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Tango op. 165/2 by Isaac Albeniz (1860-1909). Edited by Wilhelm Lutz. For orchestra (flute II, oboe II, clarinet II, bassoon I, bassoon II, horn I/II). This edition: DOM 147-17. Orchestra Music. Domesticum. Salon orchestra supplement (additional parts for full orchestra). 50 pages. Duration 3 minutes. Published by Schott Music (SD.49013828). ISBN 9790001026512.
$23.95

Pages: 50
Instruments: Flute, Clarinet, Oboe, Bassoon, Horn, Woodwinds, Brass
Genres: Classical, Tango, Latin
Volume 8 "Bossa Nova". (solo or duet). By Dennis Armitage. For 1-2 flutes and piano (with optional guitar, bass, and drums). Swiss import. Grade 3-3+. Score and parts. Published by Editions Marc Reift (MA.EMR-922A).
$29.41

Instruments: Guitar, Piano Accompaniment, Flute, Percussion, Drums, Piano, Piano and Keyboard, Woodwinds
Genres: Bossa nova, Latin
Bossa Nova by Dennis Armitage. For flute, trombone & piano. Swiss import. Grade 3-3+. Score and parts. Published by Editions Marc Reift (MA.EMR-8205P).
$29.41

Instruments: Piano, Flute, Trombone, Piano and Keyboard, Woodwinds, Brass
Genres: Bossa nova, Latin
Bossa Nova by Dennis Armitage. For flute, trombone & CD accompaniment. Swiss import. Play Along. Grade 3-3+. Sheet music and accompaniment CD. Published by Editions Marc Reift (MA.EMR-8205).
$38.46

Instruments: Flute, Trombone, Woodwinds, Brass
Genres: Bossa nova, Latin
Bossa Nova by Dennis Armitage. For flute, trumpet & piano. Swiss import. Grade 3-3+. Score and parts. Published by Editions Marc Reift (MA.EMR-8204P).
$29.41

Instruments: Piano, Flute, B-Flat Trumpet, Piano and Keyboard, Woodwinds, Trumpet, Brass
Genres: Bossa nova, Latin
Bossa Nova by Dennis Armitage. For flute, trumpet & CD accompaniment. Swiss import. Play Along. Grade 3-3+. Sheet music and accompaniment CD. Published by Editions Marc Reift (MA.EMR-8204).
$38.46

Instruments: Flute, B-Flat Trumpet, Woodwinds, Trumpet, Brass
Genres: Bossa nova, Latin
Bossa Nova by Dennis Armitage. For flute, tenor saxophone & piano. Swiss import. Grade 3-3+. Score and parts. Published by Editions Marc Reift (MA.EMR-8203P).
$29.41

Instruments: Piano, Flute, Tenor Saxophone, Piano and Keyboard, Woodwinds, Saxophone
Genres: Bossa nova, Latin
Bossa Nova by Dennis Armitage. For flute, tenor saxophone & CD accompaniment. Swiss import. Play Along. Grade 3-3+. Sheet music and accompaniment CD. Published by Editions Marc Reift (MA.EMR-8203).
$38.46

Instruments: Flute, Tenor Saxophone, Woodwinds, Saxophone
Genres: Bossa nova, Latin
Bossa Nova by Dennis Armitage. For flute, alto saxophone & piano. Swiss import. Grade 3-3+. Score and parts. Published by Editions Marc Reift (MA.EMR-8202P).
$29.41

Instruments: Piano, Flute, Alto Saxophone, Piano and Keyboard, Woodwinds, Saxophone
Genres: Bossa nova, Latin
Bossa Nova by Dennis Armitage. For flute, alto saxophone & CD accompaniment. Swiss import. Play Along. Grade 3-3+. Sheet music and accompaniment CD. Published by Editions Marc Reift (MA.EMR-8202).
$38.46

Instruments: Flute, Alto Saxophone, Woodwinds, Saxophone
Genres: Bossa nova, Latin
Bossa Nova by Dennis Armitage. For flute, clarinet & piano. Swiss import. Grade 3-3+. Score and parts. Published by Editions Marc Reift (MA.EMR-8201P).
$29.41

Instruments: Piano, Flute, Clarinet, Piano and Keyboard, Woodwinds
Genres: Bossa nova, Latin
Bossa Nova by Dennis Armitage. For flute, clarinet & CD accompaniment. Swiss import. Play Along. Grade 3-3+. Sheet music and accompaniment CD. Published by Editions Marc Reift (MA.EMR-8201).
$38.46

Instruments: Flute, Clarinet, Woodwinds
Genres: Bossa nova, Latin
Bossa Nova by Dennis Armitage. For 2 flutes and piano. Swiss import. Grade 3-3+. Score and parts. Published by Editions Marc Reift (MA.EMR-8195P).
$29.41

