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Jazz & Blues
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On ne dit jamais assez aux gens qu'on aime qu'on les aime by Louis Chedid. For voice, guitar or piano. Album. Pop / Jazz. Score. 56 pages. Published by Editions Henry Lemoine (LM.PB793).
$28.95

Pages: 56
Instruments: Piano, Vocal, Guitar, Vocal, Piano, Guitar, Voice, Electric Guitar, Piano and Keyboard
Genres: Jazz & Blues, Pop
Where the oceans end by Cocoon. For voice, guitar tablature or piano. Album. Pop / Jazz. Score. 80 pages. Published by Editions Henry Lemoine (LM.PB792).
$31.95

Pages: 80
Instruments: Piano, Vocal, Guitar, Vocal, Piano, Guitar, Voice, Electric Guitar, Piano and Keyboard
Genres: Jazz & Blues, Pop
Birds in storm by Aaron. For voice, guitar tablature or piano. Album. Pop / Jazz. Score. 64 pages. Published by Editions Henry Lemoine (LM.PB791).
$31.95

Pages: 64
Instruments: Piano, Vocal, Guitar, Vocal, Piano, Guitar, Voice, Electric Guitar, Piano and Keyboard
Genres: Jazz & Blues, Pop
Pacific 231 by Gunter Raphael (1903-1960). For voice, guitar tablature or piano. Album. Pop / Jazz. Score. 68 pages. Published by Editions Henry Lemoine (LM.PB790).
$31.95

Pages: 68
Instruments: Piano, Vocal, Guitar, Vocal, Piano, Guitar, Voice, Electric Guitar, Piano and Keyboard
Genres: 20th Century, Jazz & Blues, Pop, Classical
At Last by Harry Warren, lyrics by Mack Gordon. Arranged by Dave Wolpe. Jazz Ensemble. Jazz Ensemble; Part(s); Score. Jazz Vocal Series. Jazz. Grade 3. 108 pages. Published by Alfred Music Publishing (AP.33373).
$58.00

Pages: 108
Instruments: Voice, Vocal
Genres: Jazz & Blues
The Rough Guide to Soul and R&B. (The Songs, the Singers, the Stories, the Soul). By Peter Shapiro. Reference Textbooks; Textbook - General. Rough Guide. Blues. Book. Published by Alfred Music Publishing (AP.74-1843532644). ISBN 1843532646. Blues. The Rough Guide to Soul and R&B is the definitive guide to the genre’s greatest singers, musicians, songwriters, and record labels, encapsulating the entire history of soul music from gospel and doo-wop, through funk and disco, to hip-hop and R&B. The guide includes detailed profiles of more than 300 artists, from such legends as Aretha Franklin, Ray Charles, and Sam Cooke to contemporary stars like Prince, Mary J. Blige, and Destiny’s Child. There are reviews of hundreds of landmark albums, from James Brown’s Live at the Apollo to Missy Elliott’s Supa Dupa Fly.
$24.99

Instruments: Voice, Vocal
Genres: Blues, Jazz & Blues
Christmas Is A-Comin' (May God Bless You) by Bing Crosby. By Frank Luther. Arranged by John Purifoy. For Choral (ShowTrax CD). Sacred Christmas Choral. CD only. Published by Hal Leonard (HL.8749630). This holiday classic recorded by Bing Crosby and others adds a festive touch to all types of school and community concerts. Well-crafted vocal lines and a delightful accompaniment make it an especially useful choice. Available separately: SATB, SAB, 2-Part, ShowTrax CD. Duration: ca. 2:10.
$24.99

Instruments: Choir, Vocal
Genres: Christmas, Standards, Miscellaneous, Jazz & Blues
Triste by Antonio Carlos Jobim. Arranged by Paris Rutherford. For Choral (ShowTrax CD). Jazz Chorals. CD only. Published by Hal Leonard (HL.8749201). The music of Brazilian composer Antonio Carlos Jobim is the ultimate in sophistication and style. Set over a smooth bossa nova groove, this arrangement will challenge and inspire your singers. Available separately: SATB, SAB, ShowTrax CD. Rhythm Section parts available digitally (pno, gtr, b, dm). Duration: ca. 3:00.
$24.99

