco. Intermediate. DVD. Duration 120 minutes. Published by RGB Arte Visual (MB.8493445270). ISBN 9788493445270. Flamenco. 5.25" x 7.5" inches. DVD 3 of the progressive Flamenco Guitar in 48 lessons for all levels including those who have no notion of the guitar or musical theory yet. The methodology that is being used is the same as used by Jose Manuel Montoya (teacher) in his private classes. The basic techniques that are being studied are applied from the beginning to the most attractive flamenco forms palos; Tangos, Solea, Bulerias and Fandango de Huelva, making the study more enjoyable. The learning methodology is designed to study one lesson per week, and practicing half an hour daily at the beginning of the course and from the third month, one hour a day. Jose Manuel Montoya, leads to apply this same course for years and it is GUARANTEED that by the end of this course, students will reach the level of Flamenco guitar as shown in the following audios, plus a full mastery of the technique. Lessons 26-37. Explanations and exercises for arpeggio technique/major scales (picao). Melodic patterns for buleria (thumb). Bulerias (alzapua). Tangos (picao and left hand stretches). Solea (picado) and F. de Huelva (picado). This DVD offers tracks in four languages: Spanish, English, Italian, and Japanese.

Flamenco Jazz Scores for Piano - Chano Dominguez by Chano Dominguez. For Keyboard (Piano). Solos. Jazz. Intermediate. Book/CD Set. 64 pages. Published by RGB Arte Visual (MB.801227034). ISBN 9790801227034. Jazz. 8.25" x 11.75" inches. Score book for piano with CD, includes two themes of "new palos: the blues in the flamenco key" and two flamenco piano works as well. Chano Dominguez coments all the keys of the "Bulerias-Blues" and "Solea Blues".

Flamenco Guitar Bulerias Step by Step Vol. 2. (Guitarra flamenca Bulerias paso a paso 2). By Jose Manuel Montoya. For Guitar (Fingerpicking). Methods. RGB Arte Visual. Flamenco. Intermediate. Book+DVD. 59 pages. Published by RGB Arte Visual (MB.8493445225). ISBN 9788493445225. Flamenco. 8.25" x 11.75" inches. Accompanying the singing "por Bulerias" by Jose Manuel Montoya and Curro Cueto: Bulerias de Jerez,Bulerias with the character of Seville province, Jaleos Extremenos and Romance. The most common keys for accompaniment are used. There is a version of each theme available with the guitar part at very low volume so that the student may practice with the group and there is also the option of different video tracks (group, solo guitar or percussion). Includes score book A4-64 pages. Languages: Spanish, English, French, German and Japanese.

Flamenco Guitar Bulerias Step by Step Vol. 1. (Guitarra flamenca Bulerias paso a paso 1). By Jose Manuel Montoya. For Guitar (Fingerpicking). Methods. RGB Arte Visual. Flamenco. Intermediate-Advanced. Book+DVD. 59 pages. Published by RGB Arte Visual (MB.8493445218). ISBN 9788493445218. Flamenco. 8.25" x 11.75" inches. Jose Manuel Montoya, after playing the theme por "Bulerias" called Yaiza, there follows a detailed study of the seven falsetas and the finishing off, demonstrating a wide variety of rasgueos. Each falseta is played: at a slow pace accompanied by metronome (finger rapping and clapping) and with a choice of audio (group, solo guitar, or just finger rapping and clapping); at the full speed of the Buleria, accompanied by clapping, cajon and bass, and with the possibility of choosing the audio (group, solo guitar, highlighting the bass, without guitar or without bass). There is also the option of choosing several tracks of video (the whole group, solo guitar or bass solo) so that guitarists and bass players may practice. Includes score book A4-64 pages. Languages: Spanish, English, French, German and Japanese.

Acompanamiento Al Cante Por Alegrias. (Guitarra Flamenca paso a paso IX). By Oscar Herrero. For Guitar (Classical). Methods. RGB Arte Visual. Flamenco. Multiple Levels. Book+DVD. 45 pages. Published by RGB Arte Visual (MB.8493445195). ISBN 9788493445195. Flamenco. 8.25" x 11.5" inches. In-depth study of the accompaniment to the cante por Alegrias. Concert themes are developed and a book of music in notation and cifra is provided. Oscar Herrero begins by demonstrating various rasgueo patterns por Alegrias which are used as the basis for the accompaniment to el cante por Alegrias. In addition three cantes which use the alegrias rhythm in accompaniment are included, these are the Mirabras, Romera and Caracoles. First, the songs are interpreted by the cantaora Maria de Toledo accompanied on the guitar by Oscar Herrero. Then the cantaor sing the same songs this time accompanied only by percussion and palmeros, so that the student can add the guitar part himself. This 45-minute DVD includes a separate book.