Instruments: Piano Accompaniment, Flute, Piano, Piano and Keyboard, Woodwinds
Genres: Bossa nova, Latin
Bossa Nova by Dennis Armitage. For 2 flutes and CD accompaniment. Swiss import. Play Along. Grade 3-3+. Sheet music and accompaniment CD. Published by Editions Marc Reift (MA.EMR-8195).
$38.46

Instruments: Flute, Woodwinds
Genres: Bossa nova, Latin
Bossa Nova by Dennis Armitage. For flute and piano. Swiss import. Grade 3-3+. Score and parts. Published by Editions Marc Reift (MA.EMR-8189P).
$29.41

Instruments: Piano Accompaniment, Flute, Piano, Piano and Keyboard, Woodwinds
Genres: Bossa nova, Latin
Bossa Nova by Dennis Armitage. For flute and CD accompaniment. Swiss import. Play Along. Grade 3-3+. Sheet music and accompaniment CD. Published by Editions Marc Reift (MA.EMR-8189).
$38.46

Instruments: Flute, Woodwinds
Genres: Bossa nova, Latin
Bossa nova op. 21 / e. (Aus den "Mob-Stucken" f. Blas.quint.). By Heinz Karl Gruber (1943-). Chamber Music (Winds). For flute, oboe, clarinet, horn, bassoon. Part. Composed (1968). Op. 21e. 9 pages. Published by Doblinger Music Publishers (DB.06-00443).
$37.95

Pages: 9
Instruments: Flute, Clarinet, Oboe, Bassoon, Horn, Woodwinds, Brass
Genres: Bossa nova, Latin
A Little Tango Music by Adam Gorb (1958-). For Concert Band (1st Flute, 2nd Flute, Oboe, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Bb Bass Clarinet, Bassoon, 1st/2nd Eb Alto Saxophone, Tenor Saxophone, Baritone Saxophone, 1st/2nd Bb Trumpet, 1st/2nd F Horn, 1st/2nd Trombone, Euphonium, TC Baritone, Tuba, P). Band Music. Grade 3. Score only. Duration 4:30. Published by C. Alan Publications (CN.S11282). This is a short sequence of melodies inspired by the curvaceous, melancholic and dangerous dance from Argentina that is the tango. The three brief movements can be played in any order, continuously, or separately.
$20.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Euphonium, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: 20th Century, Tango, Classical, Latin
Through the Horizon by Nathan Daughtrey. For Concert Band (Flute 1/2, Oboe (opt.), Bassoon (opt.), Bb Clarinet in 1/2, Bb Bass Clarinet, Eb Alto Saxophone 1/2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1/2, F Horn 1/2, Trombone 1/2, Baritone B.C., (Baritone T.C.), Tuba, Timpani, Percussion 1 (Bells, X). Band Music. Platinum Band Series. Grade 4. Score and parts. Duration 7:30. Published by C. Alan Publications (CN.14000). At a mass meeting in 1954, about 200 citizens representing all sections of Davie County, North Carolina voted unanimously to consolidate the four high schools - Cooleemee, Farmington, Mocksville, and Shady Grove - into one high school, resulting in the forming of Davie County High School in 1956. Through the Horizon was commissioned by the Davie County Band Boosters to commemorate the 50th anniversary of this historic occasion. The piece was premiered on May 31, 2007 by the Davie County High School Band, directed by Marc Schaub. The title of the piece is derived from the title of the poem, "Walking Through the Horizon" by short story writer Margaret Holley. While the horizon is something we can physically never touch or reach, I like the image of walking through it as a symbol of achieving what seemed to be an unattainable goal.Two large sections comprise the 6-minute work. The first, "Reflection," is a solemn and nostalgic look back to the convergence of the four communities. With a backdrop of sparkling mallet percussion and wind chimes, all of the wind players sing a simple four-note motive representing the four schools. Following the singing, fragments of the main "Celebration" theme are first heard in solo flute and trumpet and then by the entire ensemble building to a glorious climax.The second section, "Celebration," is a bright and joyful look at the present state and future possibilities of the school. The main theme is derived from the rhythm of the words "Sing all ye joyful, now sing all together . . . Dance all ye joyful, now dance all together," excerpted from a celebratory poem by J.R.R. Tolkien. All thematic material for the work sprang out of this original theme. Once again, the four schools that came together to form Davie High School are represented, this time by four different incarnations of the "Celebration" theme (see m. 35, 52, 62, and 86).The work keeps driving towards a conclusion, but cannot seem to reach it. Finally, the singing returns, interspersed with powerful blows in the percussion section, and leads into the final chord in E-flat major.
$73.60

