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Jazz & Blues
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3 Pieces for Blues Band and Orchestra. (for Orchestra). By William Russo (1928-2003). For Orchestra (Study Score). Peermusic Classical. 64 pages. Peermusic #61439-865. Published by Peermusic (HL.228440).
$20.00

Pages: 64
Genres: Classical, 20th Century, Blues, Jazz & Blues
Basin Street Blues by Spencer Williams. Arranged by James Bicigo. Brass Ensemble (9 or more brass). For 3 trumpets, 2 horns, 2trombone, bass trombone, euphonium and tuba. Score and parts. Published by Wiltshire Music/Cor Publishing Co. (WS.BE198).
$20.00

Genres: Blues, Jazz & Blues
2010 Texas Music Educators Association: ATSSB All-State Jazz Ensemble by 2010 TMEA ATSSB All-State Jazz Ensemble. For jazz band. Mark Records. Jazz. DVD. Published by Mark Custom Music (MK.8753-MDVD).
$20.00

Genres: Jazz & Blues
2010 Texas Music Educators Association: All-State Jazz Ensemble by 2010 TMEA All-State Jazz Ensemble. For jazz band. Mark Records. Jazz. DVD. Published by Mark Custom Music (MK.8744-MDVD).
$20.00

Genres: Jazz & Blues
Holiday Jazz Value Pack arranged by Craig Curry and Paul Johnston. For Piano. Method/Instruction; Other; Promotional Packet. Christmas; Jazz; Winter. Advanced; Early Advanced. Published by Alfred Music Publishing (AP.105278). This value pack contains Jazz Performer: Holiday Inspirations, arranged by Paul Johnston along with A Jazz-Inspired Christmas, arranged by Craig Curry. (If purchased separately, the total retail price of the Value Pack is $27.98).
$20.00

Genres: Christmas, Jazz & Blues, Miscellaneous
Fanfare For a New Beginning by Mike Garson. Edited by Jim Walker. For Two Flutes and Flute Sextet/Flute Choir. Jim Walker Flute Series. Score and Parts. 26 pages. Published by Mike Garson Publishing (M5.E-FLC0011).
$20.00

Pages: 26
Genres: Jazz & Blues
Blues and Chaser by Jared Spears. For Percussion Ensemble. Percussion Music - Percussion Ensembles. Grade 4. Published by Southern Music Company (SO.ST307CO). Approved contest/festival piece for the University Interscholastic League (UIL 03-06).
$20.00

Instruments: Percussion
Genres: Blues, Contemporary Christian, Jazz & Blues, Christian, Religious
Alexander's Ragtime Band by Irving Berlin. Arranged by Mike Lewis. For full orchestra. Modern Masters Full Orchestra series. Grade 4. Score only. Duration 4 minutes, 8 seconds. Published by LudwigMasters Publications (LG.50205018).
$20.00

Genres: Classical, Jazz & Blues, Standards
Stop-Time Blues by Michael Stewart. For Brass Ensemble: 4 Trumpets, 4 Horns, 3 Trombones, Euphonium and Tuba. Large ensemble music. Score and parts. Published by Cimarron Music Press (CX.CM576). About Digital Print Sheet Music Digital Print is printable sheet music available anytime, anywhere. Just purchase, print and play! View your online sheet music at home, school, work or anywhere you have a computer connected to the Internet. With Digital Print, you can print your digital sheet music immediately after purchase, or wait until its convenient. And our software installation is easy - we'll guide you through the simple steps to make sure you have Adobe Flash Player, Adobe AIR and the Sheet Music Plus AIR application. Learn more
$20.00