Instruments: Choir, Vocal
Genres: Bossa nova, Jazz & Blues, Latin
Don't Get Around Much Anymore by Bob Russell and Duke Ellington (1899-1974). Arranged by Mark Hayes. For Choral (Studiotrax CD). Shawnee Press. Vocal Jazz, Pop. Shawnee Press #CD0394. Published by Shawnee Press (HL.35005507). This jazz standard by Duke Ellington and Bob Russell is an American classic. Mark Hayes has captured its flair in a choral that's perfect for concert choirs or smaller ensembles such as jazz and show choirs. The big band instrumentation compliments with class and accentuates the style of the piece.
$26.99

Instruments: Choir, Vocal
Genres: Jazz & Blues, Pop, Swing
I've Got The World On A String by Helen O'Connell. Arranged by Hal Mooney. For big band with female vocal. Swing. Medium. Full score and set of parts. Published by Lush Life (JL.LL-2255). This is the original Helen O'Connell version of 'I've Got The World On A String,' as recorded with the Ray Anthony Orchestra in his 1953 Chesterfield Show. It is not a transcription. Although a short chart in actual playing time, it is full of punch, energy and drive, and in itself is a piece of American musical history. There are no sax doubles, and the vocal key is Bb throughout. Swing @ 145 bpm.
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
September In The Rain by Frank Sinatra. Arranged by Nelson Riddle. For big band with male vocal. Swing. Medium. Full score and set of parts. Published by Lush Life (JL.LL-2184). Here is a transcription of the Nelson Riddle chart done for Frank Sinatra. The original chart was written to include strings, and some orchestral woodwind; these parts have been re-scored into the chart for a regular 5444 line-up. However, to maintain the flavor of the wonderfully conceived original intro, both altos double flutes, and both tenors double clarinet. If your band can't manage this, don't worry. You can kick the chart off from the trombone entry in the 5th measure. The solo muted trumpet licks in the first chorus have been written out, and the vocal part is as-sung by Sinatra. The 4th trombone is bass, though playable by a tenor, with out of range notes taken up an octave, and the vocal key is D throughout. Swing @ 112 bpm.
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
They All Laughed by Frank Sinatra. Arranged by Billy May. For big band with male vocal. Swing. Difficult. Full score and set of parts. Published by Lush Life (JL.LL-2147). Transcribed by Jon Harpin from the original Billy May arrangement, this is Frank Sinatra's version of the Gershwin classic. The chart is scored for 5-4-4-4; the original string lines have been re-scored into the saxes, which means that alto 1 has the only clarinet double. Whilst the chart is by no means hard to play, the lead trumpet has some high notes, including a high F in the middle of the instrumental section which needs to be plucked out of nowhere, and a high Eb to finish. For this reason the chart is graded as difficult, rather than medium. The vocal key is F, modulating to Gb for the final chorus. Swing @ 120 bpm.
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
Anything Goes by Frank Sinatra. Arranged by Nelson Riddle. For big band with male vocal. Swing. Medium. Full score and set of parts. Published by Jazz Lines Publications (JL.JLP-9055). Here's Nelson Riddle's famous arrangement from Frank Sinatra's classic record 'Song for Swingin' Lovers,' recorded in 1956. The arrangement opens with the guitar playing a little syncopated figure and alto 1 on flute. Trombones are on cup mutes for the vocal entrance. Unlike other Riddle/Sinatra charts from this period, there isn't any instrumental section in this arrangement - there are vocals throughout. This isn't really that difficult of an arrangement, but just a really great showcase for your male vocalist. Alto 1 doubles on flute. Ranges: Trumpet 1: to B5; Trombone 1: to Bb4; Vocal Key: A flat modulating to A.
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
Jazz Cantate by Greg Gilpin. For Choral (Studiotrax CD). Choral. Shawnee Press. Vocal Jazz. CD only. Shawnee Press #CD0397. Published by Shawnee Press (HL.35011351). Smooth, choral, stylistic, and smart all describe this new original choral by Greg Gilpin. Close harmonies rhythmically set above a moving accompaniment, the familiar Latin text, and strong choral-writing create a unique piece for all choral groups. A stand-out selection.
$26.95