Acompanamiento Al Cante Por Solea. (Guitarra Flamenca paso a paso VI). By Oscar Herrero. For Guitar (Classical). Methods. RGB Arte Visual. Flamenco. Intermediate-Advanced. Book+DVD. 78 pages. Published by RGB Arte Visual (MB.8493445164). ISBN 9788493445164. Flamenco. 8.25" x 11.5" inches. After guitar accompaniment "por solea" technique explanation the "cantaor" (flamenco singer) Paco del Pozo and Oscar Herrero as flamenco guitarist, play two different kinds of "solea", the "Solea de Alcala" and the "Solea de Cadiz", and two more songs with "solea" rhythm as the "La Cana" and the "El Polo". Later Paco del Pozo sings again without guitar accompaniment, just with percussion and clapping, then the student can play the guitar accompaniment. 78-minute. The accompanying 48-page book teaches accompaniment to flamenco songs. It includes rasgueados, melodies, and descriptions and structure for each song. Lyrics appear at the end of the book. The music is written in notation and tablature with the text in English, Spanish, and French.

La Solea II, Guitarra Flamenca paso a paso V. (Guitarra Flamenca paso a paso V). By Oscar Herrero. For Guitar (Classical). Methods. RGB Arte Visual. Flamenco. Intermediate-Advanced. Book+DVD. 60 pages. Published by RGB Arte Visual (MB.8493445157). ISBN 9788493445157. Flamenco. 8.25" x 11.5" inches. Oscar Herrero continues with the rest of the elements which the "solea" is made up: "la falseta", finishing of "el remate", and the call "la llamada". Typical, traditional kinds of "falsetas" and introductions are explained in detail. At the end of this episode, he plays two "soleares" the "Sendero" and the "Atril flamenco". Both pieces were made up with elements studied into the two episodes "La Solea 1" and "La Solea 2". 60-minute. The accompanying 44-page book contains patterns and exercises, including falsetas, remates, llamadas, introductions, sequences, fixed positions, and endings. The music is in notation and tablature. The text is in English, Spanish, and French.

La Solea I, Guitarra Flamenca paso a paso IV. (Guitarra Flamenca paso a paso IV). By Oscar Herrero. For Guitar (Classical). Methods. RGB Arte Visual. Flamenco. Intermediate-Advanced. Book+DVD. 60 pages. Published by RGB Arte Visual (MB.8493445140). ISBN 9788493445140. Flamenco. 8.25" x 11.5" inches. Oscar Herrero after playing the "solea" "Majestad" explains the "solea" rhythm, and some clapping exercises are made. Then he explains the structure of basic rhythms and part of elements which the "solea" is made up as: "el cierre", strummed measures and 7-8-9 melodies. 60-minute. The accompanying 28-page book contains clapping exercises, the structure of the styles, a guide to notation, rasgueados, melodies, and a glossary. It also includes a guide to a piece which is made up of elements studied in this book and in the next volume, La Solea (II). The music is in notation and tablature. The text is in English, Spanish, and French.

Flamenco Guitar in 48 Lessons, Vol. 4 Lessons 38-48. (Guitarra Flamenca en 48 Clases, Vol. 4 Clases 38-48). By Jose Manuel Montoya. For Guitar (Fingerpicking). Methods. RGB Arte Visual. Flamenco. Intermediate-Advanced. DVD. Duration 120 minutes. Published by RGB Arte Visual (MB.8493445287). ISBN 9788493445287. Flamenco. 5.25" x 7.5" inches. DVD 4 of the progressive Flamenco Guitar in 48 Lessons for all levels including those who have no notion of the guitar or musical theory yet. The methodology that is being used is the same as used by Jose Manuel Montoya (teacher) in his private classes. The basic techniques that are being studied are applied from the beginning to the most attractive flamenco forms palos; Tangos, Solea, Bulerias and Fandango de Huelva, making the study more enjoyable. The learning methodology is designed to study one lesson per week, and practicing half an hour daily at the beginning of the course and from the third month, one hour a day. Jose Manuel Montoya, leads to apply this same course for years and it is GUARANTEED that by the end of this course, students will reach the level of Flamenco guitar as shown in the following audios, plus a full mastery of the technique. This DVD offers tracks in four languages: Spanish, English, Italian, and Japanese. This DVD Set offers tracks in four languages: Spanish, English, Italian, and Japanese.

Falsetas Collection 1 by Farzad Amirani. For Guitar (Classical). Solos. RGB Arte Visual. Flamenco. Beginning-Intermediate. Book/CD Set. 80 pages. Published by RGB Arte Visual (MB.801227089). ISBN 9790801227089. Flamenco. 8.75" x 12" inches. Divided in two volumes and classified by styles (palos). Basic and mid level. Flamenco guitarist can experience their first creative steps by adding new falsetas to the flamenco guitar pieces they already know, or by replacing some of the old falsetas. They can also compose their own pieces based on the falsetas in this collection. Falsetas are interpreted at normal speed and also at slow speed to facilitate their learning. In both cases there are two versions of accompaniment, metronome and cajon. They all have in the left channel the guitar, and in the right channel the metronome/cajon . Then the student, will be able to hear the guitar solo, or accompanied by the cajon or metronome, and can practice removing the guitar using the metronome or cajon as the accompanying base. All this at normal and slow speed.