Genres: Blues, Jazz & Blues
The East Side / The West Side by The Jazz Interactions Orchestra. Edited by Rob DuBoff and Jeffrey Sultanof. Arranged by Oliver Nelson. For big band. Swing, Jazz. Medium. Score. Published by Jazz Lines Publications (JL.JLP-7096S). This arrangement by Oliver Nelson was recorded by the Jazz Interactions Orchestra in 1967, an ensemble led by pianist Billy Taylor. Set in a modal 9/8 groove (with two measures of 4/8 thrown in) this chart features a lengthy alto saxophone solo (played by Phil Woods on the recording) with nice backgrounds. Also featured is vibraphone. Oliver wrote this arrangement (and the others from this recording session) for two bass players (played by Ron Carter and George Duvivier). Throughout this particular arrangement one bass player is arco and the other is pizz. There are no instrument doubles. Ranges: Trumpets 1 & 2: to D6; Trombones 1 & 2: to C5.
$20.00

Genres: Swing, Jazz & Blues
125th And 7th Avenue by The Jazz Interactions Orchestra. Edited by Jeffrey Sultanof and Rob DuBoff. Arranged by Oliver Nelson. For big band. Rock Shuffle, Jazz. Medium Difficult. Score. Published by Jazz Lines Publications (JL.JLP-7097S). This arrangement by Oliver Nelson was recorded by the Jazz InteractionsOrchestra in 1967, an ensemble led by pianist Billy Taylor. Set in a catchy, medium rock-shuffle groove, this arrangement features solos for alto saxophone, tenor saxophone, trumpet, and trombone. This can easily be opened up for more solos. There are no doubles. Ranges: Trumpet 1: to F6; Trombone 1: to G#4.
$20.00

Genres: Jazz & Blues, Rock
One For Duke by The Jazz Interactions Orchestra. Edited by Jeffrey Sultanof and Rob DuBoff. Arranged by Oliver Nelson. For big band. Swing, Jazz. Medium Difficult. Score. Published by Jazz Lines Publications (JL.JLP-7098S). This arrangement by Oliver Nelson was recorded by the Jazz Interactions Orchestra in 1967, an ensemble led by pianist Billy Taylor. This arrangement features solos for piano, clarinet and trumpet as well as an optional open solo section. Ranges: Trumpet 1: to to G6; Trombone 1: to Bb4.
$20.00

Genres: Swing, Jazz & Blues
A Penthouse Dawn by The Jazz Interactions Orchestra. Edited by Rob DuBoff and Jeffrey Sultanof. Arranged by Oliver Nelson. For big band. Ballad, Jazz. Medium. Score. Published by Jazz Lines Publications (JL.JLP-7099S). This composition by Oliver Nelson was recorded by the Jazz Interactions Orchestra in 1967, an ensemble led by pianist Billy Taylor. This lovely ballad was written as an alto feature for the great Phil Woods. Reeds 1 and 3 double on flute, reed 4 doubles on clarinet, and reed 5 doubles on bass clarinet. Sierra Music previously published this arrangement without the instrument doubles and removed the vibraphone, tuba bell, and French horn parts. This publication is the way Oliver Nelson wrote it - and the way it was recorded. Ranges: Trumpet 1: to D6 Trombones 1 & 2: to C5.
$20.00

Genres: Jazz & Blues
Yardbird Suite (Score) edited by Rob DuBoff and Jeffrey Sultanof. Arranged by Med Flory. For saxophone quintet with rhythm section. Recorded by Supersax. Swing. Advanced. Score. Published by Jazz Lines Publications (JL.JLP-8094S). Here is the Supersax version of Yardbird Suite as recorded on the 1974 Salt Peanuts record. Like the other Supersax arrangements that we publish this is not a transcription. The original, hand-written manuscript has been used to produce this arrangement. This has been published with the authorization of Med Flory. An open solo section is included.
$20.00

