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Jazz & Blues
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The Night Is Right by Dean Sorenson. For jazz ensemble (trombone solo). This edition: Trumpet range to C#6. Medium Tempo, Jazz Waltz. Level 3. Score and set of parts. Published by UNC Jazz Press (NC.1263). (8 Brass) (Level 3) Medium jazz waltz featuring trombone. Challenging harmonic progression with a pedal section over the bridge. Can be played with or without clarinet doubles in the saxes.
$50.00

Genres: Jazz & Blues
In A Reverie by Bruce Wermuth. For jazz ensemble (flugelhorn solo; woodwind doubles). This edition: Trumpet range to Eb6. Jazz, Ballad. Level 5. Score and set of parts. Published by UNC Jazz Press (NC.1772). (Level V) Winner of the 1981 NAJE Jazz Composition Contest. A pensive ballad feature for the flugelhorn soloist, with double time interludes throughout the chart. Saxes double: Flute/flute/clarinet/clarinet/bass clarinet respectively. Bass part written with Arco sections, but can be played without the bow or with electric bass. Intricate harmonies and voicings for ensemble to negotiate and challenging chord progression for soloist. 8 Brass.
$55.00

Genres: Jazz & Blues
Heart of the Matter by Mike Holober. For jazz ensemble (tenor saxophone feature; woodwind doubles). This edition: Trumpet range to G6. Ballad, Jazz Waltz. Level 5. Score and set of parts. Published by UNC Jazz Press (NC.1843). (8 Brass) Features both tenors. A 16th note ballad and jazz waltz. Doubles: Alto I/Soprano/Flute, Alto II/Clarinet, Bari/Bass Clarinet. Extended form which is an excellent feature for both tenors. Recorded by The Gotham Jazz Orchestra on Thought Trains.
$55.00

Genres: Jazz & Blues
Alive III - LP only by Various. Jazz. LP. Published by UNC Jazz Press (NC.1954). Titles: Earth Song; Flinstones; I've Got What?; In the Beginning; Kinesis; Soft and Gentle and Things Are Here.
$8.00

Genres: Jazz & Blues
Orchids by Timothy Clarke. For jazz ensemble. This edition: Trumpet range to F6. Jazz Waltz. Level 5. Score and set of parts. Published by UNC Jazz Press (NC.238). (8 Brass) An intimate, soft-spoken jazz waltz, which features a trombone/flute/guitar trio. This chart exploits a wide dynamic range and uses many contrasting textures. Short solos for guitar and trombone are offset by a Woody Herman-style sax/flugelhorn soli. A highly contrapuntal developmental section features many interesting combinations of instruments while the bass and drums lay out.
$45.00

Genres: Jazz & Blues
A Child Is Born arranged by Michele Weir. For jazz choir (SATB choir with rhythm section). Jazz, Ballad. Level 3. Set of 16 octavos with rhythm parts. Published by UNC Jazz Press (NC.VJ1557). (Level 3) This arrangement is recorded on the Phil Mattson and the P.M. Singers album, Setting Standards. Starting a cappella, the arrangement soon goes into ballad tempo. Then, after a key change, it features a female soloist. This beautiful tune and arrangement have been a favorite for years. It can be used at Christmas time or throughout the year. SATB with rhythm section.
$45.00

Genres: Jazz & Blues
Without A Song by Robert Zwirn. For jazz choir (TTBB choir, a cappella). Jazz. Level 4. Set of 5 octavos. Published by UNC Jazz Press (NC.VJ1660).
$25.00

Genres: Jazz & Blues
Anthropology by Paris Rutherford. For jazz choir (SATB choir with rhythm section). Bebop, Up Tempo, Standard, Jazz. Level 4. Set of 16 octavos with rhythm parts. Published by UNC Jazz Press (NC.VJ1894). One of the Bird's hipper up-tempo bebop riffs. This chart has altered changes under the head, then standard "Rhythm" changes for solos. Scat lyrics are provided for the head and out chorus. Recorded by the UNT Jazz Singers. SATB with rhythm section.
$55.00

Genres: Jazz & Blues
Paradigm Shift by Eric Richards. For jazz ensemble. This edition: Trumpet range to G6. Contemporary, Jazz, Funk, Swing. Eric Richards Series. Level 4. Score and set of parts. Published by UNC Jazz Press (NC.1110). (9 Brass) (Level 4) This piece was inspired by the innovative and exciting playing of Steve Fidyk, drummer, with the U.S. Army Blues and Todd Harrison, drummer, with the U. S. Army Jazz Ambassadors. Paradigm Shift is a challenging, contemporary chart set in a Yellowjackets "swing/funk" feel which features high energy overdrive guitar (opt. tenor saxophone) in addition to drums. For mature bands only. Paradigm Shift is an exciting way to end a festival or concert appearance. No woodwind doubles other than soprano saxophone on Reed 1.
$60.00

