Butch And Butch (Individual Arrangement from The Blues And The Abstract Truth). Edited by Rob Duboff and Jeffrey Sultanof. Arranged by Oliver Nelson. For jazz combo (alto sax, tenor sax, baritone sax, trumpet, piano, bass, and drums). Swing. Medium. Score and parts. Published by Jazz Lines Publications (JL.JLP-8856). This is one title out of 6 arrangements from the Oliver Nelson 1961 album The Blues and the Abstract Truth. In February of 1961, the sessions that later constituted the album Blues and the Abstract Truth were recorded for a new jazz label distributed by ABC-Paramount, Impulse Records. The sessions were produced by Creed Taylor, who would go on to produce classic recordings on the Verve label, and his own CTI label. Oliver Nelson had a career full of highlights by 1961. Originally from St Louis, Missouri, he had played in the bands of Louis Jordan, Louis Bellson, Erskine Hawkins, Wild Bill Davis and Quincy Jones. He had also been a house arranger at the legendary Apollo Theatre in Harlem in New York City. Nelson had made some albums under his own name as well. But it was this album that became his first masterpiece. An all-star ensemble was assembled: with Nelson were Freddie Hubbard, Eric Dolphy, George Barrow, Bill Evans, Paul Chambers, and Roy Haynes. One of the compositions on the album became a standard: Stolen Moments. The album received ecstatic reviews from the jazz press and has rarely been out of print since it’s original release. Nelson went from success to success, making big band and small group albums in a variety of settings under his own name and accompanying jazz and pop artists. He composed symphonic music as well, and toured extensively even after he moved to Los Angeles in 1967 and became established in the film and television world. He also gave workshops and seminars. He was only 43 when he died in 1975. Thanks to an agreement with Oliver Nelson, Jr, this item is now available, edited using Nelson’s original manuscripts. Nelson now joins the legendary names whose music is now available from Jazz Lines Publications. This item is arranged for alto, tenor, and baritone saxophones, trumpet, piano, bass, and drums.

The Blues And The Abstract Truth [Complete Set] by Oliver Nelson. Edited by Rob DuBoff and Jeffrey Sultanof. Arranged by Oliver Nelson. For jazz ensemble (Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Trumpet, Piano, Bass, Drums). Swing, Jazz. Medium. Score and parts. Published by Jazz Lines Publications (JL.JLP-8890). This is the complete set of 6 arrangements from the Oliver Nelson 1961 album The Blues and the Abstract Truth . The titles are: Butch and Butch, Cascades, Hoe-Down, Stolen Moments, Teenie's Blues, and Yearnin'. Each individual arrangement is also available separately. In February of 1961, the sessions that later constituted the album Blues and the Abstract Truth were recorded for a new jazz label distributed by ABC-Paramount, Impulse Records. The sessions were produced by Creed Taylor, who would go on to produce classic recordings on the Verve label, and his own CTI label. Oliver Nelson had a career full of highlights by 1961. Originally from StLouis, Missouri, he had played in the bands of Louis Jordan, Louis Bellson, Erskine Hawkins, Wild Bill Davis and Quincy Jones. He had also been a house arranger at the legendary Apollo Theatre in Harlem in New YorkCity. Nelson had made some albums under his own name as well. But it was this album that became his first masterpiece. An all-star ensemble was assembled: with Nelson were Freddie Hubbard, Eric Dolphy, George Barrow, Bill Evans, Paul Chambers, and Roy Haynes. One of the compositions on the album became a standard: Stolen Moments . The album received ecstatic reviews from the jazz press and has rarely been out of print since it's original release. Nelson went from success to success, making big band and small group albums in a variety of settings under his own name and accompanying jazz and pop artists. He composed symphonic music as well, and toured extensively even after he moved to Los Angeles in 1967 and became established in the film and television world. He also gave workshops and seminars. He was only 43 when he died in 1975. Thanks to an agreement with Oliver Nelson, Jr., these six classic compositions are now available, edited using Nelson's original manuscripts. Nelson now joins the legendary names whose music is now available from Jazz Lines Publications. With the lone exception of Teenie's Blues, all are arranged for alto, tenor, and baritone saxophones, trumpet, piano, bass, and drums. Teenie's Blues was originally arranged for only 2 altos, piano, bass, and drums. We have included parts for tenor, baritone, and trumpet.

Holiday Jazz Value Pack arranged by Craig Curry and Paul Johnston. For Piano. Method/Instruction; Other; Promotional Packet. Christmas; Jazz; Winter. Advanced; Early Advanced. Published by Alfred Music Publishing (AP.105278). This value pack contains Jazz Performer: Holiday Inspirations, arranged by Paul Johnston along with A Jazz-Inspired Christmas, arranged by Craig Curry. (If purchased separately, the total retail price of the Value Pack is $27.98).

3 Folk-Blues arranged by Ap Bronkhorst. For guitar. Solo. Published by Van Teeseling (VT.VT-55). Includes: Black girl - Careless Love - Cottonfields.

It Ain't but Somebody by George Gershwin (1898-1937). Arranged by Wanja van Winsen. For 2 guitars. Published by Van Teeseling (VT.VT-360).

Blues Recital 2 by Herman Beeftink. For piano. Solo. Published by Van Teeseling (VT.VT-352).

Blues Recital 1 by Herman Beeftink. For piano. Solo. Published by Van Teeseling (VT.VT-351).

From Blues to Bebop ( Duets ) by Herman Beeftink. For saxophone duet. Published by Van Teeseling (VT.VT-343).

Rock, Blues, Boogie and More 2 by Ton Broekmeijer. For guitar. Method. Published by Van Teeseling (VT.VT-335).

Rock, Blues, Boogie and More 1 by Ton Broekmeijer. For guitar. Method. Published by Van Teeseling (VT.VT-334).