Genres: Swing, Jazz & Blues
On The Road To Mandalay (Score) edited by Rob DuBoff and Jeffrey Sultanof. Arranged by Billy Byers. For big band. Recorded by Count Basie. Swing. Medium Difficult. Score. Published by Jazz Lines Publications (JL.JLP-8127S). In 1963 Count Basie recorded an album of Billy Byers arrangements titled 'More Hits of the 50s and 60s.' This was later re-issued as a tribute to Frank Sinatra and titled 'Frankly Speaking: Count Basie Plays the Hits of Frank Sinatra.' This song, written in 1907 by Oley Speaks, was based on a poem by Rudyard Kipling and has become a standard party due to the famous recording by Frank Sinatra on the 'Come Fly with Me' album. This arrangement features alto sax, flute (on reed 2) and trumpet playing the first part of the melody. Piano is then featured for the second half of the melody. Byers wrote this chart as a repeat and fade. An optional ending has been created in the event that you wish to perform this with a hard ending. This is a solid, swinging arrangement by the great Billy Byers, edited and engraved directly from his original score. Ranges: Trumpet 1: to F6; Trombone 1: to C5.
$20.00

Genres: Swing, Jazz & Blues
U.M.M.G. [Upper Manhattan Medical Group] by The Duke Ellington Orchestra. Edited by Rob DuBoff and Jeffrey Sultanof. Arranged by Billy Strayhorn. For big band. Swing, Jazz. Medium. Score. Published by Jazz Lines Publications (JL.JLP-8133S). This arrangement by Billy Strayhorn was written in 1956 for Duke Ellington and recorded during a session for Bethlehem Records. It was later recorded in 1959 for Columbia and then in 1967 for the tribute to Strayhorn entitled And His Mother Called Him Bill. This tune has become a jazz standard over the years. This chart was written to feature clarinetist Jimmy Hamilton, trumpeter Willie Cook (later Clark Terry), and baritone saxophonist Harry Carney. Typical of Strayhorn's arrangements, this chart features interesting dissonance and subtle band interplay. Ranges: Trumpet 1: to E6; Trombone 1: to Cb5.
$20.00

Genres: Swing, Jazz & Blues
T&S (Score) edited by Jeffrey Sultanof and Rob DuBoff. Arranged by Shorty Rogers. For big band. Recorded by the Terry Gibbs Dream Band. Swing. Difficult. Score. Published by Jazz Lines Publications (JL.JLP-8263S). Here is Shorty Rogers' arrangement as written for the Terry Gibbs Dream band and recorded in 1961 live at the Summit Club (released on Vol. 4, Main Stem). This is a brilliant arrangement by Rogers featuring a lot of counterpoint and band interplay. Ranges: Trumpet 1: to G6; Trombone 1: to F5; Trombone 2: to D5.
$20.00

Genres: Swing, Jazz & Blues
My Reverie by The Terry Gibbs Dream Band. Arranged by Bill Holman. For big band. Swing, Jazz. Medium Difficult. Score. Published by Jazz Lines Publications (JL.JLP-8277S). Here is Bill Holman's arrangement as written for the Terry Gibbs Dream band and recorded in 1959 live at the Sundown Club (released on Vol. 2, The Sundown Sessions. Another great Holman arrangement of a classic standard Ranges: Trumpet 1: to E6; Trombone 1: to Bb4.
$20.00

Genres: Swing, Jazz & Blues
Day In, Day Out by The Terry Gibbs Dream Band. Edited by Jeffrey Sultanof and Rob DuBoff. Arranged by Bill Holman. For big band. Swing, Jazz. Difficult. Score. Published by Jazz Lines Publications (JL.JLP-8391S). Here is Bill Holman's arrangement as written for the Terry Gibbs Dream band and recorded in 1961 live at the Summit Club (released on Vol. 4, Main Stem. This is a brilliant and exciting arrangement by Holman featuring a lot of counterpoint and band interplay. This would make a great festival or competition piece!
$20.00

Genres: Swing, Jazz & Blues
I'm Getting Sentimental Over You by The Terry Gibbs Dream Band. Arranged by Marty Paich. For big band. Swing, Jazz. Medium. Score. Published by Jazz Lines Publications (JL.JLP-8393S). Here is Marty Paich's arrangement as written for the Terry Gibbs Dream band and recorded in 1959 live in Hollywood, CA (released on Vol. 3, Flying Home). This ballad arrangement by Paich is only one chorus. It may be opened up for any number of choruses in front of the arrangement. The vibraphone is the only featured instrument in this chart.Ranges: Trumpet 1: D6; Trombone 1: to Ab4.
$20.00

