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Concertango by Luis Serrano Alarcon. For alto saxophone, jazz trio/band. Symphonic band with soloist, Grades 5-6. Soloist. Grade 4-6. Score and parts (A3). 542 pages. Duration 26:46. Published by Piles Editorial de Musica (PD.PIL0849). ISBN M-3505-0238-5.
$493.95

Pages: 542
Genres: Tango, Latin
Concertango by Alarcon. Concert band. Opus III Series. Audio recording available separately (item CL.WFR874). Advanced. Score and set of parts. Composed 2008. Duration 1 minute, 32 seconds. Published by C.L. Barnhouse (CL.012-3783-00). Opus III is proud to announce that we are now the exclusive distributor for North America and Asia of Concertango, by Luis Serrano Alarcon. A 25 minute work exploring musical fusion on multiple levels through the contrast of symphonic winds to a jazz trio (piano, bass, drums). Both groups are independent at times followed by a merge into a single unique musical force. The alto saxophone soloist stands as the uniting musical element between the two groups. The omnipresent and uniting musical force is the tango and, in particular, the works of Astor Piazzolla. Luis Serrano Alarcon has transformed the rhythms, ensemble settings and stylistic idioms into a powerful artistic statement that communicates to all. A highly effective work for mature ensembles.
$450.00

Genres: Tango, Latin
Cuban Fire Suite by Johnny Richards. For jazz ensemble. Score and set of parts. Published by Sierra Music (S1.SMP-681). Contains all of the following charts:679 - El Congo Valiente662 - Fuego Cubano663 - La Guera Baila664 - La Suerte De Los Tontos680 - Quien Sabe?665 - Recuerdos666 - Tres Corazones.
$444.00

Genres: Cuban, Latin
Te Deum/Set TTBB and Organ by Serge Lancen. For Fanfare Band. Latin Songs. Solo and Band Series. Score and Parts. Published by Molenaar Edition (ML.022186120).
$432.95

Instruments: Organ, Piano and Keyboard
Genres: 20th Century, Latin, Classical
Te Deum/Set TTBB and Organ by Serge Lancen. For Concert Band. Latin Songs. Solo and Band Series. Score and Parts. Published by Molenaar Edition (ML.012186120).
$428.95

Instruments: Organ, Piano and Keyboard
Genres: 20th Century, Latin, Classical
Conciertango Buenos Aires by Cacho Tirao. For guitar, symphonic band. Symphonic band with solo, Grade 3-4. Soloist. Score and parts (A3). 448 pages. Duration 23:30. Published by Piles Editorial de Musica (PD.PIL0898). ISBN 979-0-3505-0274-3.
$384.95

Pages: 448
Genres: Tango, Latin
Missa Solemnis by Serge Lancen. For Concert Band. Sacred Music / Classical Songs and Oratoria / Latin Songs. Classic Arrangement. Grade 5. Score and Parts. Published by Molenaar Edition (ML.011964110). This Mass has been dedicated to His Holyness Pope John Paul II, to witness Lancens deep and respectful admiration for the Holy Father. The work was composed in 1986 and written for two solo voices: a soprano and a baryton-Martin (high baritone), mixed choir, harp (ad libitum) and symphonic band or organ. It has ten parts: INTROIT - KYRIE - GLORIA - OFFERTORIUM - SANCTUS - PATER NOSTER - AGNUS DEI - COMMUNIO - DEO GRATIAS - and as final part an ALLELUIA. Lancen expressed his views about this Mass as follows: 'The most important aspect of the Mass is the praising of God and the sacrificing to God; that is why I thought it suitable to use both the themes of the Sanctus and the Offertorium in writing the Introitus. It seemed to me also quite logical that the initial themes of the Kyrie and the Agnus Dei would be rather similar as these are two moments where the priest and the worshippers invoke God. The composition ends with a brilliant Alleluia in which I also briefly quote the theme of the Sanctus.' This Mass was premiered on 27 may 1989 at 'Our Lady's Church' in Maastricht, The Netherlands, as part of the celebrations of the fiftieth anniversary of the Roman Catholic Band Federation of the Limburg County. The Bishop Castermans celebrated the Mass, whereas Jan Cober conducted this first performance. The Missa Solemnis is an alternation of meditating, though often impressive, orchestral passages with angelical choral sounds and the pious singing of both soloists. This may not be the type of music we usually expect from Serge Lancen, but nevertheless the composer remains faithful to his own typical style of composition. You can call this work romantic, though it surely is 'contemporary' or, why not, 'from all times'. The instrumentation is varied and extremely rich, mostly due to Lancen's typical use of 'wind band colours'. This Latin Mass suits perfectly well in the tradition of Roman-Catholic Masses that have been written by several great composers.
$374.95