Instruments: Choir, Vocal
Genres: Jazz & Blues
Charleston Alley by Edgar M. Sampson and Jon Hendricks. Arranged by Darmon Meader. For Choral. Choral. Shawnee Press. Secular, Jazz/Pop. CD only. Shawnee Press #CD0409. Published by Shawnee Press (HL.35003242). Darmon Meader's arrangement of Charleston Alley pays tribute to Lambert, Hendricks & Ross, as well as Charlie Barnet, while expanding the voicings, and also placing the song in a much more “SATB-friendly” key. This arrangement is a great introduction to the classic vocalese style of Lambert, Hendricks & Ross, and will work well for most medium to advanced vocal jazz groups.
$26.95

Instruments: Choir, Vocal
Genres: Jazz & Blues, Pop
Seven by Mercer (Contemporary Settings of Seven Classic Songs by Johnny Mercer (Low Voice)). By Johnny Mercer. Arranged by Mark Hayes. For Voice (Low voice (Medium-Low)). Vocal Collection. Book & CD. 44 pages. Published by Alfred Music Publishing (AP.31255). ISBN 0739061437. Johnny Mercer’s music and lyrics have stood the test of time. Add Mark Hayes’s arranging talent, and you’ve got a winning combination of superb solo literature! The CD features Hayes at the piano. Titles: Blues in the Night * Charade * Dream * Hooray for Hollywood * I’m an Old Cowhand from the Rio Grande * On the Atchison, Topeka and the Santa Fe * Satin Doll.Recorded Acc. Available.
$24.95

Pages: 44
Instruments: Low Voice, Medium Voice, Voice, Vocal
Genres: Standards, Jazz & Blues
Seven by Mercer (Contemporary Settings of Seven Classic Songs by Johnny Mercer (High Voice)). By Johnny Mercer. Arranged by Mark Hayes. For Voice (High voice (Medium-High)). Vocal Collection. Book & CD. 44 pages. Published by Alfred Music Publishing (AP.31252). ISBN 0739061402. Johnny Mercer’s music and lyrics have stood the test of time. Add Mark Hayes’s arranging talent, and you’ve got a winning combination of superb solo literature! The CD features Hayes at the piano. Titles: Blues in the Night * Charade * Dream * Hooray for Hollywood * I’m an Old Cowhand from the Rio Grande * On the Atchison, Topeka and the Santa Fe * Satin Doll.Recorded Acc. Available.
$24.95

Pages: 44
Instruments: High Voice, Medium Voice, Voice, Vocal
Genres: Standards, Jazz & Blues
Just One of Those Things by Cole Porter. Arranged by Mark Hayes. Choir Secular. For SoundPax. This edition: SoundPax. Choral Octavo. Pop Choral. Jazz Choir. Instrumental Accompaniment. 56 pages. Published by Alfred Music Publishing (AP.31190). This Cole Porter classic has been given a fresh and unique musical treatment by award-winning arranger Mark Hayes. It opens with the verse up front, then moves from a slick 2-beat with a walking bass line into a jazzy and kickin' swing tempo. Great for groups of all sizes and ages.Inst. Parts Available (choral); Recorded Acc. Available.
$50.00

Pages: 56
Instruments: Choir, Vocal
Genres: Broadway, Standards, Jazz & Blues
Avalon by Natalie Cole. Arranged by Bill Holman, Myles Collins. For big band with female vocal. Swing. Advanced. Full score and set of parts. Published by Lush Life (JL.LLM-2232). Written in 1920 by Jolson & DeSylva, this song was a favorite of Nat King Cole, and later featured by Natalie Cole on her 'Unforgettable' album. This is a transcription of her Bill Holman chart. It moves along at a very fast pace, and nimble fingers along with good playing technique are needed for your band to get it right, especially in the middle instrumental chorus. Lead Trumpet is written to high F and lead Trombone to high C. This is a punchy and very powerful arrangement full of interesting tonal color, and makes a rousing feature for any vocalist. It is a tough chart, and we have graded it as advanced. There are no Sax doubles, and the vocal key is C throughout. Ranges: Trumpets 1-4 : F6, D6, C#6, G5 Trombones 1-4 : C5, G4, G4, D4 Vocal Key: C [Female Vocal G3 - D5 (12 steps)].
$65.00