Genres: Swing, Jazz & Blues
For Art's Sake by Dave Rivello. For jazz ensemble. This edition: Trumpet range to D6. Jazz, Shuffle. Level 3. Score and set of parts. Published by UNC Jazz Press (NC.1131). (8 Brass) (Level 3) Written as a tribute to Art Blakey, this "Blakey Shuffle" was commissioned by the Penfield Commission Project in Penfield, New York. It features trumpet and alto on the theme and tenor and piano in the solo section; and, of course, there's space for the drums!
$55.00

Genres: Jazz & Blues
Same Angle Different View by Dave Rivello. For jazz ensemble (solos for tenor saxophone, trombone and piano; woodwind doubles). This edition: Trumpet range to Eb6. Medium-Fast Tempo, Latin, Jazz. Level 4. Score and set of parts. Published by UNC Jazz Press (NC.1133). (8 Brass) (Level 4) A medium fast Latin piece full of excitement from beginning to end. Solos are for tenor sax, trombone and piano. The woodwind doubles are flute (for alto 1, alto 2, and tenor 2) and bass clarinet (for bari sax). This intense piece will challenge both the soloist and the ensemble.
$50.00

Genres: Jazz & Blues, Latin
Sierra Nevada by Mike Bogle. For jazz ensemble. This edition: Trumpet range to G6. Afro-Cuban, Latin, Salsa Groove, Jazz. Level 5. Score and set of parts. Published by UNC Jazz Press (NC.117). (10 Brass) (Level 5) Commissioned by the Weatherford College jazz band, Weatherford, TX, and commemorating the UNT One O'Clock Lab Band's spring tour to the Reno Jazz Festival in 1994, this is a great Latin chart with a songo/salsa groove. It plays down easily and includes solos for trombone (or trumpet), tenor sax, drums, and optional Latin percussion. Easy, galloping, songo feel will have people dancing in the aisles if it's in their blood. Excellent opportunity for percussionists to stretch out on timbales or congas, but also works well with drumset only.
$55.00

Genres: Jazz & Blues, Latin
That Thing On Four by Mike Bogle. For jazz ensemble. This edition: Trumpet range to G6. Funk, Jazz. Level 3. Score and set of parts. Published by UNC Jazz Press (NC.120). (10 Brass) (Level 3) This is a groove-oriented funk chart based on a popular rhythmic figure--that thing on four! Features the drummer, guitarist and first tenor. The tenor and guitar will trade 8's and 4's over a Bb minor funk groove. Ensemble figures emphasize the ever popular "quarter note on four" tied over to the next bar. Also features the ensemble in building a rhythmic pyramid. Trumpet and trombone figures are alternated within the sections to keep the chops fresh.
$55.00

Genres: Jazz & Blues
Softly, As In A Morning Sunrise by Dean Sorenson. For jazz ensemble (solos for trombone and trumpet). This edition: Trumpet range to F6. Straight-Ahead, Jazz. Level 4. Score and set of parts. Published by UNC Jazz Press (NC.1264). (8 Brass) (Level 4) Straight-ahead swinger with solos for trombone and trumpet. There is also a sax soli with soprano lead and an ensemble unison line over a pedal.
$55.00

Genres: Jazz & Blues
J's Piece by Tim Walters. For jazz ensemble (solos for alto saxophone and piano). This edition: Trumpet range to E6. Rock, Jazz. Level 3. Score and set of parts. Published by UNC Jazz Press (NC.1512). (8 Brass) (Level 3) A beautiful rock ballad for alto sax and piano. Good solo changes. The piece builds to a climax toward the end with a well-known tutti section.
$40.00

Genres: Jazz & Blues, Rock
I'm Gonna Sit Right Down And Write Myself A Letter arranged by Gregory W. Yasinitsky. For jazz choir and big band (SATB choir with rhythm section and optional big band). Jazz, Up Tempo. Level 4. Score and set of parts. Published by UNC Jazz Press (NC.1626). (Level 4) This arrangement is scored for vocal jazz ensemble (SATB) and big band (8-10 brass), but it is also performable by vocal jazz ensemble with only rhythm section accompaniment. This exciting, up-tempo swinger was arranged especially for the 1992-93 Washington State University Vocal Jazz Ensemble and the Jazz Big Band and was performed at the '93 IAJE Conference in San Antonio. This chart features hip changes, extended phrases, a cookin' ensemble for the singers, roaring big band figures and a short solo for first trombone. A great closer!
$85.00

Genres: Jazz & Blues
I See Voices by Bret Zvacek. For jazz ensemble. This edition: Trumpet range to F6. Straight 8th Groove, Contemporary, Jazz. Level 4. Score and set of parts. Published by UNC Jazz Press (NC.1651). (Level IV) A major two-part composition based on a melody by pianist Mindy Zvacek. Elements of classical chamber music present in introduction, followed by statement of theme one by soprano. Lush, polychordal ensemble background leads into Tenor 1 solo over a medium straight-eighth groove, followed by a dramatic ensemble conclusion to section 1. Section 2 opens with a piano statement of theme 2 at slightly faster tempo. Tenor II featured over contemporary changes, culminated by tenor duo and final ensemble statement. Chart ends with piano alone. Powerful music. Lead alto doubles on soprano and flute (briefly). Recorded on UNC's Alive XII. 10 Brass.
$55.00