Genres: Classical, 20th Century, Latin
Missa Solemnis by Serge Lancen. For Fanfare Band. Sacred Music / Classical Songs and Oratoria / Latin Songs. Classic Arrangement. Grade 5. Score and Parts. Published by Molenaar Edition (ML.021964110). This Mass has been dedicated to His Holyness Pope John Paul II, to witness Lancens deep and respectful admiration for the Holy Father. The work was composed in 1986 and written for two solo voices: a soprano and a baryton-Martin (high baritone), mixed choir, harp (ad libitum) and symphonic band or organ. It has ten parts: INTROIT - KYRIE - GLORIA - OFFERTORIUM - SANCTUS - PATER NOSTER - AGNUS DEI - COMMUNIO - DEO GRATIAS - and as final part an ALLELUIA. Lancen expressed his views about this Mass as follows: 'The most important aspect of the Mass is the praising of God and the sacrificing to God; that is why I thought it suitable to use both the themes of the Sanctus and the Offertorium in writing the Introitus. It seemed to me also quite logical that the initial themes of the Kyrie and the Agnus Dei would be rather similar as these are two moments where the priest and the worshippers invoke God. The composition ends with a brilliant Alleluia in which I also briefly quote the theme of the Sanctus.' This Mass was premiered on 27 may 1989 at 'Our Lady's Church' in Maastricht, The Netherlands, as part of the celebrations of the fiftieth anniversary of the Roman Catholic Band Federation of the Limburg County. The Bishop Castermans celebrated the Mass, whereas Jan Cober conducted this first performance. The Missa Solemnis is an alternation of meditating, though often impressive, orchestral passages with angelical choral sounds and the pious singing of both soloists. This may not be the type of music we usually expect from Serge Lancen, but nevertheless the composer remains faithful to his own typical style of composition. You can call this work romantic, though it surely is 'contemporary' or, why not, 'from all times'. The instrumentation is varied and extremely rich, mostly due to Lancen's typical use of 'wind band colours'. This Latin Mass suits perfectly well in the tradition of Roman-Catholic Masses that have been written by several great composers.
$374.95

Genres: Classical, 20th Century, Latin
Oscar Herrero Flamenco Metronome by Oscar Herrero. For Guitar (Classical). Misc. Product. Flamenco. Accessory. Published by Acordes Concert (MB.ACMFOH). The essential professional metronome, whether you play the guitar, cajon or palmas, dance or sing, are professional or amateur. * Metronome and Digital Chromatic Tuner programmed with all flamenco palos. * 149 different rhythm formulas. * Real sounds of 16 percussion instruments (palmas, cajon, tacon, darbuka, djembe, etc.). * 8 tracks to compose your own formulas and songs. * Time signatures from 1 to 12 beats. * Stereo sound. Combine the instruments to your liking. * Select speed: from 20 to 400 BPM. * Progressively speed up or slow down. * Your screen will inform you at all times as to the tempo. * 12 light indicators in the shape of a clock indicate accented notes (green light: normal tempo; red light: accentuated tempo). * You will feel as though you are being accompanied by genuine palmeros or percussionists with swing and flamenco soniquete. * Combine the sound of a conventional metronome, programmable with rests, minims, crotchets, quavers, triplets, etc. * Connect it to your PC to programme, compose new rhythms, practice and send the information to the Flamenco Metronome. * Built-in loudspeaker and headphone outlet enable you to carry it around with you or connect it to your Hi-Fi equipment for maximum quality. * Created by flamencos for flamencos. If you are concerned about keeping your falseta, step or voice in time, If you play the guitar, cajon or palmas, If you sing, dance, are an amateur or a professional, Keep in time with the Oscar Herrero Flamenco Metronome. Programmed by Guillermo McGill and Oscar Herrero ESSENTIAL FOR: BAILE - If you dance, you can use it to learn, teach, practice and perfect timing. GUITARRA - If you play the guitar, you will clearly learn to feel, assimilate and play in time. CANTE - If you want to make sure that your singing is in time, you will easily achieve this. PERCUSSION - If you play the cajon, palmas, djembe, etc., silence these during programming and play over the remaining rhythm base.
$343.00

Instruments: Acoustic Guitar, Flamenco Guitar, Guitar
Genres: Flamenco, Spanish, Latin, World
Tango (Por Una Cabeza) (Solo Violin and Orchestra). By Carlos Gardel and Alfredo Le Pera. Arranged by John Williams. Score & Parts. John Williams Signature Orch. Grade 5-6. Published by Hal Leonard (HL.4490592). Arranged for Itzhak Perlman.
$300.00