Instruments: Voice, Vocal
Genres: Jazz & Blues, Swing
Don't Sit Under The Apple Tree With Anyone Else But Me by Glenn Miller. Arranged by Myles Collins. For big band with vocal quartet [SATB]. Swing. Medium. Full score and set of parts. Published by Lush Life (JL.LLM-2065). This is Glenn Miller's version that was originally performed by the Modernaires vocal group. It has been scored for boy and girl vocal duet and a part for the vocal harmony group has been included also. The form of the arrangement is true to the original. The band intro is there, as are the correct modulations and fills behind the vocal lines. This is also offered as an instrumental-only version. No sax doubles and the brass ranges are not demanding. Good fun! Vocal key D/C/Db.
$65.00

Instruments: Choir, Voice, Vocal
Genres: Swing, Jazz & Blues
I Guess I'll Have To Change My Plan by Tony Bennett With Count Basie. Arranged by Ralph Sharon, Jon Harpin. For big band with male vocal. Swing. Medium. Full score and set of parts. Published by Lush Life (JL.LLH-2187). This version of 'I Guess I'll Have To Change My Plan' was recorded by the great Tony Bennett with the Count Basie Orchestra and is a laid back swinger in true Basie style. The only change to the Ralph Sharon original is to voice the brass for an 8 piece section. Aside from the big instrumental soli in the middle of the chart it is the saxes who do most of the backing lines behind the vocal, using some innovaive voicings to give the chart a great jazz feel. The trumpet lines are quite high, with lead reaching high F# and second to high C#. Although not a long chart, it is a classic of its genre and worth its place in any library. Another great transcription from Jon Harpin. The vocal key is C and there are no sax doubles. Ranges: Trumpets 1-4 : F#6, C#6, Bb5, G5 Trombones 1-4 : Bb4, G4, E4, E4 Vocal Key: C [Vocal C3 - A4 (13 steps as sung)].
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
I Only Have Eyes For You by Frank Sinatra With Count Basie. Arranged by Neal Hefti, Jon Harpin. For big band with male vocal. Swing. Medium. Full score and set of parts. Published by Lush Life (JL.LLH-2086). Beautifully transcribed by Jon Harpin from the Neal Hefti chart written for the Sinatra Basie album, I Only Have Eyes For You is pure crooning Sinatra, yet with enough in the chart for the band to shine alongside the vocalist. The arrangement is taken at an easy, laid-back tempo, and is full of rich tonal colour and shade which is the trademark of Hefti. The opening is scored for flute doubles by the altos, though the lines are also scored in the tenors in case your altos don't play flutes. Sinatra's vocal is written as performed, and all the dynamics and articulations are written clearly so that your band can re-create an authentic performance. The vocal key is Bb throughout.
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
I'm Beginning To See The Light by Harry James. Arranged by Alan Glasscock. For big band with female vocal. Swing. Medium. Full score and set of parts. Published by Lush Life (JL.LLG-2249). I'm Beginning To See The Light is a popular tune, recorded by most of the great vocalists. This is the Harry James version originally sung by Kitty Kallen. The chart is unusual in that it features a couple of guitar solos (though these solos have been cross cued onto the piano part in case your band doesn't have a guitarist) and the opening and closing choruses are taken by a trumpet, tenor and baritone trio. Being a Harry James chart there is of course a little feature solo for trumpet (written on the second trumpet part). Second alto doubles clarinet, and the vocal key is Db. Ranges: Trumpets 1-4 : C6, A5, Bb5, Bb5 Trombones 1-4 : Bb4, Ab4, Ab4, Db4 Vocal key: Db [Female Vocal G3 - Ab4 (9 steps)].
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues
Around The World by Matt Monro. Arranged by Jon Harpin. For big band with male vocal. Swing. Difficult. Full score and set of parts. Published by Lush Life (JL.LL-2259). This version of Around the World was recorded by Matt Monro, and has been transcribed by Jon Harpin. The chart opens as an up-tempo swinger, full of great rhythmic puncuations from the band in support of the vocalist in the first chorus. A band tutti follows, which leads to a one step up modulation, then a half-tempo feel change to bring the chart to a rousing finish. The original studio recording had a few measures scored for strings. These string parts have been re-scored into the saxes, so the lead alto is required to double clarinet. There are no other sax doubles, and the 4th trombone is written for bass. The vocal keys are Bb modulating to C. Ranges: Trumpets 1-4: D6, D6, C6, G5 Trombones 1-4: C5, A4, E4, C4 Vocal key: Bb modulating to C Vocal Range: F2 - G4 (17 steps, as sung).
$65.00

Instruments: Voice, Vocal
Genres: Swing, Jazz & Blues