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Percussion, Timpani, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: Latin
African Samba by Adam Gorb (1958-). For Concert Band (flute 1-2, oboe, Bb clarinet 1-3, Bb bass clarinet, bassoon, Eb alto saxophone 1-2, Bb tenor saxophone, Eb baritone saxophone, Bb trumpet 1-2, F horn 1-2, trombone 1-2, euphonium, tuba, tambourine, bongos, drum kit). Band Music. Grade 2. Score and parts. Duration 3:00. Published by C. Alan Publications (CN.R10273). Another tuneful and accessible piece for younger players from British master- composer Adam Gorb. He starts with the traditional slow chant, adds the infectious samba rhythm, and lets it roll! A great piece with plenty of Latin percussion.
$50.60

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Euphonium, Percussion, Tuba, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: 20th Century, Samba, Classical, Latin
Northern Light by David Gillingham. For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon 1/2, Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2, Trumpet in Bb 3, Horn in F 1/2, Horn in F 3/4, Tromb). Band Music. Platinum Band Series. Grade 4. Score and parts. Duration 4:50. Published by C. Alan Publications (CN.11240). "Northern Light" was commissioned by the Walled Lake Northern High School Bands on the occasion of the first graduating class in June of 2005. The work incorporates the school's "Alma Mater" for which I was commissioned to write the music for several years ago.The work uses a sonata-like design. It begins with a slow introduction beginning in Ab major using material from the Alma Mater and modulates to Bb major. An allegro exposition follows with a fanfare-like first theme (trumpets) that is celebratory in nature. A short transition leads to the second theme (Alma Mater) in Gb Major presented in a slower and more stately tempo. A development section follows which using fugal counterpoint as its centerpiece with the subject based on the first theme. Alternating episodes develop both themes and a retransition leads the work to the recapitulation of the first theme, this time in Ab Major. A transition dramatically leads to the final presentation of theme 2 (Alma Mater) in C Major with its rhythm augmented. A coda appropriately brings the work to a rousing conclusion.--DRG.
$110.40

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: Latin
Pandemonium by Roger Cichy. Arranged by M. McDermott. For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon 1/2, Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3, Bass Clarinet in Bb, Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2, Trumpet in Bb 3, Horn in F 1/2). Band Music. Platinum Band Series. Grade 4. Score and parts. Duration 6:40. Published by C. Alan Publications (CN.11070). The word 'pandemonium,' invented by 17th Century English author John Milton, first appeared in his literary work Paradise Lost. Little would Milton have known that his word creation would be used so commonly in the 21st Century. With significant events occurring in contemporary times such as 9/11, the Pacific tsunami, and hurricane Katrina, the word pandemonium has been commonly attached to the state of riotous uproar, chaos and mass confusion.With an array of meanings, the word can be defined as: wild lawlessness, utter chaos, a place or scene of uproar or chaos, and more astringently as: the abode of all the demons or even, the capitol of hell. (Note the word 'demon' in the center of the word.)Beyond these definitions, the word can be used in a more personal context and describe a state of being that occurs in our individual lives upon being presented with tragic or startling news--a feeling of confusion and uncertainly. At other times, individuals may feel pandemonium when referring to their busy and overwhelming lifestyles. In yet a different and starker perspective, some individuals believe that demons can possess our lives at times and create a state of pandemonium within one's being.Commissioned by the Western/Northwestern divisions of the College Band Directors National Association, Roger Cichy's composition Pandemonium attempts to paint a wide array of meanings of the term. At times, the music may suggest catastrophic events that that have turned into pandemonium; other times the music may reflect a more subtle disposition and imply pandemonium on an individual level. Sometimes the music is intended to sound confusing and unsettling or eerie and uncertain. Moments also exist when the music sounds riotous or even martial. During one segment of the piece, Cichy has composed a sort of "march of the demons." In another segment, Cichy refers to it as "the dance of the evil spirits."The interpretation of what one hears is purely up to the listener. This is not meant to be programmatic music, Cichy states. "You are given certain qualities of sound, melody and musical impressions during each segment and you must choose your own definition.".
$128.80

