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El Retablo De Mases Pedro. (Vocal Score). By Manuel de Falla (1876-1946). For Treble, Tenor, Baritone, Piano Accompaniment. Music Sales America. Opera, 20th Century. 96 pages. Chester Music #CH64504. Published by Chester Music (HL.14008552). ISBN 1844491692. Opera, 20th Century. 9x12 inches. A new trinlingual edition (2003) of the puppet opera composed between 1919 and 1923.
$42.46

Pages: 96
Instruments: Voice, Piano Accompaniment, Vocal, Piano, Piano and Keyboard
Genres: 20th Century, Argentinian, Opera, Classical, Latin, Miscellaneous
How Insensitive by Antonio Carlos Jobim. Arranged by Peter Kleine Schaars. For Concert Band. Bossa nova / Real Big Band Sound / Arrangements of Modern Light Music / Band with (Solo) Voice. Real Big Band Sound. Grade 3. Score. Duration 5 minutes, 50 seconds. Published by Molenaar Edition (ML.012663050-S). Here is another fine arrangement by Peter Kleine Schaars (Deventer, 1962) in true big band style of the famous tune composed by Antonio Carlos Jobim. A dialogue between the expressive, classical flute and the swinging band introduces the rhythmical Bossa Nova that invites to dance right away. This arrangement can also be performed with a female or male singer.
$24.95

Instruments: Voice, Vocal
Genres: Bossa nova, Jazz & Blues, Latin
How Insensitive by Antonio Carlos Jobim. Arranged by Peter Kleine Schaars. For Concert Band. Bossa nova / Real Big Band Sound / Arrangements of Modern Light Music / Band with (Solo) Voice. Real Big Band Sound. Grade 3. Score and Parts. Duration 5 minutes, 50 seconds. Published by Molenaar Edition (ML.012663050). Here is another fine arrangement by Peter Kleine Schaars (Deventer, 1962) in true big band style of the famous tune composed by Antonio Carlos Jobim. A dialogue between the expressive, classical flute and the swinging band introduces the rhythmical Bossa Nova that invites to dance right away. This arrangement can also be performed with a female or male singer.
$133.95

Instruments: Voice, Vocal
Genres: Bossa nova, Jazz & Blues, Latin
The Girl From Ipanema (Optional Vocal). By Antonio Carlos Jobim. Arranged by Peter Kleine Schaars. For Concert Band. Band with (Solo) Voice / Arrangements of Modern Light Music / Pop / Bossa nova. Real Big Band Sound. Grade 3. Score. Duration 4 minutes, 60 seconds. Published by Molenaar Edition (ML.012618050-S).
$24.95

Instruments: Voice, Vocal
Genres: Bossa nova, Jazz & Blues, Latin, Pop
The Girl From Ipanema (Optional Vocal). By Antonio Carlos Jobim. Arranged by Peter Kleine Schaars. For Concert Band. Band with (Solo) Voice / Arrangements of Modern Light Music / Pop / Bossa nova. Real Big Band Sound. Grade 3. Score and Parts. Duration 4 minutes, 60 seconds. Published by Molenaar Edition (ML.012618050).
$133.95

Instruments: Voice, Vocal
Genres: Bossa nova, Jazz & Blues, Latin, Pop
Wave by Antonio Carlos Jobim. Arranged by Peter Kleine Schaars. For Concert Band. Bossa nova / Trombone Solo and Wind Band / Band with (Solo) Voice / Pop / Arrangements of Modern Light Music. Real Big Band Sound. Grade 3. Score. Published by Molenaar Edition (ML.012602050-S). The Brasilian composer Antonio Carlos Jobim wrote some very famous tunes, such as "Wave." Though complex in melody and harmony, the bossa nova's real innovation was the radical change of the rhythmic structure of the samba.
$24.95

Instruments: Voice, Trombone, Vocal, Brass
Genres: Bossa nova, Jazz & Blues, Latin, Pop
Wave by Antonio Carlos Jobim. Arranged by Peter Kleine Schaars. For Concert Band. Bossa nova / Trombone Solo and Wind Band / Band with (Solo) Voice / Pop / Arrangements of Modern Light Music. Real Big Band Sound. Grade 3. Score and Parts. Published by Molenaar Edition (ML.012602050). The Brasilian composer Antonio Carlos Jobim wrote some very famous tunes, such as "Wave." Though complex in melody and harmony, the bossa nova's real innovation was the radical change of the rhythmic structure of the samba.
$133.95