Genres: Jazz & Blues
The Newcomer by Ed Xiques. For jazz ensemble (piano, trumpet and drum solos). This edition: Trumpet range to Db6. Up Tempo, Swing, Jazz. Level 4. Score and set of parts. Published by UNC Jazz Press (NC.1696). (8 Brass) (Level 4) A medium, up-swing tempo. Quarter note = 200-240. Solos for piano, trumpet and drums with background. No saxophone doubles.
$60.00

Genres: Swing, Jazz & Blues
Softly, As in a Morning Sunrsie arranged by Mike Crotty. For jazz ensemble (solos for alto saxophone, trumpet and piano). This edition: Trumpet range to G6. Up Tempo, Jazz, Swing. Level 4. Score and set of parts. Published by UNC Jazz Press (NC.1707). (8 Brass) (Level 4) Powerful up-tempo arrangement with solos for alto, trumpet and piano. Features linear writing throughout the ensemble and interesting soli combinations. Alto 1 doubles soprano.
$65.00

Genres: Swing, Jazz & Blues
You Shouldn't Have by Christopher Jentsch. For jazz ensemble (tenor trombone feature). This edition: Trumpet range to Eb6. Jazz Standard, Ballad, Jazz. Level 4. Score and set of parts. Published by UNC Jazz Press (NC.1727). (8 Brass) This is a tenor trombone feature in a jazz standard ballad style (AABA form, key of F). The approach is lyrical and fresh. Instead of an open solo section, the improvisation is woven into a simple through-composed 2 1/2-chorus structure. Originally the tune was improvised by the composer at a solo gig. No doubles. Recorded by the University of Miami's Concert Jazz Band on Jentsch's Miami Suite CD.
$55.00

Genres: Jazz & Blues
Baby, Take Your Cleats Off by Christopher Jentsch. For jazz ensemble (bass trombone and bass feature). This edition: Trumpet range to G6. Jazz, Funk, Reggae. Level 4. Score and set of parts. Published by UNC Jazz Press (NC.1729). (8 Brass) This is an engaging contemporary co-feature for your bass trombone and your bass player. There is solo space and an extended written melody arranged more or less in unison for bass and bass trombone. The piece alternates between three different recurring sections and calls for a half-time funk and a reggae-hybrid feel. Improvised originally in a rehearsal by the Christopher Jentsch Trio, the last page is one of the composer's most satisfying. Additional solo space is arranged for tenor or guitar. Reed I plays soprano sax throughout. Recorded by the University of Miami's Concert Jazz Band on Jentsch's Miami Suite CD.
$55.00

Genres: Jazz & Blues
Tell Me Your Stories - Miami Suite Movement II by Christopher Jentsch. For jazz ensemble (soprano voice solo). This edition: Trumpet range to C6. Straight 8ths Groove, Contemporary, Jazz, ECM. Level 5. Score, vocal part and set of parts. Published by UNC Jazz Press (NC.1731). (8 Brass) Movement II is a lyrical feature for soprano voice and flugelhorn delivered with an ECM, straight-8ths groove (contemporary jazz harmony, but tonal and luscious). It is all development and improvised solos until the singer provides the exposition with two choruses of lyrics at the end of the piece. The cross-section textural writing in the flugels and woodwinds make this a V. Thematic material from other movements serve as backgrounds and counter themes. Like all the movements in the Miami Suite, Tell Me Your Stories is doubly designed to be a stand-alone piece or to serve as the second movement. Reed I - Alto Sax/Flute, Reed II - Soprano Sax, Reed III/IV - Clarinet/Tenor, Reed V - Bass Clarinet/Clarinet/Bari. Trumpets/Flugelhorns. Recorded by the University of Miami's Concert Jazz Band on Jentsch's Miami Suite CD.
$55.00

Genres: Jazz & Blues
Living Lonely by Greg Runions. For jazz ensemble (woodwind doubles). This edition: Trumpet range to F#6. Straight 8th, Ballad, ECM, Jazz. Level 4. Score and set of parts. Published by UNC Jazz Press (NC.1748). (9 Brass) The second movement of the four movements of the Sweet Home Suite. This straight-eighth tune has a ballad feel. Featuring guitar (melody and solo), piano and a full ensemble chorus, the tune creates a great mood. Alto I doubles on Clarinet, Alto II on Flute and Bari Sax on Bass Clarinet (part without Bass Clarinet included).
$55.00

Genres: Jazz & Blues
Very Early by Matso Limtiaco. For jazz ensemble (alto saxophone feature). This edition: Trumpet range to D6. Medium, Jazz Waltz. Level 4. Score and set of parts. Published by UNC Jazz Press (NC.1754). (8 Brass) This feature for lead alto sets Bill Evan's classic jazz waltz in a medium tempo. As recorded by the Emerald City Jazz Orchestra.
$55.00

Genres: Jazz & Blues