Instruments: Violin, Strings
Genres: Latin, Pop, Tango
Three Grey Tangos. For Concert Band. Various Solo. Solo and Band Series. Grade 4. Score and Parts. Published by Molenaar Edition (ML.012636080). Luis Pasquet (1917) is an Uruguayan composer who was very active both in the world of jazz and the world of tango. After many peregrinations he returned to his home country in 1970 and founded a chamber music quartet and produced several very popular records. Currently he is living in Helsinki, Finland; this explains the rather odd subtitles of these Three Grey Tangos: Harmaa Tango, Kulunut Harmaa and Harmaa Sade.
$256.95

Genres: Tango, Latin
Sinfonia No. 3 (La Salsa) by Roberto Sierra. For Concert Band (2,1 2,1 4,bass clarinet 2,1; soprano sax, alto sax, tenor sax, baritone sax; 4331 euphonium; timpani, percussion, harp, piano). Score & Part(s). Composed 2005/2009. Duration 23'. Published by Subito Music Corporation (SU.92070296). Score: available for sale (#92070295).
$250.00

Instruments: Piano, Bass Clarinet, Alto Saxophone, Baritone Saxophone, Soprano Saxophone, Tenor Saxophone, Harp, Euphonium, Percussion, Timpani, Piano and Keyboard, Clarinet, Woodwinds, Saxophone, Strings, Brass
Genres: Classical, Salsa, Latin
Latin America Greatest Hits by Norman Tailor. Concert Band. Swiss import. Fiesta Tropical / Latino. Grade 4. Score and parts. Published by Editions Marc Reift (MA.EMR-10891).
$249.74

Genres: Latin
Psalmus 150. (Latijn). By H. Strategier. For Fanfare Band. Sacred Music / Original Pieces / Spiritual / Latin Songs. Original Pieces. Grade 5. Score and Parts. Published by Molenaar Edition (ML.020965080).
$247.95

Genres: Latin, Spirituals, Christian, Religious
Veni Creator Spiritus. (For Men's Choir And Band). By M. B Boekel. For Fanfare Band. Sacred Music / Latin Songs. Solo and Band Series. Grade 4. Score and Parts. Published by Molenaar Edition (ML.021795080).
$247.95

Genres: Latin
The Girls of Jobim by Antonio Carlos Jobim. Arranged by Manfred Schneider. For Fanfare Band. Real Big Band Sound / Arrangements of Modern Light Music. Real Big Band Sound. Grade 3. Score and Parts. Published by Molenaar Edition (ML.022429080).
$247.95

Genres: Bossa nova, Jazz & Blues, Latin
Psalmus 150. (Latijn). By H. Strategier. For Concert Band. Original Pieces / Spiritual / Sacred Music / Latin Songs. Original Pieces. Grade 5. Score and Parts. Published by Molenaar Edition (ML.010965080).
$245.95

Genres: Latin, Spirituals, Christian, Religious
Veni Creator Spiritus. (For Men's Choir And Band). By M. B Boekel. For Concert Band. Sacred Music / Latin Songs. Solo and Band Series. Grade 4. Score and Parts. Published by Molenaar Edition (ML.011795080).
$245.95

Genres: Latin
The Girls of Jobim (Samba De Uma Nota/Girl From Ipanema/Insensatez/Meditacao). By Antonio Carlos Jobim. Arranged by Manfred Schneider. For Concert Band. Bossa nova / Arrangements of Modern Light Music / Selections from Operetta. Real Big Band Sound. Grade 3. Score and Parts. Published by Molenaar Edition (ML.012429080). The Brasilian composer Antonio Carlos Jobim wrote some very famous tunes such as 'Desafinado' (1959). It was this song that first mentioned the term 'bossa nova'. Though complex in melody and harmony, the bossa nova's real innovation was the radical change of the rhythmic structure of the samba. In this medley Manfred Scheider arranged some of Jobim's best-known bossa novas which were undoubtedly inspired by several exotic beauties. You can hear successively 'One Note Samba', 'Meditation', 'How Intensive' and of course the great evergreen 'The Girl from Ipanema'.
$245.95

Genres: Bossa nova, Jazz & Blues, Latin, Samba
The Girls of Jobim by Antonio Carlos Jobim. Arranged by Manfred Schneider. For Concert Band / Fanfare Band. Samba De Uma Nota / Girl From Ipanema / Insensatez / Meditacao. Real Big Band Sound. Grade 3. Score and set of parts. Duration 7:18. Published by Molenaar Edition (ML.0102242908). "The Brasilian composer Antonio Carlos Jobim wrote some very famous tunes such as Desafinado (1959). It was this song that first mentioned the term bossa nova. Though complex in melody and harmony, the bossa nova's real innovation was the radical change of".
$242.95