Instruments: Voice, Trombone, Vocal, Brass
Genres: Bossa nova, Jazz & Blues, Latin, Pop
Tango de Goog. (Voix/Flute et Guitare/Partition et Parties). By Politi-Malavia. For voice, flute and guitar. Score and parts. Published by Alphonse Leduc (AH.EC1021).
$21.80

Instruments: Guitar, Voice, Flute, Vocal, Woodwinds
Genres: Tango, Latin
Misa a Buenos Aires. (Misatango). By Martin Palmeri. For Mezzo-Soprano Solo Voice, Mixed Choir, Bandoneon, Piano and String Orchestra. Tango. Vocal Score. Published by Tonos Music (TO.22200-2). ISBN M-2015-7378-6. Tango.
$23.95

Instruments: Choir, Piano Accompaniment, Mezzo Soprano Voice, Vocal, Piano, Piano and Keyboard, Voice
Genres: Classical, 20th Century, Argentinian, Tango, Latin
Balada para un loco by Astor Piazzolla (1921-1992). For Voice, Piano, Bandoneon, Percussion, Guitar, Strings. Tango. Set of Parts. Published by Tonos Music (TO.20024-2). ISBN M-2015-4637-7. Tango.
$43.95

Instruments: Piano, Vocal, Guitar, Vocal, Piano, Guitar, Voice, Percussion, Piano and Keyboard
Genres: Classical, Argentinian, Latin
How Insensitive by Antonio Carlos Jobim. Arranged by Peter Kleine Schaars. For Fanfare Band. Bossa nova / Band with (Solo) Voice / Real Big Band Sound / Arrangements of Modern Light Music. Real Big Band Sound. Grade 3. Score. Duration 5 minutes, 50 seconds. Published by Molenaar Edition (ML.022663050-S). Here is another fine arrangement by Peter Kleine Schaars (Deventer, 1962) in true big band style of the famous tune composed by Antonio Carlos Jobim. A dialogue between the expressive, classical flute and the swinging band introduces the rhythmical Bossa Nova that invites to dance right away. This arrangement can also be performed with a female or male singer.
$24.95

Instruments: Voice, Vocal
Genres: Bossa nova, Jazz & Blues, Latin
How Insensitive by Antonio Carlos Jobim. Arranged by Peter Kleine Schaars. For Fanfare Band. Bossa nova / Band with (Solo) Voice / Real Big Band Sound / Arrangements of Modern Light Music. Real Big Band Sound. Grade 3. Score and Parts. Duration 5 minutes, 50 seconds. Published by Molenaar Edition (ML.022663050). Here is another fine arrangement by Peter Kleine Schaars (Deventer, 1962) in true big band style of the famous tune composed by Antonio Carlos Jobim. A dialogue between the expressive, classical flute and the swinging band introduces the rhythmical Bossa Nova that invites to dance right away. This arrangement can also be performed with a female or male singer.
$134.95

Instruments: Voice, Vocal
Genres: Bossa nova, Jazz & Blues, Latin
The Girl From Ipanema (Optional Vocal). By Antonio Carlos Jobim. Arranged by Peter Kleine Schaars. For Fanfare Band. Pop / Arrangements of Modern Light Music / Band with (Solo) Voice / Bossa nova. Real Big Band Sound. Grade 3. Score. Duration 4 minutes, 60 seconds. Published by Molenaar Edition (ML.022618050-S).
$24.95

Instruments: Voice, Vocal
Genres: Bossa nova, Jazz & Blues, Latin, Pop
The Girl From Ipanema (Optional Vocal). By Antonio Carlos Jobim. Arranged by Peter Kleine Schaars. For Fanfare Band. Pop / Arrangements of Modern Light Music / Band with (Solo) Voice / Bossa nova. Real Big Band Sound. Grade 3. Score and Parts. Duration 4 minutes, 60 seconds. Published by Molenaar Edition (ML.022618050).
$134.95