Simba Samba by Mike Rossi. For 3 parts (Part 1: flute, oboe, violin, guitar, alto sax, trumpet, clarinet, soprano sax or tenor sax; Part 2: alto sax, trumpet, clarinet or tenor sax; Part 3: trombone, tenor sax or baritone sax) with rhythm section. Score and parts. Published by Advance Music (AV.17054). Dedicated to his daughter and scored for three instruments with rhythm section, this imaginative Mike Rossi samba features a quirky melody with intervallic leaps and improvised solo opportunities for all. To ensure that the melodic lines can be played well, he warns that the piece should not be played any faster than half-note equals 116.

Tampico by Doug Beach. For Range: C6 trumpet, Bb4 trombone. Standard jazz ensemble. Doug Beach Threshold Series. Latin-rock. Medium. Score and parts. Duration 4 minutes 15 seconds. Published by Kendor Music Inc (KN.42873). Doug Beach has given us many great Latin charts over the years, and this one is no exception. Fashioned after the music of Horace Silver, this driving Latin tune features a wonderful combination of melodic and rhythmic ideas. An expandable solo section (written or ad lib solo sheets for all are included) and a full-band shout rounds this chart out beautifully. Rhythm section parts partially notated. Duration 4:15.

Mucha Salsa by Azumi Okamura. For Wind Band. Grade 2. Duration 3'. Published by Woodbrass Music SA (W1.P17931).

Mambo Diablo (My Journey with Tito Puente). Edited by David A. Perez. Book. Hardcover. 512 pages. Published by Backbeat Books (HL.333291). ISBN 161713029X. 6x9 inches. Countless stories have been written about Tito Puente's percussive musical abilities, but never before have his talent and intuition, as well as the mishaps and controversies surrounding him, been presented with such vivacity and love, chronicling the popular and combative King of Latin rhythm who climbed from El Barrio to international fame and recognition, influencing multiple generations of jazzers and Latin rockers from Dizzy Gillespie to Santana.Tito Puente was more than a flamboyant percussionist; he was a multi-instrumentalist and gifted composer. Despite the importance and popularity of Tito's music, his contributions are too often ignored – witness Ken Burns' television documentary about jazz which he virtually ignores Afro-Cuban jazz – this book reclaims Tito's rightful place in the history of music.Author Joe Conzo was Tito's confidant and chronicler for nearly 40 years – no one was closer to Tito or knew him better. Joe tells the story of Tito's intensity for perfection, and describes Tito's musical brilliance in a manner that is as exciting a rapid-fire explosion on the timbales as it is deeply personal.Mambo Diablo is like no book before it, a must-read for all music fans and for anyone who loves New York. Famed author and journalist Pete Hamill sets the stage for the journey, with a loving preface.

Stangata (fuga-tango). (Piano version). By Giuliano Belotti. For piano solo. Score. 16 pages. Duration 4 minutes. Published by Brotons & Mercadal (BK.100-327). ISBN 979-069220225-7. Stangata is a fugue of three voices in tango rhythm. In English, "stangata” can be translated with "blow”.

Tango Meets Jazz (10 Favorite Classical Tangos). Arranged by Uwe Korn. For Piano. Schott. Book with CD. 80 pages. Schott Music #ED20878. Published by Schott Music (HL.49018387). ISBN 379575254X. 9x12 inches. Tango is not just a 'classical' dance form but a philosophy of life. This volume contains popular pieces such as 'Jalousie', 'El Choclo', 'Por una Cabeza' and more recent classics such as 'Adiós Nonino' by Astor Piazzolla. Each arrangement is paired with another piece, which is either a jazzy reinterpretation of the original, or a brand new composition. Intermediate Level.

Fantango No.2 by David Ward-steinman. For Bb Clarinet, Piano. Duration 6 minutes. Published by Edward B. Marks Music (PR.494028950).

Tango Variations by Evan Haus. For Symphonic Band. 42 pages. Duration 9 minutes. Published by Edward B. Marks Music (PR.495000040).

Malaguena by Ernesto Lecuona (1895-1963). Arranged by Ann Cameron Pearce. Flute choir. For Piccolo, 3 C Flutes, Alto Flute, Bass Flute, Contrabass Flute. 12 + pages. Duration 4 minutes, 30 seconds. Published by Falls House Press (PR.FCACP14). Known as the Cuban Gershwin, 20th century composer Ernesto Lecuona wrote "Malaguena" as the sixth and final movement of his Suite Andalucia for piano, referring to the southern Spanish port city of Malaga.

Tango of the World Band 1 (A collection of famous Tango melodies). Arranged by Curt Mahr. For accordion with 2nd voice ad lib.. This edition: saddle-stitch. Accordion. Level 3. 32 pages. Published by Apollo Verlag (M7.AV-1675).

Tango invernal by Pietro Montani. For 2 oboes, 2 clarinets, 2 horns, 2 bassoons & double bass. Score and parts. Published by Amadeus Verlag (M7.BP-1093).