Genres: Bossa nova, Jazz & Blues, Latin
Arrullo by Victoriano Valencia. For symphonic band. Original work for symphonic band. Latin. Grade 4. Score and parts (A3). 438 pages. Duration 13:00. Published by Piles Editorial de Musica (PD.PIL0896). ISBN M-3505-0309-2.
$230.95

Pages: 438
Genres: Latin
Trombone Concerto. (Trombone Feature). By Derek Bourgeois (1941-). For Soloist(s) with Concert Band (Solo Trombone, Piccolo, 1st Flute, 2nd Flute, Oboes, Eb Clarinet*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet*, Bb Bass Clarinet, Eb Alto Saxophone, Bb Tenor Saxophone, Eb Baritone Saxophone*, 1st/2nd F Horn, 3rd/4th F Horn, 1st B). Band Music. Platinum Band Series. Grade 5. Score and parts. Duration 20:00. Published by C. Alan Publications (CN.R10024). The first movement of Derek Bourgeois' Trombone Concerto is constructed Classically: the solo trombone immediately launches into the opening theme in F minor, conceived harmonically in a sequence of descending thirds and it is the solo trombone too that introduces the lyrical second idea, in A flat, presented over chords which are given mobility by dark-toned alto and bass clarinets.These contrasting subjects give the composer ample opportunity to let loose his fertile imagination, whether expanding on the Baroque qualities of the opening material in a fugato section for woodwinds, or boldly stating the romantic second theme on brass leading to cascading sextuplets, or with the soloist presenting the first theme in augmentation against a ripple of semi-quavers.After this development, there is virtually a formal recapitulations in the woodwinds and the soloist repeats the second theme in tonic (F) major. The movement closes with pianissimo chords - no great bravura here, but leading us in mood to the second movement which opens a tone lower in E-flat.Here, the rich tone of the soloist is matched by three accompanying trombones - with the writing equaling the expressiveness of a cello quartet. Gradually, the rest of the low brass join as the solo trombone weaves a seamless, almost Wagnerian theme, extending phrases sequentially. This movement has two separate thoughts and a solo clarinet answers the trombone with a new theme accompanied only by three horns, euphonium, and pizzicato string bass.Whilst most of the slow movement is contemplative, Bourgeois allows the band to unleash the full fortissimo passion implied in the second, clarinet theme, before the movement closes as it began - but this time only two trombones accompany the soloist, and all three are muted.After the passion of the slow movement, Bourgeois adopts a Classical rondo form as a 6/8 Scherzo, marked Presto, which gives the release we need. It is fun, to be thrown off lightly as we enjoy the semitone shifts with a wry smile. Towards the end of the movement is a cadenza which alludes to the thematic content of the first movement, but aurally the hard work has been done. For the soloist however, the music requires a virtuoso combination of slide and tongue.Derek Bourgeois' Trombone Concerto was commissioned by the British Trombone Society for the International Trombone Workshop at Eton, England, July 1989 with gratefully acknowledged assistance from Southern Arts. The world premiere was given by Christian Lindberg.
$207.00

Instruments: Flute, B-Flat Clarinet, Bass Clarinet, E-Flat Clarinet, Oboe, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Horn, Trombone, Woodwinds, Clarinet, Saxophone, Brass
Genres: Classical, 20th Century, Latin
Cuban Sound (a medley including: Ran Kan Kan by Tito Puente - Quizas, Quizas, Quizas by Osvaldo Farres - Mambo Inn by Mario Bauza). Arranged by Giancarlo Gazzani. Concert band. Latin Music. Grade 3.5. Score and set of parts. Duration 6 minutes. Published by Scomegna Edizioni Musical srl (S4.ESB1097). After the enormous success obtained with ''Santana a Portrait'', ''Oro Latino'', ''Corazon Espinado'', and ''Perez Prado'', Giancarlo Gazzani presents another Latin medley: ''Cuban Sound''. This collection features some of the most exciting pieces belonging to the repertory of the leading Latin-American orchestras of the twentieth century: ''Ran Kan Kan'' by Tito Puente, the King of Mambo; the lyrical ''Quizas Quizas Quizas'' by Osvaldo Farres; and ''Mambo Inn'' by Mario Bauza.
$205.11

Genres: Cuban, Mambo, Latin
Paso Flamenco. (Suite). By Kees Vlak. For Fanfare Band. Original Pieces / Countries / Fantasy Suites. Original Pieces. Grade 4. Score and Parts. Published by Molenaar Edition (ML.021180070).
$204.95

Genres: Flamenco, Latin