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: Latin
No Shadow of Turning by David Gillingham. Arranged by Geoffrey Brand. For Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1/2, Bassoon 1/2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, Horn 1/2, Horn 3/4, Trombone 1, Trombone 2, Ba). Band Music. Platinum Band Series. Grade 4. Score and parts. Duration 9:40. Published by C. Alan Publications (CN.10990). No Shadow of Turning was commissioned by a consortium of organizations at The Ohio State University in memory of Lois Brock, beloved secretary of The Ohio State University Bands. The work is based on the hymn tune Great is Thy Faithfulness, by Thomas O. Chisholm (words) and William M. Runyan (music).Great is thy faithfulness, O God my Father;There is no Shadow of turning with thee;Thou changest not, thy compassions, they fail not;As thou hast been, thou forever wilt be.Refrain:Great is thy faithfulness! Great is thy faithfulness!Morning by morning new mercies I see;All I have needed thy hand hath provided;Great is thy faithfulness, Lord, unto thee.Summer and winter and springtime and harvest,Sun, moon, and stars in their courses aboveJoin with all nature in manifold witnessTo thy great faithfulness, mercy and love.Refrain.Pardon for sin and a peace that endureth,Thine own dear presence to cheer and to guide;Strength for today and bright hope for tomorrow,Blessings all mine, with ten thousand beside!Refrain.The title of the work is taken from the second line of the first verse which perhaps sums up the meaning of the hymn and the faith held by Lois Brock. The work also features optional hand bells, as Lois Brock was an avid hand bell player in her local church.The work begins quietly and somewhat mysteriously on a motive using the interval of the falling fourth of the refrain of the hymn. This material grows and gathers texture and then concludes softly on a rolled G major chord in the marimba. A chorale follows, played by the vibraphone and bells and/or the hand bells. I call this chorale the "Lois Brock Chorale" as it exhibits the warmness of her ever-loving spirit. An interlude follows utilizing motives from the hymn and leads to the flute playing the verse of the hymn. Pursuant to this quiet rendition is a rather aggressive section featuring the timpani and percussion that play with the opening motive of the refrain. This leads to a fugue on the same motivic material that grows in intensity and segues with the trombones playing the hymn tune in march-like style against fanfare-like motives in the trumpets. All this subsides and the hymn is now played by the trumpets against the horns playing the Lois Brock Chorale. The full band joins in on the refrain that rises to a glorious pinnacle and then concludes softly by the euphonium. The material from the introduction is then restated and leads to a final statement of the refrain followed by a peaceful and heavenly benediction.
$110.40

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Bassoon, Horn, B-Flat Trumpet, Trombone, Woodwinds, Clarinet, Saxophone, Brass, Trumpet
Genres: Latin
Tune in a Popular London Style by Percy Aldridge Grainger (1882-1961). Arranged by Barry Kopetz. For Concert Band (Piccolo, 1st & 2nd Flute, 1st & 2nd Oboe, English Horn, 1st & 2nd Bassoon, 1st Clarinet in Bb, 2nd Clarinet in Bb, 3rd Clarinet in Bb, Bass Clarinet in Bb, Soprano Saxophone, 1st & 2nd Alto Saxophone in Eb, Tenor Saxophone in Bb, Baritone Saxophone in Eb,). Band Music. Platinum Band Series. Grade 4. Score and parts. Duration 3:15. Published by C. Alan Publications (CN.10890). Tune in a Popular London Style was "An attempt to write an air with a 'Music Hall' flavor embodying the London blend of gaiety with wistfulness so familiar in the performances of George Grossmith, Jr., and other vaudeville artists. It consists of two strains, like the solo and chorus of music-hall ditties.The musical material, composed in London, dates from about 1912, and was worked out and scored during the winter of 1915/16 in New York City and in railway trains.(Notes derived form "A Source Guide to the Music of Percy Grainger," ed. by Thomas P. Lewis.)While residing in London in 1915, Grainger and his mother made a quick decision to leave London. The Great War had just begun, and Rose Grainger worried about her son's career prospects if they remained in London. They boarded the Cunrad ship Laconia in Liverpool and reached Boston on September 8, 1915. Grainger merged into the musical life of New York City and began performing at the piano, earning him a wide reputation. Sixteen concerts were booked for New York with the leading orchestras, as well as numerous solo recitals. Other performances were scheduled in Philadelphia, Minneapolis, Boston and the Chicago orchestras.In the first season in America, Grainger's works received approximately one hundred performances, though Grainger was only invited to conduct but once. Although the success he was receiving as a pianist was unlike anything he received in Europe, he saw that his success as a performer was in danger of denying him any critical acclaim as a serious composer.As his career began to flourish, the need for increased travel became a necessity. Whenever Grainger traveled, he took the train. He loved railways, as they gave him the space to spread his manuscripts out and compose. He always traveled second class, and rarely took a sleeper, preferring to sleep sitting up. He would occasionally depart the train one station early and give the difference in fare to a local charity. It was partly during these trips on the train that Grainger scored In a Nutshell.In June of 1916, Grainger was invited to take part in the Norfolk, Connecticut Festival of Music. It was for this performance that he scored and put together an orchestral suite which he entitled In a Nutshell. Some of the sketches for the piece went back to 1905, and the suite was eventually published in four movements, the final movement being the well-known "Gum-Suckers March" (originally entitled 'Cornstalks March'). Despite the mood of jollity of the suite, it is serious in intent and contains some of Grainger's most characteristic scoring. The first performance was conducted by Dr. Arthur Mees and Grainger was paid $500 for producing it.(Notes derived from "Percy Grainger" by John Bird).
$69.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Soprano Saxophone, Tenor Saxophone, Bassoon, English Horn, Woodwinds, Clarinet, Saxophone
Genres: 20th Century, Latin, Classical