Instruments: Voice, Vocal
Genres: Bossa nova, Jazz & Blues, Latin, Pop
Wave by Antonio Carlos Jobim. Arranged by Peter Kleine Schaars. For Fanfare Band. Bossa nova / Trombone Solo and Wind Band / Arrangements of Modern Light Music / Pop / Band with (Solo) Voice. Real Big Band Sound. Grade 3. Score. Published by Molenaar Edition (ML.022602050-S). The Brasilian composer Antonio Carlos Jobim wrote some very famous tunes, such as "Wave." Though complex in melody and harmony, the bossa nova's real innovation was the radical change of the rhythmic structure of the samba.
$24.95

Instruments: Voice, Trombone, Vocal, Brass
Genres: Bossa nova, Jazz & Blues, Latin, Pop
Wave by Antonio Carlos Jobim. Arranged by Peter Kleine Schaars. For Fanfare Band. Bossa nova / Trombone Solo and Wind Band / Arrangements of Modern Light Music / Pop / Band with (Solo) Voice. Real Big Band Sound. Grade 3. Score and Parts. Published by Molenaar Edition (ML.022602050). The Brasilian composer Antonio Carlos Jobim wrote some very famous tunes, such as "Wave." Though complex in melody and harmony, the bossa nova's real innovation was the radical change of the rhythmic structure of the samba.
$134.95

Instruments: Voice, Trombone, Vocal, Brass
Genres: Bossa nova, Jazz & Blues, Latin, Pop
Ping Pong by Beatrice Grundler. For children's voices. Collection of children's songs from Swing to Calypso. Published by Edition Pelikan (HG.PE-3031). ISBN 9783909415960.
$29.95

Instruments: Choir, Voice, Vocal
Genres: Calypso, Children, Latin, Miscellaneous
Tango Voices (Songs from the Soul of Buenos Aires and Beyond). Edited by Donald Cohen. For Voice. Songbooks & Methods. Music Sales America. Dance. Hardcover with CD. 176 pages. Amsco Publications #AM989109. Published by Amsco Publications (HL.14032656). ISBN 1846099013. Dance. 9.25x12 inches. In the past two decades tango has experienced a popular resurgence worldwide. Almost universally familiar as a dance form, tango is also a distinctive genre of song or canción that was born in the impoverished outskirts of late 19th-century Buenos Aires. Whether sung in Spanish, or as would happen later, in Italian or Russian. 26 songs illustrate the growth and diversity of tango from its Argentine roots to its dissemination throughout Europe and into the Middle East and beyond. These songs are represented both in print – with melody lines, chord boxes and lyrics in their original language and in English – and through classic recordings by the original artists on the accompanying CD.
$42.46

Pages: 176
Instruments: Voice, Vocal
Genres: Tango, Dance, Latin, Pop
Tampico by June Christy With The Stan Kenton Orchestra. Arranged by Alan Glasscock. For big band with female vocal. Latin. Medium. Full score and set of parts. Published by Lush Life (JL.LL-2251). Tampico is a fun Latin vocal chart from the Stan Kenton Orchestra, originally sung by June Christy and the boys in the band. The chart opens with a powerful intro and moves immediately into the vocals, with the band singing the choruses and your vocalist taking the verses. The band vocal lines are cued onto all of the reed and brass parts. The structure of the chart is intro, 4 band/vocal passages, a 16-measure instrumental section, one more band/vocal passage and a big instrumental to finish. The chart could also make a good audience participation number, as the chorus is easy to sing. There are no solos and no sax doubles, and the vocal key is Ab throughout.
$65.00

Instruments: Voice, Vocal
Genres: Latin
Brazil by Helen O'Connell. Arranged by Myles Collins. For big band with female vocal. Samba. Medium Easy. Full score and set of parts. Published by Lush Life (JL.LL-2157). This is the original Helen O'Connell version of Brazil, from her 1957 album "Green Eyes", as recorded with the Marion Evans Orchestra, and it is an out and out up tempo latin vocal feature. Opening with a grandiose rubato section, the chart then kicks right into Samba feel at 240 beats a minute, though will sound good at a slightly reduced tempo too. The original chart was written for 6 brass, but it has been augmented up to an 8 piece section. The reeds are written AATTB, with AATT all expected to double flute, and the baritone to double bass clarinet. However, recognizing that not every sax team can cope with this, alternate sax parts which do not have any required instrument doubles have been included. These parts are printed on the reverse of the original sax parts. On her album recording the chart ended in a fade out. Whilst fine for a studio, fade endings rarely work live. An extra few measures have been added at the end of the chart to bring it to a positive finish. The vocal key is Eb throughout. Also, this is not a transcription - the original handwritten Marion Evans arrangement has been used and adapted. Vocal key Eb [Female vocal Bb3 - Bb4 - 1 octave].
$65.00