Genres: Swing, Jazz & Blues
Walkin' Shoes by Art Pepper. Arranged by Marty Paich. For little big band. Swing, Jazz. Medium. Score. Published by Jazz Lines Publications (JL.JLP-8410S). In 1959 Art Pepper recorded 12 tunes backed by an 11-piece 'little big band.' The Marty Paich charts focused on 'Modern Jazz Classics' including this arrangement of the Gene Ammons composition 'Gravy' [AKA Walkin']. This arrangement featured Art Pepper on tenor sax. We have included third trumpet and trombone parts as alternates for the horn in F. This has been edited and engraved from the original score and parts as supplied to us by Laurie Pepper.
$20.00

Genres: Swing, Jazz & Blues
Rose Of The Rio Grande (Score) edited by Jeffrey Sultanof and Rob DuBoff. Arranged by Gerry Mulligan. For big band. Recorded by the Claude Thornhill Orchestra. Swing. Medium Difficult. Score. Published by Jazz Lines Publications (JL.JLP-8455S). Rose of the Rio Grande was probably written in 1948, but could have been written a little later. Frankly, it is an amazing score, certainly one of the greatest arrangements Mulligan ever wrote, but also reflective of his maturity as a writer. The introduction alone sounds like it was written twenty years later; it is so unique for its time that the rest of the arrangement almost sounds like an anti-climax, except that Mulligan also wrote one of the great out-choruses in big band history for this setting. He knew how good it was, since he reused it for his own composition Swing House written for Stan Kenton in 1952. This arrangement would not be recorded by Thornhill until 1953 for Albert Marx's Trend label. Alto sax 1 doubles on clarinet. The brass instrumentation is: 3 trumpets, 2 horns in F, 2 trombones, and tuba. We have included optional alternate parts for the horns in F and tuba (see below). Ranges: Trumpet 1: to A6; Trombone 1: to Ab4.
$20.00

Genres: Swing, Jazz & Blues
Bop Bounce [Aka Harlequin Bounce] by Benny Carter. Arranged by Benny Carter. For big band. Swing, Jazz. Advanced. Score. Published by Jazz Lines Publications (JL.JLP-8496S). This brilliant bebop arrangement was written by Benny in 1948 for a broadcast on Armed Forces Radio. The big band featured tenor saxophonist Dexter Gordon. This arrangement is much in the syle of the charts that were recorded by the bebop big bands of Dizzy Gillespie and Billy Eckstine. Sometime after it was recorded Benny changed the title to Harlequin Bounce. It was then recorded in part for a video short, put together with Carter's arrangement of Congero. The reeds are featured playing the melody with the brass providing punching accents. This chart showcases some intricate unison lines in both reeds and brass. These sections will take a considerable amount of work to get it right. If your band can put it together this would make a great festival or concert piece. Solos are for piano, trombone, tenor saxophone, and the solo alto. Ranges: Trumpets 1-3: Eb6; All Trombones: Bb4.
$20.00

Genres: Swing, Jazz & Blues
Stratosphere (Score) edited by Jeffrey Sultanof and Rob DuBoff. Arranged by Eddie Wilcox. For big band. Recorded by Jimmie Lunceford. Swing. Difficult. Score. Published by Jazz Lines Publications (JL.JLP-8732S). Here is one of the most famous and groundbreaking big band arrangements from the early swing era. Written in 1934 by pianist Eddie Wilcox, this arrangement was a novelty number for the band showcasing the reeds and trumpets. The syncopation will require special attention, especially by trumpets 1 and 2 who play against each other. Alto 1 doubles on clarinet. If you're looking for a fast showcase for your band, this is it! Ranges: Trumpet 1: to C6; Trombones 1 and 2: to Bb4.
$20.00

Genres: Swing, Jazz & Blues