Instruments: Voice, Vocal
Genres: Samba, Latin
Green Eyes by Helen O'Connell. Arranged by Marion Evans, Myles Collins. For big band with female vocal. Mambo/Swing. Medium. Full score and set of parts. Published by Lush Life (JL.LL-2155). This is the original Helen O'Connell version of Green Eyes, from her 1957 album of the same name, as recorded with the Marion Evans Orchestra. The original manuscript was used, it is not a transcription. However, it has been slightly modified by the addition of the 'as-played' phrasing in the rhythm parts during the intro, and the 'as-played' dynamic markings in the brass. This arrangement is completely different to her earler duet chart that she used with the Jimmy Dorsey orchestra in that the first half of the arrangement is taken at a gentle pace in mambo latin style with the vocalist accompanied only by the rhythm section. At the end of the vocal chorus the band enters with a real kick, taking the tempo up and changing to a swing feel. This gives the chart a whole new lift, and it swings hard right to the end. The vocal key is Ab throughout, and there are no sax doubles.
$65.00

Instruments: Voice, Vocal
Genres: Swing, Mambo, Jazz & Blues, Latin
Rum And Coca Cola by The Andrews Sisters. Arranged by Alan Glasscock. For big band with female vocal trio [SSA]. Calypso. Easy. Full score and set of parts. Published by Lush Life (JL.LL-2132). Rum and Coca Cola is an enduring hit for the Andrews Sisters, sung against a Calypso rhythm apart from the last 5 measures which move into Swing tempo. Beautifully transcribed by Alan Glasscock, all three vocal parts are written to intertwine in true Andrews Sisters style. The chart is scored for SSA Vocal, Piano, Bass, Guitar, Drums, Maracas and 4 Trumpets only. The solo Trumpet line is written on the 1st part, but cross-cued on the other 3 trumpet parts, so you can share the solos around the section if needed. The vocal key is Bb. Ranges: Trumpets 1-4: C6, G5, E5, E5 Trombones 1-4: Not playing in this chart Vocal key: Bb Female Vocal Trio S1 D4-A4, S2 Bb3-C5, A1 F3-Eb4.
$65.00

Instruments: Voice, Vocal
Genres: Calypso, Pop, Latin
Whatever Lola Wants (Lola Gets) by Carmen Mcrae. Arranged by Jack Pleis, Syd Potter. For big band with female vocal. Cha Cha. Medium Difficult. Full score and set of parts. Published by Jazz Lines Publications (JL.JLP-9034). This great cha cha arrangement was recorded by Carmen McRae on February 21, 1955 with the Jack Pleis Orchestra along with the Dave Lambert Singers. This arrangement has been transcribed and adapted from the original recording by Syd Potter. The mood of the arrangement is setup with an opening sax/rhythm section unison line. Drums are either on Latin percussion throughout or on a set without using the cymbals for most of the chart. The difficulty in this chart is the staccato hits and accents that the band does together - especially the end of the chart. The brief vocal cameos (shouting "Uh") have been scored into the band in the event that your players don't want to do this vocal part. Though, in some ways it really makes the chart. The vocal key is B minor throughout and there are no doubles. Please note that the mp3 sample has an anti-piracy tone every 30 seconds. Ranges: Trumpet 1: to high C Trombone 1: to high Bb Vocal Key: B minor.
$65.00

Instruments: Voice, Vocal
Genres: Cha-Cha, Latin
Der Turm zu Babel (The Tower of Babel) by Mauricio Kagel (1931-). For Voice. Modern. Sheet Music. Composed Composed: 2002. Published by Edition Peters (PE.P10899). Melodies for a solo voice (Danish, German, English, Esperanto, Greek, Hungarian, Hebrew, Italian, Japanese, Latin, Dutch, Polish, Portuguese, Russian, Spanish, Swahili, Turkish).
$50.00

Instruments: Voice, Vocal
Genres: 20th Century, Argentinian, Classical, Latin